Egypt Box Office for A Haunted House (2013)
Theatrical Performance (US$) | ||
Egypt Box Office | $17,187 | Details |
Worldwide Box Office | $59,922,558 | Details |
Home Market Performance | ||
North America DVD Sales | $6,354,292 | Details |
North America Blu-ray Sales | $3,158,836 | Details |
Total North America Video Sales | $9,513,128 | |
Further financial details... |
Synopsis
Young couple Malcolm and Kisha have just moved in to their dream house. As they settle in, they quickly find they’re not alone. But it's not the house that's haunted, it's Malcolm’s girlfriend who is possessed by a demon. Malcolm hires everyone from a priest to modern day ghostbusters to rid her of this unwelcome intruder, determined not to let the evil spirit ruin his relationship... or, more importantly, his sex life.
Metrics
Movie Details
Production Budget: | $2,500,000 |
Egypt Releases: | April 10th, 2013 (Wide) |
Video Release: | April 23rd, 2013 by Universal Home Entertainment |
MPAA Rating: | R for crude and sexual content, language and some drug use. (Rating bulletin 2246, 10/24/2012) |
Running Time: | 86 minutes |
Franchise: | A Haunted House |
Keywords: | Spoof, Found Footage, Haunting, Possessed, Paranormal Investigation, Religious, Psychics, Screenplay Written By the Star, Horror Comedy |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Open Road Films, IM Global, Endgame Entertainment, Automatik, Baby Way |
Production Countries: | United States |
Languages: | English |
Home Market Numbers: Massive Update: April 28th, 2013
June 22nd, 2013
There were a quartet of new releases this week, but it was a matter of quantity over quality and Django Unchained remained on top of the DVD and Blu-ray carts. The Gangster Squad settled for second place with 314,000 units / $5.04 million on DVD and 149,000 units / $3.52 million It's opening week Blu-ray share was 32%, which is solid for a drama, but nothing too impressive. Its running totals are 532,000 units / $8.31 million on DVD and 236,000 units / $5.69 million on Blu-ray.
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DVD and Blu-ray Releases for April 23rd, 2013
April 23rd, 2013
This time of year tends to be really bad on the home market. By this late in spring, there are only a few late winter releases still finding their way on the home market. Last weekend it was Django Unchained and next weekend it will be Silver Linings Playbook. This week, there are no such releases. The best selling release according to Amazon.com is Jurassic Park, which makes its home market 3D debut. (It is still in the top ten at the box office, so that might be helping the sales.) I hope to get a screener to review but so far it is late, so I'm not sure if the 3D upgrade is worth the triple-dip. As far as Pick of the Week Contenders, there are not many. The Impossible is probably the best bet, but I'm still waiting for the screener. The week is so bad, that I took the time to review Star Trek: The Next Generation: Season Three on Blu-ray a week in advance, just so I would have something to choose as Pick of the Week this week. It is expensive, but there are several classic episodes that aired this season and there is a ton of new extras on the six-disc set.
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Weekend Wrap-Up: Mama Mia!
January 22nd, 2013
Mama easily won the box office race over the Martin Luther King, Jr. long weekend, with Zero Dark Thirty earning a solid second place. Unfortunately, the other two new releases, Broken City and The Last Stand, were weak and weaker. The overall box office was on par with last week, down less than 1% to $139 million, over the three-day weekend. This was 6% higher than the same weekend last year, over the same period. Adding on Monday, and the total weekend was $165 million, or about 1% higher than last year. It is still way too early to pay real attention to the year-to-date stats, but 2013 is ahead of 2012 by a 7.0% margin at $658 million to $615 million.
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Weekend Wrap-Up: Oscar Bounce Subdued
January 14th, 2013
Oscar nominations didn't produce a big box office bounce over the weekend, but Zero Dark Thirty still managed an easy win, despite missing my admittedly high expectations. The only film in the top five to be a pleasant surprise was A Haunted House, although "pleasant" is not a word most critics were using to describe it. The box office pulled in $141 million overall, which was 4.7% lower than last weekend. More importantly though, it was 6.3% higher than the same weekend last year, which means if A Haunted House bombed like I thought it would, 2013 would have lost in the year-over-year comparison. Fortunately, we had a second win in as many weeks and 2013 is off to an early 22% lead, at $441 million to $362 million.
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Weekend Estimates: Minor Oscar Effect as Zero Dark Thirty Wins
January 13th, 2013
As expected, Zero Dark Thirty will ride its Oscar nominations to a win at the box office this weekend, according to studio estimates released on Sunday. But the overall Oscar effect seems quite small. In fact, A Haunted House, which it's safe to say won't be on any Oscar lists this time next year, will have the highest per theater average in the top 10, and came in a very creditable second place with $18.8 million from just 2,160 theaters. Gangster Squad, which has some Oscar-style pedigree, but suffered from a delay for reshoots following the Aurora tragedy, will come in third with a slightly disappointing $16.7 million from 3,103 venues.
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Weekend Predictions: Will Oscar Glory Shine a Light on Dark?
January 11th, 2013
With the Oscar nominations announced yesterday, most movie aficionados are focusing on that. This is great news for Zero Dark Thirty, which picked up five Oscars yesterday and should lead the box office this week. There are other films opening wide this week. This includes Gangster Squad, which should do acceptable business, even though its reviews are weak. Finally there's A Haunted House, which is an early contender for worst movie of the year. Last year, Contraband opened with just over $24 million and I think Zero Dark Thirty will top that. Overall, 2013 looks pretty good in comparison.
