United Kingdom Box Office for Evil Dead Rise (2023)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $6,857,000 | Details |
| Worldwide Box Office | $146,140,989 | Details |
| Home Market Performance | ||
| North America DVD Sales | $571,159 | Details |
| North America Blu-ray Sales | $1,024,701 | Details |
| Total North America Video Sales | $1,595,860 | |
| Further financial details... | ||
Synopsis
Moving the action out of the woods and into the city, “Evil Dead Rise” tells a twisted tale of two estranged sisters, played by Sutherland and Sullivan, whose reunion is cut short by the rise of flesh-possessing demons, thrusting them into a primal battle for survival as they face the most nightmarish version of family imaginable.
Metrics
Movie Details
| United Kingdom Releases: | April 21st, 2023 (Wide) |
| Video Release: | May 9th, 2023 by Warner Home Video |
| MPAA Rating: | R for strong bloody horror violence and gore, and some language. (Rating bulletin 2724 (cert #53707), 3/23/2022) |
| Running Time: | 97 minutes |
| Franchise: | Evil Dead |
| Keywords: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | New Line Cinema, Renaissance Films, Pacific Renaissance, Wild Atlantic Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend predictions: three new movies in the top five, but Mario will win for fourth weekend straight
April 29th, 2023
No less than four films open wide this weekend, and Return of the Jedi gets an anniversary re-release, but none of them will come close to knocking The Super Mario Bros. Movie off the top of the box office chart.
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Weekend predictions: Mario to beat five new rivals for box office glory
April 21st, 2023
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After no less than six new wide releases last weekend, five more films arrive in over 600 theaters this time around, but none will topple The Super Mario Bros. Movie as the top-earning film in North America. Evil Dead Rise will most likely come the closest, and Guy Ritchie’s The Covenant should find a place in the top ten. The fortunes of Beau is Afraid, Chevalier, and Somewhere in Queens is harder to predict. One or two of them could hit the top ten, but it seems unlikely all three will manage the feat.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2023/04/21 | 2 | $1,835,370 | 587 | $3,127 | $1,835,370 | 1 | |
| 2023/04/28 | 2 | $1,333,388 | -27% | 601 | $2,219 | $4,223,235 | 2 |
| 2023/05/05 | 3 | $624,582 | -53% | 539 | $1,159 | $5,609,467 | 3 |
| 2023/05/12 | 5 | $322,095 | -48% | 471 | $684 | $6,262,288 | 4 |
| 2023/05/19 | 7 | $137,508 | -57% | 320 | $430 | $6,592,262 | 5 |
| 2023/05/26 | - | $52,759 | -62% | 0 | $6,665,021 | 6 | |
| 2023/06/02 | 17 | $19,542 | -63% | 0 | $6,857,000 | 7 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 4/20/2023 | $572,000 | 0 | 0 | 0 | $572,000 | 4/24/2023 |
| Australia | 4/20/2023 | $688,205 | 243 | 243 | 1012 | $2,348,826 | 6/12/2023 |
| Brazil | 4/20/2023 | $1,500,000 | 782 | 797 | 1579 | $2,800,000 | 5/1/2023 |
| Croatia | 4/20/2023 | $36,083 | 42 | 42 | 127 | $108,138 | 6/2/2023 |
| Czech Republic | 4/20/2023 | $132,464 | 104 | 104 | 333 | $448,430 | 6/13/2023 |
| Finland | 4/21/2023 | $93,863 | 77 | 77 | 388 | $365,271 | 6/26/2023 |
| France | 4/19/2023 | $1,300,000 | 350 | 350 | 870 | $4,100,000 | 5/15/2023 |
| Germany | 4/27/2023 | $1,500,000 | 460 | 470 | 1400 | $3,200,000 | 5/15/2023 |
| Hong Kong | 5/11/2023 | $123,000 | 47 | 47 | 47 | $123,000 | 5/15/2023 |
| India | 4/21/2023 | $1,300,000 | 723 | 723 | 1401 | $3,200,000 | 5/1/2023 |
| Indonesia | 5/4/2023 | $1,100,000 | 669 | 929 | 1598 | $4,100,000 | 5/15/2023 |
| Italy | 4/20/2023 | $1,028,862 | 0 | 0 | 0 | $3,242,821 | 5/30/2023 |
| Malaysia | 4/20/2023 | $422,000 | 0 | 380 | 680 | $3,100,000 | 5/7/2023 |
