Argentina Box Office for The Founder (2016)

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The Founder
Theatrical Performance (US$)
Argentina Box Office $145,972Details
Worldwide Box Office $24,235,774Details
Home Market Performance
North America DVD Sales $1,612,126 Details
North America Blu-ray Sales $1,083,040 Details
Total North America Video Sales $2,695,166
Further financial details...

Synopsis

The true story of how Ray Kroc, a salesman from Illinois, met Mac and Dick McDonald, who were running a burger operation in 1950s Southern California. Kroc was impressed by the brothers' speedy system of making the food and saw franchise potential. He maneuvered himself into a position to be able to pull the company from the brothers and create a billion-dollar empire.

Metrics

Movie Details

Production Budget:$15,000,000
Argentina Releases: March 31st, 2017 (Wide)
Video Release: April 4th, 2017 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for brief strong language.
(Rating bulletin 2420 (Cert #50383), 4/13/2016)
Running Time: 115 minutes
Keywords: Food, Restaurants, Biography, Relationships Gone Wrong, Entrepreneur, Epilogue, Biographical Drama
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: FilmNation Entertainment, The Combine, Weinstein Company, Faliro House Productions
Production Countries: United States
Languages: English

Home Market Releases for April 18th, 2017

April 18th, 2017

MST3K

We are entering the worst time of the year on the home market. There’s only a trickle of last year’s Awards Season contenders left to deal with, while it is way too early for the major spring releases to come out on DVD / Blu-ray. There are some classic titles that are on this list, like Donnie Darko: 15th Anniversary Limited Edition or Ocean Waves Blu-ray Combo Pack. However, the Pick of the Week isn’t either of these titles, but MST3K: Season 11, which you can watch on Netflix right now. More...

Weekend Wrap-Up: Split Outnumbers the Competition with $25.66 million

January 31st, 2017

Split

It was a surprisingly strong weekend at the box office, no thanks to the new releases. Split easily won with $25.66 million over the weekend, well ahead of A Dog’s Purpose, which earned second place with $18.22 million. Resident Evil: The Final Chapter got off to a fast start, but collapsed over the rest of the weekend. Finally, the less said about Gold the better. Overall, the box office was really strong with $141 million. Granted, this was 2.5% lower than last week, but it was 1.3% better than the same weekend last year. This growth is entirely due to Split’s hold plus the Oscar bounce a number of films got. Year-to-date, 2017 has earned $929 million, which is 4.7% lower than last year’s pace of $975 million. It is still too soon to make any real predictions for 2017’s long term success. That said, 2017 did cut into 2016’s lead and it is now down by $46 million or 4.7%. More...

Thursday Night Previews: Resident Moves into Theaters with $1 million in Previews - Update

January 27th, 2017

Resident Evil: The Final Chapter

Resident Evil: The Final Chapter opened with $1 million in previews on Thursday, easily topping the competition. It was only half as much as Split managed last weekend, but if The Final Chapter earned half as much during its opening weekend, the studio would be very happy. That seems unlikely, as this is the latest installment in a franchise, so it should be more front-loaded as a result. Additionally, its reviews are much weaker than Split’s are, so the word of mouth won’t be as strong. That said, we predicted just over $17 million and we’re sticking with that for now. More...

Weekend Predictions: Will Final Come in First? Or will Dog Find a Purpose?

January 26th, 2017

Resident Evil: The Final Chapter

It is not a good week at the box office. There are two films opening at saturation level theaters counts, 3,000 or more theaters, and both have a shot at first place. A Dog’s Purpose was expected to win with relative ease, but recent controversy, and weak reviews, have put that in doubt. This leaves an opening for Resident Evil: The Final Chapter to squeak out a win. However, it will be dealing with direct competition and that’s going to hurt. Finally there’s Gold, which is barely opening truly wide and is just hoping for a spot in the top ten. This weekend last year, Kung Fu Panda 3 opened with just over $40 million. This could be more than all three wide releases open with this weekend. 2017 does have better depth, but it won’t be enough to win in the year-over-year comparison. More...

Weekend Wrap-Up: Split’s $40.01 million Helps Box Office Soar

January 24th, 2017

Split

Split dominated the weekend box office earning $40.01 million, which is nearly double predictions and nearly double its nearest competition, xXx: Return of Xander Cage. The overall box office still shrunk from last weekend, but it was down just 3.2%, which is excellent for a post-holiday weekend. Compared to this weekend last year, 2017 was 27% stronger. Year-to-date, 2017 is still behind 2016, but that gap has closed to 9.4% at $736 million to $812 million. More...

