Australia Box Office for Flatliners (2017)
Theatrical Performance (US$) | ||
Australia Box Office | $2,231,742 | Details |
Worldwide Box Office | $45,173,738 | Details |
Home Market Performance | ||
North America DVD Sales | $1,266,209 | Details |
North America Blu-ray Sales | $810,466 | Details |
Total North America Video Sales | $2,076,675 | |
Further financial details... |
Synopsis
Five medical students, hoping to gain insight into the mystery of what lies beyond the confines of life, embark on a daring and dangerous experiment. By stopping their hearts for short periods of time, each triggers a near-death experience. As the investigation becomes more and more perilous, they are forced to confront the sins of their pasts, as well as contend with the paranormal consequences of trespassing to the other side.
Metrics
Movie Details
Production Budget: | $20,000,000 |
Australia Releases: | September 29th, 2017 (Wide) |
Video Release: | December 12th, 2017 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for violence and terror, sexual content, language, thematic material, and some drug references. (Rating bulletin 2493 (Cert #50627), 9/13/2017) |
Running Time: | 110 minutes |
Franchise: | Flatliners |
Keywords: | Death of Other Extended Family, Supernatural, Medical Students, Near Death Experience, Delayed Sequel, Human Experimentation, Psychological Horror, Reboot |
Source: | Original Screenplay |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Columbia Pictures, Further Films, Laurence Mark, Cross Creek Pictures, The Safran Company |
Production Countries: | United States |
Languages: | English |
Home Market Releases for December 26th, 2017
December 25th, 2017
This Tuesday is Boxing Day, which is a holiday celebrated in Canada, the U.K., and I assume other countries. It is the celebration of boxes. ... I don’t know what it is. According to Wikipedia, “There are competing theories for the origins of the term, none of which is definitive.” ... So it is probably not important. What is important is the total lack of quality DVD and Blu-ray releases. Haikyu: Season 1 is the best release on this week’s list. The Paper is the second best, and it only managed a spot on the Secondary Blu-ray releases.
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Home Market Releases for December 12th, 2017
December 12th, 2017
Christmas is rapidly approaching, so most of the big releases have already hit the home market. The biggest box office release on this week’s list is Kingsman: The Golden Circle, but its reviews were only mixed. The biggest release overall is Game of Thrones: Season Seven, while the only other competition for Pick of the Week is Election: The Criterion Collection. I’m going to award the title to Game of Thrones, even though the screener didn’t arrive until Monday afternoon.
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Weekend Wrap-Up: Kingsman Wins Three-Way Race with $16.94 million
October 3rd, 2017
The top three films on the weekend box office chart landed in the same order as predicted; however, it was a much closer race than most thought it would be. Kingsman: The Golden Circle ended up on top with $16.94 million, just ahead of It with $16.90 million. The best new release of the week was American Made with $16.78 million. The other new releases struggled, to be kind, with Flatliners earning a distant fifth place and Til Death Do Us Part opening in ninth place. Overall, the box office fell 23% from last weekend to just $90 million. It was also 21% lower than the same weekend last year, thus ending 2017’s mini-winning streak. Year-to-date, 2017 has earned $8.06 billion, putting it 4.8% or $410 million behind last year’s pace.
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Weekend Estimates: Threeway Tie at the Top
October 1st, 2017
Warner Bros. is claiming a weekend win at the box office for It as of this morning, but whichever way you slice it, we have a threeway tie at the top of the chart, based on Sunday morning estimates. In fact, we might have a rare weekend where three different movies will top the daily chart. American Made took a lead on Friday with a $6.17 million opening day, It won on Saturday with around $7.9 million, and the eventual result for the weekend will depend on whether Kingsman: The Golden Circle wins on Sunday, and by how much. As of this morning, Kingsman is projected to make $17 million, American Made $17.02 million, and It (a slightly optimistic, for my money) $17.3 million. We’ll know the real winner on Monday morning, and It probably has a slight edge.
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Friday Estimates: American Makes it an Exciting Race with $6.1 million
September 30th, 2017
American Made topped the box office chart on Friday with $6.1 million. This is a little better than predicted and certainly better than previews were suggesting it would make. Its 85% positive reviews should result in long legs. On the other hand, its B plus from CinemaScore is the definition of average. It could grab first place with just over $16 million, but it is not the only film on pace to earn that much this weekend.
