New Zealand Box Office for How To Be Single (2016)
Theatrical Performance (US$) | ||
New Zealand Box Office | $863,458 | Details |
Worldwide Box Office | $100,003,780 | Details |
Home Market Performance | ||
North America DVD Sales | $3,508,173 | Details |
North America Blu-ray Sales | $1,658,218 | Details |
Total North America Video Sales | $5,166,391 | |
Further financial details... |
Synopsis
There’s a right way to be single, a wrong way to be single, and then…there’s Alice. And Robin. Lucy. Meg. Tom. David. New York City is full of lonely hearts seeking the right match, be it a love connection, a hook-up, or something in the middle. And somewhere between the teasing texts and one-night stands, what these unmarrieds all have in common is the need to learn how to be single in a world filled with ever-evolving definitions of love. Sleeping around in the city that never sleeps was never so much fun.
Metrics
Movie Details
Production Budget: | $37,000,000 |
New Zealand Releases: | February 19th, 2016 (Wide), released as How To Be Single |
Video Release: | May 3rd, 2016 by Warner Home Video |
MPAA Rating: | R for sexual content and strong language throughout. (Rating bulletin 2401 (Cert #50108), 11/25/2015) |
Running Time: | 110 minutes |
Keywords: | Romance, Set in New York City, Romantic Comedy, Relationships Gone Wrong, Set in New York |
Source: | Based on Fiction Book/Short Story |
Genre: | Romantic Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | New Line Cinema, Metro-Goldwyn-Mayer Pictures, Flower Films, Wrigley Pictures |
Production Countries: | United States |
Languages: | English |
Home Market Releases for May 24th, 2016
May 24th, 2016
There are not a lot of first-run releases on this week's list and none that are contenders for Pick of the Week. That's not to say there are no contenders, but they come from catalog releases, TV on DVD, etc. Buster Keaton: The Shorts Collection 1917-1923 on Blu-ray tops that list. However, I'm going with Mustang on DVD or Blu-ray Combo Pack as the Pick of the Week. The screener arrived late, but it was worth it.
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Weekend Wrap-Up: Deadpool Cruises to $56.47 million Win
February 23rd, 2016
Deadpool held onto first place with $56.47 million over the weekend, while the best new release, Risen, was well back in third place with $11.80 million. It's not surprising the overall box office fell this weekend when compared to the last weekend. The overall box office fell 41% to $142 million, which is barely more than what Deadpool alone earned last weekend. This was still 19% more than this weekend last year, when Fifty Shades of Grey fell 74%. 2016's year-to-date lead roughly doubled to 3.5% at $1.63 billion to $1.57 billion.
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Weekend Wrap-Up: Deadpool Assassinates the Competition
February 17th, 2016
Most people thought Deadpool would be a big hit over the weekend. I didn't see a single prediction that said it would be this big. It earned $132.43 million over the three-day weekend, which is more than enough to cover its entire production budget and a healthy chunk of its advertising budget. ... Or at least its initial advertising budget. Needless to say, there is already a sequel in the works. How to be Single had a very solid opening, while Zoolander 2 will need to become a hit on the home market in order to break even. The overall box office rose 150% from last weekend to $239 million over three days. Wow. This weekend last year, Fifty Shades of Grey debuted. Deadpool made almost as much in the four days it was in theaters than Fifty Shades of Grey made in total. It goes without saying that 2016 won the year-over-year comparison. Its 11% difference is impressive. Year-to-date, 2016 has earned $1.44 billion, which is 1.9% more than 2015's running tally at the same stage.
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Weekend Estimates: Deadpool Smashes February Record with $135m Debut
February 14th, 2016
This weekend last year, Fifty Shades of Grey broke one of the longest-standing records in the business by posting a $85.2 million opening weekend, besting the record for biggest weekend in February that had been held by The Passion of the Christ since 2004. Fifty Shades and, in 2014, The LEGO Movie dispelled the myth that big movies couldn’t open in February, and this year Deadpool is single-handedly making President’s Day weekend look like a Summer holiday weekend with an opening projected by Fox at $135 million for the Friday–Sunday period and $150 million over four days.
