Singapore Box Office for Judas and the Black Messiah (2021)
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| Theatrical Performance (US$) | ||
| Singapore Box Office | $21,000 | Details |
| Worldwide Box Office | $7,053,949 | Details |
| Home Market Performance | ||
| North America DVD Sales | $549,814 | Details |
| North America Blu-ray Sales | $697,901 | Details |
| Total North America Video Sales | $1,247,715 | |
| Further financial details... | ||
Synopsis
Fred Hampton was 21 years old when he was assassinated by the FBI, who coerced a petty criminal named William O’Neal to help them silence him and the Black Panther Party. But they could not kill Fred Hampton’s legacy and, 50 years later, his words still echo…louder than ever.
Metrics
Movie Details
| Production Budget: | $26,000,000 |
| Singapore Releases: | April 23rd, 2021 (Wide) |
| Video Release: | February 12th, 2021 by Max |
| MPAA Rating: | R for violence and pervasive language. (Rating bulletin 2645 (Cert #52838), 9/2/2020) |
| Running Time: | 126 minutes |
| Keywords: | Biographical Drama, Biography, FBI, Civil Rights Movement, 1960s, Sundance Film Festival 2021, 2021 Oscars Best Picture Nominee |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Participant Media, Bron Creative, Warner Bros., Macro Media, Proximity Media |
| Production Countries: | United States |
| Languages: | English |
Weekend estimates: Tom and Jerry shows the strength of family movies with a $13.7-million debut
February 28th, 2021
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Tom and Jerry is enjoying the best weekend of 2021 so far, and the third-best of the pandemic era, according to Warner Bros.’ projections released on Sunday mornings. Its $13.71 million opening is a far cry from the $40 million to $50 million it might have earned before the pandemic, but it confirms something we’ve suspected since the stronger-than-expected openings of The War with Grandpa and The Croods: A New Age: family movies are performing much better during the pandemic than other types of film…
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Weekend predictions: $6 million is the benchmark for Tom and Jerry
February 26th, 2021
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Warner Bros. wraps up January with what should be the biggest release of the year so far. Under normal circumstances, Tom and Jerry would be looking for an opening weekend somewhere close to the $58 million enjoyed by Sonic the Hedgehog this time last year. Our model says $46 million would be par for the course for a film like this. But, even though there are some signs of improvement in the theatrical market, pandemic-related restrictions and the reluctance of audiences to return to theaters means the movie won’t see anything close to that level of business this weekend.
Weekend predictions: Croods looking likeliest winner in a close race
February 19th, 2021
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With no new releases this weekend, the race for number one at the box office comes down to which film among the top three last weekend has the best legs. The overwhelmingly likely answer to that question is The Croods: A New Age, which enters its lucky 13th week in release doing almost exactly the same business as it was two months ago. The only unknown is how well Judas and the Black Messiah will do in its second weekend.
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Weekend estimates: a 3-way tie for number one
February 14th, 2021
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The combination of a long weekend and a very tight race means it’s hard to say who’s winning at the box office this weekend. Universal is claiming bragging rights, with a $2.04 million three-day estimates for The Croods: A New Age. It is set to earn around $2.66 million including Monday’s holiday gross. Warner Bros. is projecting $2.0 million over three days and $2.4 million for the long weekend for both its new release Judas and the Black Messiah and the returning The Little Things. (The studio didn’t originally announce a three-day number for The Little Things, but just confirmed that $2.0 million figure with us.)
Outside of this minor intrigue at the top of the chart, this week’s estimates contain some promising news…
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Weekend predictions: Judas and the Black Messiah should win the weekend
February 12th, 2021
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The welcome arrival of two new wide releases and the combination of Valentine’s Day on Sunday and President’s Day on Monday should cause an uptick at the box office this weekend. Judas and the Black Messiah is the film most likely to top the chart, according to our model, while Land is set for a more modest result but should make it into the top six.
Judas and the Black Messiah Trailer
August 6th, 2020
Biographical drama starring Daniel Kaluuyya and Lakeith Stanfield will play exclusively in theaters, soon. Full movie details.
More...
