South Korea Box Office for Heist (2015)
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| Theatrical Performance (US$) | ||
| South Korea Box Office | $118,373 | Details |
| Worldwide Box Office | $3,324,131 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,016,106 | Details |
| North America Blu-ray Sales | $567,464 | Details |
| Total North America Video Sales | $1,583,570 | |
| Further financial details... | ||
Synopsis
When their attempt to rob a casino owned by the feared gangster Pope goes awry and a shootout ensues, Vaughn and Cox are forced to flee on foot and hijack city Bus 657 and take the passengers hostage. Now, in a high speed chase, Vaughn will not only have to outwit the police, led by Officer Bajos who are in hot pursuit, but he will have to contend with Pope's maniacal right hand man, Dog, in order to make it through the day alive. But we quickly learn that things are not what they seem, and Vaughn has more than one card up his sleeve.
Metrics
Movie Details
| Production Budget: | $8,900,000 |
| South Korea Releases: | January 14th, 2016 (Wide) |
| Video Release: | November 13th, 2015 by Lionsgate Home Entertainment |
| MPAA Rating: | R for violence, pervasive language and some sexual content. (Rating bulletin 2382, 7/17/2015) |
| Running Time: | 90 minutes |
| Keywords: | Heist, Gangs, Hijacking, Hostage |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Emmett Furla Oasis Films, Grindstone Entertainment Group, The Fyzz Facility, RPI , Silver Plane Films, TriVision Pictures Inc, Mass Hysteria Entertainment Company Inc |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for December 29th, 2015
December 29th, 2015
Another slow week on the home market, but not one without some top-notch releases. Blood And Black Lace on Blu-ray, I Believe in Unicorns on DVD, Shameless: Season 5 are all excellent. However, Bone Tomahawk on Blu-ray is the clear choice for Pick of the Week.
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Per Theater Chart: James Can't Take the Spotlight
November 17th, 2015
There was only one new release in the $10,000 club and it had to settle for third place on the per theater chart. This left Spotlight in first place with an average of $22,561 in 60 theaters. This is a great result for a film expanding from five to 60 theaters. Brooklyn also expanded, going from five theaters to 23 theaters, while its per theater average remained strong with an average of $20,868. James White was the only new release in the $10,000 club debuting with $12,007 in its lone theater.
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Limited and VOD Releases: Sea a Limited Release This Weekend
November 11th, 2015
It is not a particularly strong week for limited releases, as there are none that really jump out as potential breakout successes. Man Up is earning some of the best reviews, but it is the wrong genre for limited release, as Rom Coms rarely do well enough in limited release to expand wide. (On a side note, one of the exceptions was My Big Fat Greek Wedding. The trailer for the sequel just came out. Nearly 15 years is a long time between the original and the sequel.) James White feels a lot more like a traditional limited release, one that can do really well in the art house circuit.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/01/15 | 19 | $59,240 | 161 | $368 | $73,103 | 1 | |
| 2016/01/22 | 34 | $1,012 | -98% | 1 | $1,012 | $118,373 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Chile | 12/31/2015 | $0 | 0 | 31 | 38 | $180,240 | 12/31/2018 |
| China | 12/8/2017 | $363,017 | 0 | 0 | 0 | $482,729 | 8/16/2018 |
| Croatia | 11/12/2015 | $0 | 0 | 4 | 16 | $18,885 | 12/30/2018 |
| Mexico | 11/13/2015 | $395,934 | 0 | 22 | 25 | $1,011,787 | 9/8/2018 |
| North America | 11/13/2015 | $28,688 | 24 | 24 | 41 | $50,136 | 3/15/2016 |
| Peru | 12/31/2015 | $126,705 | 72 | 72 | 111 | $238,723 | 12/31/2018 |
| Russia (CIS) | 11/12/2015 | $363,911 | 730 | 730 | 1381 | $570,699 | 11/20/2018 |
| South Africa | 12/4/2015 | $19,678 | 29 | 29 | 29 | $19,678 | 12/8/2015 |
