Czech Republic Box Office for The Great Wall (2016)
Theatrical Performance (US$) | ||
Czech Republic Box Office | $415,811 | Details |
Worldwide Box Office | $334,486,852 | Details |
Home Market Performance | ||
North America DVD Sales | $5,706,645 | Details |
North America Blu-ray Sales | $9,156,620 | Details |
Total North America Video Sales | $14,863,265 | |
Further financial details... |
Synopsis
Between courage and fear. Between monsters and men. A wall stands that must never fall. The story of an elite force making a valiant stand for humanity on the world's most iconic structure. When a mercenary warrior is imprisoned within The Great Wall, he discovers the mystery behind one of the greatest wonders of our world. As wave after wave of marauding beasts, intent on devouring the world, besiege the massive structure, his quest for fortune turns into a journey toward heroism as he joins a huge army of elite warriors to confront this unimaginable and seemingly unstoppable force.
Metrics
Movie Details
Production Budget: | $150,000,000 |
Czech Republic Releases: | December 30th, 2016 (Wide) |
Video Release: | May 9th, 2017 by Universal Home Entertainment |
MPAA Rating: | PG-13 for sequences of fantasy action violence. (Rating bulletin 2445 (Cert #50707), 10/5/2016) |
Running Time: | 104 minutes |
Keywords: | Ancient China, Monster, Song Dynasty, Escape, Visual Effects, 3-D, 3-D - Post-production Conversion, IMAX: DMR, Action Adventure |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Legendary Pictures, Universal Pictures, Atlas Entertainment |
Production Countries: | China, United States |
Languages: | English, Mandarin |
Home Market Releases for May 23rd, 2017
May 24th, 2017
It is a great week on the home market with two monster hits coming out: Logan and Get Out. However, both have previously been named Pick of the Week. Fortunately there was one other release in competition for Pick of the Week, My Life as a Zucchini on Blu-ray. Thank goodness this film comes out this week. Otherwise, John Wick: Chapter Two would have become the third Video on Demand release in a row to win Pick of the Week.
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Home Market Releases for May 9th, 2017
May 10th, 2017
It’s not a good week for top-notch releases. Fifty Shades Darker is the biggest new DVD / Blu-ray release of the week, but it is far from the best. Get Out is clearly the best new release on this week’s list, but while it is the Pick of the Week, it is only coming out on Video on Demand and I would wait for the Blu-ray. Meanwhile we have another Puck of the Week, for best Canadian release. Those are usually rare, but we’ve have a streak of them recently. This week it’s The Void, which is great, but only coming out on DVD.
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International Box Office: Resident Evil here to Stay with $96.67 million
March 2nd, 2017
Resident Evil: The Final Chapter rocketed to the top of the chart of the international chart with $96.67 million on 24,465 screens in 75 markets for totals of $211.87 million internationally and $238.52 million worldwide. The film opened in China over the weekend earning $90.76 million over the weekend and $92.98 million including Thursday previews. At this point, the studio’s share of the worldwide box office is approximately $80 million, or twice as much as it cost to make. If the film hasn’t already broken even, it will do so shortly. I know the film is called The Final Chapter, but I can see the franchise continuing, focusing almost entirely on the foreign market.
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Weekend Wrap-Up: Get Out has Out of Control Opening with $33.38 million
February 28th, 2017
Get Out beat expectations on the weekend box office chart earning first place with $33.38 million. Not only did it beat expectations, but it also had better than expected legs over the weekend and that bodes well for its long term success. Neither of the other two wide releases, Collide and Rock Dog, earned a spot in the top ten. Both will disappear from theaters A.S.A.P. Overall, the box office fell 17% from last weekend to $123 million. It is, however, 9.9% higher than the same weekend last year. Meanwhile, 2017 remains $100 million behind last year’s pace at $1.69 billion to $1.79 billion. 2017 made gains over the weekend, but The Lego Batman Movie was the number one movie during the midweek and having a kids movie on top hurts the weekday box office numbers.