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Thursday Night Previews: American Only Made $960,000 in Previews
September 29th, 2017
American Made only managed $960,000 in previews, which is a little low compared to predictions. I wasn’t expecting a multi-million dollar opening in previews, but I was expecting a little more than this. Its reviews should help its legs, putting it on pace for $13 million, rather than the just under $14 million we originally prediction. Like I said, its previews were a little low side, not significantly so. On the other hand, a $13 million start is terrible for a film that reportedly cost between $60 million and $80 million.
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Weekend Predictions: How Will September End? With A Whimper.
September 28th, 2017
It looks like September will end with a whimper, as there are three wide releases, none of which are expected to be midlevel hits. American Made should have no trouble being the biggest of the three new releases, but it has a less than 50/50 chance of earning first place. Flatliners’ buzz started out quiet and it failed to grow by any significant margin. It looks like it will open below $10 million. Finally there’s Til Death Do Us Part, which may or may not manage a spot in the top ten. 2017’s mini-winning streak looks to be over, as this weekend last year had two films earning more than $20 million, Miss Peregrine’s Home for Peculiar Children and Deepwater Horizon. This year, there will likely be none.
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Contest: Halloween Arrives Early
September 22nd, 2017
September ends on a low note with two wide releases, American Made and Flatliners, neither of which are expected to be anything more than midlevel hits. American Made is nearly done its international run (It only has about a dozen markets left to open in) and it is not going well. That said, it is still expected to do much better than Flatliners, so it is the better choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for American Made.
We are starting the Halloween Trick or Treat contests a little early, because I still have a lot of horror films I’ve saved for this time of year and this will be the last Halloween for the Box Office Prediction contest. In fact, the Box Office Prediction contest will be ending at the end of the year. Each winner from now until Halloween will either win a horror movie or a movie so bad it is scary it was made. (Each winner will also get a TV on DVD release or a kids DVD, because I’m trying to run out of prizes by the end of the year.)
Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going over, will win a Trick or Treat Frankenprize, as described above. Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Trick or Treat Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven’t won, or haven’t won recently, and they will win the final Trick or Treat Frankenprize, as described above.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don’t delay!
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2017 Preview: September
September 1st, 2017
As bad as July was, August actually managed to be worse. 2017 was over $300 million behind 2016’s pace during August alone. That’s worse than the rest of the summer combined. The only film that was an unqualified hit was Annabelle: Creation, although there were a couple of other films that are doing well enough to be considered financial hits. There’s some good news and some bad news for this September. The month gets off to a slow start with no wide releases the first weekend, but there are three films opening during the rest of the month that are expected to top $100 million and all three should be better than the best August had to offer. It is expected to be the biggest hit of the month and is tracking to break the record for the biggest September weekend. Both Kingsman: The Golden Circle and The Lego Ninjago Movie are expected to cross $100 million, although they are opening the same weekend, so that could hurt both of their chances. Meanwhile last September, Sully was the biggest release of the month earning $125.07 million. It should top that, while Kingsman: The Golden Circle and The Lego Ninjago Movie won’t be too far behind. 2017 should cut the gap with 2016, but sadly only by a little bit.