Weekend Estimates: Split Stuns with $40 Million Debut

January 22nd, 2017

Split

2017 has its first surprise hit. Split is set for a weekend just north of $40 million, according to Sunday morning’s projection from Universal. That’s not just the biggest weekend of the year so far, but it almost doubles the $22.8 million earned by Hidden Figures a couple of weeks ago, and moves the studio ahead of Fox as the leading distributor for the year so far. It also marks, of course, a return to form for M. Night Shyamalan. It basically ties the debut of The Last Airbender back in 2010, and his last movie to do significantly better on opening weekend was The Village, which started out with $50.7 million in the Summer of 2004. More...

Friday Estimates: In a Surprise Twist, Split’s a Hit with $14.6 million

January 21st, 2017

Split

Split easily won on Friday, doubling its nearest competition, and earning $14.6 million. This is the best opening day for M. Night Shyamalan since The Last Airbender opened in 2010. Its reviews are 76% positive, and it earned a B+ from CinemaScore, which is good for a horror film. This puts it on pace for an opening weekend of $34 million, which is more than it cost to make and advertise. If the film can match this during the rest of its run, then it will break even on its domestic numbers alone. More...

Weekend Predictions: Will Xander’s Return Result in Box Office Dominance?

January 19th, 2017

Split

It is a deceptively busy week with five films opening or expanding wide. At least that’s what the dsitributors are saying. In reality, there are only two truly wide releases, xXx: Return of Xander Cage and Split. There is also one semi-wide release, The Resurrection of Gavin Stone, as well as two semi-wide expansions, The Founder and 20th Century Women. Return of Xander Cage and Split are the only two of the films that have a shot at the top ten and they could be in a close race for first place. This weekend last year, there were three wide releases, but none of them made significantly more than $10 million at the box office. The biggest film of the weekend, The Revenant, earned just $16.01 million. 2017 could finally win in the year-over-year comparison. More...

2017 Preview: January

January 1st, 2017

xXx: Return of Xander Cage

December box office numbers helped 2016 end on ... a note. The good news and the bad news almost exactly balance out. On the one hand, Rogue One: A Star Wars Story will finish the year with more than $400 million after just 16 days of release. That’s a stunning amount of money that helped 2016 earn a record box office at the domestic market. However, Star Wars: The Force Awakens earned $650 million during December of 2015, so the month lost a lot of its lead over 2015, so much so that ticket sales fell behind last year’s total. The weakness at the end of the year will spill over into 2017, which is terrible news. A slow start could result in the dominant box office story being 2017 struggles compared to 2016. Bad news like this can sometimes become a self-fulfilling prophecy. Sadly, 2017 is also going to get off to a slow start when it comes to wide releases / expansions. There are 16 films scheduled to open or expand wide this month and none of them are expected to get to $100 million. It is likely none of them will even get very close. xXx: Return of Xander Cage is expected to be the best of a weak bunch, but I could see it getting beat by one of the five Oscar contenders opening wide this month, if it gets off to a slow start and one of the Oscar contenders starts picking up steam. Hidden Figures got off to a great start on Christmas Day and should it continue to earn Awards Season recognition, including some Oscar nominations, it could be in wide release well into February. Last January wasn’t as busy with 13 films opening or expanding wide over five weeks. Of these, two of them, The Revenant and Kung Fu Panda 3, topped $100 million domestically, while another, Ride Along 2, came close. 2017 is going to get destroyed in the year-over-year comparison. More...

Limited and VOD Releases: Which Releases will Make some Noise?

December 30th, 2016

Paterson

The last weekend of the year is also the last chance for Oscar contenders to qualify for the Oscars. Two of the three films on this week’s list are absolutely Oscar-bait. Paterson has a better shot at Awards Season glory than The Founder does, but The Founder has a wide expansion planned for January, so it will likely do better at the box office. Meanwhile, the third film, Ocean Waves, is earning the best reviews and is a must see for fans of Studio Ghibli. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/31/2017 $0 0 0 0 $145,972 1/1/2019
Australia 11/25/2016 $654,211 270 270 942 $1,983,475 10/28/2024
Brazil 3/10/2017 $153,019 0 0 0 $393,194 6/26/2018
Czech Republic 1/27/2017 $17,960 29 36 79 $50,740 1/1/2019
France 12/30/2016 $250,030 0 0 0 $441,255 8/17/2018
Germany 4/21/2017 $0 0 0 0 $488,206 6/29/2018
Hong Kong 3/10/2017 $81,427 20 20 28 $177,505 10/27/2018
India 1/20/2017 $0 0 0 0 $217,175 10/3/2018
Italy 1/13/2017 $788,074 0 0 0 $1,990,585 10/22/2018
Japan 7/28/2017 $0 0 0 0 $807,542 7/5/2018
Mexico 3/17/2017 $190,021 0 0 0 $518,032 10/12/2018
Netherlands 1/5/2017 $87,376 64 64 212 $270,068 10/30/2018
New Zealand 11/25/2016 $62,902 81 81 242 $150,385 12/12/2016
North America 12/31/2016 $3,404,102 1,115 1,115 4,402 $12,786,053 9/14/2018
Poland 2/3/2017 $73,242 0 0 0 $217,663 1/1/2019
Portugal 3/17/2017 $15,541 28 28 62 $44,818 4/14/2017
Russia (CIS) 7/23/2020 $0 0 56 56 $14,955 8/5/2020
Slovakia 1/20/2017 $17,649 43 43 73 $49,720 2/24/2017
South Korea 3/5/2017 $335 1 279 332 $245,533 5/26/2017
Spain 3/10/2017 $151,303 154 154 324 $301,294 10/29/2018
Turkey 3/3/2017 $6,569 0 0 0 $20,071 1/1/2019
United Kingdom 2/17/2017 $287,989 181 181 181 $635,501 9/18/2018
 
