Bulgaria Box Office for Петдесет нюанса по-тъмно (2017)
Theatrical Performance (US$) | ||
Bulgaria Box Office | $627,501 | Details |
Worldwide Box Office | $381,367,046 | Details |
Home Market Performance | ||
North America DVD Sales | $14,398,552 | Details |
North America Blu-ray Sales | $17,308,753 | Details |
Total North America Video Sales | $31,707,305 | |
Further financial details... |
Synopsis
When a wounded Christian Grey tries to entice a cautious Ana Steele back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and find stability, shadowy figures from Christian’s past start to circle the couple, determine to destroy their hopes for a future together.
Metrics
Movie Details
Production Budget: | $55,000,000 |
Bulgaria Releases: | February 10th, 2017 (Wide), released as Петдесет нюанса по-тъмно |
Video Release: | April 25th, 2017 by Universal Home Entertainment |
MPAA Rating: | R for strong erotic sexual content, some graphic nudity, and language. (Rating bulletin 2450 (Cert #50775), 11/9/2016) |
Running Time: | 118 minutes |
Franchise: | Fifty Shades of Grey |
Keywords: | Romance, Relationships Gone Wrong, Exes in Love, Sexual Fetishism, The Past Catching up with You, Erotic Drama |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Universal Pictures, Perfect World Pictures, Michael De Luca Productions |
Production Countries: | United States |
Languages: | English |
Home Market Releases for May 9th, 2017
May 10th, 2017
It’s not a good week for top-notch releases. Fifty Shades Darker is the biggest new DVD / Blu-ray release of the week, but it is far from the best. Get Out is clearly the best new release on this week’s list, but while it is the Pick of the Week, it is only coming out on Video on Demand and I would wait for the Blu-ray. Meanwhile we have another Puck of the Week, for best Canadian release. Those are usually rare, but we’ve have a streak of them recently. This week it’s The Void, which is great, but only coming out on DVD.
More...
Home Market Releases for April 25th, 2017
April 25th, 2017
We are entering the worst time of year for the home market. The number of Oscar contenders have nearly dried up and there are more bombs than box office hits. As for the best of the new releases, The Criterion Collection release for Tampopo is the best and the only real choice for Pick of the Week. Meanwhile, the Mean Dreams DVD earns Puck of the Week, for the best Canadian release of the week.
More...
International Box Office: Resident Evil here to Stay with $96.67 million
March 2nd, 2017
Resident Evil: The Final Chapter rocketed to the top of the chart of the international chart with $96.67 million on 24,465 screens in 75 markets for totals of $211.87 million internationally and $238.52 million worldwide. The film opened in China over the weekend earning $90.76 million over the weekend and $92.98 million including Thursday previews. At this point, the studio’s share of the worldwide box office is approximately $80 million, or twice as much as it cost to make. If the film hasn’t already broken even, it will do so shortly. I know the film is called The Final Chapter, but I can see the franchise continuing, focusing almost entirely on the foreign market.
More...
Weekend Wrap-Up: Get Out has Out of Control Opening with $33.38 million
February 28th, 2017
Get Out beat expectations on the weekend box office chart earning first place with $33.38 million. Not only did it beat expectations, but it also had better than expected legs over the weekend and that bodes well for its long term success. Neither of the other two wide releases, Collide and Rock Dog, earned a spot in the top ten. Both will disappear from theaters A.S.A.P. Overall, the box office fell 17% from last weekend to $123 million. It is, however, 9.9% higher than the same weekend last year. Meanwhile, 2017 remains $100 million behind last year’s pace at $1.69 billion to $1.79 billion. 2017 made gains over the weekend, but The Lego Batman Movie was the number one movie during the midweek and having a kids movie on top hurts the weekday box office numbers.
More...
