Portugal Box Office for Golpe Final (2018)
.jpg)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $63,812 | Details |
| Worldwide Box Office | $776,594 | Details |
| Home Market Performance | ||
| North America DVD Sales | $8,879 | Details |
| North America Blu-ray Sales | $32,847 | Details |
| Total North America Video Sales | $41,726 | |
| Further financial details... | ||
Synopsis
After deadly terrorists abduct his niece at a soccer match, an ex-soldier with lethal fighting skills wages a one-man war to save her and prevent mass destruction.
Metrics
Movie Details
| Portugal Releases: | October 26th, 2018 (Wide), released as Golpe Final |
| Video Release: | November 13th, 2018 by Lionsgate Home Entertainment |
| MPAA Rating: | R or strong violence and language throughout. (Rating bulletin 2537 (Cert #51713), 7/25/2018) |
| Running Time: | 104 minutes |
| Keywords: | Ex-soldier, Kidnap, Soccer, Terrorism, Car Chase |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Signature Entertainment, Saban Films, The Fyzz Facility, Drybake Productions Limited, Highland Film Group |
| Production Countries: | United Kingdom |
| Languages: | English |
Home Market Releases for November 13th, 2018
November 14th, 2018
There are not many big releases on this week’s list. The Meg is the biggest, but not the best. As for the best, I’m going with Pixar Short Film Collection: Volume Three on Blu-ray.
More...
Limited and VOD Releases: No Limited Releases are Alone this Week
September 14th, 2018
-1-News.jpg)
Every week, I have to decide which limited releases to talk about in the main list of this column. Usually I limit myself to those with double-digit reviews on Rotten Tomatoes. Last week, there were so few limited releases to talk about, I included some that I wouldn’t normally include. This week, there are about 30 films coming out in limited release, so I have to be extra judicious and cut some films just to keep the list manageable. Unfortunately, it feels like a case of quantity over quality. There are some movies that are getting excellent reviews, but a lot of movies that had strong pre-release buzz are disappointing critically. There are some I’m interested in, like I Think We’re Alone Now, but that’s more for the cast than the reviews. Mandy is one of the best films, but it is playing on Video on Demand, so I don’t expect it will do well at the box office. There are also several documentaries, with Science Fair being the one I want to see the most.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/10/26 | 9 | $27,900 | 31 | $900 | $27,900 | 1 | |
| 2018/11/02 | 12 | $18,808 | -33% | 31 | $607 | $57,186 | 2 |
| 2018/11/09 | 29 | $846 | -96% | 5 | $169 | $63,812 | 3 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Brazil | 11/23/2018 | $115,651 | 168 | 168 | 168 | $115,458 | 12/2/2018 |
| Mexico | 2/8/2019 | $328,323 | 0 | 0 | 0 | $328,323 | 2/11/2019 |
| Netherlands | 9/28/2018 | $99,429 | 54 | 54 | 137 | $248,349 | 10/16/2018 |
| North America | 9/14/2018 | $0 | 0 | 0 | 0 | $0 | |
| Portugal | 10/26/2018 | $27,900 | 31 | 31 | 67 | $63,812 | 11/13/2018 |
| United Kingdom | 9/7/2018 | $12,862 | 52 | 52 | 52 | $20,652 | 2/8/2019 |
| Worldwide Total | $776,594 | 2/11/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Dave Bautista | Michael Knox |
| Pierce Brosnan | Dimitri |
Supporting Cast
| Ray Stevenson | Arkady |
| Alexandra Dinu | |
| Lara Peake | Danni |
| Amit Shah | |
| Julian Cheung | |
| Martyn Ford | Vlad |
| Kamil Lemieszewski | Russian Hooligan |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Scott Mann | Director |
| Jonathan Frank | Screenwriter |
| The Brothers Lynch* | Screenwriter |
| The Brothers Lynch* | Screenwriter |
| Marc Goldberg | Producer |
| Wayne Marc Godfrey | Producer |
| Robert Jones | Producer |
| James Harris | Producer |
| Mark Lane | Producer |
| Dave Bautista | Producer |
| Jonathan Meisner | Producer |
| David Sullivan | Executive Producer |
| Elizabeth Williams | Executive Producer |
| Zackary Adler | Executive Producer |
| William V. Bromley Jr | Executive Producer |
| Ness Saban | Executive Producer |
| Shanan Becker | Executive Producer |
| Jeffrey Greenstein | Executive Producer |
| Jonathan Yunger | Executive Producer |
| Steven Shu Jr | Executive Producer |
| Mark Canton | Executive Producer |
| Courtney Solomon | Executive Producer |
| Arianne Fraser | Executive Producer |
| Delphine Perrier | Executive Producer |
| Henry Winterstern | Executive Producer |
| Babak Eftekhari | Co-Producer |
| Michael S. Constable* | Line Producer |
| Emil Topuzov | Director of Photography |
| Rob Hall | Editor |
| Matthew Button | Production Designer |
| James Edward Barker | Composer |
| Tim Despic | Composer |
| Liza Bracey | Costume Designer |
| Colin Jones | Casting Director |