Russia (CIS) Box Office for ГИВ МИ ЛИБЕРТИ (2019)
| Theatrical Performance (US$) | ||
| Russia (CIS) Box Office | $66,444 | Details |
| Worldwide Box Office | $624,152 | Details |
| Further financial details... | ||
Synopsis
Medical transport driver Vic is late, but it’s not his fault. Roads are closed for a protest, and no one else can shuttle his Russian grandfather and émigré friends to a funeral. The new route uproots his scheduled clients, particularly Tracy, a vibrant young woman with ALS. As the day goes from hectic to off-the-rails, their collective ride becomes a hilarious, compassionate, and intersectional portrait of American dreams and disenchantment.
Metrics
Movie Details
| Russia (CIS) Releases: | August 1st, 2019 (Wide), released as ГИВ МИ ЛИБЕРТИ |
| Video Release: | January 28th, 2020 by Music Box Films Video |
| MPAA Rating: | Not Rated |
| Running Time: | 111 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Give Me Liberty Mfg, Flux Capacitor Studios, Brimstage Film Fund, Green Street Film Company, The Space Program, Sota Cinema Group |
| Production Countries: | United States |
| Languages: | English, Russian |
Theater Averages: Brittany Sprints to the Top
August 28th, 2019
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Brittany Runs a Marathon led the way on the theater average chart earning an average of $36,142 in five theaters. This is more than enough to expand significantly. Additionally, the film has more mainstream appeal than many limited releases, so it should expand enough to earn some measure of mainstream success. Miles Davis: Birth of the Cool was well back with $18,258 in one theater, but this is still a great start for a documentary. The final film in the $10,000 club was Give Me Liberty, which earned an average of $11,087 in three theaters.
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Limited and VOD Releases: Run to the Theaters
August 23rd, 2019
There are several releases on this week’s list earning amazing reviews, including Brittany Runs a Marathon, which has the best shot at attracting a mainstream audience. On the other hand, Fiddler: A Miracle of Miracles and Miles Davis: Birth of the Cool could do well on the art house scene.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/08/02 | 17 | $28,667 | 92 | $312 | $30,716 | 1 | |
| 2019/08/09 | 19 | $7,036 | -75% | 44 | $160 | $54,909 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| France | 7/26/2019 | $137,025 | 74 | 84 | 234 | $314,974 | 8/18/2019 |
| North America | 8/23/2019 | $33,261 | 3 | 18 | 116 | $242,734 | |
| Russia (CIS) | 8/1/2019 | $28,667 | 92 | 92 | 164 | $66,444 | 10/19/2022 |
| Worldwide Total | $624,152 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Chris Galust | Vic |
| Lauren Spencer | Tracy |
Supporting Cast
| Maxim Stoyanov | Dima |
| James Watson | Vic’s Confidant |
| Steve Wolski | Steve |
| Michelle Caspar | Michelle |
| Ben Derfel | Nate |
| Zoya Makhlina | Vic’s Mom |
| Sheryl Sims-Daniels | Tracy’s Mom |
| Arkady Basin | Vic’s Grandpa |
| Anna Maltova | Lilya’s Friend |
| Dorothy Reynolds | Tracy’s Grandma |
| Dary Ekamasova | Sasha |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Kirill Mikhanovsky | Director |
| Alice Austen | Screenwriter |
| Kirill Mikhanovsky | Screenwriter |
| Alice Austen | Producer |
| Val Abel | Producer |
| Wally Hall | Producer |
| Michael Manasseri | Producer |
| George Rush | Producer |
| Sergey Shtern | Producer |
| Kirill Mikhanovsky | Producer |
| Gus Deardoff | Executive Producer |
| Brian Fenwick | Executive Producer |
| Oleg Kokhan | Executive Producer |
| Aleksey Makukhin | Executive Producer |
| David Stamm | Executive Producer |
| Ryan Zacarias | Executive Producer |
| Benh Zeitlin | Executive Producer |
| Eric Wagner | Executive Producer |
| Alex Witherill | Executive Producer |
| Wyatt Garfield | Director of Photography |
| Julien Perez | Sound Mixer |
| Vincent Hazard | Sound Designer |
| Jeremy Mazza | Sound Supervisor |
| Bart Mangrum | Production Designer |
| Kate Grube | Costume Designer |