Friday Estimates: Get Out Gets off to a Fast Start with $10.8 million
February 25th, 2017
As expected, Get Out earned first place on the Friday box office chart with $10.8 million. This a little higher than originally predicted, but not quite up to the heights that seemed possible after Thursday’s $1.8 million in previews. The film’s Tomatometer Score remains 100% positive, although I did see that Armond White gave the film a negative review. I didn’t realize he still wrote reviews. His reputation is so bad that a negative review from him is something to cherish. Furthermore, it earned an A minus from CinemaScore, which is stunning for a horror film. Even a B plus is great for a horror film. Look for $28 million over the weekend and an easy first place finish.
More...
Weekend Predictions: Will Moviegoers Get Out to the Theater This Weekend?
February 23rd, 2017
There are three films opening wide this weekend, which is a surprise. The buzz for Collide and Rock Dog are so quiet that I’m surprised they are playing in more than 2,000 theaters and I will be equally surprised if they open above the Mendoza Line by averaging more than $2,000 per theater. On the other hand, Get Out has nearly 100 reviews and its Tomatometer Score is 100% positive. It could be a surprise smash hit. Then again... It could be another Keanu. If that happens, The Lego Batman Movie will earn its third first-place finish in a row. That’s would be bad news for the overall box office. This weekend last year there were a similar selection of new releases. Gods of Egypt struggled while the other two new releases bombed, and only Deadpool saved the box office. If Get Out matches Deadpool’s total weekend of $31 million this time last year, I will be so happy. I don’t think it will happen, but it could be close.
More...
International Box Office: Grey Enters the Black with $276.2 million Worldwide
February 23rd, 2017
Fifty Shades Darker remained in first place on the international chart with $44.5 million on 9,600 screens in 59 markets for totals of $187.2 million internationally and $276.2 million worldwide. The film had no major openings this past weekend, and won’t until it opens in Japan in June. The film’s best market over the weekend was Germany, where it earned $6.1 million on 736 screens for a total of $21.2 million after two weeks of release.
Weekend Wrap-Up: New Releases Can’t Scale the Great Wall of Batman
February 22nd, 2017
As expected, The Lego Batman Movie easily won the weekend box office race with $32.66 million over the weekend and $42.74 million including Monday. The biggest new release of the week was The Great Wall, which earned $18.47 million / $21.51 million during its opening weekend. Overall, the box office slumped by 21% from last weekend at $145 million. This is still 4.5% higher than the same weekend last year. Unfortunately, due to the misalignment in holidays, 2017 still lost ground over the full week. In fact, it is now a full $100 million behind 2016’s pace at $1.53 billion to $1.63 million. It is still too early to really tell where 2017 will end up, but we could really use some big wins right about now.
More...
Weekend Estimates: Lego Batman Pieces Together Second Weekend Win
February 19th, 2017
The Lego Batman Movie will secure another weekend at the top of the box office chart thanks to a modest 35% drop from its opening, and soft openings for all the new wide releases. The animated adventure will make $34.2 million over three days, and is expected to earn about $45 million when the President’s Day holiday numbers are added in. It will pass $100 million at the domestic box office tomorrow.
More...
Friday Estimates: Batman Beats Up Competition with $7.6 million
February 18th, 2017
It is a disappointing weekend for new releases, as only The Great Wall managed to match low expectations. This left The Lego Batman Movie cruising to first place on Friday with $7.6 million. It is on pace for $42 million over the four-day weekend and will crack $100 million sometime on Monday, which matches our predictions almost perfectly. If the film can make $150 million domestically and $200 million internationally, then it will break even before it reaches the home market.
More...
Weekend Predictions: Can Wall be Great? Does Fist have any Fight?
February 16th, 2017
There are three wide releases coming out this week, but none of them are expected to challenge for top spot. Although, there could be an interesting race between the two biggest releases, Fist Fight and The Great Wall. Sadly, this is because both have seen their box office potential fall over the past week. A Cure for Wellness never really had much box office potential. This will leave The Lego Batman Movie with an easy win over the Presidents’ Day long weekend, while we should have five films earning more than $10 million over the three-day portion of the weekend. This weekend last year, there were also three wide releases that struggled at the box office leaving Deadpool with an easy win. The Lego Batman Movie won’t match Deadpool at the top, but 2017 has much better depth, so that should help keep the year-over-year race close.
