China Box Office for E gun tian shi (2015)
Theatrical Performance (US$) | ||
China Box Office | $98,465,200 | Details |
Worldwide Box Office | $98,632,192 | Details |
Further financial details... |
Synopsis
Devil And Angel follows Zha, a top student with a high IQ, who goes on a journey with Mo, a professional debt-collector and sometime hooligan, in order to face down her own neurosis.
Metrics
Movie Details
China Releases: | December 21st, 2015 (Wide) |
MPAA Rating: | Not Rated |
Running Time: | 124 minutes |
Keywords: | Romance, Angels, Accountants, Farcical / Slapstick Comedy |
Source: | Based on Play |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Khorgos Youth Enlight Pictures, Tianjin Orange Media Co., Beijing Enlight Pictures, Shanghai Huixing Huiying Entertainment |
Production Countries: | China |
Languages: | Mandarin |
Theater Averages: Revenant Remains Potent with Average of $111,957
January 5th, 2016
The Revenant remained on top of the theater average chart dipping just 6% to an average of $111,957 in four theaters. That's amazing and it bodes very well for its chances during its wide expansion this weekend. Furthermore, there are some major Awards Season events this week that could boost ticket sales even more. Anomalisa was well back in second place, but it still had an impressive opening with an average of $33,806 over the weekend and an average of $52,658 during its five-day opening. Star Wars: The Force Awakens was next with an average of $21,829. Chimes at Midnight earned $20,480 in one theater during its re-release, while Only Yesterday earned $14,970, also in one theater. The latter film is yet another success for GKIDS; this is the only studio that routinely has success with animated films in limited release. 45 Years remained in the $10,000 club with an average of $14,588 in six theaters. It doubled its theater count, but the average only fell 33% and that's a great sign for further expansion. Mr. Six is the fourth holdover in the $10,000 club earning an average of $10,406 in 28 theaters.
More...
Weekend Predictions: Will Hateful Experience any Love? Will Star Wars hit the Century Mark?
December 31st, 2015
There are two questions that are being asked about this weekend. Firstly, will Star Wars: The Force Awakens become the first film to earn $100 million three weekends in a row? Secondly, will The Hateful Eight live up to Django Unchained? I'm going to say no to both, but the former is much more likely than the latter. The rest of the top five should look the same as last time, with Daddy's Home being the best of the holdovers. The Force Awakens should earn more than the top five did last year, giving 2016 a fast start on the year-over-year comparison.
One last note, there are only two limited releases this week, including Anomalisa, which we previously talked about. The only other limited release is Devil and Angel, which has no reviews, so there's not much to talk about. Because of this, there will be no Limited Release Report this week.
More...
International Box Office: The Force Awakens Becomes Fastest to $1 Billion
December 30th, 2015
Star Wars: The Force Awakens remained on top of the international chart with $133.3 million for a total of $546.0 million after just two weeks of release. Worldwide, the film already has $1.086 billion, putting it in the top 20 all-time after just two weeks of release, although it is still in fifth place for the year. It has been an amazing year on the top. It reached the $1 billion mark in just 12 days, beating Jurassic World's previous record by just one day. Granted, Jurassic World had China to boost its sales. The U.K. remains the film's biggest market with $98.07 million after two weeks of release, including $15.13 million this past weekend. It has also cracked $50 million in Germany ($55.28 million) and is getting close to that milestone in France ($46.14 million). One other note, 2015 became the first year the Walt Disney studio earned $5 billion worldwide in one calendar year. It is still well behind the overall record of $6.8 billion, set by Universal this year.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/12/25 | 1 | $51,170,000 | 73,452 | $697 | $74,250,000 | 1 | |
2016/01/01 | 6 | $5,650,000 | -89% | 13,985 | $404 | $92,650,000 | 2 |
2016/01/08 | 7 | $470,000 | -92% | 8,360 | $56 | $94,300,000 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 12/25/2015 | $9,262 | 9 | 12 | 21 | $32,241 | 6/9/2016 |
China | 12/21/2015 | $51,170,000 | 73452 | 73452 | 95797 | $98,465,200 | 9/30/2018 |
New Zealand | 1/8/2016 | $3,693 | 2 | 2 | 2 | $3,693 | 6/9/2016 |
North America | 12/31/2015 | $44,855 | 12 | 12 | 26 | $131,058 | |
Worldwide Total | $98,632,192 | 9/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Chao Deng | Mo Feili |
Li Sun (孙俪) | Zha Xiaodao |
Supporting Cast
Dai Lele | Sisi-Yu’s Wife |
Chao Wei Liang | Zhe Ergen |
Yang Xinming | Lao Ding |
Wang Yanhui | Hua |
Manzu Zhao | |
Kejia Xu | Ivanov |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Chao Deng | Director |
Baimei Yu | Director |
Baimel Yu | Screenwriter |
Qian Rui | Producer |
Wang Changtian | Producer |
Chao Deng | Producer |
Qian Rui | Executive Producer |
Li Xiaoping | Executive Producer |
Hao Yi | Production Designer |
Angie Lam | Editor |