Portugal Box Office for A Viagem (2017)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $11,388 | Details |
| Worldwide Box Office | $471,342 | Details |
| Further financial details... | ||
Synopsis
The real life account of how two men from opposite sides of the political spectrum came together to change the course of history. In 2006, amidst the ongoing, decades-lssong conflict in Northern Ireland, representatives from the two warring factions meet for negotiations. In one corner is Ian Paisley, the deeply conservative British loyalist; in the other is Martin McGuinness, a former Irish Republican Army leader who has devoted his life to the cause of Irish reunification. Opposites in every way, the two men at first seem to have little chance of ever finding common ground. But over the course of an impromptu, detour-filled car ride through the Scottish countryside, each begins to see the other less as an enemy, and more as an individual—a breakthrough that promises to at last bring peace to the troubled region.
Metrics
Movie Details
| Portugal Releases: | October 6th, 2017 (Wide), released as A Viagem |
| MPAA Rating: | PG-13 for thematic elements including violent images and language. (Rating bulletin 2472 (Cert #50394), 4/19/2017) |
| Running Time: | 95 minutes |
| Keywords: | Politicians, Political, Enemies Forced to Work Together, Set in Ireland, Set in Northern Ireland |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Greenroom Entertainment, Tempo Productions |
| Production Countries: | United Kingdom |
| Languages: | English |
Theater Averages: Audiences Take a $22,310 Journey with Hare Krishna
June 21st, 2017
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Hare Krishna! The Mantra, The Movement and the Swami Who Started it All earned first place on the theater chart with $22,310 in one theater. The Journey debuted in second place with an average of $16,448 in two theaters. Up next were a trio of wide releases, including the overall number one film, Cars 3, with an average of $12,615. All Eyes on Me opened with an average of $10,698. The only holdover in the $10,000 club was Wonder Woman, which spent its third week in the $10,000 club with an average of $10,271.
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Weekend Estimates: Cars 3 Has Fast Opening Lap
June 17th, 2017
As anticipated, Cars 3 is cruising to the top of the box office chart this weekend, with Disney predicting a weekend of $53.547 million, as of Sunday morning. While that’s a very respectable figure in anyone’s book (and continues Disney’s domination at the box office this year), it’s down markedly from Cars 2’s $66.1 million opening weekend in 2011, and points towards a final domestic box office around $150 million. If that proves to be the case, it’ll be the second-worst performer ever for Pixar, beating only The Good Dinosaur. Talk of a decline at Pixar is over-blown, in my opinion, but this is still a so-so result by their high standards.
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Limited and VOD Releases: Feeling Maudlin
June 16th, 2017
It is not a particularly good week when it comes to limited releases and almost none of the films on this week’s list have a shot at box office success. The Book of Henry is the widest release by far, but its reviews will likely result in a really poor theater average. On the other hand, Maudie might be able to earn some measure of mainstream success. Its reviews are certainly a positive sign.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/10/06 | 18 | $5,005 | 10 | $501 | $5,005 | 1 | |
| 2017/10/13 | 30 | $1,670 | -67% | 10 | $167 | $11,388 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Italy | 3/31/2017 | $76,591 | 0 | 0 | 0 | $76,591 | 4/5/2017 |
| New Zealand | 7/14/2017 | $24,291 | 24 | 27 | 142 | $79,554 | 10/16/2017 |
| North America | 6/16/2017 | $32,895 | 2 | 26 | 102 | $164,994 | |
| Portugal | 10/6/2017 | $5,005 | 10 | 10 | 20 | $11,388 | 10/19/2017 |
| South Korea | 2/27/2017 | $0 | 0 | 0 | 0 | $15,295 | 4/14/2019 |
| Spain | 12/8/2017 | $23,629 | 34 | 34 | 34 | $23,629 | 12/14/2017 |
| United Kingdom | 5/5/2017 | $31,203 | 34 | 34 | 98 | $99,891 | 6/21/2017 |
| Worldwide Total | $471,342 | 4/14/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Timothy Spall | Ian Paisley |
| Colm Meaney | Martin McGuinness |
Supporting Cast
| Freddie Highmore | Jack The Driver |
| John Hurt | Harry Patterson |
| Catherine McCormack | Kate |
| Toby Stephens | Tony Blair |
| Mark Lambert | Bertie Ahern |
| Barry Ward | Paisley Junior |
| Ian Beattie | Gerry Adams |
| Ian McElhinney | Rory McBride |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Nick Hamm | Director |
| Colin Bateman | Screenwriter |
| Piers Tempest | Producer |
| Mark Huffam | Producer |
| Nick Hamm | Producer |
| Matt Jackson | Producer |
| Stuart Ford | Producer |
| Jo Bamford | Executive Producer |
| Norman Merry | Executive Producer |
| Janine Modder | Executive Producer |
| Miguel Palos, Jr. | Executive Producer |
| Isabel Freer | Co-Producer |
| Greg Gardiner | Director of Photography |
| Chris Gill | Editor |
| David Craig | Production Designer |
| Stephen Warbeck | Composer |
| Susan Scott | Costume Designer |
| Olivia Scott-Webb | Casting Director |
| Carla Stronge | Casting Director |
| Janine Modder | Unit Production Manager |
| Hannah Quinn | First Assistant Director |
| Adrienne Greenhalgh | Second Assistant Director |