More...
International Box Office: Fifty Opens a Shade Below $100 million
February 16th, 2017
Fifty Shades Darker earned first place on the international chart during it opening weekend, pulling in $97.78 million on 9,726 screens in 57 markets. This is the biggest international weekend of the year so far, so that’s reason for the studio to celebrate. The film’s biggest market was Germany, where it made $10.5 million, while the U.K. and Ireland were close behind with $9.4 million. The film cracked $5 million in France ($8.3 million); Brazil ($7.3 million); Italy ($6.9 million); Russian ($6.5 million); Australia ($5.8 million); and Spain ($5 million). The film has yet to open in Japan, but that’s the only major market left. By the end of the first weekend of release, the film had made enough worldwide to cover its entire production budget. By the end of the second, it will likely come completely in the black. By the time it makes its initial push into the home market, it will likely have paid for the production budget of Fifty Shades Freed as well.
Theater Averages: Kedi is the Cat’s Meow earning $40,103
February 15th, 2017
Kedi became the first movie released in 2017 to hit the $40,000 mark on the per theater chart earning $40,103 in its lone theater. A United Kingdom was next with an average of $16,628 in four theaters. This is enough to suggest it will expand, but not enough to think it will earn a significant measure of mainstream success. The only other two films in the $10,000 club were the top two films on the overall weekend chart. The Lego Batman Movie earned an average of $12,966, putting it just ahead of Fifty Shades Darker, which earned an average of $12,563.
More...
Weekend Wrap-Up: Lego Batman Begins with $53.00 million
February 14th, 2017
As expected, it was a big weekend at the box office with three massive hits. The Lego Batman Movie did earn first place, but not with as much as predicted at just $53.00 million. Fifty Shades Darker wasn’t that far behind with $46.61 million. Meanwhile, John Wick: Chapter Two just cracked $30 million, which is one of the ten best third place openings of all time. Week-over-week, the box office nearly doubled growing 90% from last weekend. Sadly, it was down 22% from last year. Granted, Valentine’s Day landed on a Sunday last year, so that boosted the weekend box office and 2017 should make some of that decline back on Tuesday. Year-to-date, 2017 has pulled in $1.28 billion, putting it $40 million or 3.0% behind 2016’s pace. It is still way too soon to tell how 2017 will finish in the end, but hopefully things will turn around soon.
More...
Weekend Estimates: Batman Shades Fifty
February 12th, 2017
A slighty-worse-than-expected performance from The Lego Batman Movie and a slightly-better-than-expected weekend for Fifty Shades Darker is creating a close race at the top of the box office chart this weekend. Lego Batman will win in the end, with Warner Bros. projecting $55.6 million for the weekend, but Fifty Shades Darker won on Friday, and won’t be far behind in the end. Universal pegs the film at $46.8 million over three days.
More...
Friday Estimates: Fifty Leads Fantastic Friday with $21.5 million
February 11th, 2017
Fifty Shades Darker led the way on Friday with $21.5 million. Earning first place is both expected and a little troubling, but more on the latter below. The film’s legs will be shorter over the weekend than its predecessor’s were, because it doesn’t have Valentine’s Day to boost its Saturday numbers. However, despite earning much worse reviews than the original film, its CinemaScore is a B plus, up from the C plus that the original managed. This could help its overall legs. Look for $48 million over the weekend and a total of over $100 million.
More...
Thursday Night Previews: New Releases earn Fifty Shades of Green
February 10th, 2017
Fifty Shades Darker dominated the Thursday previews earning $5.72 million. This is more than the other two new releases earned combined. On the other hand, it is significantly less than the $8.6 million the original made two years ago. Additionally, its reviews are significantly weaker than its predecessors’ reviews were. This will lead to shorter legs and an opening that is closer to $40 million than $50 million.
More...
Weekend Predictions: Will Batman Become a Billionaire?
