Mexico Box Office for Hazlo Como Hombre (2017)

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Hazlo Como Hombre
Theatrical Performance (US$)
Mexico Box Office $10,984,231Details
Worldwide Box Office $13,518,483Details
Home Market Performance
North America DVD Sales $32,260 Details
Total North America Video Sales $32,260
Further financial details...

Metrics

Movie Details

Mexico Releases: August 11th, 2017 (Wide)
Video Release: February 13th, 2018 by Lionsgate Home Entertainment
MPAA Rating: R for sexual content throughout.
(Rating bulletin 2489 (Cert #51133), 8/16/2017)
Running Time: 109 minutes
Keywords: LGBTQ+, Coming Out, Relationships Gone Wrong, Relationship Advice, Therapists / Therapy, Closeted Homosexual, Infidelity, Wedding Day Disasters, Left at the Altar, Hispanic, Comedy Drama
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: Chile
Languages: Spanish

Theater Averages: Box Office Has All It can Handle with $30,076

September 13th, 2017

It

It was the only film to earn more than $10,000 on the theater average chart this past weekend. It dominated the competition with an average of $30,076, which is the third best average for a wide release this year, behind Beauty and the Beast ($41,508) and Guardians of the Galaxy Vol 2 ($33,704). The only limited release that came close to the $10,000 mark was Rebel in the Rye, which earned an average of $9,492 in four theaters. More...

Theater Averages: Dolores Dunks on the Competition with $13,534

September 6th, 2017

Dolores

Labor Day long weekend wasn’t nearly as bad we were expecting, but it still wasn’t what you could call good. There were two films to earn more than $10,000 on the theater average chart, which is better than we’ve seen some weeks this year; however, those were the only two new releases to come close to $10,000. Dolores opened in one theater earning $13,534 and this is amazing for a documentary. Viceroy’s House earned an average of $12,034 in four theaters. More...

Weekend Estimates: Labor Day Weekend Looking Better Than Expected

September 3rd, 2017

The Hitman’s Bodyguard

This weekend is somewhat uncharted territory for the movie industry, with no new releases rolling out in over 1,000 theaters and no dominant film already playing. Fortunately, the result is looking like a glass that is at least half full. Thanks in part to the holiday weekend, and the start of recovery from Hurricane Harvey, several returning films improved their box office from last weekend, and the number one film, The Hitman’s Bodyguard, will remain flat from its last outing, with $10.25 million expected by Lionsgate, and a total around $55 million by the end of the day on Sunday. More...

Friday Estimates: Hitman Guards the Box Office with $2.43 million

September 2nd, 2017

The Hitman’s Bodyguard

Expectations for this weekend were really low. They were so low that when I saw The Hitman’s Bodyguard had earned $2.43 million on Friday, I was pleasantly surprised. That’s only 20% lower than last Friday and the holiday should boost its three-day legs, helping it earn just over $9 million. It’s on pace for $12 million over four days for a running tally of over $55 million. That’s enough for Lionsgate’s share to cover its entire $30 million production budget. More...

Weekend Predictions: Will Hitman Assassinate the Box Office?

August 31st, 2017

The Hitman’s Bodyguard

Not only will this weekend likely be the worst weekend of the year, there’s a very high likelihood it will be the worst weekend in over a decade. It arguably could be the worst weekend of all time. There are no wide releases, or even semi-wide releases. The widest “new” release of the week is the 40th Anniversary re-release for Close Encounters of the Third Kind, but last week’s 3D re-release for Terminator 2: Judgment Day suggests it won't come close to the top ten. Tulip Fever is a long-delayed Weinstein Co. release and just avoiding the Mendoza Line would be a reason to celebrate. Up next in terms of theater counts is Hazlo Como Hombre. It is a Chilean film and films aimed at Hispanics have had success in recent years. They only need to earn just over $2 million during the three-day weekend to reach the top ten, so one of them could get there, but that’s not a sure thing. This leaves The Hitman’s Bodyguard with an easy path to first place. This weekend last year, the biggest new release was The Light Between Oceans, which earned just under $5 million. Sadly, this might be more than all three new releases earn this year. Last year the overall box office finished just under $100 million. More...

Hazlo Como Hombre Trailer

August 25th, 2017

Comedy opens September 1 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/08/11 1 $3,232,425   0     $3,827,783 1
2017/08/18 2 $1,718,292 -47% 0     $7,320,906 2
2017/08/25 4 $939,026 -45% 0     $9,191,552 3
2017/09/01 4 $653,415 -30% 0     $10,243,765 4
2017/09/08 6 $375,187 -43% 0     $10,984,231 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Mexico 8/11/2017 $3,232,425 0 0 0 $10,984,231 9/12/2017
North America 9/1/2017 $1,174,484 382 382 1,108 $2,534,252
 
Worldwide Total$13,518,483 9/12/2017

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Nicolas Lopez Director
Guillermo Amoedo Screenwriter
Nicolas Lopez Screenwriter