Argentina Box Office for The Founder (2016)
Theatrical Performance (US$) | ||
Argentina Box Office | $145,972 | Details |
Worldwide Box Office | $24,235,774 | Details |
Home Market Performance | ||
North America DVD Sales | $1,612,126 | Details |
North America Blu-ray Sales | $1,083,040 | Details |
Total North America Video Sales | $2,695,166 | |
Further financial details... |
Synopsis
The true story of how Ray Kroc, a salesman from Illinois, met Mac and Dick McDonald, who were running a burger operation in 1950s Southern California. Kroc was impressed by the brothers' speedy system of making the food and saw franchise potential. He maneuvered himself into a position to be able to pull the company from the brothers and create a billion-dollar empire.
Metrics
Movie Details
Production Budget: | $15,000,000 |
Argentina Releases: | March 31st, 2017 (Wide) |
Video Release: | April 4th, 2017 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for brief strong language. (Rating bulletin 2420 (Cert #50383), 4/13/2016) |
Running Time: | 115 minutes |
Keywords: | Food, Restaurants, Biography, Relationships Gone Wrong, Entrepreneur, Epilogue, Biographical Drama |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | FilmNation Entertainment, The Combine, Weinstein Company, Faliro House Productions |
Production Countries: | United States |
Languages: | English |
Home Market Releases for April 18th, 2017
April 18th, 2017
We are entering the worst time of the year on the home market. There’s only a trickle of last year’s Awards Season contenders left to deal with, while it is way too early for the major spring releases to come out on DVD / Blu-ray. There are some classic titles that are on this list, like Donnie Darko: 15th Anniversary Limited Edition or Ocean Waves Blu-ray Combo Pack. However, the Pick of the Week isn’t either of these titles, but MST3K: Season 11, which you can watch on Netflix right now.
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Weekend Wrap-Up: Split Outnumbers the Competition with $25.66 million
January 31st, 2017
It was a surprisingly strong weekend at the box office, no thanks to the new releases. Split easily won with $25.66 million over the weekend, well ahead of A Dog’s Purpose, which earned second place with $18.22 million. Resident Evil: The Final Chapter got off to a fast start, but collapsed over the rest of the weekend. Finally, the less said about Gold the better. Overall, the box office was really strong with $141 million. Granted, this was 2.5% lower than last week, but it was 1.3% better than the same weekend last year. This growth is entirely due to Split’s hold plus the Oscar bounce a number of films got. Year-to-date, 2017 has earned $929 million, which is 4.7% lower than last year’s pace of $975 million. It is still too soon to make any real predictions for 2017’s long term success. That said, 2017 did cut into 2016’s lead and it is now down by $46 million or 4.7%.
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Thursday Night Previews: Resident Moves into Theaters with $1 million in Previews - Update
January 27th, 2017
Resident Evil: The Final Chapter opened with $1 million in previews on Thursday, easily topping the competition. It was only half as much as Split managed last weekend, but if The Final Chapter earned half as much during its opening weekend, the studio would be very happy. That seems unlikely, as this is the latest installment in a franchise, so it should be more front-loaded as a result. Additionally, its reviews are much weaker than Split’s are, so the word of mouth won’t be as strong. That said, we predicted just over $17 million and we’re sticking with that for now.
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Weekend Predictions: Will Final Come in First? Or will Dog Find a Purpose?
January 26th, 2017
It is not a good week at the box office. There are two films opening at saturation level theaters counts, 3,000 or more theaters, and both have a shot at first place. A Dog’s Purpose was expected to win with relative ease, but recent controversy, and weak reviews, have put that in doubt. This leaves an opening for Resident Evil: The Final Chapter to squeak out a win. However, it will be dealing with direct competition and that’s going to hurt. Finally there’s Gold, which is barely opening truly wide and is just hoping for a spot in the top ten. This weekend last year, Kung Fu Panda 3 opened with just over $40 million. This could be more than all three wide releases open with this weekend. 2017 does have better depth, but it won’t be enough to win in the year-over-year comparison.
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Weekend Wrap-Up: Split’s $40.01 million Helps Box Office Soar
January 24th, 2017
Split dominated the weekend box office earning $40.01 million, which is nearly double predictions and nearly double its nearest competition, xXx: Return of Xander Cage. The overall box office still shrunk from last weekend, but it was down just 3.2%, which is excellent for a post-holiday weekend. Compared to this weekend last year, 2017 was 27% stronger. Year-to-date, 2017 is still behind 2016, but that gap has closed to 9.4% at $736 million to $812 million.
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Weekend Estimates: Split Stuns with $40 Million Debut
January 22nd, 2017
2017 has its first surprise hit. Split is set for a weekend just north of $40 million, according to Sunday morning’s projection from Universal. That’s not just the biggest weekend of the year so far, but it almost doubles the $22.8 million earned by Hidden Figures a couple of weeks ago, and moves the studio ahead of Fox as the leading distributor for the year so far. It also marks, of course, a return to form for M. Night Shyamalan. It basically ties the debut of The Last Airbender back in 2010, and his last movie to do significantly better on opening weekend was The Village, which started out with $50.7 million in the Summer of 2004.