February 9th, 2017
This should be the biggest weekend of the month with three potential hits, all of which are sequels. Of the three, The Lego Batman Movie is widely expected to be the biggest hit of the weekend. In fact, it is widely expected to become the biggest hit of the year so far. Fifty Shades Darker could be one of those rare sequels that earns less in total than the original made during its opening weekend. However, I’m not that pessimistic. On the other hand, John Wick: Chapter Two should open significantly better than its predecessor opened with, but it is still aiming to become a midlevel hit, nothing more. This weekend last year, Deadpool opened with $132 million. That could be more than the top two films open with this weekend. Even though 2017 does have better depth, I think it will lose in the year-over-year comparison.
More...
2017 Preview: February
February 1st, 2017
January turned out to be a good month. Granted, it didn’t live up to last January, but its box office was one of the top five Januarys of all time, so that’s still a good start to the year. Also, we will have our first $100 million movie released in 2017 and that doesn’t happen this early very often. As for February, there’s potentially the first $200 million hit of the year, The Lego Batman Movie. Fifty Shades Darker and The Great Wall both have a shot at $100 million. That said, it is more likely that both will miss that milestone than both will get there. As for the rest of the films, there are a few that are aiming for solid midlevel hits, like John Wick: Chapter Two and Get Out, while there are very few potential bombs. By comparison, last February there was one monster hit, Deadpool, and a lot of bombs. No other movie besides Deadpool made $50 million. No movie opening this month will match Deadpool, but we won’t have as many bombs either, so hopefully that will balance out and 2017 won’t fall further behind 2016.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/02/10 | 1 | $172,689 | 0 | $239,656 | 1 | ||
2017/02/17 | 1 | $83,091 | -52% | 0 | $487,551 | 2 | |
2017/02/24 | 3 | $27,735 | -67% | 0 | $556,469 | 3 | |
2017/03/03 | 6 | $13,188 | -52% | 0 | $584,765 | 4 | |
2017/03/10 | 7 | $9,034 | -31% | 0 | $691,051 | 5 | |
2017/03/17 | 10 | $3,821 | -58% | 0 | $620,520 | 6 | |
2017/03/24 | 18 | $959 | -75% | 0 | $627,501 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 2/9/2017 | $2,238,126 | 0 | 187 | 444 | $4,904,897 | 1/1/2019 |
Australia | 2/10/2017 | $4,739,919 | 612 | 612 | 2013 | $13,795,064 | 4/20/2017 |
Austria | 2/10/2017 | $0 | 0 | 83 | 541 | $4,475,655 | 7/1/2020 |
Belgium | 2/8/2017 | $0 | 0 | 103 | 511 | $4,668,680 | 5/4/2017 |
Brazil | 2/9/2017 | $7,428,179 | 0 | 613 | 2231 | $21,207,467 | 8/26/2020 |
Bulgaria | 2/10/2017 | $172,689 | 0 | 0 | 0 | $627,501 | 2/26/2019 |
Chile | 2/9/2017 | $0 | 0 | 62 | 236 | $2,273,168 | 12/20/2018 |
Colombia | 2/9/2017 | $0 | 0 | 171 | 391 | $2,009,784 | 12/20/2018 |
Croatia | 2/9/2017 | $0 | 0 | 22 | 83 | $520,005 | 1/1/2019 |
Czech Republic | 2/10/2017 | $902,132 | 152 | 152 | 488 | $2,147,627 | 1/1/2019 |
