Theo James
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| Best known as a Leading Actor based on credits in that role in 12 films, with $826,455,577 worldwide aggregate box office (rank #315) |
| Best-known acting roles: Tobias "Four" Eaton (Divergent), Four (The Divergent Series: Insurgent), Four (The Divergent Series: Allegiant), David (Underworld: Awakening), David (Underworld: Blood Wars) |
| Best-known technical roles: Archive (Producer) |
| Most productive collaborators: Shailene Woodley, Neil Burger, Evan Daugherty, Veronica Roth, Kate Winslet |
| Born: December 16, 1984 (39 years old) |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| As an Actor | Leading | 12 | $378,057,260 | $448,398,317 | $826,455,577 |
| Supporting | 5 | $65,604,810 | $221,916,841 | $287,521,651 | |
| Lead Ensemble Member | 2 | $1,885,720 | $138,774 | $2,024,494 | |
| In Technical Roles | Executive Producer | 4 | $0 | $1,284,987 | $1,284,987 |
| Producer | 3 | $139,593 | $104,496 | $244,089 |
Career Trend
This graph shows Theo James’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top 100 Stars in Leading Roles at the Domestic Box Office (Rank 601-700) | 644 | $379,942,980 |
| Top Stars at the Domestic Box Office (Rank 3,501-3,600) | 3,528 | $445,547,790 |
| Top 100 Stars in Leading Roles at the International Box Office (Rank 701-800) | 730 | $448,537,091 |
| Top Stars at the International Box Office (Rank 3,201-3,300) | 3,289 | $670,453,932 |
| Top 100 Stars in Leading Roles at the Worldwide Box Office (Rank 601-700) | 686 | $828,480,071 |
| Top Stars at the Worldwide Box Office (Rank 3,201-3,300) | 3,273 | $1,116,001,722 |
| Top Grossing Producer at the Domestic Box Office (Rank 7,201-7,300) | 7,246 | $139,593 |
| Top Grossing Executive Producer at the International Box Office (Rank 5,901-6,000) | 5,920 | $1,284,987 |
| Top Grossing Producer at the International Box Office (Rank 7,701-7,800) | 7,743 | $104,496 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 7,101-7,200) | 7,167 | $1,284,987 |
| Top Grossing Producer at the Worldwide Box Office (Rank 8,801-8,900) | 8,804 | $244,089 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Theater counts: Rise of Gru hits 4,391 theaters for the Holiday weekend
June 30th, 2022
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After an exciting head-to-head contest at the box office last weekend, another newcomer arrives in theaters this week to challenge chart toppers Top Gun: Maverick and Elvis. Minions: The Rise of Gru will open in 4,391 theaters this week, making it the widest release. The prequel to 2015’s Minions and fifth film in the Despicable Me franchise has earned nearly $4 million overseas so far in rollouts that began in mid June. Set in the 1970s, the animated feature follows a 12-year old Gru (voiced by Steve Carell) as he grows up in the suburbs. The animated comedy from Illumination will also be available on IMAX screens throughout North America.
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VOD Releases: Take it to the Max
August 12th, 2020
There are some relatively big titles on this week’s list of VOD releases. The King of Staten Island and The Wretched both earned some of the loudest buzz during the pandemic-induced disruptions. However, it is a smaller film on this week’s list, Max Reload and the Nether Blasters, that I’m most interested in, as it hits the right nerdy notes for me. I’m also cautiously optimistic about Perry Mason: Season 1.
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Limited and VOD Releases: Limited Release Demand your Obedience
April 27th, 2018
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There are not a lot of limited releases on this week’s list, but there are a few that are worth checking out. This includes Let The Sunshine In and Adventures in Public School, but the one I think will do the best is Disobedience.
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2016 Preview: March
March 1st, 2016
It's March 1st, which is not only the beginning of the month, but also Super Tuesday. If you are not American and don't pay attention to American politics, Super Tuesday is sort of like the Oscar night of the primary season. I was going to write about my predictions, but it looks like the race is about to be over. On the Republicans side, if Trump gets more than 50% of the delegates, then he has won. It will be too late to stop him. If he gets less than 40%, then it becomes a real race again. If the polling is correct, then he will get closer to 50% than 40%. On the Democratic side, Sanders needs at least 45% of the delegates, or it is over for him. Anything less than that and Hillary Clinton will have too big a lead to overcome. If the South Carolina result is an indicator, Hillary Clinton could get two-thirds of the delegates awarded tonight.
