Colombia Box Office for I Don't Know How She Does It (2011)
Theatrical Performance (US$) | ||
Colombia Box Office | $24,401 | Details |
Worldwide Box Office | $24,474,463 | Details |
Home Market Performance | ||
North America DVD Sales | $3,589,941 | Details |
North America Blu-ray Sales | $373,234 | Details |
Total North America Video Sales | $3,963,175 | |
Further financial details... |
Synopsis
Kate Reddy devotes her days to her job with a Boston-based financial management firm. At night she goes home to her adoring, recently-downsized architect husband Richard and their two young children. It's a non-stop balancing act, the same one that Kate's acerbic best friend and fellow working mother Allison performs on a daily basis, and that Kate's super-brainy, child-phobic young junior associate Momo fully intends to avoid. When Kate gets handed a major new account that will require frequent trips to New York, Richard also wins the new job he's been hoping for-and both will be spreading themselves even thinner. Complicating matters is Kate's charming new business associate Jack Abelhammer, who begins to prove an unexpected source of temptation.
Metrics
Movie Details
Production Budget: | $24,000,000 |
Colombia Releases: | May 25th, 2012 (Wide) |
Video Release: | January 3rd, 2012 by Weinstein Co./Anchor Bay |
MPAA Rating: | PG-13 for sexual references throughout. (Rating bulletin 2189, 9/14/2011) |
Running Time: | 89 minutes |
Keywords: | Dysfunctional Family, Corporate Life, Mid-Life Crisis, Breaking the Fourth Wall, Comedy Drama, Romance, Widow/Widower, Workaholic |
Source: | Based on Fiction Book/Short Story |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Weinstein Company |
Production Countries: | United States |
Languages: | English |
Blu-ray Sales: Overall Sales are in Remission
January 19th, 2012
The Blu-ray sales chart was both busy and slow this week. On the one hand, there were five new releases that charted this week, including three in the top ten. On the other hand, only one of those new releases, Contagion, did any significant business. It was able to sell 274,000 units while generating $4.93 million in revenue, giving it an opening week Blu-ray share of 40%. That's a very good share for a drama, but its overall home market run is disappointing.
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DVD Sales: New Releases are Spreading
January 17th, 2012
There were five new releases to reach the top 30 on this week's DVD sales chart. This includes a new number one selling DVD, Contagion. The film sold 411,000 units during its first week of release generating $6.16 million.
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DVD and Blu-ray Releases for January 3rd, 2012
January 3rd, 2012
The first Tuesday of the year is not a great time of year for new releases on the home market. It's an even worse time of year for critics, especially this year. With Christmas Day landing on the Sunday, many studios took the entire week off, so there are plenty of screeners that still haven't made it my way. (There is some good news here, as I was able to get caught up on all of the screeners that had previously arrived late.) A couple of these potential late arrivals are contenders for Pick of the Week, like Justified: Season Two - Buy from Amazon: DVD or Blu-ray and Mildred Pierce - Buy from Amazon: DVD or Blu-ray Combo Pack. They also have competition from Contagion - Buy from Amazon: DVD or Blu-ray, but in the end I gave that honor to The Guard - Buy from Amazon: DVD or Blu-ray.
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Weekend Wrap-Up: New Releases are Money, King Still Reigns
September 26th, 2011
It was a very good weekend at the box office, compared to the average for this time of year. None of the four wide releases were real bombs, although a couple opened soft, they were within the range of expectations. Also, The Lion King held on even better than expected leading the way for the second weekend in a row. This helped the film grow just over 16% from last weekend to $117 million. More importantly, the overall box office was close to 17% higher than this weekend last year. Not only did The Lion King top Wall Street 2: Money Never Sleeps's opening, so did Moneyball and Dolphin Tale. Year-to-date, 2011 is still behind 2010 by 4% at $7.85 billion to $8.14 billion, but a few more wins like this and that gap will start to close.
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Weekend Wrap-Up: Lion King is the Driving Force at the Box Office
September 19th, 2011
There were three new wide releases this past weekend, but it was a re-release, The Lion King, that dominated at the box office. This success is really good news, because all three new wide releases, Drive, I Don't Know How She Does It, and Straw Dogs, missed expectations. The overall movie industry generated just over $101 million this weekend, compared to $82 million last weekend, which is a 24% increase. This weekend last year, the overall box office was just under $101 million, so yes, 2011 squeezed out a win this week, even if it was by less than 1%. Year-to-date, 2011 has earned $7.70 billion, compared to $8.01 billion it earned last year. We are going to need to see some big wins over the coming weeks if 2011 is going to have a shot at closing that gap by the end of December.
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Weekend Predictions: Will Lion Be King?
September 15th, 2011
It could be an interesting week at the box office, with three films opening wide, Drive, I Don't Know How She Does It, and Straw Dogs, plus a fourth film being re-released wide, The Lion King. There's a lot of uncertainty in the box office predictions for the weekend and I've seen various predictions that have Drive winning the weekend, Contagion repeating on top, and some say The Lion King's 3D conversion will boost it to number one. Unfortunately, while there's a wide range of opinion regarding what film will top the box office chart, there are very few people who think this weekend will be as strong as last year when The Town opened with nearly $24 million and Easy A earned close to $18 million. It's unlikely the top two films will earn that much this year and we don't have the same depth either.
