Portugal Box Office for Fogo no Mar (2016)
Theatrical Performance (US$) | ||
Portugal Box Office | $6,332 | Details |
Worldwide Box Office | $1,144,549 | Details |
Home Market Performance | ||
North America DVD Sales | $93,779 | Details |
North America Blu-ray Sales | $18,316 | Details |
Total North America Video Sales | $112,095 | |
Further financial details... |
Synopsis
Samuele is twelve and lives on an island in the Mediterranean, far away from the mainland. Like all boys of his age he does not always enjoy going to school. He would much rather climb the rocks by the shore, play with his slingshot or mooch about the port. But his home is not like other islands. For years, it has been the destination of men, women and children trying to make the crossing from Africa in boats that are far too small and decrepit. The island is Lampedusa which has become a metaphor for the flight of refugees to Europe, the hopes, hardship and fate of hundreds of thousands of emigrants. These people long for peace, freedom and happiness and yet so often only their dead bodies are pulled out of the water. Thus, every day the inhabitants of Lampedusa are bearing witness to the greatest humanitarian tragedy of our times.
Metrics
Movie Details
Portugal Releases: | October 14th, 2016 (Wide), released as Fogo no Mar |
Video Release: | March 21st, 2017 by Kino Lorber |
MPAA Rating: | Not Rated |
Running Time: | 108 minutes |
Keywords: | On a Boat, Refugee, Agitprop, Set in Italy, Set in Mediterranean Sea, Civil War |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | 21 Uno Film, Istituto Luce Cinecitta, Stemal Entertainment, RAI Cinema, Les Films d'Ici, ARTE France |
Production Countries: | France, Italy |
Languages: | Italian |
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March 21st, 2017
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2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!
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2016 - Awards Season: Oscars - Nominations - Final Look
February 26th, 2017
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between.
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2016 Awards Season: Oscar Nominations
January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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Theater Averages: Moonlight Shines Bright With $100,519
October 25th, 2016
Moonlight not only earned the best theater average of the weekend at $100,519 in four theaters, but it had the best average for any film that opened in 2016. It wasn’t the only film to do well this week, as Michael Moore in TrumpLand earned an average of $25,100 in two theaters. The Handmaiden pulled in an average of $18,426 in five theaters, while the re-release of Tanpopo earned $16,410 in one. We are still not done, as the overall number one film, Tyler Perry’s Boo! A Madea Halloween, earned an average of $12,611.
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Limited and VOD Releases: Handmade Limited Releases
October 21st, 2016
Several films coming out this week are earning nearly unanimously positive reviews. This includes a few documentaries, but also a couple of narrative films that have a shot at some box office success. Moonlight is clearly aiming to win awards and it might do so. The Handmaiden should help grow Chan-wook Park’s fanbase here.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/10/14 | 27 | $1,801 | 2 | $901 | $1,801 | 1 | |
2016/10/21 | - | $498 | -72% | 3 | $166 | $3,933 | 2 |
2017/03/31 | - | $267 | 1 | $267 | $6,332 | 25 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 8/12/2016 | $5,064 | 7 | 7 | 16 | $11,506 | 11/30/2018 |
Australia | 5/19/2017 | $787 | 3 | 4 | 7 | $2,101 | 3/19/2019 |
Brazil | 4/29/2016 | $8,752 | 0 | 0 | 0 | $8,752 | 11/15/2018 |
France | 9/30/2016 | $108,902 | 0 | 0 | 0 | $108,902 | 8/17/2018 |
Italy | 2/19/2016 | $90,523 | 47 | 83 | 257 | $772,498 | 11/9/2018 |
Netherlands | 10/6/2016 | $21,869 | 27 | 27 | 51 | $52,996 | 10/18/2016 |
North America | 10/21/2016 | $11,906 | 2 | 7 | 21 | $120,933 | |
Portugal | 10/14/2016 | $1,801 | 2 | 3 | 6 | $6,332 | 4/7/2017 |
Russia (CIS) | 7/15/2016 | $9,432 | 20 | 20 | 48 | $14,968 | 11/14/2018 |
Spain | 10/14/2016 | $12,784 | 30 | 30 | 48 | $24,117 | 10/27/2016 |
Turkey | 7/8/2016 | $741 | 0 | 0 | 0 | $2,636 | 1/1/2019 |
United Kingdom | 6/10/2016 | $18,808 | 15 | 15 | 15 | $18,808 | 6/23/2016 |
Worldwide Total | $1,144,549 | 3/19/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
Pietro Bartolo | Himself |
Samuele Puccilo | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Gianfranco Rosi | Director |
Gianfranco Rosi | Screenwriter |
Donatella Palermo | Producer |
Gianfranco Rosi | Producer |
Serge Lalou | Producer |
Camille Laemle | Producer |
Roberto Ciccutto | Producer |
Paolo Del Brocco | Producer |
Martine Saada | Producer |
Olivier Pere | Producer |
Jacopo Quadri | Editor |
Gianfranco Rosi | Director of Photography |
Stefano Grosso | Sound Designer |
Giuseppe Del Volgo | Assistant Director |
Fabrizio Federico | Production Manager |