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Friday Estimates: No Grey Zone for Deadpool
February 13th, 2016
Sometimes a movie opens and it takes a while to figure out if it was a financial success or not. Deadpool is not one of those movies. Not only did its previews break a couple of records, it crushed a few more on Friday. Its opening day haul of $47.5 million is a new record for the biggest day in February, topping Fifty Shades of Grey by just over $10 million. It is also the biggest opening day for an R-rated film, topping The Maxtrix Reloaded for that record. It likely won’t have as strong legs as that film, despite its reviews, because the Fanboy Effect is strong with this movie. That said, the film cost just $58 million to make, so unless it cost more than that to advertise, it will break even just on its domestic box office.
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Thursday Night Previews: Deadpool Has Lively Debut - Updated
February 12th, 2016
Deadpool set two records for biggest February previews and biggest previews for an R-rated film with $12.7 million. ... I think it is safe to assume Deadpool 2 is on its way. The studio was expecting between $60 million and $65 million over the four-day weekend, but studios tend to downplay expectations so they can claim victory, even if the film is a little weaker than anticipated. With the record previews, I think it is safe to say it will top those expectations and even our $75 million prediction seems low.
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Weekend Predictions: Deadpool Looking for Dead Presidents
February 11th, 2016
It's Valentine's Day weekend and Presidents Day long weekend, so the box office should be very robust, at least compared to last weekend. Deadpool has the best reviews and the best buzz and should have no trouble earning first place at the box office. Zoolander 2 is earning weak reviews, but nostalgia could help during its opening weekend. Finally there's How to be Single, which is a Romantic Comedy. Any romantic film should do well on Valentine's Day, even one earning mixed reviews. This weekend last year, Fifty Shades of Grey came out, which is a movie my mind keeps trying to forget happened. It earned just over $85 million during its opening weekend, but less than that during the rest of its run. Deadpool won't open as fast, but it very likely won't collapse next weekend either. 2016 will lose in the year-over-year comparison in the short run, but perhaps by Monday, the tide will turn.
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2016 Preview: February
February 1st, 2016
As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/02/19 | 2 | $201,580 | 72 | $2,800 | $201,580 | 1 | |
2016/02/26 | 3 | $149,959 | -26% | 72 | $2,083 | $455,082 | 2 |
2016/03/04 | 4 | $96,360 | -36% | 72 | $1,338 | $622,626 | 3 |
2016/03/11 | 7 | $65,371 | -32% | 68 | $961 | $721,345 | 4 |
2016/03/18 | 8 | $45,073 | -31% | 41 | $1,099 | $793,346 | 5 |
2016/03/25 | 14 | $20,850 | -54% | 20 | $1,043 | $814,028 | 6 |
