Australia Box Office for Divergent Series: Allegiant (2016)
Theatrical Performance (US$) | ||
Australia Box Office | $4,198,209 | Details |
Worldwide Box Office | $172,022,517 | Details |
Home Market Performance | ||
North America DVD Sales | $12,320,803 | Details |
North America Blu-ray Sales | $10,057,521 | Details |
Total North America Video Sales | $22,378,324 | |
Further financial details... |
Synopsis
After the revelations of Insurgent, Tris must escape with Four and go beyond the wall enclosing Chicago. For the first time, they will leave the only city and family they have ever known in order to find a peaceful solution for their embroiled city. Once outside, old discoveries are quickly rendered meaningless with the revelation of shocking new truths. Tris and Four must quickly decide who they can trust as a ruthless battle ignites beyond the walls of Chicago which threatens all of humanity. In order to survive, Tris will be forced to make impossible choices about courage, allegiance, sacrifice and love.
Metrics
Movie Details
Production Budget: | $110,000,000 |
Australia Releases: | April 15th, 2016 (Wide), released as Divergent Series: Allegiant |
Video Release: | June 21st, 2016 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for intense violence and action, thematic elements, and some partial nudity. (Rating bulletin 2411 (Cert #50157), 2/10/2016) |
Running Time: | 120 minutes |
Franchise: | The Divergent Series |
Keywords: | Dystopia, Young Adult Book Adaptation, 3-D, 3-D - Post-production Conversion, IMAX: DMR, Action Adventure |
Source: | Based on Fiction Book/Short Story |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Summit Entertainment, Red Wagon Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for July 12th, 2016
July 12th, 2016
It is a very slow week for the home market. The biggest release of the week is The Divergent: Series Allegiant, which is a movie most people should avoid. (Looking at its box office numbers, most people did avoid it.) As for the best releases, Belladonna Of Sadness is amazing, but the screener arrived late and I don’t like handing out that title when I haven’t had a chance to check out the full release. Fortunately, we do have a backup contender, Everybody Wants Some on Blu-ray Combo Pack.
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Home Market Releases for June 21st, 2016
June 20th, 2016
There are two wide releases coming out this week, My Big Fat Greek Wedding 2 and The Divergent Series: Allegiant, although the latter is only coming out on Video on Demand. Neither of these are big releases and it only gets much worse from there. There wasn't a lot of competition for Pick of the Week, but I went with Fantastic Planet: Criterion Collection. It's a classic, but it is also a French Surrealist animated film, so that will limit its target audience.
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International Box Office: Apocalypse Leaves World Intact with $103.2 million
May 25th, 2016
X-Men: Apocalypse started its international run in first place with $103.2 million. At first glance, that's a good start. On the other hand, the film is playing in 75 markets, so it doesn't have a lot of markets left to open in. Back to the original hand, one of the markets it has yet to open in is China. The film's biggest single market was the U.K., where it opened in first place with $10.99 million in 598 theaters. This is nearly 30% less than Days of Future Past earned and with weaker reviews, it will likely have weaker legs. The movie-to-movie decline was even steeper in Russia, where it was down 38% to $6.41 million on 1,208 screens, and in Australia, where it was down 39% with $4.68 million on 574. On the other hand, it was down a mere 6.4% in Mexico to $8.8 million and actually rose 22% in the Philippines to $4.9 million. If it can get to $600 million worldwide, then the film will break even some time during its home market run.
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International Box Office: BvS Tops International Chart with $254 million, but There are Signs of Weakness
March 31st, 2016
Batman v Superman: Dawn of Justice destroyed the competition earning one of the best international opening weekends of all time at $254 million in 66 markets. Worldwide, the film made $420.01 million during its opening weekend, which was the fourth biggest opening weekend of all time. That's the good news. The bad news is the film's legs. Like its domestic run, the film started out amazingly, but saw its fortunes fall as the weekend went on. China is a good example of this. The film started out as well as expected, but by the end it pulled in $56.27 million during its four-day opening weekend. I read that the studio was expecting close to $80 million there. The film also dominated the chart in the U.K. with $21.85 million in 612 theaters. At first look, that's a large number; however, its barely more than Deadpool opened with earlier this year. The film also cracked $10 million in Mexico ($12.43 million) and in Brazil ($10.61 million), while it came close in Australia ($9.54 million).