| South Korea | 1/14/2016 | $59,240 | 161 | 161 | 162 | $118,373 | 6/9/2016 |
| Ukraine | 11/12/2015 | $6,530 | 36 | 36 | 72 | $11,497 | 12/30/2018 |
| United Arab Emirates | 12/3/2015 | $0 | 0 | 3 | 4 | $422,176 | 12/31/2018 |
| Uruguay | 4/7/2016 | $4,867 | 1 | 1 | 2 | $8,244 | 12/31/2018 |
| Vietnam | 11/13/2015 | $0 | 0 | 2 | 2 | $163,390 | 12/30/2018 |
| Rest of World | $27,574 | ||||||
| Worldwide Total | $3,324,131 | 12/31/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Jeffrey Dean Morgan | Vaughn |
| Robert De Niro | Pope |
| Kate Bosworth | Sydney |
| Dave Bautista | Cox |
Supporting Cast
| Gina Carano | Kris |
| Mark-Paul Gosselaar | Marconi |
| D.B. Sweeney | Bernie |
| Lydia Hull | Pauline |
| Tyler J. Olson | Steve |
| Morris Chestnut | Dog |
| Alyssa Julya Smith | Rebecca |
| Hawn Tran | Tom |
| Christopher Rob Bowen | Eric |
| Renell Gibbs | Tagger |
| Ashley Valenzuela | Virginia |
| Elizabeth Windley | Riley |
| Tyson Sullivan | Mickey |
| Colin Lawless | Little Boy |
| Jerry Hoven | Captain Jerry |
| Scott Herman | Forbes |
| Michael Brannon | Anchorman |
| Ritchie Montgomery | Jono |
| Ron Goleman | Police Dispatcher |
| Summer Altice | Cristal |
| Lance E. Nichols | Michaels |
| Courtney B Turk* | Isabel (Nurse) |
| Robert Aberdeen | Doctor |
| Rachel Kerbs | Mandy |
| Joshua Mikel | Grant |
| Stephanie Marrero | Heather |
| Derek Du Chesne | Dave |
| Alexis Sterling | Waitress |
| Han Soto | Lin Tao |
| Rosie Fellner | Julie |
| Stan Fitch | Tim |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Scott Mann | Director |
| Stephen Cyrus Sepher | Story by |
| Stephen Cyrus Sepher | Screenwriter |
| Max Adams | Screenwriter |
| Randall Emmett | Producer |
| George Furla | Producer |
| Wayne Marc Godfrey | Producer |
| Robert Jones | Producer |
| Stephen Cyrus Sepher | Producer |
| Alexander Tabrizi | Producer |
| Barry Brooker | Executive Producer |
| Stan Wertlieb | Executive Producer |
| David Gilbery | Executive Producer |
| Mark Stewart | Executive Producer |
| Steven Galanis | Executive Producer |
| Vance Owen | Executive Producer |
| Adam Goldworm | Executive Producer |
| Beth Holden Garland | Executive Producer |
| Daniel Grodnik | Executive Producer |
| Montgomery Blencowe | Executive Producer |
| Ted Fox | Executive Producer |
| Corey Large | Executive Producer |
| Brandon Cox | Director of Photography |
| Thomas William Hallbauer | Production Designer |
| Robert Dalva | Editor |
| Tim Sullivan | Co-Producer |
| Gus Furla | Co-Producer |
| Anthony Callie | Co-Producer |
| Ryan Black | Co-Producer |
| William B. Steakley | Line Producer |
| James Edward Barker | Composer |
| Tim Despic | Composer |
| Mike Burns | Music Supervisor |
| Mary C Russell | Unit Production Manager |
| Jonathan Southard | First Assistant Director |
| Kim Barnard | Second Assistant Director |
| Lottie Abrahams | Co-Executive Producer |
| Arnaud Lannic | Co-Executive Producer |
| Christophe Lannic | Co-Executive Producer |
| Babak Eftekhari | Co-Executive Producer |
| Cam Cannon | Associate Producer |
| Hayley Arabia | Associate Producer |
| Michael J Urann | Associate Producer |
| Keith Adams | Stunt Coordinator |
| Beau J Genot | Executive Post Production Supervisor |
| Nick Dirosa | Script Supervisor |
| Seamus Tierney | Second Unit Director of Photography |
| B.J. Lehn | Sound Mixer |
| Lisa Marie Dupree | Casting Director |
| Brad Johnson | Set Decorator |
| Jasmine Garnet | Art Director |
| Rachel Stringfellow | Costume Designer |
| Staci Witt | Make up |
| Lauren Kelley | Hairstylist |
| Alex Luna | First Assistant Editor |
| Ann Trulove | Assistant Editor |
| David Kitchens | Sound Supervisor |
| David Barber | Supervising Sound Editor |
| Ben Zarai | Sound Effects Editor |
| Sean Gray | Sound Effects Editor |
| Steve Urban | Sound Effects Editor |
| Ben Zarai | Sound Designer |
| Ben Zarai | Music Editor |
| David Barber | Re-recording Mixer |
| Carl Stern | Visual Effects Supervisor |
| Bernie Stern | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.