Rest of World $2,286,032
 
Worldwide Total$24,235,774 10/28/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Michael Keaton Ray Kroc

Supporting Cast

Nick Offerman Dick McDonald
John Carroll Lynch Mac McDonald
Linda Cardellini Joan Smith
Patrick Wilson Rollie Smith
B.J. Novak Harry Sonneborn
Laura Dern Ethel Kroc
Justin Randell Brooke Fred Turner
Kate Kneeland June Martino
Griff Furst Jim Zien
Wilbur Fitzgerald Jerry Cullen
David DeVries Jack Horford
Andrew Benator Leonard
Cara Mantella Myra Rosenblatt
Randall Taylor Owner (Ed’s Drive-In)
Lacey King CarHop Girl (Ed’s Drive-In)
Jeremy Madden Dennis
Rebecca Ray CarHop Girl (Joe’s Drive-In)
Adam Rosenberg Employee (San Bernardino)
Jacinte Blankenship Woman (San Bernandino)
Charles Green Loan Officer #1
David Marshall Silverman Loan Officer #2
Mike Pniewski Harvey Peltz
Catherine Dyer Mrs. Horford
Susan Williams Mrs. Cullen
Franco Castan Art Wolodarsky
Kenny Alfonso Kroc Corporate Lawyer
Kabby Borders Cheerleader #1
Valeri Rogers Cheerleader #2
Nicolette Goetz Cheerleader #2
Lauren Denham Cheerleader #3
Abbey Ferrell Cheerleader #4
Mathias Alvarez Photographer
Victor McCay Kroc Divorce Lawyer
Steve Coulter Doctor Reeves
Ric Reitz Will Davis (LA Times Reporter)
Joy Glover Walters Mother (San Bernandino)
Makabe Ganey Little Boy
Jody Thompson Customer (Schaumburg)
Chris Greene Grand Opening Customer
Conrad Whitaker Limo Driver
Afemo Omilami Mr. Merriman
Josh Henry Waiter
Kim Banta Bingo Caller
Devon Ogden Gorgeous Blonde
Gerald L. Duckworth Owner (Joe’s Drive-In)
Jen Cohn Female Passenger

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

John Lee Hancock Director
Robert D. Siegel Screenwriter
Jeremy Renner Producer
Don Handfield Producer
Aaron Ryder Producer
Glen Basner Executive Producer
Alison Cohen Executive Producer
Karen Lunder Executive Producer
Bob Weinstein Executive Producer
Harvey Weinstein Executive Producer
David Glasser Executive Producer
Christos V. Konstantakopoulos Executive Producer
John Schwartzman Director of Photography
Michael Corenblith Production Designer
Robert Frazen Editor
Daniel Orlandi Costume Designer
Carter Burwell Composer
Michael Sledd Co-Producer
Ronna Kress Casting Director
Parry Creedon Unit Production Manager
Philip Hardage First Assistant Director
Amir R. Khan Second Assistant Director
Lauren M. Heath Production Supervisor
Susan Benjamin Set Decorator
DG Moody Art Director
Yolande Thame Set Designer
John Thigpen Set Designer
Derek Sullivan Costume Supervisor
Virginia Burton Costume Supervisor
Jon Johnson Supervising Sound Editor
Aron Siegel Sound Mixer
Katherine Steets Script Supervisor
Andrew Ullman Location Manager
Kimberly Jones Make up
Mi Young Make up
Michael White Hairstylist
Lawrence Davis Hairstylist
Caius Man Special Effects Coordinator
Jennifer Badger Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.