China Box Office for Jing Zhou (2018)
Theatrical Performance (US$) | ||
China Box Office | $90,524,288 | Details |
Worldwide Box Office | $91,462,581 | Details |
Home Market Performance | ||
North America DVD Sales | $1,369,933 | Details |
North America Blu-ray Sales | $479,996 | Details |
Total North America Video Sales | $1,849,929 | |
Further financial details... |
Synopsis
In a kingdom ruled by a young and unpredictable king, the military commander has a secret weapon: a “shadow”, a look-alike who can fool both his enemies and the King himself. Now he must use this weapon in an intricate plan that will lead his people to victory in a war that the King does not want.
Metrics
Movie Details
China Releases: | September 30th, 2018 (Wide) |
Video Release: | August 13th, 2019 by Well Go USA Video |
MPAA Rating: | Not Rated |
Running Time: | 116 minutes |
Keywords: | Wuxia, War, Ancient China, Zhou Dynasty, Betrayal, Martial Arts, Underwater, Slow Motion Scene, Regicide |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Fantasy |
Production/Financing Companies: | Perfect Village Entertainment, Tencent Pictures , KBRO HK Limited, Le Vision |
Production Countries: | China |
Languages: | Mandarin |
Theater Averages: Endgame more than Doubles the Competition
May 9th, 2019
Avengers: Endgame remained on top spot on the theater average chart with an average of $31,614. This isn’t that far behind Captain Marvel’s $35,599 average it earned during its opening weekend. The only other member of the $10,000 club was Doubles vies, which is French for Two Vies. ... It’s been a while since I made a joke that bad and I’m not apologizing. That film earned an average of $14,927 in two theaters.
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Weekend Estimates: Endgame and Force Awakens in Real Fight
May 5th, 2019
The weekend isn’t going as well as I had hoped. Avengers: Endgame managed $145.80 million during its second weekend of release, which would leave it just behind The Force Awakens for biggest second weekend of all time. However, this is from Disney and they underestimated last week’s opening by such a large margin that I’m not sure The Force Awakens’ record is safe. On the other hand, there’s no ambiguity about Endgame setting the record for fastest to $600 topping The Force Awakens’s previous record by two full days. The film’s running tally sits at $619.70 million after just ten days of release and I don’t think it is hyperbolic to say it will top $900 million given its start so far. In fact, it could remove The Force Awakens from the top spot on the all-time Domestic title by the time its done, if it turns out Disney was being too conservative with its estimates again this week.
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Limited and VOD Releases: Into the Light
May 3rd, 2019
There are not a ton of limited releases coming out this week, but there are some that are certainly worth checking out. This includes two documentaries, Ask Dr. Ruth and Meeting Gorbachev. However, the movie I most want to see is Shadow.
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International Box Office: Venom Spreads Worldwide
October 9th, 2018
Venom dominated the international chart with $127.15 million on 22,319 screens in 76 markets. Both Russia and South Korea could claim top spot for the film. In the former, it earned $14.39 million in 2,672 screens over the weekend. In the latter, it earned $10.63 million on 1,295 screens over the weekend for a total opening of $16.48 million. The film debuted in Mexico with $10.07 million on 3,465 screens. It also cracked the $10 million mark in the U.K., if you include previews, as it earned $7.42 million on 867 screens over the weekend for a total opening of $10.50 million. The film has yet to open in France, Japan, and China, although I’m not convinced it will get passed Chinese censors.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/09/28 | 2 | $9,550,000 | 75,350 | $127 | $9,620,000 | 1 | |
2018/10/05 | 2 | $17,530,000 | +84% | 61,102 | $287 | $65,240,000 | 2 |
2018/10/12 | 3 | $7,790,000 | -56% | 43,889 | $177 | $79,970,000 | 3 |
2018/10/19 | 6 | $3,180,000 | -59% | 22,365 | $142 | $86,800,000 | 4 |
2018/10/26 | 9 | $630,000 | -80% | 4,972 | $127 | $90,210,000 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 10/12/2018 | $69,994 | 18 | 18 | 44 | $139,546 | 7/17/2023 |
China | 9/30/2018 | $9,550,000 | 75350 | 75350 | 207678 | $90,524,288 | 12/6/2018 |
Netherlands | 5/17/2019 | $19,774 | 31 | 31 | 60 | $62,315 | 5/28/2019 |
North America | 5/3/2019 | $27,474 | 4 | 53 | 185 | $521,396 | |
Russia (CIS) | 3/8/2019 | $17,006 | 142 | 142 | 204 | $31,233 | 4/27/2019 |
South Korea | 12/13/2018 | $4,521 | 16 | 16 | 16 | $11,603 | 1/8/2019 |
Spain | 5/17/2019 | $70,248 | 63 | 63 | 121 | $135,760 | 5/30/2019 |
Turkey | 5/10/2019 | $20,281 | 155 | 155 | 245 | $36,440 | 5/30/2019 |
Worldwide Total | $91,462,581 | 7/17/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Chao Deng | Commander Jing |
Li Sun (孙俪) | Madam |
Zheng Kai | The King of Pei |
Qianyuan Wang | Captain Tian |
Wang Jingchun | Lu Yan |
Hu Jun | Yang Cang |
Guan Xiaotong | Princess Qingping |
Leo Wu | Yang Ping |
Supporting Cast
Ryan Zheng | Shi Liang |
Feng Bai |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Zhang Yimou | Director |
Zhang Yimou | Screenwriter |
Li Wei | Screenwriter |
Lian Jie | Executive Producer |
Zhang Zhao | Executive Producer |
Edward Cheng | Executive Producer |
Ellen Eliasoph | Producer |
Zhang Zhao | Producer |
Pang Liwei | Producer |
Liu Jun | Producer |
Wang Xiaozhu | Producer |
Zhao Xiaoding | Cinematographer |
Zhou Xiaolin | Editor |
Yang Jiang | Sound Mixer |
Zhao Nan | Sound Mixer |
Loudboy* | Composer |