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Weekend Wrap-Up: Batman v Superman: Boom v Bust at $166.01 million
March 28th, 2016
As expected, Batman v Superman: Dawn of Justice dominated the box office earning $166.01 million over the weekend. However, this is lower than anticipated and lower than Saturday's calculation or Sunday's estimates. (Our model turned out to be closer.) Most of the rest of the films in the top five had reason to be happy, as did the overall box office, which was an amazing $252 million. This is 92% higher than last weekend and 68% more than this weekend last year. This kind of year-over-year growth usually only happens when there's a misalignment in holidays, which is exactly what happened this weekend. Last year, Easter didn't happen until April 5th. Year-to-date, 2016 doubled its lead over 2015 at $2.63 billion to $2.27 billion. A $370 million, 16% lead is certainly impressive, but I suspect it will shrink dramatically next month. Hopefully it isn't completely gone by May.
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Weekend Estimates: Batman v Superman hits March record $170 milion
March 27th, 2016
Batman and Superman not only had to fight each other this weekend, but also mediocre reviews. They have come through in some style, however, posting a record for March of $170.1 million, according to Warner Bros.’ Sunday morning estimate. Our model has the film coming a little below that mark, at $165 million or so, which might mean it won’t quite top Harry Potter and the Deathly Hallows, Part II’s $169 million, which is currently the studio’s best ever weekend. But the fact that we’re comparing the movie to the Harry Potter franchise is nothing but good news for them.
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Weekend Predictions: Batman v Superman v Deadpool v Avengers
March 24th, 2016
Batman v Superman: Dawn of Justice opens this weekend and should become the biggest film of the year. It has to become the biggest hit of the year. It is the first of ten upcoming films in the DC Extended Universe and it is rumored that Warner Bros. spent $400 million getting this movie to theaters. To be fair, $100 million of this could be described as pre-pre-production for the rest of the DCEU. The other wide release is My Big Fat Greek Wedding 2, which is a delayed sequel that I'm not sure many people are really excited to see. It likely didn't cost a lot, so it should break even sooner rather than later. This weekend last year, Home earned first place with $52.11 million. Batman v Superman: Dawn of Justice should earn more than that during its opening day.
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International Box Office: Zootopia Remains Tops with International Haul of $64.8 million
March 23rd, 2016
Zootopia remained in first place with $64.8 million in 49 markets for totals of $389.9 million internationally and $590.8 million worldwide. The film's biggest opening was in Australia, where it earned first place with $3.08 million on 479 screens over the weekend for a total opening of $3.48 million including previews. It also topped the charts during its opening weekend in Brazil with $2.57 million on 774 screens. The film's biggest market overall was China, where it remained in first place with $37.24 million over the weekend for a three-week total of $172.79 million. This blows past Kung Fu Panda 3's record for an animated film and it will soon become the first such film to reach the $200 million mark in that market.
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Contest: Play the Game: Winning Announcement
March 23rd, 2016
The winners of our Play the Game contest were determined and the entrants with the closest predictions for Allegiant opening weekend were...
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Weekend Wrap-Up: Zootopia Leads the Way with $37.16 million, while The Divergent Series Collapses
March 22nd, 2016
At the beginning of the month, it was widely accepted that The Divergent Series: Allegiant would open in first place. However, two things happened to prevent that. Firstly, Zootopia not only opened faster, but its legs were much longer. Secondly, Allegiant failed to match even lowered expectations. This left Zootopia with an easy first place win over the weekend. However, it wasn't the only pleasant surprise, as Miracles from Heaven opened faster than expected. The overall box office slipped 3.3% from last weekend to $131 million. It was also 0.3% lower than the same weekend last year. Year-to-date, 2016 is still ahead of 2015 by an 8.4% margin at $2.33 billion to $2.15 billion.
