United Kingdom Box Office for Home Alone (Re: 2018) (1990)
| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $3,715,726 | Details |
| Worldwide Box Office | $476,680,641 | Details |
| Further financial details... | ||
Metrics
Movie Details
| Production Budget: | $15,000,000 |
| United Kingdom Releases: | December 5th, 2018 (Limited), released as Home Alone (Re: 2018) |
| Video Release: | October 5th, 1999 by Fox Home Entertainment |
| MPAA Rating: | PG |
| Running Time: | 103 minutes |
| Franchise: | Home Alone |
| Keywords: | Christmas |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 20th Century Fox |
| Production Countries: | United States |
| Languages: | English |
2015 - Holiday Gift Guide - Part I
November 27th, 2015
It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, as well as franchise box sets. I'm going to try to keep it to a dozen or so releases, as these columns are notorious for getting out of hand. Also, while there were a record number of $1 billion box office hits, there were not as many first run releases that earned stellar reviews this year.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/12/13 | 10 | $117,489 | 163 | $721 | $379,046 | 55 | |
| 2020/11/27 | - | $3,619 | 4 | $905 | $538,128 | 105 | |
| 2020/12/04 | - | $49,728 | +1,274% | 81 | $614 | $594,160 | 106 |
| 2020/12/11 | - | $115,889 | +133% | 160 | $724 | $729,203 | 107 |
| 2020/12/18 | - | $75,936 | -34% | 164 | $463 | $857,939 | 108 |
| 2021/12/10 | 7 | $163,129 | 313 | $521 | $1,280,854 | 159 | |
| 2021/12/17 | 10 | $103,527 | -37% | 264 | $392 | $1,414,890 | 160 |
| 2021/12/24 | 9 | $87,498 | -15% | 255 | $343 | $1,640,054 | 161 |
| 2022/12/02 | 14 | $83,867 | 246 | $341 | $1,637,572 | 209 | |
| 2022/12/09 | 8 | $147,154 | +75% | 320 | $460 | $1,826,461 | 210 |
| 2022/12/16 | 7 | $128,848 | -12% | 365 | $353 | $2,004,110 | 211 |
| 2022/12/23 | 7 | $226,044 | +75% | 464 | $487 | $2,408,905 | 212 |
| 2023/12/01 | 14 | $112,776 | 257 | $439 | $2,749,859 | 261 | |
| 2023/12/08 | 9 | $112,054 | -1% | 291 | $385 | $2,864,994 | 262 |
| 2023/12/15 | 10 | $225,094 | +101% | 430 | $523 | $3,172,670 | 263 |
| 2023/12/22 | 8 | $387,136 | +72% | 503 | $770 | $3,715,726 | 264 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 11/12/2020 | $472 | 1 | 133 | 376 | $153,073 | 5/25/2021 |
| New Zealand | 12/3/2020 | $13,774 | 41 | 41 | 97 | $28,689 | 12/28/2023 |
| North America | 11/16/1990 | $17,081,997 | 1,202 | 2,173 | 48,006 | $285,761,243 | |
| South Korea | 7/6/1991 | $0 | 0 | 1 | 1 | $766 | 12/28/2022 |
| United Kingdom | 12/5/2018 | $0 | 0 | 503 | 4280 | $3,715,726 | 1/4/2024 |
| Rest of World | $187,021,144 | ||||||
| Worldwide Total | $476,680,641 | 1/4/2024 | |||||
Lead Ensemble Members
| Macaulay Culkin | Kevin |
| Joe Pesci | Harry |
| Daniel Stern | Marv |
| Catherine O'Hara | Kate |
| John Heard | Peter |
| John Candy | Gus Polinski |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Chris Columbus | Director |
| John Hughes | Screenwriter |
| John Hughes | Producer |
| Mark Levinson | Executive Producer |
| Scott Rosenfelt | Executive Producer |
| Tarquin Gotch | Executive Producer |
| John Muto | Production Designer |
| Raja Gosnell | Editor |
| John Williams | Composer |
| Julio Macat | Director of Photography |
| Mark Radcliffe | Associate Producer |
| Mark Radcliffe | Assistant Director |
| Mack Bing | Unit Production Manager |
| Dan Webster | Art Director |
| Eve Cauley Turner* | Set Decorator |
| Jay Hurley | Costume Designer |
| Mickey Antonetti | Costume Supervisor |
| Jim Alexander* | Sound Mixer |
| Chris Carpenter | Re-recording Mixer |
| Rick Hart | Re-recording Mixer |
| Kevin E. Carpenter | Re-recording Mixer |
| Mike Wilhoit | Supervising Sound Editor |
| Wylie Stateman | Supervising Sound Editor |
| Dino DiMuro | Sound Editor |
| Glenn T. Morgan | Sound Editor |
| Tim Chau | Sound Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.