New Zealand Box Office for 13 Minutes (2015)
Theatrical Performance (US$) | ||
New Zealand Box Office | $36,574 | Details |
Worldwide Box Office | $1,361,530 | Details |
Home Market Performance | ||
North America DVD Sales | $209,481 | Details |
Total North America Video Sales | $209,481 | |
Further financial details... |
Synopsis
During Hitler’s anniversary speech on November 8, 1939, a man is arrested on the Swiss border for possession of suspicious objects. Just minutes later, a bomb explodes in the Munich Bürgerbräukeller, immediately behind the Führer’s lectern, killing eight people. The man is Georg Elser, a carpenter from Königsbronn in the Swabia region. When a map of the site of the assault and detonators are found on him, he is sent to the head of the Criminal Police in the Reichssicherheitshauptamt, Arthur Nebe and the head of the Gestapo, Heinrich Müller to be questioned. From them, Elser learns that his attempt has failed — that the man he wanted to kill in order to stop the bloodshed of the World War that had just begun, has left the Bürgerbräukeller 13 minutes before the explosion.
Metrics
Movie Details
New Zealand Releases: | September 11th, 2015 (Limited), released as 13 Minutes |
Video Release: | October 3rd, 2017 by Sony Pictures Home Entertainment |
MPAA Rating: | R for disturbing violence and some sexuality. (Rating bulletin 2377, 6/10/2015) |
Running Time: | 110 minutes |
Keywords: | 1930s, Nazis, World War II, Political Assassination, Tortured for Information, Non-Chronological, Epilogue |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Lucky Bird Pictures, SWR, ARD/Degeto, BR, WDR, Arte, Delphi Medien, Philipp Filmproduction |
Production Countries: | Germany |
Languages: | German |
Home Market Releases for October 3rd, 2017
October 3rd, 2017
It is not a great week for home market releases. Pirates of the Caribbean: Dead Men Tell No Tales is the biggest release of the week, but it is far from the best. As for the Pick of the Week contenders, they are all horror themed. Cult of Chucky is surprisingly good, especially for a franchise that’s lasted seven installments. Don't Torture A Duckling is a giallo film, and an important one in its director’s career. Up next is iZombie: Season Three, which is amazing, but it is always on the edge of being canceled. Finally, there's Vampyr: Criterion Collection Blu-ray. In the end, I went with the Don't Torture A Duckling: Special Edition as the Pick of the Week. Meanwhile, Goon: Last of the Enforcers Blu-ray Combo Pack earned Puck of the Week, for the best Canadian release.
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Limited and VOD Releases: Hours of Entertainment
June 30th, 2017
It is not a great week for limited releases, as there are none that are expected to earn any measure of mainstream success. Okja is earning the loudest buzz, but it is playing on Netflix, so its box office chances are close to zero. The Little Hours has the best cast and its reviews are over 80% positive, but black comedies rarely do well in theaters. Finally, The B-Side is earning some of the best reviews, but documentaries rarely escape the art house circuit.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/09/11 | 24 | $9,350 | 20 | $468 | $9,350 | 1 | |
2015/09/18 | 25 | $6,489 | -31% | 20 | $324 | $19,892 | 2 |
2015/09/25 | 21 | $4,197 | -35% | 15 | $280 | $27,324 | 3 |
2015/10/02 | 33 | $1,096 | -74% | 7 | $157 | $31,110 | 4 |
2015/10/09 | 35 | $933 | -15% | 3 | $311 | $34,132 | 5 |
2015/10/16 | 42 | $416 | -55% | 4 | $104 | $35,449 | 6 |
2015/10/23 | 44 | $162 | -61% | 3 | $54 | $36,132 | 7 |
2015/11/06 | 53 | $20 | 1 | $20 | $35,070 | 9 | |
2015/11/13 | 45 | $156 | +680% | 1 | $156 | $35,337 | 10 |
2015/11/20 | 47 | $39 | -75% | 1 | $39 | $35,636 | 11 |
2015/11/27 | 53 | $17 | -56% | 1 | $17 | $35,587 | 12 |
2015/12/04 | 51 | $20 | +18% | 1 | $20 | $36,808 | 13 |
2015/12/25 | 43 | $21 | 1 | $21 | $37,337 | 16 | |
2016/01/01 | 44 | $38 | +81% | 1 | $38 | $37,395 | 17 |
2016/01/08 | 45 | $58 | +53% | 1 | $58 | $36,019 | 18 |
2016/01/15 | 47 | $29 | -50% | 1 | $29 | $35,415 | 19 |
2016/01/22 | 42 | $10 | -66% | 1 | $10 | $35,767 | 20 |
2016/02/19 | 45 | $20 | 1 | $20 | $36,574 | 24 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 7/23/2015 | $23,235 | 19 | 21 | 69 | $75,529 | 8/24/2015 |
Belgium | 1/20/2016 | $4,872 | 9 | 9 | 9 | $4,872 | 6/9/2016 |
Colombia | 3/17/2016 | $0 | 0 | 20 | 32 | $76,196 | 12/31/2018 |
Finland | 11/20/2015 | $3,816 | 16 | 16 | 16 | $3,816 | 11/25/2015 |
Germany | 4/10/2015 | $195,641 | 0 | 0 | 0 | $858,772 | 8/22/2018 |
Netherlands | 1/14/2016 | $11,405 | 28 | 28 | 54 | $26,261 | 6/9/2016 |
New Zealand | 9/11/2015 | $9,350 | 20 | 20 | 83 | $36,574 | 6/9/2016 |
North America | 6/30/2017 | $11,750 | 3 | 19 | 104 | $155,897 | |
Russia (CIS) | 4/29/2016 | $8,424 | 48 | 48 | 49 | $15,044 | 11/14/2018 |
Spain | 3/4/2016 | $25,429 | 35 | 35 | 67 | $47,037 | 11/17/2018 |
Turkey | 7/1/2016 | $7,689 | 20 | 20 | 30 | $41,888 | 2/26/2019 |
United Kingdom | 7/17/2015 | $19,644 | 17 | 17 | 17 | $19,644 | 9/28/2015 |
Worldwide Total | $1,361,530 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Christian Friedel | Georg Elser |
Supporting Cast
Katharina Schuttler | Elsa |
Burghart Klaussner | Arthur Nebe |
Johann von Bülow | Heinrich Muller |
Felix Eitner | Hans Eberle |
David Zimmerschied | Josef Schurr |
Rudiger Klink | Erich |
Simon Licht | SS Obergruppenführer |
Cornelia Köndgen | Maria Elser |
Martin Maria Abram | Ludwig Elser |
Michael Kranz | Franz Xaver Lechner |
Gerti Drassl | Lore |
Lissy Pernthaler | Protokollführerin |
Valentina Repetto | Brunhilde |
Anna Unterberger | Anna |
Anton Algrang | Dr. Hübner |
Michael Ehnert | Kubjureit |
Udo Schenk | Adolf Hitler |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Oliver Hirschbiegel | Director |
Fred Breinersdorfer | Screenwriter |
Leonie-Claire Breinersdorfer | Screenwriter |
Boris Ausserer | Producer |
Oliver Schundler | Producer |
Fred Breinersdorfer | Producer |
Judith Kaufmann | Cinematographer |
Benedikt Herforth | Set Designer |
Thomas Stammer | Set Designer |
Bettina Marx | Costume Designer |
David Holmes | Composer |
Steffen Graubaum | Sound Designer |