Australia Box Office for Dogman (2018)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $132,527 | Details |
| Worldwide Box Office | $4,938,613 | Details |
| Further financial details... | ||
Synopsis
In a seaside village on the outskirts of an Italian city, where the only law seems to be survival of the fittest, Marcello is a slight, mild-mannered man who divides his days between working at his modest dog grooming salon, caring for his daughter Alida, and being coerced into the petty criminal schemes of the local bully Simoncino, an ex-boxer who terrorizes the neighborhood. When Simoncino’s abuse finally brings Marcello to a breaking point, he decides to stand up for his own dignity through an act of vengeance, with unintended consequences.
Metrics
Movie Details
| Australia Releases: | August 31st, 2018 (Wide) |
| Video Release: | July 16th, 2019 by Magnolia Home Entertainment |
| MPAA Rating: | Not Rated |
| Running Time: | 102 minutes |
| Keywords: | Boxing, Revenge, Narcotics, Drug Dealer, Nightclub, Set in Italy, Bullies |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Archimede , RAI Cinema, Le Pacte, Magnolia Pictures |
| Production Countries: | France, Italy |
| Languages: | Italian |
Theater Averages: Smells Like Victory
April 18th, 2019
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While there were no breakout hits on this week’s theater average chart, but there are few members of the $10,000 club. Her Smell led the way with an average of $12,314 in three theaters. Teen Spirit did well with an average of $10,905 in four theaters. Meanwhile, Wild Nights with Emily just managed to grab a spot in the $10,000 club with an average of $10,070 in three theaters.
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Limited and VOD Releases: Taking a Highway to Hell
April 12th, 2019
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Her Smell is arguably the biggest hit on this week’s list of new films in limited release. Meanwhile, Penguin Highway has 100% positive reviews and Wild Nights With Emily isn’t that far behind. Hopefully all three, and maybe some others on this week’s list, can find an audience.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/08/31 | - | $80 | 1 | $80 | $80 | 1 | |
| 2019/08/30 | - | $37,178 | 18 | $2,065 | $44,027 | 53 | |
| 2019/09/06 | 26 | $25,821 | -31% | 18 | $1,435 | $85,677 | 54 |
| 2019/09/13 | 21 | $13,767 | -47% | 18 | $765 | $110,281 | 55 |
| 2019/09/20 | 35 | $6,561 | -52% | 14 | $469 | $121,555 | 56 |
| 2019/09/27 | 45 | $2,942 | -55% | 7 | $420 | $127,445 | 57 |
| 2019/10/04 | - | $926 | -69% | 4 | $232 | $129,961 | 58 |
| 2019/10/11 | - | $848 | -8% | 3 | $283 | $132,527 | 59 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 8/2/2019 | $17,248 | 15 | 15 | 15 | $26,237 | 10/9/2019 |
| Australia | 8/31/2018 | $80 | 1 | 18 | 83 | $132,527 | 10/17/2019 |
| France | 7/13/2018 | $275,899 | 0 | 0 | 0 | $1,141,501 | 8/16/2018 |
| Italy | 5/17/2018 | $666,952 | 0 | 0 | 0 | $2,967,330 | 9/4/2018 |
| Lithuania | 2/1/2019 | $5,744 | 25 | 25 | 25 | $5,744 | 2/5/2019 |
| Mexico | 3/6/2020 | $0 | 0 | 0 | 0 | $0 | |
| Netherlands | 9/7/2018 | $70,045 | 33 | 37 | 167 | $256,643 | 10/2/2023 |
| New Zealand | 7/30/2019 | $0 | 0 | 1 | 4 | $3,068 | 10/19/2022 |
| North America | 4/12/2019 | $13,013 | 3 | 12 | 94 | $148,225 | |
| Poland | 9/14/2018 | $59,721 | 0 | 0 | 0 | $83,247 | 1/1/2019 |
| Portugal | 12/28/2018 | $0 | 0 | 32 | 54 | $19,786 | 1/23/2024 |
| Russia (CIS) | 11/15/2018 | $19,364 | 90 | 90 | 140 | $36,734 | 12/30/2018 |
| Slovakia | 10/26/2018 | $1,149 | 23 | 53 | 76 | $4,365 | 12/4/2023 |
| Spain | 11/9/2018 | $40,023 | 40 | 40 | 40 | $40,023 | 11/15/2018 |
| Turkey | 2/1/2019 | $4,038 | 16 | 16 | 59 | $12,707 | 5/30/2019 |
| United Kingdom | 10/19/2018 | $60,476 | 29 | 29 | 29 | $60,476 | 10/24/2018 |
| Worldwide Total | $4,938,613 | 1/23/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Marcello Fonte | Marcello |
Supporting Cast
| Edoardo Pesce | Simoncino |
| Nunzia Schiano | Mother of Simoncino |
| Adamo Dionisi | Franco |
| Francesco Acquaroli | Francesco |
| Alida Baldari Calabria | Alida |
| Gianluca Gobbi | Restauranteur |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Matteo Garrone | Director |
| Matteo Garrone | Screenwriter |
| Massimo Gaudioso | Screenwriter |
| Ugo Chiti | Screenwriter |
| Ugo Chiti | Story by |
| Massimo Gaudioso | Story by |
| Matteo Garrone | Story by |
| Nicolaj Bruel | Director of Photography |
| Marco Spoletini | Editor |
| Dimitri Capuani | Production Designer |
| Massimo Cantini Parrini | Costume Designer |
| Michele Braga | Composer |
| Maricetta Lombardo | Sound Mixer |
| Mirko Perri | Sound Designer |
| Francesco Vedovati | Casting Director |
| Ciro Scognamiglio | First Assistant Director |
| Paolo Trotta | First Assistant Director |
| Andrea Tagliaferri | First Assistant Director |
| Gian Luca Chiaretti | Production Manager |
| Alessio Lazzareschi | Executive Producer |
| Matteo Garrone | Producer |
| Paolo Del Brocco | Producer |
| Jean Labadie | Producer |
| Jeremy Thomas | Producer |