Fatima (2020)

Fatima
Theatrical Performance
Domestic Box Office n/a
International Box Office $585,082Details
Worldwide Box Office $585,082
Home Market Performance
Est. Domestic DVD Sales $694,950 Details
Total Est. Domestic Video Sales $694,950
Further financial details...

Synopsis

In 1917, outside the parish of Fátima, Portugal, a 10-year-old girl and her two younger cousins witness multiple visitations of the Virgin Mary, who tells them that only prayer and suffering will bring an end to World War I. As secularist government officials and Church leaders try to force the children to recant their story, word of the sighting spreads across the country, inspiring religious pilgrims to flock to the site in hopes of witnessing a miracle. What they experience will transform their quiet lives and bring the attention of a world yearning for peace.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 12,401-12,500) 12,406 $585,082
All Time Worldwide Box Office (Rank 17,301-17,400) 17,392 $585,082

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon PVOD, Amazon PVOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: August 28th, 2020 (Limited) by Picturehouse
International Releases: August 14th, 2020 (Wide) (Slovakia)
September 3rd, 2020 (Wide) (New Zealand)
September 4th, 2020 (Wide) (Australia)
September 4th, 2020 (Wide) (Russia (CIS))
December 3rd, 2020 (Wide) (South Korea)
... Show all releases
Video Release: August 28th, 2020 by Picturehouse Entertainment
MPAA Rating: PG-13 for some strong violence and disturbing images.
(Rating bulletin 2623 (Cert #52666), 4/1/2020)
Running Time: 113 minutes
Comparisons: vs. Avatar
Create your own comparison chart…
Keywords: 1910s
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Picturehouse, Origin Entertainment, Elysia Productions, Rose Pictures
Production Countries: Portugal, United States
Languages: English

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 9/4/2020 $26,912 37 54 162 $103,105 2/27/2023
Mexico 10/7/2021 $39,299 0 0 0 $92,900 10/20/2022
New Zealand 9/3/2020 $2,554 14 30 179 $46,170 10/19/2022
Russia (CIS) 9/4/2020 $1,461 34 34 55 $3,706 10/19/2022
Slovakia 8/14/2020 $60,072 61 61 216 $207,444 10/13/2020
South Korea 12/3/2020 $45,148 160 160 290 $122,627 1/6/2021
United Kingdom 6/25/2021 $9,130 36 36 36 $9,130 6/30/2021
 
International Total$585,082 2/27/2023

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 12,401-12,500) 12,406 $585,082
All Time International Non-Sequel Box Office (Rank 11,301-11,400) 11,332 $585,082
All Time International Box Office for Based on Real Life Events Movies (Rank 1,001-1,100) 1,038 $585,082
All Time International Box Office for Live Action Movies (Rank 10,301-10,400) 10,367 $585,082
All Time International Box Office for Dramatization Movies (Rank 801-900) 862 $585,082
All Time International Box Office for Drama Movies (Rank 3,301-3,400) 3,330 $585,082
All Time International Box Office for PG-13 Movies (Rank 1,801-1,900) 1,899 $585,082
All Time International Box Office for Picturehouse Movies 18 $585,082

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 17,301-17,400) 17,392 $585,082
All Time Worldwide Non-Sequel Box Office (Rank 16,001-16,100) 16,044 $585,082
All Time Worldwide Box Office for Based on Real Life Events Movies (Rank 1,401-1,500) 1,467 $585,082
All Time Worldwide Box Office for Live Action Movies (Rank 14,801-14,900) 14,841 $585,082
All Time Worldwide Box Office for Dramatization Movies (Rank 1,101-1,200) 1,188 $585,082
All Time Worldwide Box Office for Drama Movies (Rank 4,701-4,800) 4,752 $585,082
All Time Worldwide Box Office for PG-13 Movies (Rank 2,701-2,800) 2,733 $585,082
All Time Worldwide Box Office for Picturehouse Movies 27 $585,082

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Nov 1, 2020919,009 19,009$189,900$189,90010

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Stephanie Gil Lucia
Alejandra Howard Jacinta
Jorge Lamelas Francisco