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Flatliners Trailer
August 1st, 2017
Sci-fi thriller remake starring Ellen Page, Diego Luna, Nina Dobrev, James Norton, and Kiersey Clemons opens September 29 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/09/29 | 5 | $879,902 | 228 | $3,859 | $879,902 | 1 | |
2017/10/06 | 7 | $472,591 | -46% | 220 | $2,148 | $1,831,506 | 2 |
2017/10/13 | 11 | $170,320 | -64% | 192 | $887 | $2,153,606 | 3 |
2017/10/20 | 24 | $26,434 | -84% | 70 | $378 | $2,212,690 | 4 |
2017/10/27 | - | $2,601 | -90% | 11 | $236 | $2,229,783 | 5 |
2017/11/03 | - | $977 | -62% | 2 | $489 | $2,231,628 | 6 |
2017/11/10 | - | $114 | -88% | 1 | $114 | $2,231,742 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 10/12/2017 | $171,212 | 130 | 130 | 210 | $371,816 | 1/1/2019 |
Aruba | 9/28/2017 | $1,880 | 2 | 3 | 5 | $7,256 | 1/1/2019 |
Australia | 9/29/2017 | $879,902 | 228 | 228 | 724 | $2,231,742 | 11/15/2017 |
Austria | 12/1/2017 | $53,091 | 40 | 40 | 141 | $198,070 | 1/10/2018 |
Bahrain | 9/28/2017 | $47,174 | 9 | 9 | 19 | $85,284 | 1/1/2019 |
Belgium | 11/29/2017 | $87,971 | 20 | 20 | 69 | $259,870 | 1/10/2018 |
Bolivia | 10/19/2017 | $12,569 | 16 | 16 | 28 | $27,957 | 1/1/2019 |
Brazil | 10/19/2017 | $480,182 | 370 | 370 | 869 | $1,039,222 | 12/6/2017 |
Bulgaria | 9/29/2017 | $41,645 | 48 | 48 | 151 | $161,136 | 2/26/2019 |
Cambodia | 9/29/2017 | $15,303 | 46 | 46 | 62 | $24,534 | 1/1/2019 |
Central America | 10/12/2017 | $241,622 | 165 | 165 | 274 | $436,603 | 11/1/2017 |
Chile | 10/19/2017 | $99,303 | 64 | 64 | 97 | $169,569 | 1/1/2019 |
Colombia | 11/2/2017 | $124,587 | 89 | 89 | 158 | $289,693 | 1/1/2019 |
Curacao | 9/28/2017 | $1,189 | 3 | 3 | 9 | $5,278 | 1/1/2019 |
Czech Republic | 11/24/2017 | $93,194 | 104 | 104 | 202 | $211,867 | 1/1/2019 |
Denmark | 11/9/2017 | $42,143 | 38 | 38 | 78 | $93,455 | 12/14/2017 |
Dominican Republic | 10/12/2017 | $6,972 | 9 | 12 | 40 | $19,101 | 1/1/2019 |
East Africa | 9/29/2017 | $2,676 | 1 | 1 | 2 | $6,223 | 10/9/2017 |
Ecuador | 10/13/2017 | $84,123 | 48 | 48 | 151 | $218,747 | 1/1/2019 |
Egypt | 9/28/2017 | $21,204 | 11 | 14 | 45 | $55,572 | 1/1/2019 |
Estonia | 9/29/2017 | $16,069 | 12 | 12 | 33 | $55,393 | 10/24/2017 |
France | 11/22/2017 | $948,758 | 230 | 239 | 822 | $2,537,402 | 12/19/2017 |
Germany | 11/30/2017 | $381,646 | 313 | 322 | 1011 | $1,059,444 | 1/10/2018 |
Ghana | 9/29/2017 | $394 | 2 | 3 | 5 | $1,383 | 1/1/2019 |
Hong Kong | 11/2/2017 | $201,177 | 89 | 89 | 172 | $367,645 | 11/29/2017 |
Hungary | 9/28/2017 | $87,489 | 51 | 54 | 190 | $261,872 | 1/1/2019 |
Iceland | 9/29/2017 | $7,359 | 7 | 7 | 10 | $15,311 | 1/1/2019 |
Indonesia | 11/3/2017 | $367,281 | 206 | 206 | 468 | $930,199 | 1/1/2019 |
Iraq | 9/28/2017 | $2,995 | 4 | 4 | 8 | $6,626 | 1/1/2019 |
Israel | 10/12/2017 | $102,483 | 28 | 28 | 98 | $249,303 | 12/21/2018 |
Italy | 11/23/2017 | $442,026 | 0 | 189 | 205 | $748,487 | 12/14/2017 |
Jamaica | 9/27/2017 | $5,125 | 3 | 3 | 7 | $8,196 | 1/1/2019 |
Japan | 12/22/2017 | $39,390 | 0 | 45 | 77 | $362,694 | 7/5/2018 |
Jordan | 9/28/2017 | $14,986 | 6 | 6 | 16 | $43,308 | 1/1/2019 |
