Venezuela Box Office for Hysteria (2012)
| Theatrical Performance (US$) | ||
| Venezuela Box Office | $140,685 | Details |
| Worldwide Box Office | $15,342,913 | Details |
| Further financial details... | ||
Synopsis
A romantic comedy set in the late 19th century, based on the surprising truth of how Mortimer Granville came up with the world’s first electromechanical vibrator in the name of medical science.
Metrics
Movie Details
| Venezuela Releases: | March 29th, 2013 (Wide) |
| Video Release: | September 18th, 2012 by Sony Pictures Home Entertainment |
| MPAA Rating: | R for sexual content. (Rating bulletin 2209, 2/8/2012) |
| Running Time: | 95 minutes |
| Keywords: | Doctors, Romance, Inventor, Historical Drama, Study of Sexuality |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Informant Media, Forthcoming Films, Beachfront Films, Chimera Films |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
DVD and Blu-ray Releases for September 18th, 2012
September 18th, 2012
It's quite a busy week on the home market front, but most of the new releases are TV on DVD. This includes Modern Family: Season Three on DVD or Blu-ray, which is a contender for Pick of the Week. The best limited release of the week is The Best Exotic Marigold Hotel on DVD or Blu-ray, while the Indiana Jones: The Complete Adventures Blu-ray Box Set is also a contender for Pick of the Week. However, in the end I went with The Cabin in the Woods Blu-ray, which is practically the only first-run release of the week.
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Per Theater Chart: Waning Moon
June 19th, 2012
Moonrise Kingdom has been on the top of the per theater chart for close to a month now. The past weekend it managed an average of $12,571 in nearly 200 theaters. Unfortunately for the box office as a whole, it was the only film to reach the $10,000 market. Your Sister's Sister did come close with an average of $8,402 in thirteen theaters, which is good enough to suggest some potential to expand.
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Per Theater Chart: Nothing Left to Avenge
May 23rd, 2012
The Avengers was the only film to reach the $10,000 mark on the per theater chart earning an average of $13,096. Elena probably would have earned a spot in the $10,000 club had it not opened on Wednesday. It earned $9,035 in one theater over the weekend, but $13,240 over its five-day opening.
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Guiding Limited Releases
May 18th, 2012
It could be a bad week for limited releases. There are a number of films that are opening this week that earned more buzz than most limited releases earn, but almost all of them have really bad reviews. The one I'm most interested in is Indie Game: The Movie, which is currently earning 100% positive reviews, but I'm not sure there are enough fans of Indie games to support the film in theaters. Likewise, Polisse and Quill: Life of a Guide Dog are earning great reviews, but foreign language films rarely expand wide enough to earn some measure of mainstream success. Maybe one of them will prove to be the exception.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2013/03/29 | 6 | $25,107 | 3 | $8,369 | $35,779 | 1 | |
| 2013/04/05 | 6 | $18,643 | -26% | 3 | $6,214 | $71,581 | 2 |
| 2013/04/12 | 8 | $13,071 | -30% | 3 | $4,357 | $98,197 | 3 |
| 2013/04/19 | 9 | $15,330 | +17% | 2 | $7,665 | $123,839 | 4 |
| 2013/04/26 | 10 | $10,903 | -29% | 3 | $3,634 | $140,685 | 5 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 10/25/2012 | $49,760 | 19 | 19 | 57 | $10,563,991 | 12/29/2018 |
| Australia | 7/12/2012 | $328,061 | 79 | 79 | 158 | $801,275 | 12/11/2015 |
| Austria | 6/1/2012 | $0 | 0 | 5 | 38 | $33,045 | 12/11/2015 |
| Brazil | 11/9/2012 | $25,071 | 21 | 21 | 47 | $97,267 | 12/12/2015 |
| Chile | 4/11/2013 | $8,551 | 4 | 4 | 8 | $13,335 | 12/30/2018 |
| Croatia | 3/28/2013 | $2,002 | 1 | 1 | 3 | $5,943 | 12/30/2018 |
| Czech Republic | 4/19/2012 | $0 | 0 | 34 | 58 | $131,178 | 12/29/2018 |
| Greece | 7/26/2012 | $36,590 | 6 | 6 | 6 | $36,590 | 12/11/2015 |
| Hungary | 11/8/2012 | $13,216 | 9 | 9 | 18 | $27,333 | 12/29/2018 |
| Mexico | 8/31/2012 | $71,760 | 59 | 59 | 177 | $205,753 | 12/12/2015 |
| New Zealand | 10/4/2012 | $27,372 | 54 | 54 | 124 | $520,802 | 12/12/2015 |
| North America | 5/18/2012 | $35,656 | 5 | 218 | 914 | $1,804,139 | 12/3/2014 |
| Peru | 1/10/2013 | $22,321 | 9 | 9 | 32 | $66,919 | 12/30/2018 |
| Singapore | 7/26/2012 | $14,147 | 4 | 4 | 6 | $30,285 | 12/11/2015 |
| Slovenia | 7/26/2012 | $1,303 | 2 | 2 | 12 | $16,701 | 12/11/2015 |
| South Africa | 11/9/2012 | $10,116 | 5 | 5 | 30 | $60,057 | 12/14/2015 |
| Spain | 6/15/2012 | $176,765 | 117 | 117 | 505 | $692,261 | 12/11/2015 |
| Thailand | 6/7/2012 | $5,265 | 8 | 8 | 16 | $9,765 | 12/10/2015 |
| Turkey | 10/19/2012 | $15,506 | 10 | 10 | 21 | $45,117 | 12/29/2018 |
| United Kingdom | 9/21/2012 | $14,768 | 16 | 16 | 20 | $32,483 | 12/11/2015 |
| Uruguay | 3/8/2013 | $2,557 | 2 | 2 | 6 | $7,989 | 12/30/2018 |
| Venezuela | 3/29/2013 | $25,107 | 3 | 3 | 14 | $140,685 | 12/14/2015 |
| Worldwide Total | $15,342,913 | 12/30/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Hugh Dancy | Mortimer Granville |
| Maggie Gyllenhaal | Charlotte Dalrymple |
Supporting Cast
| Jonathan Pryce | Dr. Robert Dalrymple |
| Felicity Jones | Emily Dalrymple |
| Rupert Everett | Ednumd St. John-Smythe |
| Ashley Jensen | Fanny |
| Sheridan Smith | Molly |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Tanya Wexler | Director |
| Sarah Curtis | Producer |
| Judy Cairo | Producer |
| Tracey Becker | Producer |
| Stephen Dyer | Screenwriter |
| Jonah Lisa Dyer | Screenwriter |
| Howard Gensler | Story Creator |
| Michael A. Simpson | Executive Producer |
| Eric Brenner | Executive Producer |
| Ken Atchity | Executive Producer |
| Sandra Siegal | Executive Producer |
| Leo Joseph | Executive Producer |
| Nathalie Joseph | Executive Producer |
| Mark Kress | Executive Producer |
| Hakan Kousetta | Executive Producer |
| Claudia Bluemhuber | Executive Producer |
| Florian Dargel | Executive Producer |
| Peter Fudakowski | Executive Producer |
| Stephen Dyer | Executive Producer |
| Anouk Nora | Co-Producer |
| Jimmy De Brabant | Co-Producer |
| Bob Bellion | Co-Producer |
| Paul Sarony | Line Producer |
| Sophie Becher | Production Designer |
| Sean Bobbitt | Director of Photography |
| Jon Gregory | Editor |
| Gaby Kester | Casting Director |
| Nic Ede | Costume Designer |
| Martin Trevis | Sound Mixer |
| Gast Walzing | Composer |