Supporting Cast

Joaquim de Almeida Father Ferreira
Goran Visnjic Arturo
Lucia Moniz Maria
Marco D’Aleida António
Joana Ribeiro Virgin Mary
Sonia Braga Sister Lucia
Harvey Keitel Professor Nichols
Carla Chambel Olimpia
Elmano Sancho Ti Manuel
Joâo D’Avila Monsenhor Quaresma
Iris Cayatte Adelina
Joao Luis Arrais Manuel Santos
Simão Cayatte Captain Ribeiro
Ivo Alexandre Doctor Andrade
Filipa Aerosa Pretty Fiance
João Bandeira Toninho
Alba Baptista Senhora Lopes Daughter
Enrique Bejan Diogo Lima
Zé Bernardino Reporter
Margarida Cardeal Skeptic Woman
Joana Cavaco Carolina
Figueira Cid Doctor Ramires
Maria de Aires Mother
Gonçalo Diniz GNR Guard
Vitor Emanuel Silvio
Gabrielle Fleck Maria dos Anjos
Hugo Franco Corporal GNR
Eduardo Frazão Vendor
Laura Frederico Daughter
Paula Garcia Senhora Lopes
Lourenço Henriques Mauricio
Ivone Fernandes-Jesus Angel of Peace
Alexandra Leite Fernanda
João Lobo Tradesman
Maribel Lopera Sierra Benedita Diogo’s Mother
André Mendes Victor
Beatriz Mendes Republica
Catarina Mira Tradeswoman
Tobias Monteiro Arthur’s Assistant
Ana Moreira Laic Nun
Manuel Moreira Skeptic Man
Luisa Ortigoso Amelia
Ângela Pinto Carmelite Nun
João Maria Pinto Avelino de Almeida
Fernando Rodrigues Pope
Isabel Ruth Old Woman
Carmen Santos Dona Clara

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Marco Pontecorvo Director
Marco Pontecorvo Screenwriter
Valerio D’Annunzio Screenwriter
Barbara Nicolosi Screenwriter
Rose Ganguzza Producer
Natasha Howes Producer
Frida Torresblanco Executive Producer
David Fischer Executive Producer
James Volk Producer
Dick Lyles Producer
Stefano Buono Producer
Maribel Lopera Sierra Producer
Marco Pontecorvo Producer
Jonas Barcellos Executive Producer
Matthew Malek Executive Producer
Marco Valerio Pugini Executive Producer
Holly Carney Executive Producer
David Nicksic Co-Executive Producer
Ute Leonhardt Co-Producer
Edoardo Ferretti Co-Producer
Paolo Buonvino Composer
Vincenzo Carpineta Cinematographer
Melodie Caudal Assistant Editor
Alessio Doglione Editor
Cristina Onori Production Designer
Daniela Ciancio Costume Designer
Alessandra Perpignani Sound Designer
Carlos Alberto Lopez Sound Mixer
Camilla Valentine Isola Casting Director
Lucy Hellier Casting Director
Jemima McWilliams Casting Director
Ute Leonhardt Line Producer
Gerardo Fernandes Production Manager
Edoardo Ferretti First Assistant Director
Giovanni Arcadu Music Supervisor
Jake Alden Falconer Associate Producer
Augusto Mayer Supervising Art Director
Silvia Colafranceschi Art Director
Martina Monicelli Script Supervisor
Chiara Milani Script Supervisor
Manuel Rebelo Location Manager
Eduardo Araújo Location Manager
Luís Oliveira Location Manager
Filipe Pereira Special Effects Supervisor
Pasquale Di Viccaro Visual Effects Supervisor
Riccardo Micalizio Visual Effects Producer
Fabrizio Pistone Visual Effects Producer
Cristiano Ciccone Sound Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend Estimates: New Mutants Posts $7 Million Opening

August 30th, 2020

The New Mutants

Although the war for survival of the theatrical business is only beginning, The New Mutants is at least winning a small early battle by posting an opening weekend that is in line with expectations. In fact, the film will exactly hit our pre-weekend prediction of $7 million, according to Disney’s Sunday morning projection.

Beyond the top-line number, signals are mixed. Mutants’ theater average of $2,903 is better than Unhinged’s $2,206 last weekend, but its box office fell on both Saturday and Sunday, suggesting poor word of mouth. Unhinged itself is down 35% from last weekend, even though it gained an extra 508 theaters. The other new releases were weak (although what a joy to see something new). More...

Limited and Virtual Releases: Will Limited Releases Deliver?

August 28th, 2020

Fatima

It is a poor week generally for limited releases, with only a couple earning any real buzz: The Courier and Fatima. With actual wide releases this week, the competition is much greater than it’s been for months, which makes conditions challenging for these releases, to say the least. On the bright side, while things are still tough, this week sees a more typical mix of independent and genre films than we’ve seen recently. Here’s a rundown of the films that are doing their bit to help move the theatrical market back towards nomalcy. More...