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Weekend Estimates: Zootopia tops Allegiant
March 20th, 2016
Zootopia is set to win a third straight race and pass $200 million at the domestic box office in the process, but the real story of this weekend is the weak debut by The Divergent Series: Allegiant.
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Friday Estimates: Allegiant’s $11.9 million Haul Gives it Top Spot, Barely
March 19th, 2016
As expected, The Divergent Series: Allegiant opened in first place on Friday. However, it only managed $11.9 million, which is barely more than half of what Divergent and Insurgent made during their opening days. That’s bad, but it gets worse. You have to take into account the reviews, which are stuck at a mere 10% positive. Its CinemaScore is better, but even that's only a B, which is a full letter grade below what Divergent and Insurgent earned. $30 million over the weekend is probably out of the question, although it should come close. If the reports are correct and it cost $110 million to make, then there’s very little hope it will break even any time soon. If the final film in the franchise, Ascendant, suffers a similar decline, then the franchise might end up costing Lionsgate money.
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Thursday Night Previews: Allegiant Falls Behind Predecessors
March 18th, 2016
The Divergent Series: Allegiant was the only film to have Thursday previews, but it wasn't able to take advantage of the lack of competition. It started its box office run with $2.35 million over the weekend. This is well below the $4.9 million and the $4.1 million earned by Divergent and Insurgent respectively. This is such a large drop-off that I think our prediction might be a little too generous. We will know more tomorrow when the Friday estimates are in.
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Weekend Predictions: Is Zootopia Headed for a Threepeat?
March 18th, 2016
There are three wide releases coming out this week. This includes The Divergent Series: Allegiant, which, at the beginning of the month, was widely expected to earn first place during its debut. However, Zootopia's success at the box office combined with Allegiant's failure with critics will likely result in Zootopia in earning first place, again. Miracles from Heaven is the latest faith-based film to hit theaters. It might struggle simply because there is too much recent competition for this still niche-market. Finally there's The Bronze, which is opening in just over 1,000 theaters. If it can avoid the Mendoza Line, or at least come close, then it will reach the top ten. That should be doable, maybe. This weekend last year, Insurgent earned first place with just over $52 million, while Cinderella earned second place with close to $35 million. I think Zootopia will come close to Cinderella, but Allegiant will fall far short of Insurgent and that will result in 2016 losing in the year-over-year comparison.
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International Box Office: Zootopia Goes Global with $83.1 million
March 17th, 2016
Zootopia rose to first place with $83.1 million in 45 markets over the weekend for totals of $288.7 million internationally and $432.7 million worldwide. The film's biggest market was China, where it grew to $59.44 million over the weekend for a ten-day total of $112.83 million. It became only the second animated film to earn $100 million in China and should top Kung Fu Panda 3's record-breaking run of $151.74 million. The film opens in Brazil this weekend and the U.K. next weekend, so its run is far from over.
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Contest: 10 Outta 10: Winning Announcement
March 17th, 2016
The winners of our 10 Outta 10 contest were determined and the entrants with the closest predictions for 10 Cloverfield Lane opening weekend were...