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Friday Estimates: In a Surprise Twist, Split’s a Hit with $14.6 million
January 21st, 2017
Split easily won on Friday, doubling its nearest competition, and earning $14.6 million. This is the best opening day for M. Night Shyamalan since The Last Airbender opened in 2010. Its reviews are 76% positive, and it earned a B+ from CinemaScore, which is good for a horror film. This puts it on pace for an opening weekend of $34 million, which is more than it cost to make and advertise. If the film can match this during the rest of its run, then it will break even on its domestic numbers alone.
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Weekend Predictions: Will Xander’s Return Result in Box Office Dominance?
January 19th, 2017
It is a deceptively busy week with five films opening or expanding wide. At least that’s what the dsitributors are saying. In reality, there are only two truly wide releases, xXx: Return of Xander Cage and Split. There is also one semi-wide release, The Resurrection of Gavin Stone, as well as two semi-wide expansions, The Founder and 20th Century Women. Return of Xander Cage and Split are the only two of the films that have a shot at the top ten and they could be in a close race for first place. This weekend last year, there were three wide releases, but none of them made significantly more than $10 million at the box office. The biggest film of the weekend, The Revenant, earned just $16.01 million. 2017 could finally win in the year-over-year comparison.
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2017 Preview: January
January 1st, 2017
December box office numbers helped 2016 end on ... a note. The good news and the bad news almost exactly balance out. On the one hand, Rogue One: A Star Wars Story will finish the year with more than $400 million after just 16 days of release. That’s a stunning amount of money that helped 2016 earn a record box office at the domestic market. However, Star Wars: The Force Awakens earned $650 million during December of 2015, so the month lost a lot of its lead over 2015, so much so that ticket sales fell behind last year’s total. The weakness at the end of the year will spill over into 2017, which is terrible news. A slow start could result in the dominant box office story being 2017 struggles compared to 2016. Bad news like this can sometimes become a self-fulfilling prophecy. Sadly, 2017 is also going to get off to a slow start when it comes to wide releases / expansions. There are 16 films scheduled to open or expand wide this month and none of them are expected to get to $100 million. It is likely none of them will even get very close. xXx: Return of Xander Cage is expected to be the best of a weak bunch, but I could see it getting beat by one of the five Oscar contenders opening wide this month, if it gets off to a slow start and one of the Oscar contenders starts picking up steam. Hidden Figures got off to a great start on Christmas Day and should it continue to earn Awards Season recognition, including some Oscar nominations, it could be in wide release well into February. Last January wasn’t as busy with 13 films opening or expanding wide over five weeks. Of these, two of them, The Revenant and Kung Fu Panda 3, topped $100 million domestically, while another, Ride Along 2, came close. 2017 is going to get destroyed in the year-over-year comparison.
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Limited and VOD Releases: Which Releases will Make some Noise?
December 30th, 2016
The last weekend of the year is also the last chance for Oscar contenders to qualify for the Oscars. Two of the three films on this week’s list are absolutely Oscar-bait. Paterson has a better shot at Awards Season glory than The Founder does, but The Founder has a wide expansion planned for January, so it will likely do better at the box office. Meanwhile, the third film, Ocean Waves, is earning the best reviews and is a must see for fans of Studio Ghibli.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/31/2017 | $0 | 0 | 0 | 0 | $145,972 | 1/1/2019 |
Australia | 11/25/2016 | $654,211 | 270 | 270 | 942 | $1,983,475 | 10/28/2024 |
Brazil | 3/10/2017 | $153,019 | 0 | 0 | 0 | $393,194 | 6/26/2018 |
Czech Republic | 1/27/2017 | $17,960 | 29 | 36 | 79 | $50,740 | 1/1/2019 |
France | 12/30/2016 | $250,030 | 0 | 0 | 0 | $441,255 | 8/17/2018 |
