Australia Box Office for Frantz (2016)

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Frantz
Theatrical Performance (US$)
Australia Box Office $320,545Details
Worldwide Box Office $7,356,327Details
Further financial details...

Synopsis

In a small German town after World War I, Anna mourns daily at the grave of her fiancé Frantz, killed in battle in France. One day a young Frenchman, Adrien, also lays flowers at the grave. His presence so soon after the German defeat ignites passions.

Metrics

Movie Details

Australia Releases: April 7th, 2017 (Wide)
Video Release: June 13th, 2017 by Music Box Films Video
MPAA Rating: PG-13 for thematic elements including brief war violence.
(Rating bulletin 2453 (Cert #50811), 11/30/2016)
Running Time: 113 minutes
Keywords: World War I, Set in Germany, Death of a Spouse or Fiancée / Fiancé, Retro Black and White, Suicide, Suicide Attempt, Voiceover/Narration, 1910s, Bigotry, Depression, Non-Chronological
Source:Based on Movie
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Mandarin Cinema, X Filme Creative Pool, Foz, Universal Pictures, Canal Plus, Cine Plus, France Television, Warner Bros.
Production Countries: France, Germany
Languages: French, German

Home Market Releases for June 13th, 2017

June 12th, 2017

John Wick: Chapter Two

It’s a good week, but a shallow weak. The biggest release of the week is The Lego Batman Movie, which is also one of the best. There are a couple of other big releases that are must haves, like Dark Matter: Season Two, but the size and quality quickly drop-off after that. As for the Pick of the Week, the John Wick: Chapter Two Blu-ray Combo Pack claims that title. More...

Theater Averages: Beauty Outshines all Competition with Average of $41,508

March 21st, 2017

Beauty and the Beast

Beauty and the Beast had the best theater average of 2017, so far, at $41,508. This puts it just ahead of Kedi, which opened with $40,103 in its lone theater. The second best average of the week was earned by T2: Trainspotting at $34,115 in five theaters, which is the third best average of the year so far. Song to Song was the only other film to earn an average above $10,000 over the weekend, pulling in $12,640 in four theaters. While Frantz didn’t quite get into the $10,000 club over the weekend, it came close with an average of $9,373. Furthermore, it was a Wednesday release and earned a five-date average of $11,470. More...

Weekend Estimates: Beauty and the Beast Sets New March Record

March 19th, 2017

Beauty and the Beast

Beauty and the Beast set out this weekend to show that it’s not just super heroes who can deliver big openings at the box office, and it’s doing so in some style. Disney is projecting a $170 million opening weekend for the live action fairytale, and the film is setting records around the world. At home, it’ll have the biggest March weekend of all time, and the fourth-best Saturday of all time. The studio is projecting it will have the sixth-best Sunday in history, although my money would be on it slightly outperforming today, for the fifth-best Sunday, and that it will challenge Iron Man 3’s $174 million for the sixth-best opening of all time. Only Star Wars, super heroes, and dinosaur-themed movies have done better on opening weekend. More...

Limited and VOD Releases: Can you Spot any Hits?

March 17th, 2017

T2: Trainspotting

Beauty and the Beast scared away most of the wide-release competition and there are not many limited releases either this weekend. T2: Trainspotting is by far the biggest in terms of buzz. We also have a few like Mean Dreams, which have good reviews, but are playing on VOD. Or foreign-language films like Frantz. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/04/07 - $14,199   18 $789   $14,658 1
2017/04/14 19 $49,933 +252% 20 $2,497   $64,706 2
2017/04/21 20 $41,405 -17% 20 $2,070   $141,702 3
2017/04/28 21 $29,590 -29% 25 $1,184   $197,142 4
2017/05/05 - $18,766 -37% 24 $782   $228,519 5
2017/05/12 28 $16,688 -11% 27 $618   $255,645 6
2017/05/19 - $8,594 -49% 21 $409   $274,507 7
2017/05/26 - $4,415 -49% 20 $221   $282,825 8
2017/06/02 - $4,228 -4% 13 $325   $289,741 9
2017/06/09 - $1,741 -59% 11 $158   $297,214 10
2017/06/16 - $1,080 -38% 1 $1,080   $303,619 11
2017/06/23 - $870 -19% 4 $218   $304,065 12
2017/08/04 - $1,583   1 $1,583   $320,545 18

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/21/2017 $49,132 0 0 0 $156,323 1/1/2019
Australia 4/7/2017 $14,199 18 27 205 $320,545 8/7/2017
France 9/9/2016 $992,297 0 0 0 $4,367,401 8/17/2018
Italy 9/22/2016 $143,446 0 0 0 $453,454 10/18/2016
Lithuania 2/3/2017 $2,367 18 18 41 $7,903 2/28/2017
Netherlands 12/1/2016 $31,256 27 28 81 $111,346 12/21/2016
New Zealand 9/8/2017 $3,956 5 9 55 $47,027 12/4/2017
North America 3/15/2017 $18,745 2 106 415 $880,883
Portugal 5/11/2018 $3,617 1 2 11 $20,482 6/20/2018
Russia (CIS) 10/14/2016 $43,665 109 109 177 $102,728 12/31/2018
South Korea 6/1/2017 $0 0 47 126 $129,869 9/1/2017
Spain 12/30/2016 $69,517 57 65 384 $638,971 4/28/2017
Turkey 11/25/2016 $7,097 10 10 36 $29,258 2/26/2019
United Kingdom 5/12/2017 $90,137 28 28 28 $90,137 5/17/2017
 
Worldwide Total$7,356,327 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Pierre Niney Adrien Rivoire
Paula Beer Anna Hoffmeister

Supporting Cast

Ernst Stötzner Doktor Hoffmeister
Marie Gruber Magda Hoffmeister
Johann von Bülow Kreutz
Anton von Lucke Frantz Hoffmeister
Cyrielle Clair Adrien’s Mother
Alice de Lencquesaing Fanny

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Francois Ozon Director
Francois Ozon Screenwriter
Philippe Piazzo Screenwriter (in Collaboration with)
Eric Altmayer Producer
Nicolas Altmayer Producer
Stefan Arndt Co-Producer
Uwe Schott Co-Producer
Pascal Marti Director of Photography
Laure Gardette Editor
Michel Barthelemy Production Designer
Pascaline Chavanne Costume Designer
Martin Boissau Sound Designer
Philippe Rombi Composer