2016/04/01 | 20 | $6,180 | -70% | 9 | $687 | $856,152 | 7 |
2016/04/08 | 28 | $2,475 | -60% | 4 | $619 | $849,993 | 8 |
2016/04/15 | 35 | $892 | -64% | 2 | $446 | $863,458 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 2/11/2016 | $172,954 | 35 | 35 | 90 | $422,968 | 12/31/2018 |
Australia | 2/19/2016 | $1,945,015 | 254 | 270 | 1463 | $7,928,628 | 6/9/2016 |
Austria | 4/8/2016 | $323,349 | 69 | 69 | 138 | $643,500 | 6/9/2016 |
Belgium | 2/10/2016 | $349,168 | 40 | 40 | 204 | $1,086,235 | 6/9/2016 |
Brazil | 2/25/2016 | $302,467 | 126 | 126 | 261 | $603,474 | 6/9/2016 |
Bulgaria | 2/12/2016 | $34,334 | 35 | 35 | 133 | $119,219 | 2/26/2019 |
Cambodia | 3/8/2016 | $0 | 0 | 3 | 3 | $18,730 | 12/31/2018 |
Central America | 2/11/2016 | $158,848 | 95 | 95 | 181 | $318,270 | 3/15/2016 |
Chile | 2/11/2016 | $76,500 | 25 | 25 | 77 | $297,974 | 12/31/2018 |
Colombia | 2/25/2016 | $131,023 | 105 | 105 | 184 | $294,133 | 12/31/2018 |
Croatia | 2/11/2016 | $58,663 | 23 | 23 | 79 | $138,715 | 12/31/2018 |
Czech Republic | 5/5/2016 | $47,045 | 46 | 46 | 126 | $212,366 | 12/31/2018 |
Denmark | 2/11/2016 | $220,577 | 68 | 68 | 97 | $927,505 | 6/9/2016 |
Ecuador | 2/19/2016 | $45,879 | 27 | 27 | 58 | $151,915 | 12/31/2018 |
Estonia | 2/12/2016 | $0 | 0 | 11 | 11 | $75,460 | 6/9/2016 |
Finland | 2/12/2016 | $132,325 | 45 | 45 | 200 | $568,387 | 6/9/2016 |
France | 3/2/2016 | $1,097,273 | 187 | 187 | 374 | $2,443,513 | 6/9/2016 |
Germany | 4/7/2016 | $2,025,444 | 370 | 466 | 836 | $4,406,283 | 6/9/2016 |
Greece | 2/11/2016 | $78,075 | 38 | 38 | 62 | $167,829 | 6/9/2016 |
Hong Kong | 2/18/2016 | $242,179 | 33 | 33 | 74 | $655,422 | 6/9/2016 |
Hungary | 2/11/2016 | $231,687 | 42 | 42 | 294 | $791,568 | 12/31/2018 |
Iceland | 2/12/2016 | $0 | 0 | 5 | 5 | $47,284 | 12/31/2018 |
Iraq | 2/18/2016 | $4,342 | 3 | 3 | 8 | $13,347 | 12/31/2018 |
Israel | 2/11/2016 | $154,914 | 26 | 26 | 148 | $658,132 | 12/31/2018 |
Italy | 2/11/2016 | $1,073,274 | 248 | 248 | 500 | $2,128,106 | 6/9/2016 |
Kenya | 2/12/2016 | $13,360 | 15 | 15 | 15 | $13,360 | 12/31/2018 |
Lebanon | 2/11/2016 | $29,272 | 5 | 5 | 17 | $212,407 | 12/31/2018 |
Lithuania | 2/12/2016 | $87,477 | 250 | 250 | 264 | $139,100 | 6/9/2016 |
Mexico | 2/19/2016 | $599,730 | 0 | 27 | 27 | $1,573,141 | 9/8/2018 |
Netherlands | 2/11/2016 | $581,337 | 98 | 98 | 734 | $2,551,644 | 6/9/2016 |
New Zealand | 2/19/2016 | $201,580 | 72 | 72 | 360 | $863,458 | 6/9/2016 |
North America | 2/12/2016 | $17,878,911 | 3,343 | 3,357 | 13,088 | $46,843,513 | |
Oman | 2/18/2016 | $2,756 | 2 | 2 | 2 | $2,756 | 12/31/2018 |
Peru | 2/11/2016 | $90,281 | 33 | 33 | 68 | $218,728 | 12/31/2018 |
Philippines | 2/11/2016 | $215,706 | 103 | 103 | 104 | $369,268 | 12/31/2018 |
Poland | 2/12/2016 | $453,078 | 134 | 134 | 134 | $453,078 | 12/31/2018 |
Portugal | 2/11/2016 | $130,500 | 41 | 41 | 152 | $338,428 | 6/9/2016 |
Romania | 2/12/2016 | $191,081 | 53 | 53 | 53 | $191,081 | 12/31/2018 |
Russia (CIS) | 2/11/2016 | $977,016 | 838 | 838 | 1884 | $2,321,499 | 12/31/2018 |