Fatima Trailer

February 27th, 2020

Faith-based historical drama opens April 24 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

In 1917, outside the parish of Fátima, Portugal, a 10-year-old girl and her two younger cousins witness multiple visitations of the Virgin Mary, who tells them that only prayer and suffering will bring an end to World War I. As secularist government officials and Church leaders try to force the children to recant their story, word of the sighting spreads across the country, inspiring religious pilgrims to flock to the site in hopes of witnessing a miracle. What they experience will transform their quiet lives and bring the attention of a world yearning for peace.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time International Box Office (Rank 12,401-12,500) 12,406 $585,082
All Time Worldwide Box Office (Rank 17,301-17,400) 17,392 $585,082

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon PVOD, Amazon PVOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: August 28th, 2020 (Limited) by Picturehouse
International Releases: August 14th, 2020 (Wide) (Slovakia)
September 3rd, 2020 (Wide) (New Zealand)
September 4th, 2020 (Wide) (Australia)
September 4th, 2020 (Wide) (Russia (CIS))
December 3rd, 2020 (Wide) (South Korea)
... Show all releases
Video Release: August 28th, 2020 by Picturehouse Entertainment
MPAA Rating: PG-13 for some strong violence and disturbing images.
(Rating bulletin 2623 (Cert #52666), 4/1/2020)
Running Time: 113 minutes
Comparisons: vs. Avatar
Create your own comparison chart…
Keywords: 1910s
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Picturehouse, Origin Entertainment, Elysia Productions, Rose Pictures
Production Countries: Portugal, United States
Languages: English

Leading Cast

Stephanie Gil Lucia
Alejandra Howard Jacinta
Jorge Lamelas Francisco

Supporting Cast

Joaquim de Almeida Father Ferreira
Goran Visnjic Arturo
Lucia Moniz Maria
Marco D’Aleida António
Joana Ribeiro Virgin Mary
Sonia Braga Sister Lucia
Harvey Keitel Professor Nichols
Carla Chambel Olimpia
Elmano Sancho Ti Manuel
Joâo D’Avila Monsenhor Quaresma
Iris Cayatte Adelina
Joao Luis Arrais Manuel Santos
Simão Cayatte Captain Ribeiro
Ivo Alexandre Doctor Andrade
Filipa Aerosa Pretty Fiance
João Bandeira Toninho
Alba Baptista Senhora Lopes Daughter
Enrique Bejan Diogo Lima
Zé Bernardino Reporter
Margarida Cardeal Skeptic Woman
Joana Cavaco Carolina
Figueira Cid Doctor Ramires
Maria de Aires Mother
Gonçalo Diniz GNR Guard
Vitor Emanuel Silvio
Gabrielle Fleck Maria dos Anjos
Hugo Franco Corporal GNR
Eduardo Frazão Vendor
Laura Frederico Daughter
Paula Garcia Senhora Lopes
Lourenço Henriques Mauricio
Ivone Fernandes-Jesus Angel of Peace
Alexandra Leite Fernanda
João Lobo Tradesman
Maribel Lopera Sierra Benedita Diogo’s Mother
André Mendes Victor
Beatriz Mendes Republica
Catarina Mira Tradeswoman
Tobias Monteiro Arthur’s Assistant
Ana Moreira Laic Nun
Manuel Moreira Skeptic Man
Luisa Ortigoso Amelia
Ângela Pinto Carmelite Nun
João Maria Pinto Avelino de Almeida
Fernando Rodrigues Pope
Isabel Ruth Old Woman
Carmen Santos Dona Clara