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Friday Estimates: Get Out Gets off to a Fast Start with $10.8 million
February 25th, 2017
As expected, Get Out earned first place on the Friday box office chart with $10.8 million. This a little higher than originally predicted, but not quite up to the heights that seemed possible after Thursday’s $1.8 million in previews. The film’s Tomatometer Score remains 100% positive, although I did see that Armond White gave the film a negative review. I didn’t realize he still wrote reviews. His reputation is so bad that a negative review from him is something to cherish. Furthermore, it earned an A minus from CinemaScore, which is stunning for a horror film. Even a B plus is great for a horror film. Look for $28 million over the weekend and an easy first place finish.
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Weekend Predictions: Will Moviegoers Get Out to the Theater This Weekend?
February 23rd, 2017
There are three films opening wide this weekend, which is a surprise. The buzz for Collide and Rock Dog are so quiet that I’m surprised they are playing in more than 2,000 theaters and I will be equally surprised if they open above the Mendoza Line by averaging more than $2,000 per theater. On the other hand, Get Out has nearly 100 reviews and its Tomatometer Score is 100% positive. It could be a surprise smash hit. Then again... It could be another Keanu. If that happens, The Lego Batman Movie will earn its third first-place finish in a row. That’s would be bad news for the overall box office. This weekend last year there were a similar selection of new releases. Gods of Egypt struggled while the other two new releases bombed, and only Deadpool saved the box office. If Get Out matches Deadpool’s total weekend of $31 million this time last year, I will be so happy. I don’t think it will happen, but it could be close.
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International Box Office: Grey Enters the Black with $276.2 million Worldwide
February 23rd, 2017
Fifty Shades Darker remained in first place on the international chart with $44.5 million on 9,600 screens in 59 markets for totals of $187.2 million internationally and $276.2 million worldwide. The film had no major openings this past weekend, and won’t until it opens in Japan in June. The film’s best market over the weekend was Germany, where it earned $6.1 million on 736 screens for a total of $21.2 million after two weeks of release.
Weekend Wrap-Up: New Releases Can’t Scale the Great Wall of Batman
February 22nd, 2017
As expected, The Lego Batman Movie easily won the weekend box office race with $32.66 million over the weekend and $42.74 million including Monday. The biggest new release of the week was The Great Wall, which earned $18.47 million / $21.51 million during its opening weekend. Overall, the box office slumped by 21% from last weekend at $145 million. This is still 4.5% higher than the same weekend last year. Unfortunately, due to the misalignment in holidays, 2017 still lost ground over the full week. In fact, it is now a full $100 million behind 2016’s pace at $1.53 billion to $1.63 million. It is still too early to really tell where 2017 will end up, but we could really use some big wins right about now.
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Weekend Estimates: Lego Batman Pieces Together Second Weekend Win
February 19th, 2017
The Lego Batman Movie will secure another weekend at the top of the box office chart thanks to a modest 35% drop from its opening, and soft openings for all the new wide releases. The animated adventure will make $34.2 million over three days, and is expected to earn about $45 million when the President’s Day holiday numbers are added in. It will pass $100 million at the domestic box office tomorrow.
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Friday Estimates: Batman Beats Up Competition with $7.6 million
February 18th, 2017
It is a disappointing weekend for new releases, as only The Great Wall managed to match low expectations. This left The Lego Batman Movie cruising to first place on Friday with $7.6 million. It is on pace for $42 million over the four-day weekend and will crack $100 million sometime on Monday, which matches our predictions almost perfectly. If the film can make $150 million domestically and $200 million internationally, then it will break even before it reaches the home market.
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Thursday Night Previews: Wall’s Start is Far from Great with just $970,000
February 17th, 2017
The first numbers for the weekend are in and they are not looking good. The Great Wall earned just $970,000 during its midnight previews, which is significantly less than half of what John Wick: Chapter Two managed just last weekend. Granted, John Wick: Chapter Two was a sequel and those tend to get off to faster starts, while The Great Wall has a Holiday to help boost its legs. On the other hand, The Great Wall’s reviews are much, much worse. We were only predicting just under $19 million during the four-day weekend. We are keeping that for now, but we might have to adjust it lower tomorrow.
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Weekend Predictions: Can Wall be Great? Does Fist have any Fight?
