Portugal Box Office for Hiroshima Mon Amour (1959)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $9,322 | Details |
| Worldwide Box Office | $105,761 | Details |
| Home Market Performance | ||
| North America Blu-ray Sales | $220,749 | Details |
| Total North America Video Sales | $220,749 | |
| Further financial details... | ||
Metrics
Movie Details
| Portugal Releases: | October 27th, 2022 (Limited) |
| Video Release: | July 14th, 2015 by Criterion |
| MPAA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Keywords: | World War II, Film Actor, Performing Arts, Non-Chronological, Unnamed Character, Voiceover/Narration, Relationships Gone Wrong, Forbidden Romance, Interracial Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Argos, Como , Pathe Overseas |
| Production Countries: | United States |
| Languages: | English |
Per Theater Chart: Bird is the Word, and that Word is Awards Season
October 21st, 2014
Birdman debuted in first place on the Per Theater Chart with an amazing average of $106,099. This is the best per theater average since The Grand Budapest Hotel opened with just over $200,000 for its per theater average. It wasn't the only film in the $10,000 club, as Dear White People opened with an average of $31,633 in eleven theaters. The Tale of Princess Kaguya was surprisingly strong during its opening weekend earning an average of $18,305 in three theaters. God the Father earned $15,037 in one theater. The final film in the $10,000 club was Listen Up Philip, which earned an average of $11,642 in two theaters. Diplomacy might have made it in the $10,000 club if it opened on Friday. However, it opened on Wednesday earning $8,518 in one theater over the weekend for a total opening of $12,750.
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Limited Releases: Bird is the Word
October 17th, 2014
It's an excellent week for limited releases with several films earning overwhelmingly positive reviews. This includes a couple that are also earning really loud buzz. Of these, Birdman is probably going to win the weekend race on the Per Theater Chart, while Dear White People should also be a hit. Diplomacy, Housebound, The Tale of Princess Kaguya, and others also deserve to find audiences, but not all will do so for various reasons (wrong genre, opening in Video on Demand, etc.).
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/10/28 | - | $337 | 1 | $337 | $7,526 | 1 | |
| 2022/11/04 | - | $366 | +9% | 1 | $366 | $7,862 | 2 |
| 2023/07/28 | 20 | $552 | 1 | $552 | $9,322 | 40 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| France | 6/10/1959 | $0 | 0 | 0 | 0 | $0 | |
| North America | 10/17/2014 | $18,494 | 5 | 7 | 27 | $96,439 | |
| Portugal | 10/27/2022 | $337 | 1 | 1 | 3 | $9,322 | 8/3/2023 |
| Worldwide Total | $105,761 | 8/3/2023 | |||||
Leading Cast
| Emmanuelle Riva | She |
| Eiji Okada | He |
Supporting Cast
| Bernard Fresson | German Soldier |
| Stella Dassas | Mother |
| Pierre Barbaud | Father |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Alain Resnais | Director |
| Marguerite Duras | Screenwriter |
| Sacha Kamenka | Producer |
| Takeo Shirakawa | Producer |
| Henri Colpi | Editor |
| Jasmine Chasney | Editor |
| Giovanni Fusco | Composer |
| Georges Delerue | Composer |
| Sacha Vierny | Director of Photography |
| Michio Takahashi | Director of Photography |