Kenya | 9/29/2017 | $1,690 | 10 | 10 | 17 | $3,394 | 1/1/2019 |
Kuwait | 9/28/2017 | $91,133 | 11 | 11 | 19 | $169,320 | 1/1/2019 |
Latvia | 9/29/2017 | $8,340 | 6 | 6 | 23 | $39,400 | 1/1/2019 |
Lebanon | 9/28/2017 | $32,630 | 16 | 16 | 32 | $80,015 | 1/1/2019 |
Lithuania | 9/29/2017 | $18,930 | 73 | 73 | 115 | $54,116 | 10/24/2017 |
Malaysia | 10/18/2017 | $279,503 | 207 | 207 | 477 | $479,302 | 11/21/2017 |
Mexico | 10/13/2017 | $1,114,935 | 825 | 825 | 1527 | $2,475,816 | 11/15/2017 |
Netherlands | 11/10/2017 | $107,135 | 60 | 60 | 228 | $341,630 | 12/19/2017 |
New Zealand | 9/29/2017 | $105,850 | 58 | 58 | 179 | $306,252 | 11/1/2017 |
Nigeria | 9/29/2017 | $3,691 | 16 | 16 | 24 | $11,086 | 1/1/2019 |
North America | 9/29/2017 | $6,574,326 | 2,552 | 2,552 | 8,089 | $16,883,115 | 10/17/2018 |
Oman | 9/28/2017 | $24,192 | 10 | 10 | 11 | $34,038 | 1/1/2019 |
Pakistan | 9/29/2017 | $876 | 6 | 6 | 7 | $5,135 | 1/1/2019 |
Paraguay | 11/2/2017 | $8,481 | 17 | 17 | 24 | $12,014 | 1/1/2019 |
Peru | 10/19/2017 | $127,894 | 98 | 98 | 121 | $210,519 | 12/20/2018 |
Philippines | 9/29/2017 | $213,655 | 155 | 155 | 300 | $435,010 | 12/20/2018 |
Poland | 9/29/2017 | $161,702 | 101 | 101 | 301 | $482,248 | 1/1/2019 |
Portugal | 9/28/2017 | $66,486 | 44 | 46 | 134 | $262,719 | 10/25/2017 |
Qatar | 9/28/2017 | $76,301 | 15 | 15 | 29 | $127,536 | 1/1/2019 |
Romania | 9/29/2017 | $97,230 | 67 | 67 | 262 | $324,144 | 12/20/2018 |
Russia (CIS) | 11/23/2017 | $1,876,544 | 829 | 829 | 2279 | $4,236,856 | 1/1/2019 |
Singapore | 10/18/2017 | $91,471 | 23 | 23 | 55 | $160,646 | 11/21/2017 |
Slovakia | 9/28/2017 | $60,176 | 66 | 66 | 131 | $143,106 | 11/8/2017 |
South Africa | 11/3/2017 | $22,082 | 43 | 48 | 133 | $85,285 | 12/6/2017 |
Spain | 11/3/2017 | $336,356 | 233 | 233 | 669 | $778,731 | 12/19/2017 |
Suriname | 10/6/2017 | $777 | 1 | 1 | 3 | $1,919 | 1/1/2019 |
Switzerland | 11/23/2017 | $44,027 | 17 | 45 | 130 | $250,450 | 1/10/2018 |
Syria | 9/28/2017 | $1,694 | 1 | 1 | 2 | $2,532 | 1/1/2019 |
Taiwan | 11/3/2017 | $165,729 | 90 | 90 | 207 | $379,121 | 11/29/2017 |
Thailand | 10/19/2017 | $163,613 | 128 | 128 | 303 | $501,503 | 11/15/2017 |
Trinidad | 9/27/2017 | $21,375 | 12 | 12 | 31 | $51,588 | 1/1/2019 |
Turkey | 12/1/2017 | $117,235 | 129 | 129 | 304 | $399,443 | 2/26/2019 |
Ukraine | 11/23/2017 | $159,507 | 166 | 182 | 490 | $374,513 | 1/1/2019 |
United Arab Emirates | 9/28/2017 | $223,293 | 42 | 42 | 60 | $368,230 | 12/20/2018 |
United Kingdom | 9/29/2017 | $652,266 | 366 | 366 | 823 | $1,536,720 | 10/24/2017 |
Uruguay | 10/12/2017 | $16,992 | 9 | 9 | 27 | $41,190 | 1/1/2019 |
Venezuela | 10/20/2017 | $44,225 | 51 | 51 | 120 | $148,966 | 12/14/2017 |
Vietnam | 11/3/2017 | $118,794 | 130 | 130 | 278 | $321,778 | 1/1/2019 |
Rest of World | $94,094 | ||||||
Worldwide Total | $45,173,738 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Elliot Page | Courtney |
Diego Luna | Ray |
Nina Dobrev | Marlo |
James Norton | Jamie |
Kiersey Clemons | Sophia |
Supporting Cast
Beau Mirchoff | Brad |
Wendy Raquel Robinson | Sophia’s Mother |
Kiefer Sutherland | Dr. Barry Wolfson |