February 16th, 2017
There are three wide releases coming out this week, but none of them are expected to challenge for top spot. Although, there could be an interesting race between the two biggest releases, Fist Fight and The Great Wall. Sadly, this is because both have seen their box office potential fall over the past week. A Cure for Wellness never really had much box office potential. This will leave The Lego Batman Movie with an easy win over the Presidents’ Day long weekend, while we should have five films earning more than $10 million over the three-day portion of the weekend. This weekend last year, there were also three wide releases that struggled at the box office leaving Deadpool with an easy win. The Lego Batman Movie won’t match Deadpool at the top, but 2017 has much better depth, so that should help keep the year-over-year race close.
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The Great Wall Trailer
February 10th, 2017
Historical action adventure starring Matt Damon, directed by Zhang Yimou, opens February 17 ... Full Movie Details.
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Contest: Be Prepared to Fight
February 10th, 2017
Next week there are three wide releases: A Cure for Wellness, Fist Fight, and The Great Wall. A Cure for Wellness was never expected to compete for top spot, but The Great Wall was supposed to be a contender. That’s not going to happen. Its box office potential has tanked and it looks like Fist Fight will easily be the best of the week. As such, it is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Fist Fight.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.
Note: It is a long weekend, but we only use the three-day, Friday through Sunday box office for this contest.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2017 Preview: February
February 1st, 2017
January turned out to be a good month. Granted, it didn’t live up to last January, but its box office was one of the top five Januarys of all time, so that’s still a good start to the year. Also, we will have our first $100 million movie released in 2017 and that doesn’t happen this early very often. As for February, there’s potentially the first $200 million hit of the year, The Lego Batman Movie. Fifty Shades Darker and The Great Wall both have a shot at $100 million. That said, it is more likely that both will miss that milestone than both will get there. As for the rest of the films, there are a few that are aiming for solid midlevel hits, like John Wick: Chapter Two and Get Out, while there are very few potential bombs. By comparison, last February there was one monster hit, Deadpool, and a lot of bombs. No other movie besides Deadpool made $50 million. No movie opening this month will match Deadpool, but we won’t have as many bombs either, so hopefully that will balance out and 2017 won’t fall further behind 2016.
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International Box Office: Rogue’s Threepeat to Tenth Place on 2016 Worldwide Chart
January 5th, 2017
Rogue One: A Star Wars Story added $45.8 million in 55 markets to its running tally, which now sits at $350.0 million internationally and $775.0 million worldwide. By the end of Sunday, the film was already in tenth place for the year and while it is not doing as well internationally as it is domestically, it is still on pace to hit fifth place by as early as this weekend. Its biggest market is the U.K., where it has pulled in $64.4 million, but the U.K. might not stay on top for long, because the film opens in China this weekend.
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International Box Office: Rogue One Takes Down Fantastic Beasts with $135.5 million
December 20th, 2016
Rogue One: A Star Wars Story started its international run where everyone expected it to start, in first place. It earned $135.5 million in 54 markets during its opening weekend, which is a mixed result. Hear me out, the film did manage the best opening of 2016 in a dozen markets, including a quartet of major markets: France ($10.0 million); Germany ($12.5 million); Spain ($4.5 million); and the U.K. ($21.59 million). However, it also missed expectations in the same number of major markets: Brazil ($5.3 million); Italy ($3.22 million); Mexico ($5.1 million); and Russia ($5.76 million). Other major market openings for the film include Australia ($10.77 million) and Japan ($7.9 million). So “mixed” in this case means “one of the biggest releases of the year, but not a The Force Awakens-level phenomenon". In a more direct comparison, the film earned just over half of what The Force Awakens opened with in these markets. If the film has the same legs, then it will finish with close to $600 million internationally and over $1 billion worldwide.
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The Hollars Trailer
August 1st, 2016
Ensemble comedy directed by, and starring John Krasinski, with Anna Kendrick, Sharlto Copley, Mary Elizabeth Winstead, Charlie Day, Margo Martindale and Richard Jenkins opens August 26 ... Full Movie Details.
John Hollar, a struggling NYC artist is forced to navigate the small middle-American town he left behind when news of his mother's illness brings him home. Back in the house he grew up in, John is immediately swept up in the problems of his dysfunctional family, high-school rival and an over-eager ex-girlfriend as he faces impending fatherhood with his girlfriend in New York.