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Contest: Play the Game
March 11th, 2016
Of the three wide releases coming out next week, only The Divergent Series: Allegiant has a real shot at box office success. Although, very few people think it will match Insurgent at the box office, especially if its early reviews are any indication. Regardless of its critical scorn, the film should have no trouble earning first place and so it is the only real choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The Divergent Series: Allegiant
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Game of Thrones: Season Five on DVD.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of a full-season TV on DVD release.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of a full-season TV on DVD release.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2016 Preview: March
March 1st, 2016
It's March 1st, which is not only the beginning of the month, but also Super Tuesday. If you are not American and don't pay attention to American politics, Super Tuesday is sort of like the Oscar night of the primary season. I was going to write about my predictions, but it looks like the race is about to be over. On the Republicans side, if Trump gets more than 50% of the delegates, then he has won. It will be too late to stop him. If he gets less than 40%, then it becomes a real race again. If the polling is correct, then he will get closer to 50% than 40%. On the Democratic side, Sanders needs at least 45% of the delegates, or it is over for him. Anything less than that and Hillary Clinton will have too big a lead to overcome. If the South Carolina result is an indicator, Hillary Clinton could get two-thirds of the delegates awarded tonight.
As for the box office, February was amazing, thanks to Deadpool's record-breaking opening and better than expected legs. The month ended with 2016 being nearly 4% higher than 2015's pace. Additionally, there are some big releases coming out this month with both Zootopia and Batman v Superman: Dawn of Justice looking to get more than $200 million, while Allegiant should hit $100 million. Last March, there were also three films that earned more than $100 million, but only one $200 million hit, Cinderella. It should be a really close race between 2016 and 2015.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/04/15 | 3 | $1,611,252 | 247 | $6,523 | $1,611,252 | 1 | |
2016/04/22 | 5 | $1,097,551 | -32% | 250 | $4,390 | $3,302,488 | 2 |
2016/04/29 | 7 | $345,487 | -69% | 244 | $1,416 | $4,018,739 | 3 |
2016/05/06 | 12 | $104,024 | -70% | 135 | $771 | $4,100,057 | 4 |
2016/05/13 | 21 | $37,170 | -64% | 53 | $701 | $4,122,405 | 5 |
2016/05/20 | 25 | $15,053 | -60% | 29 | $519 | $4,116,190 | 6 |
2016/05/27 | 42 | $3,943 | -74% | 24 | $164 | $4,119,491 | 7 |
2016/06/03 | 51 | $1,278 | -68% | 11 | $116 | $4,198,209 | 8 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/10/2016 | $422,627 | 118 | 118 | 203 | $960,772 | 4/19/2016 |
Australia | 4/15/2016 | $1,611,252 | 247 | 250 | 993 | $4,198,209 | 6/9/2016 |