Denmark | 2/9/2017 | $0 | 0 | 100 | 385 | $4,421,943 | 4/27/2017 |
Finland | 2/10/2017 | $0 | 0 | 84 | 315 | $1,620,781 | 5/4/2017 |
France | 2/8/2017 | $8,272,719 | 0 | 593 | 2114 | $24,892,867 | 6/26/2018 |
Germany | 2/9/2017 | $8,529,213 | 0 | 735 | 4689 | $32,709,880 | 6/29/2018 |
Greece | 2/9/2017 | $0 | 0 | 114 | 239 | $1,683,339 | 4/5/2017 |
Hong Kong | 2/9/2017 | $0 | 0 | 39 | 111 | $1,845,927 | 4/27/2017 |
Hungary | 2/9/2017 | $0 | 0 | 76 | 214 | $1,227,665 | 1/1/2019 |
Israel | 2/9/2017 | $0 | 0 | 30 | 188 | $2,502,149 | 1/1/2019 |
Italy | 2/9/2017 | $6,836,672 | 0 | 182 | 218 | $15,987,384 | 3/16/2017 |
Japan | 6/23/2017 | $91,605 | 15 | 15 | 44 | $315,625 | 7/20/2017 |
Lithuania | 2/10/2017 | $157,242 | 190 | 190 | 445 | $571,903 | 3/21/2017 |
Mexico | 2/10/2017 | $2,683,437 | 0 | 203 | 233 | $6,354,100 | 3/28/2017 |
Netherlands | 2/8/2017 | $1,365,781 | 133 | 134 | 1083 | $6,308,107 | 5/12/2017 |
New Zealand | 2/10/2017 | $373,181 | 103 | 103 | 500 | $1,345,992 | 4/5/2017 |
North America | 2/10/2017 | $46,607,250 | 3,710 | 3,714 | 15,139 | $114,434,010 | |
Norway | 2/10/2017 | $0 | 0 | 101 | 250 | $3,533,340 | 5/4/2017 |
Panama | 2/9/2017 | $0 | 0 | 141 | 272 | $2,561,367 | 1/1/2019 |
Peru | 2/9/2017 | $0 | 0 | 75 | 118 | $1,000,327 | 12/20/2018 |
Philippines | 2/8/2017 | $0 | 0 | 82 | 188 | $3,400,064 | 12/20/2018 |
Poland | 2/10/2017 | $2,703,921 | 0 | 286 | 898 | $7,391,149 | 1/1/2019 |
Portugal | 2/10/2017 | $716,100 | 112 | 112 | 488 | $2,750,562 | 4/27/2017 |
Russia (CIS) | 2/10/2017 | $6,513,766 | 1336 | 1348 | 4937 | $13,377,712 | 1/1/2019 |
Singapore | 2/9/2017 | $0 | 0 | 24 | 71 | $1,034,536 | 4/27/2017 |
Slovakia | 2/10/2017 | $496,563 | 79 | 79 | 221 | $1,106,718 | 3/23/2017 |
Slovenia | 2/9/2017 | $127,751 | 29 | 29 | 152 | $520,117 | 11/17/2017 |
South Africa | 2/10/2017 | $0 | 0 | 112 | 534 | $2,548,196 | 5/19/2017 |
South Korea | 2/8/2017 | $648,176 | 435 | 435 | 585 | $1,387,772 | 3/21/2017 |
Spain | 2/10/2017 | $5,226,292 | 804 | 804 | 3004 | $13,745,107 | 2/17/2021 |
Sweden | 2/10/2017 | $0 | 0 | 126 | 488 | $5,397,377 | 5/4/2017 |
Switzerland | 2/8/2017 | $0 | 0 | 88 | 369 | $4,235,301 | 4/27/2017 |
Taiwan | 2/10/2017 | $0 | 0 | 90 | 264 | $2,798,012 | 3/21/2017 |
Thailand | 2/9/2017 | $0 | 0 | 88 | 135 | $768,880 | 3/9/2017 |
Turkey | 2/10/2017 | $552,881 | 249 | 249 | 820 | $1,786,141 | 2/26/2019 |
United Kingdom | 2/10/2017 | $9,448,037 | 604 | 604 | 2825 | $28,591,888 | 4/27/2017 |
Venezuela | 2/10/2017 | $0 | 0 | 73 | 356 | $1,180,076 | 4/20/2017 |
Rest of World | $9,400,884 | ||||||
Worldwide Total | $381,367,046 | 2/17/2021 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Dakota Johnson | Anastasia Steele |
Jamie Dornan | Christian Grey |
Supporting Cast
Eric Johnson | Jack Hyde |
Eloise Mumford | Kate Kavanagh |
Bella Heathcote | Leila |
Rita Ora | Mia Grey |
Luke Grimes | Elliot Grey |
Victor Rasuk | Jose |
Max Martini | Taylor |
Bruce Altman | Jerry Roach |
Kim Basinger | Elena Lincoln |
Marcia Gay Harden | Grace Trevelyan Grey |