Germany | 4/21/2017 | $0 | 0 | 0 | 0 | $488,206 | 6/29/2018 |
Hong Kong | 3/10/2017 | $81,427 | 20 | 20 | 28 | $177,505 | 10/27/2018 |
India | 1/20/2017 | $0 | 0 | 0 | 0 | $217,175 | 10/3/2018 |
Italy | 1/13/2017 | $788,074 | 0 | 0 | 0 | $1,990,585 | 10/22/2018 |
Japan | 7/28/2017 | $0 | 0 | 0 | 0 | $807,542 | 7/5/2018 |
Mexico | 3/17/2017 | $190,021 | 0 | 0 | 0 | $518,032 | 10/12/2018 |
Netherlands | 1/5/2017 | $87,376 | 64 | 64 | 212 | $270,068 | 10/30/2018 |
New Zealand | 11/25/2016 | $62,902 | 81 | 81 | 242 | $150,385 | 12/12/2016 |
North America | 12/31/2016 | $3,404,102 | 1,115 | 1,115 | 4,402 | $12,786,053 | 9/14/2018 |
Poland | 2/3/2017 | $73,242 | 0 | 0 | 0 | $217,663 | 1/1/2019 |
Portugal | 3/17/2017 | $15,541 | 28 | 28 | 62 | $44,818 | 4/14/2017 |
Russia (CIS) | 7/23/2020 | $0 | 0 | 56 | 56 | $14,955 | 8/5/2020 |
Slovakia | 1/20/2017 | $17,649 | 43 | 43 | 73 | $49,720 | 2/24/2017 |
South Korea | 3/5/2017 | $335 | 1 | 279 | 332 | $245,533 | 5/26/2017 |
Spain | 3/10/2017 | $151,303 | 154 | 154 | 324 | $301,294 | 10/29/2018 |
Turkey | 3/3/2017 | $6,569 | 0 | 0 | 0 | $20,071 | 1/1/2019 |
United Kingdom | 2/17/2017 | $287,989 | 181 | 181 | 181 | $635,501 | 9/18/2018 |
Rest of World | $2,286,032 | ||||||
Worldwide Total | $24,235,774 | 10/28/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Michael Keaton | Ray Kroc |
Supporting Cast
Nick Offerman | Dick McDonald |
John Carroll Lynch | Mac McDonald |
Linda Cardellini | Joan Smith |
Patrick Wilson | Rollie Smith |
B.J. Novak | Harry Sonneborn |
Laura Dern | Ethel Kroc |
Justin Randell Brooke | Fred Turner |
Kate Kneeland | June Martino |
Griff Furst | Jim Zien |
Wilbur Fitzgerald | Jerry Cullen |
David DeVries | Jack Horford |
Andrew Benator | Leonard |
Cara Mantella | Myra Rosenblatt |
Randall Taylor | Owner (Ed’s Drive-In) |
Lacey King | CarHop Girl (Ed’s Drive-In) |
Jeremy Madden | Dennis |
Rebecca Ray | CarHop Girl (Joe’s Drive-In) |
Adam Rosenberg | Employee (San Bernardino) |
Jacinte Blankenship | Woman (San Bernandino) |
Charles Green | Loan Officer #1 |
David Marshall Silverman | Loan Officer #2 |
Mike Pniewski | Harvey Peltz |
Catherine Dyer | Mrs. Horford |
Susan Williams | Mrs. Cullen |
Franco Castan | Art Wolodarsky |
Kenny Alfonso | Kroc Corporate Lawyer |
Kabby Borders | Cheerleader #1 |
Valeri Rogers | Cheerleader #2 |
Nicolette Goetz | Cheerleader #2 |
Lauren Denham | Cheerleader #3 |
Abbey Ferrell | Cheerleader #4 |
Mathias Alvarez | Photographer |
Victor McCay | Kroc Divorce Lawyer |
Steve Coulter | Doctor Reeves |
Ric Reitz | Will Davis (LA Times Reporter) |
Joy Glover Walters | Mother (San Bernandino) |
Makabe Ganey | Little Boy |
Jody Thompson | Customer (Schaumburg) |
Chris Greene | Grand Opening Customer |
Conrad Whitaker | Limo Driver |
Afemo Omilami | Mr. Merriman |
Josh Henry | Waiter |
Kim Banta | Bingo Caller |
Devon Ogden | Gorgeous Blonde |
Gerald L. Duckworth | Owner (Joe’s Drive-In) |
Jen Cohn | Female Passenger |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
John Lee Hancock | Director |
Robert D. Siegel | Screenwriter |
Jeremy Renner | Producer |
Don Handfield | Producer |
Aaron Ryder | Producer |
Glen Basner | Executive Producer |
Alison Cohen | Executive Producer |
Karen Lunder | Executive Producer |
Bob Weinstein | Executive Producer |
Harvey Weinstein | Executive Producer |
David Glasser | Executive Producer |
Christos V. Konstantakopoulos | Executive Producer |
John Schwartzman | Director of Photography |
Michael Corenblith | Production Designer |
Robert Frazen | Editor |
Daniel Orlandi | Costume Designer |
Carter Burwell | Composer |
Michael Sledd | Co-Producer |
Ronna Kress | Casting Director |
Parry Creedon | Unit Production Manager |
Philip Hardage | First Assistant Director |
Amir R. Khan | Second Assistant Director |
Lauren M. Heath | Production Supervisor |
Susan Benjamin | Set Decorator |
DG Moody | Art Director |
Yolande Thame | Set Designer |
John Thigpen | Set Designer |
Derek Sullivan | Costume Supervisor |
Virginia Burton | Costume Supervisor |
Jon Johnson | Supervising Sound Editor |
Aron Siegel | Sound Mixer |
Katherine Steets | Script Supervisor |
Andrew Ullman | Location Manager |
Kimberly Jones | Make up |
Mi Young | Make up |
Michael White | Hairstylist |
Lawrence Davis | Hairstylist |
Caius Man | Special Effects Coordinator |
Jennifer Badger | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.