Weekend Box Office Performance
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/11/2021 | $100,231 | 75 | 75 | 348 | $388,539 | 10/20/2022 |
| Brazil | 4/23/2021 | $0 | 0 | 0 | 0 | $35,000 | 10/20/2022 |
| India | 4/23/2021 | $0 | 0 | 0 | 0 | $16,000 | 10/20/2022 |
| Mexico | 4/23/2021 | $0 | 0 | 0 | 0 | $63,000 | 10/19/2022 |
| Netherlands | 6/18/2021 | $50,254 | 64 | 64 | 217 | $204,097 | 10/20/2022 |
| New Zealand | 3/11/2021 | $10,994 | 29 | 29 | 142 | $56,230 | 10/19/2022 |
| Nigeria | 4/23/2021 | $0 | 0 | 0 | 0 | $19,000 | 10/20/2022 |
| North America | 2/12/2021 | $2,027,076 | 1,888 | 1,906 | 12,055 | $5,478,009 | |
| Saudi Arabia | 3/12/2021 | $41,000 | 28 | 28 | 28 | $72,000 | 10/19/2022 |
| Singapore | 4/23/2021 | $0 | 0 | 0 | 0 | $21,000 | 10/20/2022 |
| South Korea | 4/23/2021 | $20,741 | 146 | 146 | 218 | $61,000 | 10/20/2022 |
| Sweden | 4/2/2021 | $0 | 0 | 0 | 0 | $73,000 | 10/20/2022 |
| United Arab Emirates | 3/12/2021 | $0 | 0 | 0 | 0 | $52,000 | 3/15/2021 |
| United Kingdom | 2/26/2021 | $0 | 0 | 289 | 372 | $515,074 | 6/2/2021 |
| Worldwide Total | $7,053,949 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Daniel Kaluuya | Fred Hampton |
| Lakeith Lee Stanfield | Bill O’Neal |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Shaka King | Director |
| Shaka King | Screenwriter |
| Will Berson | Screenwriter |
| Will Berson | Story by |
| Shaka King | Story by |
| Kenny Lucas | Story by |
| Keith Lucas | Story by |
| Ryan Coogler | Producer |
| Charles D. King | Producer |
| Shaka King | Producer |
| Sev Ohanian | Executive Producer |
| Zinzi Coogler | Executive Producer |
| Kim Roth | Executive Producer |
| Poppy Hanks | Executive Producer |
| Ravi Mehta | Executive Producer |
| Jeff Skoll | Executive Producer |
| Anikah McLaren | Executive Producer |
| Aaron L. Gilbert | Executive Producer |
| Jason Cloth | Executive Producer |
| Ted Gidlow | Executive Producer |
| Niija Kuykendall | Executive Producer |
| Sam Lisenco | Production Designer |
| Kristan Sprague | Editor |
| Craig Harris | Composer |
| Mark Isham | Composer |
| Sean Bobbitt | Director of Photography |
| Will Berson | Co-Producer |
| Kenny Lucas | Co-Producer |
| Keith Lucas | Co-Producer |
| Charlese Antoinette Jones | Costume Designer |
| Alexa L. Fogel | Casting Director |
| Ted Gidlow | Unit Production Manager |
| Benita Allen | First Assistant Director |
| Fred Roth | Second Assistant Director |
| Makiah Green | Associate Producer |
| Allard Cantor | Associate Producer |
| Jarrod Murray | Associate Producer |
| Austin LaPierre | Production Supervisor |
| Jeremy Woolsey | Art Director |
| Marlowe Taylor | Sound Mixer |
| Eva Z. Cabrera | Script Supervisor |
| C. Tuezday Naper | Costume Supervisor |
| Sian Richards | Make up |
| Sian Richards | Make-up and Prosthetic Effects Designer |
| John Blake | Make up |
| Victor Del Castillo | Make up |
| Rebecca Woodfork | Hairstylist |
| Korrey Robinson | Hairstylist |
| Wendy Evans | Hairstylist |
| Rebecca Brown | Set Decorator |
| Bill Garvey | Location Manager |
| Russell Tyrrell | Special Effects Supervisor |
| Dean Tyrrell | Special Effects Coordinator |
| Francis Power | Post-Production Supervisor |
| Jennifer Lame | Additional Editor |
| Michael Lafond | First Assistant Editor |
| Jeremy Newmark | Visual Effects Supervisor |
| Marvin Morris | Music Editor |
| Rich Bologna | Supervising Sound Editor |
| Skip Lievsay | Re-recording Mixer |
| Jac Rubenstein | Dialogue Editor |
| Jack Heeren | Foley Mixer |
| Kevin Schultz | Foley Mixer |
| Joao Galvao | Foley Mixer |
| Davi Aquino | Foley Editor |
| Jenna Dalla Riva | Foley Editor |
| Zach Cowie | Music Supervisor |
| Ludwig Göransson | Executive Music Producer |
| Archie Davis | Executive Music Producer |
| Craig Harris | Score Producer |
| Mark Isham | Score Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.