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The Great Wall Trailer
July 28th, 2016
Action movie starring Matt Damon, directed by Zhang Yimou opens February 17, 2017 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/12/30 | 17 | $5,799 | 12 | $483 | $5,799 | 1 | |
2017/01/06 | 2 | $143,608 | +2,376% | 119 | $1,207 | $149,417 | 2 |
2017/01/13 | 3 | $94,440 | -34% | 66 | $1,431 | $279,778 | 3 |
2017/01/20 | 9 | $46,546 | -51% | 50 | $931 | $349,365 | 4 |
2017/01/27 | 13 | $19,964 | -57% | 26 | $768 | $380,642 | 5 |
2017/02/03 | 17 | $16,989 | -15% | 27 | $629 | $404,626 | 6 |
2017/02/10 | - | $5,224 | -69% | 14 | $373 | $415,811 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 2/16/2017 | $569,407 | 150 | 150 | 389 | $1,586,679 | 1/1/2019 |
Australia | 2/17/2017 | $2,266,711 | 370 | 370 | 1235 | $5,506,004 | 4/13/2017 |
Austria | 1/13/2017 | $221,146 | 45 | 47 | 184 | $500,383 | 3/16/2017 |
Belgium | 1/20/2017 | $228,756 | 77 | 77 | 289 | $727,816 | 3/9/2017 |
Brazil | 2/23/2017 | $316,582 | 389 | 526 | 1648 | $8,600,683 | 4/12/2017 |
Bulgaria | 1/27/2017 | $26,432 | 0 | 0 | 0 | $580,990 | 2/26/2019 |
Chile | 2/23/2017 | $282,880 | 60 | 60 | 169 | $656,542 | 12/20/2018 |
China | 12/15/2016 | $60,860,000 | 105306 | 105306 | 228876 | $170,590,000 | 3/11/2017 |
Colombia | 2/16/2017 | $674,413 | 200 | 200 | 597 | $1,929,314 | 12/20/2018 |
Croatia | 2/16/2017 | $46,486 | 26 | 26 | 82 | $113,004 | 1/1/2019 |
Czech Republic | 12/30/2016 | $5,799 | 12 | 119 | 314 | $415,811 | 1/1/2019 |
Denmark | 2/16/2017 | $235,834 | 47 | 50 | 137 | $447,746 | 3/16/2017 |
Finland | 1/6/2017 | $98,765 | 93 | 93 | 250 | $220,832 | 2/23/2017 |
France | 1/13/2017 | $2,396,625 | 376 | 387 | 1652 | $6,524,812 | 3/16/2017 |
Germany | 1/13/2017 | $2,136,973 | 497 | 497 | 2075 | $5,374,056 | 4/20/2017 |
Greece | 1/5/2017 | $649,828 | 68 | 68 | 151 | $972,038 | 2/23/2017 |
Hong Kong | 12/29/2016 | $909,655 | 42 | 42 | 147 | $1,843,621 | 1/25/2017 |
Hungary | 1/5/2017 | $371,024 | 54 | 67 | 264 | $919,066 | 1/1/2019 |
India | 2/3/2017 | $0 | 0 | 0 | 0 | $409,968 | 10/3/2018 |
Israel | 2/16/2017 | $152,994 | 23 | 29 | 139 | $455,880 | 1/1/2019 |
Italy | 2/22/2017 | $1,397,075 | 0 | 317 | 558 | $3,240,276 | 4/5/2017 |
Japan | 4/14/2017 | $1,125,643 | 188 | 258 | 778 | $2,893,161 | 5/19/2017 |
Lithuania | 2/17/2017 | $41,700 | 105 | 105 | 218 | $108,092 | 3/21/2017 |
Malaysia | 12/30/2016 | $1,371,243 | 134 | 134 | 578 | $3,565,678 | 3/9/2017 |
Mexico | 2/3/2017 | $2,507,798 | 0 | 274 | 410 | $8,122,069 | 3/28/2017 |
Netherlands | 2/3/2017 | $565,448 | 85 | 90 | 577 | $2,209,330 | 4/20/2017 |
New Zealand | 2/17/2017 | $328,863 | 75 | 75 | 374 | $793,942 | 4/5/2017 |
North America | 2/17/2017 | $18,469,620 | 3,325 | 3,328 | 11,260 | $45,157,105 | |
Norway | 2/17/2017 | $185,648 | 105 | 105 | 181 | $433,756 | 3/21/2017 |