| Mexico | 4/21/2023 | $1,910,050 | 0 | 0 | 0 | $6,719,616 | 5/31/2023 |
| Netherlands | 4/20/2023 | $416,336 | 118 | 118 | 672 | $1,707,322 | 6/21/2023 |
| New Zealand | 4/20/2023 | $0 | 0 | 63 | 231 | $463,792 | 6/6/2023 |
| North America | 4/21/2023 | $24,504,315 | 3,402 | 3,417 | 16,204 | $67,356,372 | |
| Philippines | 5/10/2023 | $189,000 | 32 | 32 | 32 | $189,000 | 5/15/2023 |
| Portugal | 4/20/2023 | $122,695 | 61 | 61 | 253 | $473,750 | 6/13/2023 |
| Romania | 4/21/2023 | $156,547 | 80 | 80 | 281 | $451,360 | 7/5/2023 |
| Russia (CIS) | 4/20/2023 | $142,200 | 117 | 134 | 251 | $288,557 | 5/3/2023 |
| Saudi Arabia | 4/20/2023 | $401,000 | 0 | 0 | 0 | $401,000 | 4/24/2023 |
| Slovakia | 4/20/2023 | $93,796 | 65 | 65 | 192 | $266,383 | 5/25/2023 |
| Spain | 4/21/2023 | $1,035,842 | 297 | 313 | 1740 | $4,087,420 | 6/15/2023 |
| Turkey | 4/21/2023 | $156,804 | 365 | 365 | 1092 | $488,507 | 8/18/2023 |
| United Kingdom | 4/21/2023 | $1,835,370 | 587 | 601 | 2518 | $6,857,000 | 6/6/2023 |
| Rest of World | $28,682,424 | ||||||
| Worldwide Total | $146,140,989 | 8/18/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Alyssa Sutherland | Ellie |
| Lily Sullivan | Beth |
Supporting Cast
| Mirabai Pease | Teresa |
| Richard Crouchley | Caleb |
| Anna-Maree Thomas | Jessica |
| Noah Paul | Bruce |
| Gabrielle Echols | Bridget |
| Morgan Davies | Danny |
| Nell Fisher | Kassie |
| Billy Reynolds-McCarthy | Jake |
| Tai Wano | Scott |
| Jayden Daniels | Gabriel |
| Mark Mitchinson | Mr. Fonda |
| Melissa Xiao | Newscaster |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Lee Cronin | Director |
| Lee Cronin | Screenwriter |
| Robert Tapert | Producer |
| Sam Raimi | Executive Producer |
| Bruce Campbell | Executive Producer |
| Romel Adam | Executive Producer |
| John Keville | Executive Producer |
| Macdara Kelleher | Executive Producer |
| Dave Neustadter | Executive Producer |
| Victoria Palmeri | Executive Producer |
| Richard Brener | Executive Producer |
| Moira Grant | Line Producer |
| Dave Garbett | Director of Photography |
| Nick Bassett | Production Designer |
| Bryan Shaw | Editor |
| Stephen McKeon | Composer |
| Sarah Voon | Costume Designer |
| Charlie McClellan | Visual Effects Supervisor |
| Luke Polti | Make-up and Prosthetic Effects Designer |
| Peter Albrechtsen | Sound Designer |
| Stuart Thorp | Stunt Coordinator |
| Kirsty McGregor | Casting Director |
| Stuart Turner | Casting Director |
| Rosie Smith | Production Manager |
| Daire Glynn | First Assistant Director |
| Darren Mackie | Second Assistant Director |
| Myk Farmer | Sound Mixer |
| Nick Connor | Supervising Art Director |
| George Hamilton | Art Director |
| Mason Rattray | Set Designer |
| Gareth Edwards | Set Decorator |
| Sandra Dryden | Script Supervisor |
| Verity Griffiths | Make-up and Hair Designer |
| Hannah Wilson | Make-up and Hair Designer |
| Jose Cañas | Associate Producer |
| Brendon Durey | Special Effects Supervisor |
| Jordi Scott-Smith | Location Manager |
| Annie Hubbard | Additional Editor |
| Zane Neki | Assistant Editor |
| Charlie Haskell | Second Unit Director |
| Tricia Perrott | Post-Production Supervisor |
| Mary Gilroy | Post-Production Supervisor |
| Gabriel Gutierrez | Re-recording Mixer |
| Garret Farrell | Re-recording Mixer/Dialogue Editor |
| Mikkel E.G. Nielsen | Assistant Sound Designer |
| Charles Maynes | Sound Effects Editor |
| Rana Eid | Sound Effects Editor |
| Thomas Perez-Pape | Sound Effects Editor |
| Ciara Mahon | Foley Editor |
| Ciara Mahon | Foley Mixer |
| Jean McGrath | Foley Mixer |
| Dina Coughlan | Music Supervisor |
| Rory McPartland | Music Supervisor |
| Eric Kohler | Visual Effects Executive Producer |
| Kenneth Coyne | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.