Austria | 3/17/2016 | $132,573 | 52 | 52 | 215 | $485,721 | 6/9/2016 |
Belgium | 3/9/2016 | $0 | 0 | 78 | 243 | $1,925,326 | 6/9/2016 |
Bolivia | 3/31/2016 | $38,839 | 11 | 11 | 26 | $100,254 | 12/31/2018 |
Brazil | 3/10/2016 | $2,698,341 | 746 | 746 | 2038 | $7,183,521 | 6/9/2016 |
Bulgaria | 3/11/2016 | $33,186 | 40 | 40 | 134 | $126,168 | 12/31/2018 |
Cambodia | 3/17/2016 | $0 | 0 | 5 | 5 | $31,192 | 12/31/2018 |
Central America | 3/17/2016 | $65,746 | 118 | 118 | 189 | $894,189 | 4/19/2016 |
Chile | 3/10/2016 | $0 | 0 | 32 | 66 | $1,008,629 | 12/31/2018 |
China | 5/19/2016 | $9,810,000 | 41385 | 41385 | 62252 | $18,676,216 | 8/27/2018 |
Colombia | 3/10/2016 | $413,574 | 259 | 259 | 416 | $672,720 | 12/31/2018 |
Croatia | 3/10/2016 | $38,550 | 30 | 30 | 91 | $102,526 | 12/31/2018 |
Czech Republic | 3/10/2016 | $124,969 | 103 | 103 | 221 | $296,032 | 12/31/2018 |
Denmark | 3/17/2016 | $0 | 0 | 35 | 35 | $727,451 | 6/9/2016 |
Ecuador | 3/11/2016 | $230,753 | 38 | 38 | 157 | $678,184 | 12/31/2018 |
Egypt | 3/9/2016 | $4,924 | 1 | 1 | 1 | $4,924 | 12/31/2018 |
Estonia | 3/18/2016 | $44,294 | 9 | 9 | 9 | $44,294 | 6/9/2016 |
Finland | 3/11/2016 | $136,837 | 87 | 87 | 172 | $365,401 | 6/9/2016 |
France | 3/9/2016 | $2,780,715 | 0 | 640 | 1892 | $16,260,190 | 8/17/2018 |
Germany | 3/17/2016 | $1,081,487 | 481 | 483 | 1952 | $3,563,376 | 6/9/2016 |
Greece | 3/10/2016 | $0 | 0 | 55 | 71 | $291,585 | 6/9/2016 |
Hong Kong | 3/10/2016 | $399,712 | 77 | 77 | 132 | $878,615 | 6/9/2016 |
Hungary | 3/10/2016 | $143,530 | 54 | 54 | 216 | $411,373 | 12/31/2018 |
Iraq | 3/10/2016 | $6,152 | 3 | 3 | 6 | $12,105 | 12/31/2018 |
Italy | 3/9/2016 | $1,596,021 | 420 | 420 | 934 | $3,733,296 | 6/9/2016 |
Kuwait | 3/10/2016 | $16,574 | 2 | 2 | 8 | $57,655 | 12/31/2018 |
Lebanon | 3/10/2016 | $27,547 | 12 | 13 | 31 | $176,658 | 12/31/2018 |
Lithuania | 3/18/2016 | $50,865 | 128 | 284 | 523 | $128,755 | 6/9/2016 |
Malaysia | 3/17/2016 | $0 | 0 | 82 | 125 | $1,641,930 | 6/9/2016 |
Mexico | 3/18/2016 | $2,523,011 | 2221 | 2221 | 2221 | $5,091,595 | 9/8/2018 |
Netherlands | 3/10/2016 | $439,674 | 106 | 106 | 557 | $1,603,914 | 6/9/2016 |
New Zealand | 4/15/2016 | $297,943 | 90 | 90 | 315 | $892,132 | 6/9/2016 |
North America | 3/18/2016 | $29,027,348 | 3,740 | 3,740 | 16,464 | $66,184,051 | |
Norway | 3/16/2016 | $0 | 0 | 59 | 99 | $701,161 | 6/9/2016 |
Oman | 3/10/2016 | $23,358 | 13 | 13 | 18 | $56,819 | 12/31/2018 |
Peru | 3/17/2016 | $455,120 | 167 | 167 | 180 | $968,110 | 12/31/2018 |
Philippines | 3/9/2016 | $0 | 0 | 40 | 80 | $2,055,889 | 12/31/2018 |
Poland | 3/11/2016 | $0 | 0 | 172 | 172 | $900,517 | 12/31/2018 |
Portugal | 3/10/2016 | $196,977 | 74 | 74 | 281 | $802,802 | 6/9/2016 |
Russia (CIS) | 3/11/2016 | $3,020,507 | 1642 | 1642 | 3950 | $6,433,174 | 12/31/2018 |
Serbia and Montenegro | 3/10/2016 | $12,466 | 18 | 18 | 38 | $35,536 | 12/31/2018 |
Singapore | 3/17/2016 | $649,146 | 50 | 50 | 117 | $1,201,139 | 6/9/2016 |
Slovakia | 3/11/2016 | $15,326 | 14 | 72 | 135 | $192,824 | 6/9/2016 |
Slovenia | 3/10/2016 | $12,400 | 13 | 13 | 42 | $37,482 | 6/9/2016 |
South Africa | 3/18/2016 | $0 | 0 | 81 | 81 | $627,201 | 6/9/2016 |
