China Box Office for Godzilla x Kong: The New Empire (哥斯拉大战金刚2：帝国崛起) (2024)
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| Theatrical Performance (US$) | ||
| China Box Office | $134,280,108 | Details |
| Worldwide Box Office | $568,721,707 | Details |
| Further financial details... | ||
Synopsis
This latest entry follows up the explosive showdown of Godzilla vs. Kong with an all-new cinematic adventure, pitting the almighty Kong and the fearsome Godzilla against a colossal undiscovered threat hidden within our world, challenging their very existence — and our own. The epic new film will delve further into the histories of these Titans, their origins and the mysteries of Skull Island and beyond, while uncovering the mythic battle that helped forge these extraordinary beings and tied them to humankind forever.
Metrics
Movie Details
| Production Budget: | $135,000,000 |
| China Releases: | March 29th, 2024 (Wide), released as Godzilla x Kong: The New Empire (哥斯拉大战金刚2：帝国崛起) |
| Video Release: | May 14th, 2024 by Warner Home Video |
| MPAA Rating: | PG-13 for creature violence and action. (Rating bulletin 2818 (cert #54813), 1/24/2024) |
| Running Time: | 115 minutes |
| Franchise: | Godzilla, King Kong, MonsterVerse |
| Keywords: | Disrupted by 2023 WGA & SAG Strikes, Action Adventure, Kaiju, Franchise Crossover |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Legendary Pictures, Warner Bros. |
| Production Countries: | United States |
| Languages: | English |
Weekend predictions: Civil War and Godzilla x Kong in close race at the top
April 12th, 2024
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Our model thinks Civil War has a very slight edge over Godzilla x Kong: The New Empire going into what will be an interesting weekend at the box office. Alex Garland’s controversial action thriller will give the director his best opening weekend, beating Annihilation’s $11.1-million debut in 2018. Something over $20 million looks likely, but whether it can beat Kong remains to be seen.
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Weekend predictions: Godzilla should repeat on top as Monkey Man looks likely for second place
April 5th, 2024
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Godzilla x Kong: The New Empire will stay top at the box office this weekend, as it comes off a mighty $80-million opening weekend. Which movie will come next is much harder to predict, with Monkey Man looking like the favorite after Thursday’s preview numbers came in. The First Omen, meanwhile, looks like it’ll have to settle for something around fifth or sixth place.
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Weekend predictions: Godzilla and Kong set to smash into theaters with weekend in the 70s or 80s
March 29th, 2024
-1-News.jpg)
Dune: Part Two’s $82.5 million opening weekend might not be the biggest of 2024 come Monday morning as Godzilla x Kong: The New Empire comes crashing into theaters this weekend. The monster movie racked up $10 million from previews on Thursday, just a little behind Dune’s $12 million previews a month ago. Our model doesn’t think the record will fall, but Godzilla could come close…
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2024/03/29 | 1 | $43,962,993 | 0 | $43,974,627 | 1 | ||
| 2024/04/05 | 2 | $21,496,979 | -51% | 0 | $92,045,923 | 2 | |
| 2024/04/12 | 2 | $10,563,601 | -51% | 0 | $108,429,132 | 3 | |
