Slovakia Box Office for Fatima (2020)
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| Theatrical Performance (US$) | ||
| Slovakia Box Office | $207,444 | Details |
| Worldwide Box Office | $585,082 | Details |
| Home Market Performance | ||
| North America DVD Sales | $695,614 | Details |
| Total North America Video Sales | $695,614 | |
| Further financial details... | ||
Synopsis
In 1917, outside the parish of Fátima, Portugal, a 10-year-old girl and her two younger cousins witness multiple visitations of the Virgin Mary, who tells them that only prayer and suffering will bring an end to World War I. As secularist government officials and Church leaders try to force the children to recant their story, word of the sighting spreads across the country, inspiring religious pilgrims to flock to the site in hopes of witnessing a miracle. What they experience will transform their quiet lives and bring the attention of a world yearning for peace.
Metrics
Movie Details
| Slovakia Releases: | August 14th, 2020 (Wide) |
| Video Release: | August 28th, 2020 by Picturehouse Entertainment |
| MPAA Rating: | PG-13 for some strong violence and disturbing images. (Rating bulletin 2623 (Cert #52666), 4/1/2020) |
| Running Time: | 113 minutes |
| Keywords: | 1910s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Picturehouse, Origin Entertainment, Elysia Productions, Rose Pictures |
| Production Countries: | Portugal, United States |
| Languages: | English |
Weekend Estimates: New Mutants Posts $7 Million Opening
August 30th, 2020
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Although the war for survival of the theatrical business is only beginning, The New Mutants is at least winning a small early battle by posting an opening weekend that is in line with expectations. In fact, the film will exactly hit our pre-weekend prediction of $7 million, according to Disney’s Sunday morning projection.
Beyond the top-line number, signals are mixed. Mutants’ theater average of $2,903 is better than Unhinged’s $2,206 last weekend, but its box office fell on both Saturday and Sunday, suggesting poor word of mouth. Unhinged itself is down 35% from last weekend, even though it gained an extra 508 theaters. The other new releases were weak (although what a joy to see something new).
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Limited and Virtual Releases: Will Limited Releases Deliver?
August 28th, 2020
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It is a poor week generally for limited releases, with only a couple earning any real buzz: The Courier and Fatima. With actual wide releases this week, the competition is much greater than it’s been for months, which makes conditions challenging for these releases, to say the least. On the bright side, while things are still tough, this week sees a more typical mix of independent and genre films than we’ve seen recently. Here’s a rundown of the films that are doing their bit to help move the theatrical market back towards nomalcy.
More...
Fatima Trailer
February 27th, 2020
Faith-based historical drama opens April 24 ... Full Movie Details.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/08/14 | 1 | $60,072 | 61 | $985 | $60,072 | 1 | |
| 2020/08/21 | 3 | $26,178 | -56% | 33 | $793 | $126,072 | 2 |
| 2020/08/28 | 5 | $13,972 | -47% | 31 | $451 | $159,564 | 3 |
| 2020/09/04 | 7 | $10,657 | -24% | 31 | $344 | $183,441 | 4 |
| 2020/09/11 | 10 | $5,269 | -51% | 23 | $229 | $194,889 | 5 |
| 2020/09/18 | 14 | $2,228 | -58% | 13 | $171 | $201,162 | 6 |
| 2020/09/25 | 18 | $1,442 | -35% | 7 | $206 | $200,416 | 7 |
| 2020/10/02 | 18 | $774 | -46% | 7 | $111 | $204,456 | 8 |
| 2020/10/09 | - | $793 | +2% | 10 | $79 | $207,444 | 9 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 9/4/2020 | $26,912 | 37 | 54 | 162 | $103,105 | 2/27/2023 |
| Mexico | 10/7/2021 | $39,299 | 0 | 0 | 0 | $92,900 | 10/20/2022 |
| New Zealand | 9/3/2020 | $2,554 | 14 | 30 | 179 | $46,170 | 10/19/2022 |
| North America | 8/28/2020 | $0 | 0 | 0 | 0 | $0 | |
| Russia (CIS) | 9/4/2020 | $1,461 | 34 | 34 | 55 | $3,706 | 10/19/2022 |
| Slovakia | 8/14/2020 | $60,072 | 61 | 61 | 216 | $207,444 | 10/13/2020 |
| South Korea | 12/3/2020 | $45,148 | 160 | 160 | 290 | $122,627 | 1/6/2021 |
| United Kingdom | 6/25/2021 | $9,130 | 36 | 36 | 36 | $9,130 | 6/30/2021 |
| Worldwide Total | $585,082 | 2/27/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Stephanie Gil | Lucia |
| Alejandra Howard | Jacinta |
| Jorge Lamelas | Francisco |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Marco Pontecorvo | Director |
| Marco Pontecorvo | Screenwriter |
| Valerio D’Annunzio | Screenwriter |
| Barbara Nicolosi | Screenwriter |
| Rose Ganguzza | Producer |
| Natasha Howes | Producer |
| Frida Torresblanco | Executive Producer |
| David Fischer | Executive Producer |
| James Volk | Producer |
| Dick Lyles | Producer |
| Stefano Buono | Producer |
| Maribel Lopera Sierra | Producer |
| Marco Pontecorvo | Producer |
| Jonas Barcellos | Executive Producer |
| Matthew Malek | Executive Producer |
| Marco Valerio Pugini | Executive Producer |
| Holly Carney | Executive Producer |
| David Nicksic | Co-Executive Producer |
| Ute Leonhardt | Co-Producer |
| Edoardo Ferretti | Co-Producer |
| Paolo Buonvino | Composer |
| Vincenzo Carpineta | Cinematographer |
| Melodie Caudal | Assistant Editor |
| Alessio Doglione | Editor |
| Cristina Onori | Production Designer |
| Daniela Ciancio | Costume Designer |
| Alessandra Perpignani | Sound Designer |
| Carlos Alberto Lopez | Sound Mixer |
| Camilla Valentine Isola | Casting Director |
| Lucy Hellier | Casting Director |
| Jemima McWilliams | Casting Director |
| Ute Leonhardt | Line Producer |
| Gerardo Fernandes | Production Manager |
| Edoardo Ferretti | First Assistant Director |
| Giovanni Arcadu | Music Supervisor |
| Jake Alden Falconer | Associate Producer |
| Augusto Mayer | Supervising Art Director |
| Silvia Colafranceschi | Art Director |
| Martina Monicelli | Script Supervisor |
| Chiara Milani | Script Supervisor |
| Manuel Rebelo | Location Manager |
| Eduardo Araújo | Location Manager |
| Luís Oliveira | Location Manager |
| Filipe Pereira | Special Effects Supervisor |
| Pasquale Di Viccaro | Visual Effects Supervisor |
| Riccardo Micalizio | Visual Effects Producer |
| Fabrizio Pistone | Visual Effects Producer |
| Cristiano Ciccone | Sound Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.