South Korea | 5/12/2016 | $419,424 | 392 | 392 | 415 | $695,661 | 9/10/2018 |
Spain | 3/11/2016 | $1,609,531 | 583 | 583 | 1810 | $5,308,973 | 11/17/2018 |
Sweden | 3/9/2016 | $282,716 | 160 | 160 | 329 | $1,142,790 | 6/9/2016 |
Thailand | 3/10/2016 | $673,875 | 211 | 211 | 492 | $1,457,607 | 6/9/2016 |
Turkey | 3/11/2016 | $320,768 | 235 | 241 | 714 | $945,818 | 2/26/2019 |
Ukraine | 3/10/2016 | $0 | 0 | 81 | 126 | $314,977 | 12/31/2018 |
United Arab Emirates | 3/10/2016 | $688,435 | 77 | 77 | 147 | $1,425,914 | 12/31/2018 |
United Kingdom | 3/11/2016 | $2,651,499 | 526 | 532 | 1800 | $6,903,684 | 6/9/2016 |
Uruguay | 3/10/2016 | $32,520 | 13 | 13 | 35 | $101,121 | 12/31/2018 |
Venezuela | 3/11/2016 | $28,843 | 42 | 42 | 161 | $304,359 | 6/9/2016 |
Worldwide Total | $172,022,517 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Shailene Woodley | Beatrice "Tris" Prior |
Theo James | Four |
Supporting Cast
Jeff Daniels | David |
Miles Teller | Peter |
Ansel Elgort | Caleb Prior |
Zoë Kravitz | Christina |
Maggie Q | Tori |
Ray Stevenson | Marcus Eaton |
Bill Skarsgård | Matthew |
Octavia Spencer | Johanna |
Naomi Watts | Evelyn |
Mekhi Phifer | Max |
Daniel Dae Kim | Jack Kang |
Keiynan Lonsdale | Uriah |
Jonny Weston | Edgar |
Nadia Hiker | Nita |
Andy Bean | Romit |
Joseph David Jones | Hollis |
Ashley Judd | Natalie |
Josh Duvendeck | Young David |
Xander Berkeley | Phillip |
Parisa Johnston | Regina |
Rebecca Pidgeon | Sarah |
Billy 4 Johnston* | Fringe Child |
Michael Christopher Rodney | Bureau Soldier |
Thomas Blake, Jr. | Fringe Father |
Konrad Howard | Jasper |
Theo Howard | Eulis |
Lucella Costa | Laura |
Ben Levin | Checkpoint Guard |
Nicky Javon McNeil | Factionless Guard |
Kyle Clements | Factionless Guard |
Maria Howell | Council Member |
Amy Parrish | Zoe |
Ken Dubois | Tom |
Janet McTeer | Edith Prior |
Courtney Hope | Factionless Dissenter |
Andrew Farmer | Factionless Dissenter |
Joe Knezevich | Factionless Dissenter |
Dwayne Boyd | Factionless Supporter |
Kara Cantrell | Factionless Supporter |
Garrett Graham | Trial Amity Allegiant Member |
Scott Poythress | Trial Amity Allegiant Member |
Blake Webb | Trial Candor Allegiant Member |
Rachel Hendrix | Trial Dauntless Allegiant Member |
Annie Humphrey | Trial Erudite Allegiant Member |
Leonardo Santaiti | Leo |
Emily Grace Dunn | Natalie's Friend |
Danielle Lyn | Natalie's Friend |
Alana Cavanaugh | Natalie's Friend |
Abigail Weissert | Natalie's Friend |
John Gabriel | Bureau Soldier/Team Leader |
Morgan Henard | Erudite Prisoner (Trial) |
Nick Madrick | Caleb's Guard |
Allie McCulloch | Bureau Staff |
Candace B. Harris* | Bureau Staff |
Deja Dee | Trial Candor Member |
Ryan Ashton | Trial Erudite Member |
Julianna Stasio | Trial Dauntless Member |
Shane Callahan | Trial Factionless Member |
Al Vicente | Trial Factionless Member |
Derek Roberts | Most Scared Factionless |
Zeeko Zaki | Factionless Squad Leader |
Mark Hicks | One Last Factionless |
Louis Alexander | Fringer |
Eric Mendenhall | Fringer |
Julie Ivey | Fringe Parent |
Suehyla El-Attar | Fringe Parent |