| 2024/04/19 | 1 | $7,127,191 | -33% | 0 | $119,247,269 | 4 | |
| 2024/04/26 | 1 | $3,427,358 | -52% | 0 | $125,331,475 | 5 | |
| 2024/05/03 | 6 | $2,685,864 | -22% | 0 | $130,929,770 | 6 | |
| 2024/05/10 | 9 | $173,955 | -94% | 0 | $131,651,259 | 7 | |
| 2024/05/17 | 17 | $164,191 | -6% | 0 | $131,971,952 | 8 | |
| 2024/05/24 | 22 | $133,656 | -19% | 0 | $131,827,822 | 9 | |
| 2024/05/31 | 17 | $174,838 | +31% | 0 | $132,062,422 | 10 | |
| 2024/06/07 | 21 | $54,371 | -69% | 0 | $118,935,087 | 11 | |
| 2024/06/14 | 25 | $31,010 | -43% | 0 | $131,959,976 | 12 | |
| 2024/06/21 | 34 | $17,216 | -44% | 0 | $131,896,459 | 13 | |
| 2024/06/28 | 40 | $8,944 | -48% | 0 | $131,799,317 | 14 | |
| 2024/07/05 | 34 | $8,255 | -8% | 0 | $131,799,532 | 15 | |
| 2024/07/12 | 52 | $2,208 | -73% | 0 | $132,144,010 | 16 | |
| 2024/07/19 | 52 | $1,238 | -44% | 0 | $131,783,341 | 17 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 4/11/2024 | $0 | 0 | 0 | 0 | $0 | |
| Australia | 3/28/2024 | $3,652,296 | 505 | 505 | 2631 | $12,595,998 | 7/8/2024 |
| Austria | 4/4/2024 | $0 | 0 | 0 | 0 | $0 | |
| Belgium | 4/10/2024 | $0 | 0 | 0 | 0 | $0 | |
| Brazil | 3/28/2024 | $2,600,000 | 0 | 0 | 0 | $2,600,000 | 4/1/2024 |
| China | 3/29/2024 | $43,962,993 | 0 | 0 | 0 | $134,280,108 | 9/2/2024 |
| Croatia | 3/28/2024 | $98,593 | 93 | 93 | 342 | $308,821 | 6/7/2024 |
| Czech Republic | 3/28/2024 | $142,615 | 179 | 179 | 438 | $416,415 | 5/21/2024 |
| Finland | 3/27/2024 | $101,526 | 82 | 82 | 264 | $367,873 | 5/6/2024 |
| France | 4/3/2024 | $3,000,000 | 639 | 653 | 2394 | $10,200,000 | 5/6/2024 |
| Germany | 4/4/2024 | $2,600,000 | 530 | 530 | 530 | $2,600,000 | 4/8/2024 |
| Greece | 3/28/2024 | $0 | 0 | 0 | 0 | $0 | |
| India | 3/29/2024 | $5,600,000 | 2864 | 2864 | 2864 | $5,600,000 | 4/1/2024 |
| Indonesia | 3/29/2024 | $3,100,000 | 1660 | 1660 | 1660 | $3,100,000 | 4/1/2024 |
| Italy | 3/28/2024 | $1,995,591 | 0 | 0 | 0 | $4,421,725 | 5/6/2024 |
| Japan | 4/26/2024 | $3,000,000 | 514 | 514 | 1028 | $7,500,000 | 5/6/2024 |
| Malaysia | 3/29/2024 | $2,400,000 | 0 | 0 | 0 | $2,400,000 | 4/1/2024 |
| Mexico | 3/28/2024 | $13,770,278 | 0 | 0 | 0 | $33,864,544 | 5/22/2024 |
| Netherlands | 3/28/2024 | $1,118,912 | 112 | 112 | 856 | $3,314,166 | 6/3/2024 |
| New Zealand | 3/28/2024 | $751,260 | 90 | 96 | 722 | $2,421,618 | 7/8/2024 |
| North America | 3/29/2024 | $80,006,561 | 3,861 | 3,948 | 26,920 | $196,350,016 | |
| Poland | 3/28/2024 | $0 | 0 | 0 | 0 | $0 | |
| Portugal | 3/28/2024 | $270,534 | 93 | 93 | 403 | $864,648 | 5/29/2024 |
| Romania | 3/29/2024 | $267,857 | 125 | 125 | 429 | $792,128 | 7/3/2024 |
| Russia (CIS) | 3/28/2024 | $995,502 | 158 | 446 | 1467 | $3,806,217 | 5/3/2024 |
| Slovakia | 3/28/2024 | $76,935 | 69 | 69 | 182 | $206,157 | 5/21/2024 |
| South Africa | 3/29/2024 | $0 | 0 | 0 | 0 | $0 | |
| South Korea | 3/27/2024 | $1,793,139 | 947 | 947 | 2406 | $3,739,735 | 5/8/2024 |
| Spain | 3/27/2024 | $2,053,795 | 333 | 358 | 2009 | $6,845,751 | 5/23/2024 |
| Sweden | 3/27/2024 | $0 | 0 | 0 | 0 | $0 | |
| Taiwan | 3/28/2024 | $3,000,000 | 300 | 300 | 300 | $3,000,000 | 3/31/2024 |
| Thailand | 3/28/2024 | $2,500,000 | 0 | 0 | 0 | $2,500,000 | 3/31/2024 |
| Turkey | 4/5/2024 | $250,080 | 322 | 488 | 1811 | $1,405,902 | 6/24/2024 |
| United Kingdom | 3/29/2024 | $5,231,131 | 602 | 636 | 3870 | $18,435,695 | 5/22/2024 |
| Rest of World | $104,784,190 | ||||||
