Denmark Box Office for Halloween (2018)
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| Theatrical Performance (US$) | ||
| Denmark Box Office | $579,768 | Details |
| Worldwide Box Office | $255,416,089 | Details |
| Home Market Performance | ||
| North America DVD Sales | $10,603,879 | Details |
| North America Blu-ray Sales | $13,290,157 | Details |
| Total North America Video Sales | $23,894,036 | |
| Further financial details... | ||
Synopsis
Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.
Metrics
Movie Details
| Production Budget: | $10,000,000 |
| Denmark Releases: | October 19th, 2018 (Wide) |
| Video Release: | January 15th, 2019 by Universal Home Entertainment |
| MPAA Rating: | R for horror violence and bloody images, language, brief drug use and nudity. (Rating bulletin 2538 (Cert #51734), 8/1/2018) |
| Running Time: | 105 minutes |
| Franchise: | Halloween |
| Keywords: | Serial Killer, Supernatural, Slasher Horror, Escape, Mental Hospital, Reboot, Delayed Sequel, IMAX: DMR |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Blumhouse, Miramax Films, Rough House Pictures, Universal Pictures, Malek Akkad |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/10/19 | - | $192,000 | 59 | $3,254 | $192,000 | 1 | |
| 2018/10/26 | - | $111,407 | -42% | 63 | $1,768 | $367,189 | 2 |
| 2018/11/02 | - | $82,655 | -26% | 43 | $1,922 | $497,049 | 3 |
| 2018/11/09 | - | $37,974 | -54% | 28 | $1,356 | $548,257 | 4 |
| 2018/11/16 | - | $11,049 | -71% | 8 | $1,381 | $563,551 | 5 |
| 2018/11/23 | - | $5,645 | -49% | 6 | $941 | $571,881 | 6 |
| 2018/11/30 | - | $3,333 | -41% | 4 | $833 | $577,156 | 7 |
| 2018/12/07 | - | $2,283 | -32% | 2 | $1,142 | $579,768 | 8 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Albania | 10/18/2018 | $0 | 0 | 2 | 3 | $18,023 | 1/1/2019 |
| Argentina | 10/25/2018 | $318,661 | 186 | 198 | 586 | $756,893 | 12/29/2018 |
| Australia | 10/26/2018 | $1,974,173 | 439 | 439 | 1340 | $5,065,947 | 10/31/2022 |
| Austria | 10/26/2018 | $669,957 | 69 | 70 | 321 | $1,569,236 | 12/28/2018 |
| Belgium | 10/24/2018 | $266,295 | 48 | 63 | 244 | $1,025,812 | 12/28/2018 |
| Bolivia | 10/18/2018 | $0 | 0 | 20 | 55 | $269,129 | 11/28/2018 |
| Brazil | 10/25/2018 | $1,390,494 | 574 | 575 | 1978 | $4,280,939 | 12/13/2018 |
| Bulgaria | 10/19/2018 | $41,202 | 0 | 48 | 50 | $171,041 | 2/26/2019 |
| Central America | 10/19/2018 | $373,000 | 155 | 204 | 500 | $1,073,661 | 11/28/2018 |
| Chile | 10/19/2018 | $244,000 | 70 | 70 | 289 | $972,026 | 12/13/2018 |
| Colombia | 10/25/2018 | $554,971 | 196 | 196 | 529 | $1,360,311 | 12/4/2020 |
| Croatia | 11/1/2018 | $94,127 | 37 | 37 | 73 | $143,535 | 11/28/2018 |
| Cyprus | 10/25/2018 | $19,864 | 6 | 6 | 18 | $48,054 | 11/14/2018 |
| Czech Republic | 10/19/2018 | $180,970 | 107 | 107 | 250 | $517,218 | 1/1/2019 |
| Denmark | 10/19/2018 | $192,000 | 59 | 63 | 213 | $579,768 | 12/13/2018 |
| Ecuador | 10/19/2018 | $218,000 | 45 | 45 | 188 | $874,243 | 11/28/2018 |
| Egypt | 10/24/2018 | $60,374 | 23 | 23 | 106 | $252,066 | 12/28/2018 |
| Estonia | 10/26/2018 | $31,481 | 17 | 17 | 49 | $84,609 | 11/28/2018 |
| Finland | 10/19/2018 | $265,000 | 79 | 81 | 307 | $840,962 | 12/28/2018 |
| France | 10/24/2018 | $2,368,948 | 316 | 322 | 1400 | $6,908,250 | 12/5/2018 |
| Germany | 10/25/2018 | $3,809,683 | 517 | 547 | 2843 | $10,892,309 | 1/16/2019 |
| Greece | 10/25/2018 | $191,362 | 0 | 60 | 109 | $591,676 | 11/28/2018 |