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Contest: Gangs All Here
January 4th, 2013
There are three films opening or expanding wide next Friday, so there at first appears to be some choice for the target film in our weekly box office prediction contest. However, while Zero Dark Thirty should be the biggest hit of the week, it is expanding wide and we prefer new releases. On the other end of the scale, A Haunted House could be the biggest bomb of the month. This leaves Gangster Squad as the clear choice for for target film in this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Gangster Squad.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Nickelodeon: Let's Learn: 1, 2, 3 on DVD.
Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a copy of Nickelodeon: Let's Learn: 1, 2, 3 on DVD.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2013 Preview: January
January 1st, 2013
December ended on a positive note with 2012 topping 2011 with a week to spare. Hopefully this will translate into strong box office numbers going forward. There are several January releases that actually look very interesting, but you always have to ask, if the films are as good as they look, why are they opening in January? The biggest hit on this list will likely not be a January release, but a limited release from December that is expanding wide in January. Zero Dark Thirty opened in limited release the Wednesday before Christmas and right away it got off to an incredible start. If it can turn some of its Awards Season nominations into wins, which seems very likely at this point, it should be the biggest hit of January. If it can earn some major Oscars, then it might crack $100 million. Unfortunately, no other film on this release list is likely to come close to the $100 million mark. Last January was unseasonably strong with three films opening with $20 million or more and four films finishing with $50 million or more. It is possible that none of the new releases will reach those relatively weak standards.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2013/04/12 | 7 | $8,528 | 4 | $2,132 | $8,528 | 1 | |
2013/04/19 | 10 | $4,500 | -47% | 3 | $1,500 | $14,778 | 2 |
2013/04/26 | 10 | $2,029 | -55% | 2 | $1,015 | $17,187 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/21/2013 | $199,102 | 42 | 42 | 184 | $711,158 | 12/30/2018 |
Austria | 3/7/2013 | $66,307 | 25 | 25 | 118 | $178,881 | 12/14/2015 |
Belgium | 2/20/2013 | $54,391 | 11 | 11 | 47 | $160,019 | 12/14/2015 |
Brazil | 2/1/2013 | $905,681 | 289 | 289 | 1283 | $4,900,047 | 12/14/2015 |
Croatia | 2/21/2013 | $19,263 | 7 | 7 | 42 | $66,854 | 12/30/2018 |
Czech Republic | 3/28/2013 | $17,300 | 22 | 25 | 47 | $31,116 | 12/30/2018 |
Egypt | 4/10/2013 | $8,528 | 4 | 4 | 9 | $17,187 | 12/30/2018 |
Germany | 2/21/2013 | $585,663 | 346 | 346 | 1063 | $1,114,704 | 12/14/2015 |
Italy | 1/17/2013 | $1,951,930 | 301 | 301 | 628 | $4,251,409 | 12/14/2015 |
Mexico | 3/1/2013 | $447,229 | 326 | 326 | 1085 | $1,734,094 | 12/14/2015 |
Netherlands | 2/14/2013 | $218,634 | 39 | 39 | 110 | $635,190 | 12/14/2015 |
North America | 1/11/2013 | $18,101,682 | 2,160 | 2,160 | 9,547 | $40,041,683 | 2/3/2014 |
Peru | 2/28/2013 | $223,645 | 49 | 63 | 170 | $820,772 | 12/30/2018 |
Philippines | 1/16/2013 | $109,743 | 55 | 55 | 100 | $163,395 | 12/30/2018 |
Russia (CIS) | 1/17/2013 | $0 | 0 | 241 | 283 | $1,420,581 | 12/30/2018 |
Singapore | 1/31/2013 | $48,799 | 6 | 7 | 13 | $96,012 | 12/14/2015 |
Slovakia | 4/4/2013 | $17,529 | 13 | 13 | 24 | $31,638 | 12/14/2015 |
Spain | 12/20/2013 | $85,272 | 75 | 75 | 143 | $158,225 | 12/13/2015 |
Thailand | 4/18/2013 | $8,401 | 11 | 11 | 20 | $13,211 | 12/14/2015 |
United Arab Emirates | 4/11/2013 | $168,980 | 28 | 28 | 40 | $307,436 | 12/30/2018 |
Venezuela | 3/8/2013 | $200,808 | 29 | 30 | 210 | $2,498,003 | 12/14/2015 |
Rest of World | $570,943 | ||||||
Worldwide Total | $59,922,558 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Marlon Wayans | Malcolm Johnson |
Essence Atkins | Kisha Johnson |
Cedric the Entertainer | Father Doug Williams |
Nick Swardson | Chip the Psychic |
David Koechner | Dan the Security Man |
Dave Sheridan | Bob |
Supporting Cast
Affion Crockett | Ray-Ray |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Michel Tiddes | Director |
Marlon Wayans | Screenwriter |
Rick Alvarez | Screenwriter |
Marlon Wayans | Producer |
Rick Alvarez | Producer |
Stuart Ford | Executive Producer |
Lisa Blum | Executive Producer |
Deepak Nayar | Executive Producer |
Steve Squillante | Executive Producer |
Brian Kavanaugh-Jones | Executive Producer |
Todd King | Co-Executive Producer |
Steve Gainer | Cinematographer |
Suzanne Hines | Editor |
Andy Ross | Music Supervisor |
Fred Andrews | Production Designer |
Ariyela Wald-Cohain | Costume Designer |
Matthew Nicolay | Sound |
Ross Novie | Assistant Director |
Mary Vernieu | Casting |
Venus Kanani | Casting Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.