| Worldwide Total | $568,721,707 | 9/2/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Rebecca Hall | Dr. Ilene Andrews |
| Brian Tyree Henry | Bernie Hayes |
| Dan Stevens | Trapper |
| Kaylee Hottle | Jia |
| Fala Chen | Iwi Queen |
| Alex Ferns | Mikael |
Supporting Cast
| Rachel House | Hampton |
| Greg Hatton | Lewis |
| Tess Dobre | Submarine Officer |
| Chantelle Jamiesson | Jayne |
| Kevin Copeland | Submarine Commander |
| Tim Cowell | Wilcox |
| Ron Smyck | Harris |
| Anthony Brandon Wong | Talk Show Anchor |
| Sophia Emberson-Bain | Laurier |
| Chika Ikogwe | Ms. Cadogan |
| Vincent B. Gorce | Monarch Specialist |
| Yeye Zhou | Iwi Warrior |
| Jamaliah Othman | Iwi Sage |
| Nick Lawlor | Iwi Scholar |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Adam Wingard | Director |
| Terry Rossio | Screenwriter |
| Jeremy Slater | Screenwriter |
| Simon Barrett | Screenwriter |
| Adam Wingard | Story by |
| Simon Barrett | Story by |
| Terry Rossio | Story by |
| Mary Parent | Producer |
| Thomas Tull | Producer |
| Brian Rogers | Producer |
| Alex Garcia | Producer |
| Eric McLeod | Producer |
| Yoshimitsu Banno | Executive Producer |
| Kenji Okuhira | Executive Producer |
| Dan Lin | Executive Producer |
| Adam Wingard | Executive Producer |
| Jennifer Conroy | Executive Producer |
| Jay Ashenfelter | Executive Producer |
| Thomas S. Hammock | Production Designer |
| Josh Schaeffer | Editor |
| Tom Holkenborg | Composer |
| Antonio Di Iorio | Composer |
| Ben Seresin | Director of Photography |
| Emily Seresin | Costume Designer |
| Alessandro 'Alex' Ongaro | Visual Effects Supervisor |
| Thomas Elder Groebe | Visual Effects Producer |
| Richard Mirisch | Co-Producer |
| Zak Kline | Co-Producer |
| Erik Aadahl | Sound Designer |
| Ethan Van der Ryn | Sound Designer |
| Sarah Halley Finn | Casting Director |
| Jennifer Conroy | Unit Production Manager |
| Eric McLeod | Unit Production Manager |
| Brian Avery Galligan* | First Assistant Director |
| Megan S. Willis | Second Assistant Director |
| Julie Richheimer | Production Supervisor |
| Talia Buckberry | Production Supervisor |
| Richard Hobbs | Supervising Art Director |
| Andrew Max Cahn | Art Director |
| Bill Booth | Art Director |
| Mark Dawson | Art Director |
| Mara Garanzini | Art Director |
| Matt Wynne | Art Director |
| Luke Caska | Set Designer |
| Noelle King | Set Designer |
| Jordan Russell | Set Designer |
| Stella Vaccaro | Set Designer |
| Giovanni Veronesi | Set Designer |
| Richard Bennett | Story Artist |
| Micah Brenner | Story Artist |
| Talei Searell | Supervising Production Manager |
| Brooklyn Dineen | Production Manager |
| Kristin Voumard | Script Supervisor |
| Nick Emond | Sound Mixer |
| Mike Meinardus | Special Effects Supervisor |
| Bruce Bright | Special Effects Supervisor |
| Lauren Cooper | Supervising Location Manager |
| Alice Gracie | Location Manager |
| Thomas Salpietro | Set Decorator |
| Rachel Nott | Costume Supervisor |
| Christina Validakis | Costume Supervisor |
| Sabrina Wilson | Make up |
| Gloria Pasqua-Casny | Hairstylist |
| Jesse Chapman | Additional Editor |
| Jay Cassidy | Additional Editor |
| Adam Bosman | Additional Editor |
| Chris McKinley | Additional Editor |
| Bernie Gomez | First Assistant Editor |
| Montrice White | First Assistant Editor |
| Daniel Waldman | Music Editor |
| Kyle Gardiner | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.