Austria Box Office for Doctor Strange in the Multiverse of Madness (2022)
Theatrical Performance (US$) | ||
Austria Box Office | $3,641,368 | Details |
Worldwide Box Office | $952,224,986 | Details |
Home Market Performance | ||
North America DVD Sales | $4,836,694 | Details |
North America Blu-ray Sales | $12,962,493 | Details |
Total North America Video Sales | $17,799,187 | |
Further financial details... |
Synopsis
Marvel Studios' “Doctor Strange in the Multiverse of Madness”—a thrilling ride through the Multiverse with Doctor Strange, his trusted friend Wong and Wanda Maximoff, aka Scarlet Witch.
Metrics
Movie Details
Production Budget: | $200,000,000 |
Austria Releases: | May 4th, 2022 (Wide) |
Video Release: | June 22nd, 2022 by Walt Disney Home Entertainment |
MPAA Rating: | PG-13 for intense sequences of violence and action, frightening images and some language. (Rating bulletin 2727 (cert #53720), 4/13/2022) |
Running Time: | 126 minutes |
Franchise: | Marvel Cinematic Universe, Doctor Strange |
Keywords: | Action Adventure, Alternative Dimensions / Parallel universe, Filmed in London, England, Filmed in Los Angeles, CA |
Source: | Based on Comic/Graphic Novel |
Genre: | Action |
Production Method: | Animation/Live Action |
Creative Type: | Super Hero |
Production/Financing Companies: | Marvel Studios |
Production Countries: | United States |
Languages: | English |
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Weekend predictions: Doctor Strange set for easy second-week win, $62.6 million the target
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Weekend predictions: Doctor Strange looking at $200-million debut
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Doctor Strange in the Multiverse of Madness trailer
February 14th, 2022
Marvel action movie starring Benedict Cumberbatch opens in theaters on May 6 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2022/05/06 | - | $1,517,922 | 0 | $1,517,922 | 1 | ||
2022/05/13 | - | $500,418 | -67% | 0 | $2,319,198 | 2 | |
2022/05/20 | - | $264,278 | -47% | 0 | $2,749,221 | 3 | |
2022/05/27 | - | $212,954 | -19% | 0 | $3,176,490 | 4 | |
2022/06/03 | - | $126,426 | -41% | 0 | $3,352,167 | 5 | |
2022/06/10 | - | $52,427 | -59% | 0 | $3,482,363 | 6 | |
2022/06/17 | - | $32,018 | -39% | 0 | $3,555,060 | 7 | |
2022/06/24 | - | $19,279 | -40% | 0 | $3,588,906 | 8 | |
2022/07/01 | - | $12,967 | -33% | 0 | $3,628,599 | 9 | |
2022/07/08 | - | $3,608 | -72% | 0 | $3,637,800 | 10 | |
2022/07/15 | - | $1,121 | -69% | 0 | $3,640,559 | 11 | |
2022/07/22 | - | $192 | -83% | 0 | $3,641,368 | 12 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/5/2022 | $5,316,185 | 0 | 0 | 0 | $10,562,578 | 8/8/2022 |
Australia | 5/5/2022 | $10,316,056 | 863 | 863 | 3585 | $26,526,537 | 8/1/2022 |
Austria | 5/4/2022 | $1,517,922 | 0 | 0 | 0 | $3,641,368 | 7/25/2022 |
Belgium | 5/4/2022 | $1,597,641 | 0 | 0 | 0 | $3,932,386 | 8/15/2022 |
Brazil | 5/6/2022 | $15,097,686 | 0 | 0 | 0 | $33,714,649 | 8/15/2022 |
Chile | 5/5/2022 | $3,160,744 | 0 | 0 | 0 | $7,050,480 | 7/5/2022 |
Colombia | 5/5/2022 | $3,415,572 | 0 | 0 | 0 | $8,346,051 | 7/12/2022 |
Czech Republic | 5/6/2022 | $1,087,408 | 207 | 207 | 772 | $2,716,591 | 7/4/2022 |
Denmark | 5/4/2022 | $1,289,666 | 0 | 0 | 0 | $3,087,533 | 8/1/2022 |
Finland | 5/4/2022 | $537,592 | 106 | 106 | 540 | $1,990,987 | 8/15/2022 |