Erin Elizabeth Burns | Fringe Parent |
Alan D'Antoni | Startled Factionless (Erudite Corridor) |
David An | Factionless Soldier |
James McGrady | Factionless Soldier |
Adin Steckler | Crush Girl |
Hannah Alligood | Crush Girl |
Rebecca Ray | Hot Teacher |
Ian Belgard | Young Four |
Gary Weeks | Perfexia Father |
Greer Howard | Perfexia Mother |
Malachi Faddis | Perfexia Child |
David Kronawitter | Perfexia Doctor |
Tara Ochs | Perfexia Nurse |
Jamie Renell | Perfexia Medical Technician |
Jose Miguel Vasquez | Perfexia Patient |
Kaleka | Perfexia Grandma |
Michael Beasley | Perfexia Uncle |
Anthony K. Hyatt | Perfexia Son in Law |
Pam Smith | Perfexia Daughter |
Cache Thornton | Perfexia Grandson |
Legacy Brielle Phillips | Perfexia Granddaughter |
Anniston Price | Perfexia Toddler |
Hyla Venable | Perfexia Toddler |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Robert Schwentke | Director |
Noah Oppenheim | Screenwriter |
Adam Cooper | Screenwriter |
Bill Collage | Screenwriter |
Veronica Roth | Based on the novel by |
Douglas Wick* | Producer |
Lucy Fisher | Producer |
Pouya Shahbazian | Producer |
Todd Lieberman | Executive Producer |
David Hoberman | Executive Producer |
Barry Waldman | Executive Producer |
Neil Burger | Executive Producer |
Alec Hammond | Production Designer |
Stuart Levy | Editor |
Joseph Trapanese | Composer |
Florian Ballhaus | Director of Photography |
Barry Waldman | Unit Production Manager |
John Wildermuth | First Assistant Director |
Christina Fong | Second Assistant Director |
Donna Sloan | Executive in Charge of Production |
Chris O’ Hara | Stunt Coordinator |
Jackie Burch | Casting Director-Southeast Casting |
Debbi Bossi | Associate Producer |
Julia T. Enescu | Associate Producer |
Erika McKee | Visual Effects Producer |
Mika Saito | Production Supervisor |
James Madigan | Second Unit Director |
Alan Hook | Supervising Art Director |
Scott Dougan | Art Director |
Alex McCarroll | Art Director |
Kathy Lucas | Set Decorator |
David Massachi | Additional Editor |
Tony Bacigalupi | First Assistant Editor |
Michael Goldberg | Assistant Editor |
Dov Samuel | Assistant Editor |
Alicia Accardo | Script Supervisor |
Peter J. Devlin | Sound Mixer |
C. Scott Baker | Set Designer |
Timothy Croshaw | Set Designer |
Sarah Forrest | Set Designer |
Mayumi Konishi-Valentine | Set Designer |
Stella Vaccaro | Set Designer |
Jane Wuu | Set Designer |
Eric Frazier | Special Effects Supervisor |
David Amborn | Special Effects Coordinator |
Richard Schoen | Costume Supervisor |
Edouard F. Henriques III | Make up |
Diane Heller | Make up |
Yolanda Toussieng | Hairstylist |
Cheryl A. Daniels* | Hairstylist |
Michael Minkler | Re-recording Mixer |
Gary A. Rizzo | Re-recording Mixer |
Beau Borders | Re-recording Mixer |
Matthew Wood | Supervising Sound Editor |
Steve Boeddeker | Sound Designer |
David Hughes | Sound Effects Editor |
Robert Shoup | Sound Effects Editor |
James Spencer | Dialogue Editor |
Paul Butterworth | Visual Effects Supervisor |
Kirsty Millar | Visual Effects Supervisor |
Jason Bath | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.