Madison Brydges | Tessa |
Jacob Soley | Alex |
Anna Arden | Alicia |
Miguel Anthony | Cyrus Gudgeon |
Jenny Raven | Irina Wong |
Charlotte McKinney | Girl on Bicycle |
Steve Byers | Marlo’s Brother |
Lisa Codrington | Chief Resident |
Emily Piggford | Neurology Resident |
Martha Girvin | Neurology Resident |
Taylor Trowbridge | Lauren |
Nadine Roden | Paramedic |
Richard Young | The Dean’s Secretary |
Mary Grant | Radiologist |
Stefano DiMatteo | Paramedic |
Jimi Shlag | Burly Patient |
Natasha Bromfield | ICU Nurse |
Daniela Barbosa | Hayley |
Jelena Savic | Conference Room Medical Student |
Brian King | Chemistry Teacher |
Ali Schwartz | Mean Girl |
Dallas Poynter | Mean Girl |
Avery Bederman | Mean Girl |
Danny Gallagher | TEMC Dean |
Jessica Rose | Puzzle Nurse |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Niels Arden Oplev | Director |
Ben Ripley | Screenwriter |
Peter Filardi | Story by |
Laurence Mark | Producer |
Michael Douglas | Producer |
Peter Safran | Producer |
Michael Bederman | Executive Producer |
Robert Mitas | Executive Producer |
David Blackman | Executive Producer |
Brian Oliver | Executive Producer |
Hassan Taher | Executive Producer |
Eric Kress | Director of Photography |
Niels Sejer | Production Designer |
Tom Elkins | Editor |
Nathan Barr | Composer |
Jenny Gering | Costume Designer |
Angela Demo | Casting Director |
Layton Morrison | Stunt Coordinator |
Michael Bederman | Unit Production Manager |
Jesse Nye | First Assistant Director |
Karl Irvine | Second Assistant Director |
Justin Ardalan-Raikes | Co-Executive Producer |
Simon Fawcett | Co-Executive Producer |
Michaela Cheyne | Art Director |
Mary Kirkland | Set Decorator |
Carolyn Arbuckle | Script Supervisor |
Mark Agnes | Costume Supervisor |
Donald Kozma | Make up |
Rose-Mary Holosko | Make up |
Steve Newburn | Special Make-up Effects |
Karola Dirnberger | Hairstylist |
Michael Innanen | Special Effects Coordinator |
Kaz Kobielski | Special Effects Supervisor |
Srdjan Vilotijevic | Location Manager |
Audra Gorman | Location Manager |
William Cheng | Set Designer |
Emily Cook | Casting Associate |
Stefni Colle | Casting Associate |
Sophia Welch | Casting Assistant |
Stefan Steen | Unit Production Manager |
Hartley Gorenstein | Unit Production Manager |
Debbie Tennant | Additional Editor |
Gershon Hinkson | First Assistant Editor |
Carolyn Calvert | Assistant Editor |
Wendy Nomiyama | Assistant Editor |
Joseph Roth | Assistant Editor |
David Giammarco | Re-recording Mixer |
David Esparza | Re-recording Mixer |
Mandell Winter | Supervising Sound Editor |
David Esparza | Sound Designer |
Peter Schultz | Sound Designer |
Ryan Collins | Sound Effects Editor |
Dhyana Carlton-Tims | Dialogue Editor |
Nerses Gezalyan | Foley Mixer |
Robin Whittaker | Music Editor |
Jim Schultz | Music Editor |
Greg Hayes | Score Mixer |
Josh Novak | Animation Supervisor |
Neishaw Ali | Visual Effects Executive Producer |
Wesley Sewell | Visual Effects Supervisor |
George Macri | Visual Effects Producer |
Peter Giliberti | Animation Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.