Panama | 2/23/2017 | $65,079 | 181 | 181 | 414 | $1,004,537 | 1/1/2019 |
Peru | 2/16/2017 | $612,140 | 92 | 92 | 331 | $2,019,385 | 12/20/2018 |
Philippines | 1/27/2017 | $1,305,777 | 175 | 175 | 355 | $2,111,820 | 12/20/2018 |
Poland | 1/13/2017 | $316,077 | 92 | 92 | 356 | $983,139 | 1/1/2019 |
Portugal | 2/16/2017 | $286,934 | 74 | 74 | 292 | $1,007,332 | 4/7/2017 |
Russia (CIS) | 2/16/2017 | $4,073,485 | 1228 | 1228 | 3912 | $10,746,339 | 1/1/2019 |
Singapore | 12/30/2016 | $1,304,487 | 53 | 53 | 193 | $2,508,821 | 2/23/2017 |
Slovakia | 1/6/2017 | $88,570 | 56 | 56 | 139 | $169,618 | 2/3/2017 |
Slovenia | 1/5/2017 | $19,917 | 9 | 9 | 55 | $74,412 | 2/23/2017 |
South Africa | 2/17/2017 | $227,616 | 113 | 113 | 439 | $799,827 | 4/20/2017 |
South Korea | 1/17/2017 | $0 | 0 | 585 | 945 | $3,894,771 | 4/5/2017 |
Spain | 2/17/2017 | $1,890,018 | 392 | 402 | 1651 | $4,987,978 | 4/27/2017 |
Sweden | 2/17/2017 | $338,779 | 154 | 154 | 369 | $1,028,781 | 4/12/2017 |
Switzerland | 1/11/2017 | $305,307 | 60 | 60 | 172 | $682,933 | 3/21/2017 |
Taiwan | 12/30/2016 | $1,538,822 | 104 | 108 | 407 | $4,002,518 | 2/15/2017 |
Thailand | 12/29/2016 | $796,096 | 129 | 129 | 366 | $1,839,608 | 2/1/2017 |
Turkey | 12/30/2016 | $432,024 | 239 | 242 | 788 | $1,420,488 | 2/26/2019 |
United Kingdom | 2/17/2017 | $2,046,378 | 459 | 459 | 1646 | $5,645,017 | 4/12/2017 |
Venezuela | 2/24/2017 | $78,641 | 73 | 73 | 291 | $472,458 | 4/20/2017 |
Rest of World | $14,188,416 | ||||||
Worldwide Total | $334,486,852 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Matt Damon | William Garin |
Jian Tian | Commander Lin Mae |
Pedro Pascal | Pero Tovar |
Willem Dafoe | Ballard |
Zhang Hanyu | General Shao |
Eddie Peng Yu-Yen* | Commander Wu/Tiger |
Lu Han | Peng Yong/Cadet Bear Corps |
Kenny Lin | Commander Chen/Eagle Corps |
Junkai Wang | The Emperor |
Zheng Kai | Shen |
Cheney Chen | Imperial Guard |
Xuan Huang | Commander Deng/Deer Corps |
Andy Lau | Strategist Wang |
Supporting Cast
Ryan Zheng | Shen |
Chen Xuedong | Commander of the Imperial Guard |
Gengxin Lin | Commander Chen of the Eagle Troop |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Zhang Yimou | Director |
Carlo Bernard | Screenwriter |
Doug Miro | Screenwriter |
Tony Gilroy | Screenwriter |
Max Brooks | Story by |
Marshall Herskovitz | Story by |
Edward Zwick | Story by |
Thomas Tull | Producer |
Charles Roven | Producer |
Jon Jashni | Producer |
Peter Loehr | Producer |
Jillian Share | Executive Producer |
Alex Gartner | Executive Producer |
E. Bennett Walsh | Executive Producer |
La Peikang | Executive Producer |
Zhang Zhao | Executive Producer |
Alex Hedlund | Co-Producer |
Eric Hedayat | Co-Producer |
Mary Jo Markey | Editor |
Craig Wood | Editor |
Stuart Dryburgh | Director of Photography |
Zhao Xiaoding | Director of Photography |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.