Serbia and Montenegro | 2/11/2016 | $0 | 0 | 17 | 34 | $49,411 | 12/31/2018 |
Singapore | 2/18/2016 | $292,984 | 26 | 29 | 96 | $810,641 | 6/9/2016 |
Slovakia | 2/11/2016 | $94,694 | 55 | 55 | 162 | $313,569 | 6/9/2016 |
Slovenia | 2/11/2016 | $25,242 | 15 | 15 | 68 | $80,143 | 6/9/2016 |
South Africa | 2/12/2016 | $158,467 | 73 | 73 | 111 | $438,988 | 6/9/2016 |
Spain | 2/12/2016 | $629,472 | 204 | 208 | 840 | $1,722,977 | 6/9/2016 |
Sweden | 2/12/2016 | $390,813 | 84 | 84 | 323 | $1,389,292 | 6/9/2016 |
Switzerland | 3/2/2016 | $70,892 | 12 | 56 | 68 | $433,834 | 6/9/2016 |
Taiwan | 2/8/2016 | $779,850 | 68 | 73 | 301 | $3,441,656 | 6/9/2016 |
Turkey | 4/15/2016 | $33,524 | 46 | 46 | 96 | $114,523 | 12/31/2018 |
Ukraine | 2/11/2016 | $247,526 | 187 | 187 | 446 | $487,349 | 12/31/2018 |
United Arab Emirates | 2/11/2016 | $370,166 | 43 | 43 | 97 | $863,415 | 12/31/2018 |
United Kingdom | 2/19/2016 | $2,691,536 | 432 | 445 | 2131 | $8,598,988 | 6/9/2016 |
Uruguay | 2/18/2016 | $14,257 | 10 | 10 | 23 | $39,427 | 12/31/2018 |
Venezuela | 2/12/2016 | $0 | 0 | 4 | 5 | $9,143 | 6/9/2016 |
Worldwide Total | $100,003,780 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Dakota Johnson | Alice |
Rebel Wilson | Robin |
Alison Brie | Lucy |
Leslie Mann | Meg |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Christian Ditter | Director |
Abby Kohn | Screenplay and Screen Story by |
Marc Silverstein | Screenplay and Screen Story by |
Dana Fox | Screenwriter |
John Rickard | Producer |
Dana Fox | Producer |
Marcus Viscidi | Executive Producer |
Nancy Juvonen | Executive Producer |
Drew Barrymore | Executive Producer |
Richard Brener | Executive Producer |
Michael Disco | Executive Producer |
Dave Neustadter | Executive Producer |
Michele Weiss | Executive Producer |
Liz Tuccillo | Based on the book by |
Christian Rein | Director of Photography |
Steve Saklad | Production Designer |
Tia Nolan | Editor |
Avy Kaufman | Casting Director |
Leah Katznelson | Costume Designer |
Fil Eisler | Composer |
Season Kent | Music Supervisor |
Erica Kay | Unit Production Manager |
Stephen X. Apicella | Assistant Director |
Matt Power | Second Assistant Director |
Katie Silberman | Co-Producer |
Chris Shriver | Art Director |
Chryss Hionis | Set Decorator |
Danny Michael | Sound Mixer |
Stefan Mentz | Associate Producer |
Rebecca Breckel | Script Supervisor |
Nuria Sitja | Make up |
Kerrie Smith | Hairstylist |
Joseph Bonn | Music Editor |
Rick Derby | Assistant Editor |
Sharon Perlman | Assistant Editor |
Ron Eng | Supervising Sound Editor |
Kevin O'Connell | Re-recording Mixer |
Gregg Landaker | Re-recording Mixer |
Paul Carden | Dialogue Editor |
Bernard Weiser | Sound Effects Editor |
Darren Barnett | Foley Mixer |
James Ashwill | Foley Mixer |
Fred Buchholz | Special Effects Coordinator |
Chris Jordan | Special Effects |
Jon Goracy | Additional Casting-Casting Associate |
Barbara McNamara | Additional Casting-Extras Casting |
Bruce Jones | Visual Effects Supervisor |
Dan Levitan | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.