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Marco Pontecorvo Director
Marco Pontecorvo Screenwriter
Valerio D’Annunzio Screenwriter
Barbara Nicolosi Screenwriter
Rose Ganguzza Producer
Natasha Howes Producer
Frida Torresblanco Executive Producer
David Fischer Executive Producer
James Volk Producer
Dick Lyles Producer
Stefano Buono Producer
Maribel Lopera Sierra Producer
Marco Pontecorvo Producer
Jonas Barcellos Executive Producer
Matthew Malek Executive Producer
Marco Valerio Pugini Executive Producer
Holly Carney Executive Producer
David Nicksic Co-Executive Producer
Ute Leonhardt Co-Producer
Edoardo Ferretti Co-Producer
Paolo Buonvino Composer
Vincenzo Carpineta Cinematographer
Melodie Caudal Assistant Editor
Alessio Doglione Editor
Cristina Onori Production Designer
Daniela Ciancio Costume Designer
Alessandra Perpignani Sound Designer
Carlos Alberto Lopez Sound Mixer
Camilla Valentine Isola Casting Director
Lucy Hellier Casting Director
Jemima McWilliams Casting Director
Ute Leonhardt Line Producer
Gerardo Fernandes Production Manager
Edoardo Ferretti First Assistant Director
Giovanni Arcadu Music Supervisor
Jake Alden Falconer Associate Producer
Augusto Mayer Supervising Art Director
Silvia Colafranceschi Art Director
Martina Monicelli Script Supervisor
Chiara Milani Script Supervisor
Manuel Rebelo Location Manager
Eduardo Araújo Location Manager
Luís Oliveira Location Manager
Filipe Pereira Special Effects Supervisor
Pasquale Di Viccaro Visual Effects Supervisor
Riccardo Micalizio Visual Effects Producer
Fabrizio Pistone Visual Effects Producer
Cristiano Ciccone Sound Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend Estimates: New Mutants Posts $7 Million Opening

August 30th, 2020

The New Mutants

Although the war for survival of the theatrical business is only beginning, The New Mutants is at least winning a small early battle by posting an opening weekend that is in line with expectations. In fact, the film will exactly hit our pre-weekend prediction of $7 million, according to Disney’s Sunday morning projection.

Beyond the top-line number, signals are mixed. Mutants’ theater average of $2,903 is better than Unhinged’s $2,206 last weekend, but its box office fell on both Saturday and Sunday, suggesting poor word of mouth. Unhinged itself is down 35% from last weekend, even though it gained an extra 508 theaters. The other new releases were weak (although what a joy to see something new). More...

Limited and Virtual Releases: Will Limited Releases Deliver?

August 28th, 2020

Fatima

It is a poor week generally for limited releases, with only a couple earning any real buzz: The Courier and Fatima. With actual wide releases this week, the competition is much greater than it’s been for months, which makes conditions challenging for these releases, to say the least. On the bright side, while things are still tough, this week sees a more typical mix of independent and genre films than we’ve seen recently. Here’s a rundown of the films that are doing their bit to help move the theatrical market back towards nomalcy. More...

Fatima Trailer

February 27th, 2020

Faith-based historical drama opens April 24 ... Full Movie Details. More...

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 9/4/2020 $26,912 37 54 162 $103,105 2/27/2023
Mexico 10/7/2021 $39,299 0 0 0 $92,900 10/20/2022
New Zealand 9/3/2020 $2,554 14 30 179 $46,170 10/19/2022
Russia (CIS) 9/4/2020 $1,461 34 34 55 $3,706 10/19/2022
Slovakia 8/14/2020 $60,072 61 61 216 $207,444 10/13/2020
South Korea 12/3/2020 $45,148 160 160 290 $122,627 1/6/2021
United Kingdom 6/25/2021 $9,130 36 36 36 $9,130 6/30/2021
 
International Total$585,082 2/27/2023

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 12,401-12,500) 12,406 $585,082
All Time International Non-Sequel Box Office (Rank 11,301-11,400) 11,332 $585,082
All Time International Box Office for Based on Real Life Events Movies (Rank 1,001-1,100) 1,038 $585,082
All Time International Box Office for Live Action Movies (Rank 10,301-10,400) 10,367 $585,082
All Time International Box Office for Dramatization Movies (Rank 801-900) 862 $585,082
All Time International Box Office for Drama Movies (Rank 3,301-3,400) 3,330 $585,082
All Time International Box Office for PG-13 Movies (Rank 1,801-1,900) 1,899 $585,082
All Time International Box Office for Picturehouse Movies 18 $585,082

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 17,301-17,400) 17,392 $585,082
All Time Worldwide Non-Sequel Box Office (Rank 16,001-16,100) 16,044 $585,082
All Time Worldwide Box Office for Based on Real Life Events Movies (Rank 1,401-1,500) 1,467 $585,082
All Time Worldwide Box Office for Live Action Movies (Rank 14,801-14,900) 14,841 $585,082
All Time Worldwide Box Office for Dramatization Movies (Rank 1,101-1,200) 1,188 $585,082
All Time Worldwide Box Office for Drama Movies (Rank 4,701-4,800) 4,752 $585,082
All Time Worldwide Box Office for PG-13 Movies (Rank 2,701-2,800) 2,733 $585,082
All Time Worldwide Box Office for Picturehouse Movies 27 $585,082

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Nov 1, 2020919,009 19,009$189,900$189,90010

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.