| Hong Kong | 10/25/2018 | $292,297 | 45 | 45 | 114 | $641,316 | 11/28/2018 |
| Hungary | 10/25/2018 | $130,933 | 56 | 56 | 202 | $403,326 | 12/13/2018 |
| Iceland | 10/26/2018 | $31,443 | 10 | 10 | 24 | $70,434 | 11/28/2018 |
| India | 10/26/2018 | $146,207 | 480 | 480 | 540 | $253,359 | 11/21/2018 |
| Indonesia | 10/19/2018 | $1,186,000 | 220 | 220 | 574 | $2,571,181 | 1/1/2019 |
| Israel | 10/25/2018 | $136,104 | 27 | 28 | 122 | $450,442 | 12/28/2018 |
| Italy | 10/25/2018 | $1,333,356 | 0 | 0 | 0 | $3,855,894 | 12/5/2018 |
| Japan | 4/12/2019 | $487,520 | 103 | 103 | 292 | $1,763,416 | 8/14/2019 |
| Latvia | 10/26/2018 | $23,502 | 14 | 14 | 30 | $55,243 | 11/28/2018 |
| Lebanon | 10/25/2018 | $44,076 | 16 | 16 | 41 | $116,682 | 11/21/2018 |
| Lithuania | 10/26/2018 | $28,518 | 98 | 98 | 132 | $68,290 | 11/13/2018 |
| Macedonia | 10/18/2018 | $0 | 0 | 2 | 5 | $19,433 | 11/28/2018 |
| Malaysia | 10/25/2018 | $346,501 | 128 | 128 | 397 | $918,347 | 11/28/2018 |
| Mexico | 10/19/2018 | $5,059,157 | 845 | 845 | 876 | $12,408,563 | 7/15/2020 |
| Middle East Region | 10/25/2018 | $509,612 | 63 | 63 | 196 | $1,160,531 | 12/5/2018 |
| Mongolia | 10/26/2018 | $23,844 | 7 | 7 | 20 | $61,930 | 11/21/2018 |
| Netherlands | 11/2/2018 | $460,911 | 84 | 84 | 367 | $1,361,814 | 12/13/2018 |
| New Zealand | 10/19/2018 | $145,000 | 68 | 68 | 261 | $538,636 | 10/20/2022 |
| North America | 10/19/2018 | $76,221,545 | 3,928 | 3,990 | 15,891 | $159,366,015 | |
| Norway | 10/26/2018 | $239,204 | 94 | 94 | 227 | $613,056 | 11/28/2018 |
| Pakistan | 10/26/2018 | $15,788 | 25 | 25 | 34 | $33,676 | 12/13/2018 |
| Paraguay | 10/25/2018 | $25,550 | 17 | 17 | 45 | $53,833 | 11/21/2018 |
| Peru | 10/25/2018 | $505,344 | 99 | 99 | 254 | $1,259,022 | 11/21/2018 |
| Philippines | 10/24/2018 | $215,399 | 144 | 144 | 187 | $325,134 | 1/1/2019 |
| Poland | 10/26/2018 | $223,646 | 139 | 139 | 377 | $663,806 | 12/23/2018 |
| Portugal | 10/26/2018 | $156,552 | 63 | 64 | 191 | $479,260 | 11/27/2018 |
| Romania | 10/19/2018 | $103,000 | 77 | 77 | 224 | $298,340 | 11/11/2020 |
| Russia (CIS) | 10/19/2018 | $1,812,043 | 1134 | 1140 | 3144 | $3,646,567 | 1/1/2019 |
| Serbia and Montenegro | 10/25/2018 | $47,527 | 37 | 37 | 106 | $167,698 | 12/28/2018 |
| Singapore | 10/25/2018 | $153,029 | 31 | 32 | 83 | $332,742 | 12/16/2020 |
| Slovakia | 10/19/2018 | $103,572 | 59 | 59 | 146 | $291,573 | 11/28/2018 |
| Slovenia | 10/25/2018 | $24,224 | 14 | 14 | 44 | $104,065 | 1/2/2019 |
| South Africa | 10/19/2018 | $0 | 0 | 54 | 105 | $152,215 | 11/28/2018 |
| South Korea | 10/31/2018 | $2,070 | 3 | 493 | 604 | $792,535 | 1/22/2019 |
| Spain | 10/26/2018 | $1,335,501 | 301 | 305 | 1352 | $4,242,369 | 3/31/2021 |
| Sweden | 10/19/2018 | $370,000 | 109 | 110 | 446 | $1,509,243 | 12/13/2018 |
| Switzerland | 10/24/2018 | $0 | 0 | 68 | 196 | $1,076,001 | 11/1/2023 |
| Taiwan | 10/19/2018 | $333,000 | 89 | 89 | 299 | $843,500 | 11/21/2018 |
| Thailand | 10/31/2018 | $342,646 | 100 | 100 | 186 | $472,915 | 11/21/2018 |
| Trinidad | 10/17/2018 | $0 | 0 | 15 | 27 | $67,869 | 11/21/2018 |
| Turkey | 10/26/2018 | $89,618 | 190 | 190 | 411 | $229,490 | 2/26/2019 |
| Ukraine | 10/25/2018 | $238,876 | 158 | 159 | 391 | $508,822 | 11/21/2018 |
| United Arab Emirates | 10/25/2018 | $417,967 | 50 | 50 | 114 | $858,688 | 11/21/2018 |
| United Kingdom | 10/19/2018 | $3,464,776 | 533 | 552 | 2490 | $11,574,218 | 11/4/2020 |
