Australia Box Office for Hail Satan? (2019)
Theatrical Performance (US$) | ||
Australia Box Office | $21,745 | Details |
Worldwide Box Office | $467,295 | Details |
Further financial details... |
Synopsis
With unprecedented access, HAIL SATAN traces the rise of The Satanic Temple: only six years old and already one of the most controversial religious movements in American history. The Temple and its enigmatic leader Lucien Greaves are calling for a Satanic revolution to save the nation’s soul. But are they for real?
Metrics
Movie Details
Australia Releases: | July 12th, 2019 (Wide) |
Video Release: | July 23rd, 2019 by Magnolia Home Entertainment |
MPAA Rating: | R for graphic nudity, and some language. (Rating bulletin 2566 (Cert #52057), 2/20/2019) |
Running Time: | 95 minutes |
Keywords: | Sundance Film Festival 2019, Satanism, Satanic Panic, Religious, Government Bureaucracy |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Hard Working Movies, Catapult Film Fund, Sundance Institute Documentary Film Program, Just Films, Ford Foundation, Rooftop Films, Cinereach Films, Chicken and Egg Pictures, Colgate University, Magnolia Pictures |
Production Countries: | United States |
Languages: | English |
2019 - Holiday Gift Guide - Part III - Limited Releases, Classics, Foreign Imports
December 16th, 2019
The first two installments of our Holiday Gift Guide had plenty of first-run releases and several TV on DVD releases. This installment includes limited releases and foreign imports. The list of classics isn’t up to the usual standards for the same reasons the TV on DVD list was rather short. Streaming is taking over that part of the market. Did you know The Criterion Collection has their own streaming service? So does Magnolia Pictures. On the one hand, that’s a lot of amazing movies for one price. On the other hand, as a fan of physical media, I’m not happy streaming is becoming so popular. There are still some great smaller titles worthy of the season.
More...
Home Market Releases for July 23rd, 2019
July 24th, 2019
We are still in the summer doldrums on the home market. The biggest first run release of the week is Alita: Battle Angel, which is much better than its box office numbers and one of the best releases on this week’s list. Other contenders for Pick of the Week include Do the Right Thing and Nichijou: My Ordinary Life: The Complete Series. In the end, I went with Nichijou: My Ordinary Life: The Complete Series. In part because it is an amazing series, but also in part in solidarity with the victims of the Kyoto Animation arson attack.
More...
Theater Averages: Silvers Wins Gold
April 25th, 2019
Under the Silver Lake earned top spot on the theater average chart with an average of $17,635 in two theaters. This is amazing for two reasons. Firstly, its reviews are barely above the 50% level. Secondly, it opened on VOD on Tuesday, so anyone who was interested in seeing the movie didn’t have to wait long to see it at home instead. On the other hand, it is a A24 release and the company has had an amazing track record at the box office during its young career.
More...
Limited and VOD Releases: A Little Hope for New Releases
April 19th, 2019
Little Woods is the biggest, and one of the best, limited releases on this week’s list. It has a real shot at earning some measure of mainstream success. There are also several films on this week’s list that could do well on the art house circuit, but likely won’t expand significantly. These include Grass, Hagazussa: A Heathen’s Curse, and Rafiki.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/07/12 | - | $7,954 | 6 | $1,326 | $7,954 | 1 | |
2019/07/19 | - | $3,059 | -62% | 4 | $765 | $15,497 | 2 |
2019/07/26 | - | $1,550 | -49% | 2 | $775 | $18,160 | 3 |
2019/08/23 | - | $1,271 | 2 | $636 | $21,745 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 7/12/2019 | $7,954 | 6 | 6 | 14 | $21,745 | 8/27/2019 |
North America | 4/17/2019 | $26,496 | 3 | 67 | 267 | $424,284 | |
Portugal | 6/14/2020 | $129 | 1 | 1 | 1 | $129 | 6/16/2020 |
United Kingdom | 8/23/2019 | $21,137 | 23 | 23 | 23 | $21,137 | 8/28/2019 |
Worldwide Total | $467,295 | 6/16/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Penny Lane | Director |
Gabriel Sedgwick | Producer |
Amy Foote | Editor |
Aaron Wickenden | Editor |
Naiti Gamez | Director of Photography |
Brian McOmber | Composer |
Kyle McKeveny | Music Supervisor |
Lori Cheatle | Executive Producer |
Nickolas Hasse | Associate Producer |
Taylor Roy | Main Unit Sound Recordist |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.