Andrew Airlie | Carrick Grey |
Robinne Lee | Ros Bailey |
Amy Price-Francis | Liz |
Fay Masterson | Mrs. Jones |
Ryker Brown | 4-Year-Old Christian |
Logan Brown | 4-Year-Old Christian |
John Callander | Pimp |
Carmen Dollard | Christian’s Birth Mom |
Ellen Ewusie | Gallery Guest |
Elizabeth McLaughlin | Gallery Owner |
Albert Nicholas | Waiter |
Stephan Miers | Hairdresser |
Michael Meneer | Auctioneer |
Michael St. John Smith | Auction Bidder |
Derek Green | Auction Bidder |
Michelle Harrison | Auction Bidder |
Mark DeCarlo | News Anchor |
Bill Dow | Willis |
Ashleigh Lathrop | Hannah |
Stephanie Florian | News Reporter |
Julia Dominczak | Gretchen |
Shiraine Haas | Gwen |
Colin Lawrence | Penthouse Restaurant Customer |
Lucia Walters | Penthouse Restaurant Customer |
Brooke Johnston | Whispering Gallery Lady |
Paniz Zade | Salon Receptionist |
Carmel Amit | Whispering Guest at Masked Party |
Isaiah Dobbs | Flower Delivery Man |
Jose James | Gala Crooner |
Otis Brown | Band Member |
Aaron Parks | Band Member |
Josh Hari | Band Member |
Rob Compton | Yacht Captain |
Peter Boulanger | Fire Choreographer |
Neezar Joseph Elferzeli | Fire Breather |
Ryan Mellors | Juggler |
Chris Murdoch | Juggler |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
James Foley | Director |
Niall Leonard | Screenwriter |
E.L. James | Based on the novel by |
E.L. James | Producer |
Dana Brunetti | Producer |
Michael De Luca | Producer |
Marcus Viscidi | Producer |
Nelson Coates | Production Designer |
Richard Francis-Bruce | Editor |
Danny Elfman | Composer |
John Schwartzman | Director of Photography |
Shay Cunliffe | Costume Designer |
Dana Sano | Music Supervisor |
Laray Mayfield | Casting Director |
Julie Schubert | Casting Director |
Barbara Kelly | Unit Production Manager |
Marcus Viscidi | Unit Production Manager |
Paul Barry | First Assistant Director |
Phil Nee Nee | Second Assistant Director |
Jeremy Stanbridge | Supervising Art Director |
Peter Bodnarus | Art Director |
Craig Humphries | Art Director |
Tara Arnett | Assistant Art Director |
Jay Mitchell | Set Designer |
Jim Ramsay | Set Designer |
Kyle White | Set Designer |
Carolyn Loucks | Set Decorator |
Mark Noda | Sound Mixer |
Janice Macisaac | Costume Supervisor |
Evelyne Noraz | Make up |
Rosalina Da Silva | Make up |
Danna Rutherford | Hairstylist |
Anna Rane | Script Supervisor |
Kirk Johns | Location Manager |
Graham Stumpf | Post-Production Supervisor |
Angie Rubin | Music Editor |
Bill Abbott | Music Editor |
Dane A. Davis | Supervising Sound Editor |
Stephanie L. Flack | Supervising Sound Editor |
Robert Jackson | Dialogue Editor |
Michele Perrone | Dialogue Editor |
Eliza Pollack Zebert* | Dialogue Editor |
Mary Jo Lang | Foley Mixer |
Jon Taylor | Re-recording Mixer |
Frank A. Montano | Re-recording Mixer |
Alex Burdett | Special Effects Supervisor |
Brittani Smith | Casting Associate |
Paige Orr | Casting Assistant |
Scott Ateah | Second Unit Director |
Kevin Hahn | Visual Effects Supervisor |
Tyler Kehl | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.