Australia Box Office for Frantz (2016)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $320,545 | Details |
| Worldwide Box Office | $7,356,327 | Details |
| Further financial details... | ||
Synopsis
In a small German town after World War I, Anna mourns daily at the grave of her fiancé Frantz, killed in battle in France. One day a young Frenchman, Adrien, also lays flowers at the grave. His presence so soon after the German defeat ignites passions.
Metrics
Movie Details
| Australia Releases: | April 7th, 2017 (Wide) |
| Video Release: | June 13th, 2017 by Music Box Films Video |
| MPAA Rating: | PG-13 for thematic elements including brief war violence. (Rating bulletin 2453 (Cert #50811), 11/30/2016) |
| Running Time: | 113 minutes |
| Keywords: | World War I, Set in Germany, Death of a Spouse or Fiancée / Fiancé, Retro Black and White, Suicide, Suicide Attempt, Voiceover/Narration, 1910s, Bigotry, Depression, Non-Chronological |
| Source: | Based on Movie |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Mandarin Cinema, X Filme Creative Pool, Foz, Universal Pictures, Canal Plus, Cine Plus, France Television, Warner Bros. |
| Production Countries: | France, Germany |
| Languages: | French, German |
Home Market Releases for June 13th, 2017
June 12th, 2017
It’s a good week, but a shallow weak. The biggest release of the week is The Lego Batman Movie, which is also one of the best. There are a couple of other big releases that are must haves, like Dark Matter: Season Two, but the size and quality quickly drop-off after that. As for the Pick of the Week, the John Wick: Chapter Two Blu-ray Combo Pack claims that title.
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Theater Averages: Beauty Outshines all Competition with Average of $41,508
March 21st, 2017
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Beauty and the Beast had the best theater average of 2017, so far, at $41,508. This puts it just ahead of Kedi, which opened with $40,103 in its lone theater. The second best average of the week was earned by T2: Trainspotting at $34,115 in five theaters, which is the third best average of the year so far. Song to Song was the only other film to earn an average above $10,000 over the weekend, pulling in $12,640 in four theaters. While Frantz didn’t quite get into the $10,000 club over the weekend, it came close with an average of $9,373. Furthermore, it was a Wednesday release and earned a five-date average of $11,470.
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Weekend Estimates: Beauty and the Beast Sets New March Record
March 19th, 2017
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Beauty and the Beast set out this weekend to show that it’s not just super heroes who can deliver big openings at the box office, and it’s doing so in some style. Disney is projecting a $170 million opening weekend for the live action fairytale, and the film is setting records around the world. At home, it’ll have the biggest March weekend of all time, and the fourth-best Saturday of all time. The studio is projecting it will have the sixth-best Sunday in history, although my money would be on it slightly outperforming today, for the fifth-best Sunday, and that it will challenge Iron Man 3’s $174 million for the sixth-best opening of all time. Only Star Wars, super heroes, and dinosaur-themed movies have done better on opening weekend.
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Limited and VOD Releases: Can you Spot any Hits?
March 17th, 2017
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Beauty and the Beast scared away most of the wide-release competition and there are not many limited releases either this weekend. T2: Trainspotting is by far the biggest in terms of buzz. We also have a few like Mean Dreams, which have good reviews, but are playing on VOD. Or foreign-language films like Frantz.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/04/07 | - | $14,199 | 18 | $789 | $14,658 | 1 | |
| 2017/04/14 | 19 | $49,933 | +252% | 20 | $2,497 | $64,706 | 2 |
| 2017/04/21 | 20 | $41,405 | -17% | 20 | $2,070 | $141,702 | 3 |
| 2017/04/28 | 21 | $29,590 | -29% | 25 | $1,184 | $197,142 | 4 |
| 2017/05/05 | - | $18,766 | -37% | 24 | $782 | $228,519 | 5 |
| 2017/05/12 | 28 | $16,688 | -11% | 27 | $618 | $255,645 | 6 |
| 2017/05/19 | - | $8,594 | -49% | 21 | $409 | $274,507 | 7 |
| 2017/05/26 | - | $4,415 | -49% | 20 | $221 | $282,825 | 8 |
| 2017/06/02 | - | $4,228 | -4% | 13 | $325 | $289,741 | 9 |
| 2017/06/09 | - | $1,741 | -59% | 11 | $158 | $297,214 | 10 |
| 2017/06/16 | - | $1,080 | -38% | 1 | $1,080 | $303,619 | 11 |
| 2017/06/23 | - | $870 | -19% | 4 | $218 | $304,065 | 12 |
| 2017/08/04 | - | $1,583 | 1 | $1,583 | $320,545 | 18 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 4/21/2017 | $49,132 | 0 | 0 | 0 | $156,323 | 1/1/2019 |
| Australia | 4/7/2017 | $14,199 | 18 | 27 | 205 | $320,545 | 8/7/2017 |
| France | 9/9/2016 | $992,297 | 0 | 0 | 0 | $4,367,401 | 8/17/2018 |
| Italy | 9/22/2016 | $143,446 | 0 | 0 | 0 | $453,454 | 10/18/2016 |
| Lithuania | 2/3/2017 | $2,367 | 18 | 18 | 41 | $7,903 | 2/28/2017 |
| Netherlands | 12/1/2016 | $31,256 | 27 | 28 | 81 | $111,346 | 12/21/2016 |
| New Zealand | 9/8/2017 | $3,956 | 5 | 9 | 55 | $47,027 | 12/4/2017 |
| North America | 3/15/2017 | $18,745 | 2 | 106 | 415 | $880,883 | |
| Portugal | 5/11/2018 | $3,617 | 1 | 2 | 11 | $20,482 | 6/20/2018 |
| Russia (CIS) | 10/14/2016 | $43,665 | 109 | 109 | 177 | $102,728 | 12/31/2018 |
| South Korea | 6/1/2017 | $0 | 0 | 47 | 126 | $129,869 | 9/1/2017 |
| Spain | 12/30/2016 | $69,517 | 57 | 65 | 384 | $638,971 | 4/28/2017 |
| Turkey | 11/25/2016 | $7,097 | 10 | 10 | 36 | $29,258 | 2/26/2019 |
| United Kingdom | 5/12/2017 | $90,137 | 28 | 28 | 28 | $90,137 | 5/17/2017 |
| Worldwide Total | $7,356,327 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Pierre Niney | Adrien Rivoire |
| Paula Beer | Anna Hoffmeister |
Supporting Cast
| Ernst Stötzner | Doktor Hoffmeister |
| Marie Gruber | Magda Hoffmeister |
| Johann von Bülow | Kreutz |
| Anton von Lucke | Frantz Hoffmeister |
| Cyrielle Clair | Adrien’s Mother |
| Alice de Lencquesaing | Fanny |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Francois Ozon | Director |
| Francois Ozon | Screenwriter |
| Philippe Piazzo | Screenwriter (in Collaboration with) |
| Eric Altmayer | Producer |
| Nicolas Altmayer | Producer |
| Stefan Arndt | Co-Producer |
| Uwe Schott | Co-Producer |
| Pascal Marti | Director of Photography |
| Laure Gardette | Editor |
| Michel Barthelemy | Production Designer |
| Pascaline Chavanne | Costume Designer |
| Martin Boissau | Sound Designer |
| Philippe Rombi | Composer |