France | 5/4/2022 | $11,585,228 | 0 | 0 | 0 | $29,377,696 | 9/7/2022 |
Germany | 5/4/2022 | $9,188,401 | 0 | 0 | 0 | $24,381,390 | 9/7/2022 |
Hong Kong | 5/4/2022 | $4,170,004 | 0 | 0 | 0 | $9,225,307 | 7/25/2022 |
India | 5/6/2022 | $12,676,832 | 0 | 0 | 0 | $20,508,368 | 7/5/2022 |
Indonesia | 5/5/2022 | $7,919,043 | 0 | 0 | 0 | $21,009,688 | 6/27/2022 |
Italy | 5/4/2022 | $6,573,555 | 0 | 0 | 0 | $14,487,541 | 9/7/2022 |
Japan | 5/4/2022 | $9,337,114 | 0 | 0 | 0 | $16,597,950 | 7/5/2022 |
Malaysia | 5/4/2022 | $6,174,431 | 0 | 0 | 0 | $10,800,151 | 7/12/2022 |
Mexico | 5/5/2022 | $20,884,093 | 0 | 0 | 0 | $46,573,899 | 9/7/2022 |
Netherlands | 5/4/2022 | $2,444,510 | 280 | 286 | 1877 | $7,892,960 | 8/1/2022 |
New Zealand | 5/5/2022 | $1,578,293 | 103 | 106 | 665 | $4,030,715 | 12/12/2022 |
North America | 5/6/2022 | $187,420,998 | 4,534 | 4,534 | 29,807 | $411,331,607 | |
Norway | 5/4/2022 | $1,499,962 | 0 | 0 | 0 | $3,043,465 | 8/8/2022 |
Philippines | 5/4/2022 | $5,326,761 | 0 | 0 | 0 | $11,501,705 | 7/5/2022 |
Poland | 5/6/2022 | $1,625,048 | 0 | 0 | 0 | $4,669,932 | 8/22/2022 |
Portugal | 5/5/2022 | $745,950 | 140 | 140 | 685 | $1,976,902 | 7/20/2022 |
Romania | 5/6/2022 | $663,243 | 140 | 140 | 765 | $1,765,297 | 9/1/2022 |
Russia (CIS) | 5/6/2022 | $1,377,022 | 119 | 150 | 692 | $4,602,489 | 6/23/2022 |
Singapore | 5/4/2022 | $3,119,286 | 0 | 0 | 0 | $7,179,655 | 7/12/2022 |
Slovakia | 5/5/2022 | $452,429 | 80 | 80 | 314 | $1,052,694 | 7/4/2022 |
South Korea | 5/4/2022 | $14,532,386 | 2651 | 2651 | 7323 | $49,323,676 | 7/25/2022 |
Spain | 5/6/2022 | $5,973,147 | 411 | 411 | 2604 | $13,925,954 | 8/1/2022 |
Sweden | 5/4/2022 | $2,192,462 | 0 | 0 | 0 | $4,188,682 | 7/12/2022 |
Switzerland | 5/4/2022 | $1,680,594 | 0 | 0 | 0 | $3,589,090 | 9/7/2022 |
Taiwan | 5/4/2022 | $3,744,376 | 0 | 0 | 0 | $8,250,876 | 8/1/2022 |
Thailand | 5/4/2022 | $5,327,801 | 0 | 0 | 0 | $9,091,508 | 7/5/2022 |
Turkey | 5/6/2022 | $1,613,199 | 1110 | 1110 | 4420 | $3,224,005 | 9/29/2022 |
United Kingdom | 5/5/2022 | $24,399,109 | 684 | 701 | 4549 | $52,044,718 | 8/30/2022 |
Rest of World | $55,007,906 | ||||||
Worldwide Total | $952,224,986 | 12/12/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Benedict Cumberbatch | Dr. Stephen Strange |
Elizabeth Olsen | Scarlett Witch |
Chiwetel Ejiofor | Karl Mordo |
Benedict Wong | Wong |
Xochitl Gomez | America Chavez |
Michael Stuhlbarg | Nicodemus West |
Rachel McAdams | Dr. Christine Palmer |
Cameos
Patrick Stewart | Professor Charles Xavier |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Sam Raimi | Director |
Michael Waldron | Screenwriter |
Kevin Feige | Producer |
Louis D’Esposito | Executive Producer |
Victoria Alonso | Executive Producer |
Eric Hauserman Carroll | Executive Producer |
Scott Derrickson | Executive Producer |
Jamie Christopher | Executive Producer |
Mitch Bell | Co-Producer |
Richie Palmer | Co-Producer |
John Mathieson | Director of Photography |
Charles Wood | Production Designer |
Bob Murawski | Editor |
Tia Nolan | Editor |
Graham Churchyard | Costume Designer |
Janek Sirrs | Visual Effects Supervisor |
Danny Elfman | Composer |
Dave Jordan | Music Supervisor |
Sarah Halley Finn | Casting Director |
Stan Lee | Story by |
Steve Ditko | Story by |
Chris Corbould | Special Effects Supervisor |
Juan Peralta | Re-recording Mixer |
Sallie Hard | First Assistant Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.