| Uruguay | 10/18/2018 | $0 | 0 | 292 | 341 | $114,923 | 11/28/2018 |
| Venezuela | 10/19/2018 | $0 | 0 | 0 | 0 | $180,176 | 12/28/2018 |
| Rest of World | $155,094 | ||||||
| Worldwide Total | $255,416,089 | 11/1/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Jamie Lee Curtis | Laurie Strode |
| Nick Castle | Michael Myers / The Shape |
| James Jude Courtney | Michael Myers / The Shape |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| David Gordon Green | Director |
| David Gordon Green | Screenwriter |
| Danny McBride | Screenwriter |
| Jeff Fradley | Screenwriter |
| John Carpenter | Character Creator |
| Debra Hill | Character Creator |
| Malek Akkad | Producer |
| Jason Blum | Producer |
| Bill Block | Producer |
| Zanne Devine | Executive Producer |
| David Thwaites | Executive Producer |
| John Carpenter | Executive Producer |
| Jeanette Volturno* | Executive Producer |
| Jamie Lee Curtis | Executive Producer |
| Couper Samuelson | Executive Producer |
| Danny McBride | Executive Producer |
| David Gordon Green | Executive Producer |
| Ryan Freimann | Executive Producer |
| Michael Simmonds | Director of Photography |
| Richard A. Wright | Production Designer |
| Tim Alverson | Editor |
| Emily Gunshor | Costume Designer |
| Cody Carpenter | Composer |
| Daniel Davies | Composer |
| John Carpenter | Composer |
| Rawn Hutchinson | Stunt Coordinator |
| Sean Gowrie | Co-Producer |
| Rick A. Osako | Co-Producer |
| Ryan Turek | Co-Producer |
| Atilla Salih Yucer | Co-Producer |
| Christopher Nelson | Makeup FX Designer |
| Terri Taylor | Casting Director |
| Sarah Domeier | Casting Director |
| Rick A. Osako | Unit Production Manager |
| Sean Gowrie | Unit Production Manager |
| Atilla Salih Yucer | First Assistant Director |
| Kamen Velkovsky | Second Assistant Director |
| Scott Clackum | Associate Producer |
| Laura Altmann | Associate Producer |
| Sean White | Art Director |
| Warren Drummond | Storyboard Artist |
| Anne Goelz | Set Designer |
| Philip Toolin | Set Designer |
| Missy Ricker | Set Decorator |
| Christopher Gebert* | Sound Mixer |
| Heath Hood | Special Effects Coordinator |
| David Poole | Special Effects Coordinator |
| Alex Dawson | Costume Supervisor |
| Sandra Orsolyak-Allen | Make up |
| Holly Sago | Make up |
| Patricia Glasser | Hairstylist |
| Bryan Moss | Hairstylist |
| Kevin Wasner | Special Make-up Effects |
| Sasha Camacho | Hairstylist |
| Ronit Ravich-Boss | Script Supervisor |
| Kale Murphy | Location Manager |
| Drew Sacks | First Assistant Editor |
| P.K. Hooker | Supervising Sound Editor |
| P.K. Hooker | Sound Designer |
| Will Files | Supervising Sound Editor |
| Joel Dougherty | Supervising Re-recording Mixer |
| Jeremy B. Davis | Re-recording Mixer |
| Chris Terhune | Sound Designer |
| Ryan Cole | Dialogue Editor |
| John Carpenter | Score Producer |
| Cody Carpenter | Score Producer |
| Daniel Davies | Score Producer |
| Daniel Davies | Score Mixer |
| John Spiker | Score Mixer |
| John Carpenter | Score Recordist |
| Cody Carpenter | Score Recordist |
| Daniel Davies | Score Recordist |
| Michael Bauer | Music Editor |
| Devoe Yates | Music Supervisor |
| Simon Maddison | Visual Effects Supervisor |
| Jane Reynolds | Visual Effects Producer |
| Georgie Uppington | Visual Effects Executive Producer |
| Lee Gilmore | Sound Effects Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.