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Contest: Pare Down the Competition
September 9th, 2011
Next week is another busy week with four wide releases. Unfortunately, none of them look like massive hits, which makes it harder to predict which film will come out on top and how much it will make. Fortunately, we have three prizes this week, so no matter how far off your prediction is, you still have a chance of winning. As for the target film, at this point, it appears I Don't Know How She Does It will open in the most theaters, but I think Drive will open the fastest, so it is the target film in this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Drive.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Madea's Big Happy Family on DVD.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a copy of Meet the Browns: Season One on DVD.
Finally, one additional entrant will be chosen and they will win a copy of Laugh to Keep From Crying: The Play on DVD.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2011 Preview: September
September 1st, 2011
After a strong start, August ended on a really low note, and that's bad news for September, as it means the positive momentum we had is gone. Looking at the upcoming month, there are 18 films opening wide over five weekends (including one re-release) but only four or five of them have a real shot at being midlevel hits, and it is unlikely that all of them will get there. Worse still, there are no films opening this month that look like they will match The Town, which made more than $90 million last September. In fact, the selection of releases is so weak that the film I'm most looking forward to is a limited release that has already come out on Video on Demand, Tucker and Dale vs. Evil. (It has seventeen reviews on Rotten Tomatoes and still not a negative one among them.)
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2012/05/25 | 6 | $24,401 | 20 | $1,220 | $24,401 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Colombia | 5/25/2012 | $24,401 | 20 | 20 | 20 | $24,401 | 12/29/2018 |
Lebanon | 11/17/2011 | $0 | 0 | 1 | 3 | $30,142 | 12/29/2018 |
North America | 9/16/2011 | $4,402,201 | 2,476 | 2,490 | 6,230 | $9,659,074 | |
Venezuela | 12/28/2012 | $8,605 | 4 | 4 | 11 | $91,484 | 12/14/2015 |
Rest of World | $14,669,362 | ||||||
Worldwide Total | $24,474,463 | 12/29/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Sarah Jessica Parker | Kate Reddy |
Supporting Cast
Pierce Brosnan | Jack Abelhammer |
Greg Kinnear | Richard Reddy |
Christina Hendricks | Allison Henderson |
Kelsey Grammer | Clark Cooper |
Seth Meyers | Chris Bunce |
Olivia Munn | Momo Hahn |
Jane Curtin | Maria Reddy |
Mark Blum | Lew Reddy |
Busy Philipps | Wendy Best |
Sarah Shahi | Janine LoPietro |
Jessica Szohr | Paula |
Emma Rayne Lyle | Emily Reddy |
Julius Goldberg | Ben Reddy |
Theodore Goldberg | Ben Reddy |
James Murtaugh | Roger Harcourt |
Mike Brzezinski | Herself |
Eugenia Yuan | Jack's Receptionist |
Joseph Amato | I/T Guy |
Michelle Hurst | Nurse |
Beth Fowler | Clark's Secretary |
Michael Hogan | Bowling Alley Clerk |
Marceline Hugot | Beth |
Steve Routman | Marcus |
Raymond McAnally | Roy |
Katie Hyde Lewars | Organic Mom |
Robbie Sublett | Dad |
Natalie Gold | Young Mother With Cell Phone |
Lorna Pruce | Woman in Bowling Alley |
Jacob Alexander | Towncar Driver |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Douglas McGrath | Director |
Aline Brosh McKenna | Screenwriter |
Allison Pearson | Story Creator |
Donna Gigliotti | Producer |
Bob Weinstein | Executive Producer |
Harvey Weinstein | Executive Producer |
Aline Brosh McKenna | Executive Producer |
Scott Ferguson | Executive Producer |
Stuart Dryburgh | Director of Photography |
Santo Loquasto | Production Designer |
Camilla Toniolo | Editor |
Kevin Tent | Editor |
Allison Pearson | Co-Producer |
Aaron Zigman | Composer |
Dana Sano | Music Supervisor |
Renee Ehrlich Kalfus | Costume Designer |
Douglas Aibel | Casting Director |
Timothy Bird | Assistant Director |
Scott Ferguson | Unit Production Manager |
Doug Huszti | Art Director |
Regina Graves | Set Decorator |
Matthew Landon | Additional Editor |
William Sarokin | Sound Mixer |
Patrick Cyccone | Re-recording Mixer |
Myron Nettinga | Re-recording Mixer |
Reilly Steele | Re-recording Mixer |
Myron Nettinga | Supervising Sound Editor |
Gregg Baxter | Supervising Sound Editor |
Dave Patterson | Sound Editor |
Craig S. Jaeger | Sound Effects Editor |
Michael Jonascu | Sound Effects Editor |
Charles Maynes | Sound Effects Editor |
Randall Guth | Sound Effects Editor |
Chris Welch | Dialogue Editor |
Tony Martinez | Supervising Dialogue Editor |
Jennifer Ralston | Dialogue Editor |
Jacob Ribicoff | Dialogue Editor |
Mary Ellen Porto | Dialogue Editor |
Julie Feiner | Dialogue Editor |
Mike Szakmeister | Dialogue Editor |
Christopher T. Welch | Dialogue Editor |
Josh Winget | Music Editor |
Angie Rubin | Music Editor |
Lori Hicks | Make up |
Aaron F. Quarles | Hairstylist |
Andy Cheng | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.