As for the box office, February was amazing, thanks to Deadpool's record-breaking opening and better than expected legs. The month ended with 2016 being nearly 4% higher than 2015's pace. Additionally, there are some big releases coming out this month with both Zootopia and Batman v Superman: Dawn of Justice looking to get more than $200 million, while Allegiant should hit $100 million. Last March, there were also three films that earned more than $100 million, but only one $200 million hit, Cinderella. It should be a really close race between 2016 and 2015.
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2015 Preview: March
March 1st, 2015
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February was strong thanks to The SpongeBob Movie: Sponge Out of Water and Fifty Shades of Grey, both of which beat expectations. This March could actually be even better, as there are three or four films that have a decent shot at earning $100 million or more. The top film will likely be Cinderella, which has a real shot at $200 million. Insurgent will almost assuredly get beyond the $100 million mark, while Get Hard, Home, and perhaps Chappie will also get to the century mark. Last March, there were four $100 million hits, led by Divergent, which pulled in $150 million. While this March should be better than February, I'm not sure it will be better than last March. I don't think March 2015 will be much worse than last year, but I think its percentage lead will be chipped away at by the end of the month.
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Featured Blu-ray / DVD Review: Divergent
August 22nd, 2014
Divergent is one of the latest Young Adult adaptations to hit theaters. These films usually fall under one of two sub-genres: Dystopian Future and Fantasy Romance. (There are also a growing number of Dying Girl movies, like The Fault in Our Stars and If I Stay.) This film is part of the Dystopian Future genre and will inevitably be compared to Hunger Games. How is it compared that franchise? Does it work on its own?
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2014 Preview: March
March 1st, 2014
2014 continued its strong run in February with The Lego Movie beating even the high end expectations and will become the first film released in 2014 to reach $200 million. March doesn't look as strong, as no film is on track to hit $200 million, but there are five films that have a chance at $100 million. Granted, not all of them will get there; in fact, there's a chance only one of them will get there. Divergent is the film I think has the best shot at the century club, but it could be joined by Mr. Peabody and Sherman, for instance, which is earning surprisingly strong reviews. Noah is a big-budget Bible epic and the studio has to be hoping for at least $100 million, but the buzz is quite negative and there have been reports of troubles behind-the-scenes. Last March was led by Oz The Great and Powerful, which pulled in more than $200 million domestically. I don't think any film opening this March will match that figure. In addition, The Croods and G.I. Joe: Retaliation also hit the $100 million milestone, while Olympus Has Fallen came very close. Granted, there were also some big bombs last March, like The Host, but even so, I think 2014 will lose ground in the year-over-year comparison.
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All Acting Credits
Announced (Undated)
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Feb 21, 2025 | The Monkey | ||||
| Jul 1, 2022 | Mr. Malcolm’s List | Captain Henry Ossory | $1,885,720 | $138,774 | $2,024,494 |
| Aug 23, 2021 | The Witcher: Nightmare… | Vesemir | |||
| Jul 10, 2020 | Archive | $139,593 | $104,496 | $244,089 | |
| Jul 12, 2019 | Lying and Stealing | Ivan | $465,034 | $465,034 | |
| Oct 26, 2018 | London Fields | Guy Clinch | $252,676 | $181,056 | $433,732 |
| Jul 20, 2018 | Zoe | Ash | $403,625 | $403,625 | |
| Jul 13, 2018 | How It Ends | ||||
| Apr 24, 2018 | Backstabbing For Begin… | Michael | $343,773 | $343,773 | |
| Oct 13, 2017 | The Secret Scripture | $646,363 | $646,363 | ||
| Jan 6, 2017 | Underworld: Blood Wars | David | $30,353,973 | $50,855,249 | $81,209,222 |
| Mar 18, 2016 | The Divergent Series: … | Four | $66,184,051 | $105,838,466 | $172,022,517 |
| Jan 15, 2016 | The Benefactor | Luke | $2,151,028 | $2,151,028 | |
| Mar 20, 2015 | The Divergent Series: … | Four | $130,179,072 | $164,896,810 | $295,075,882 |
| Mar 21, 2014 | Divergent | Tobias "Four" Eaton | $150,947,895 | $125,067,070 | $276,014,965 |
| Sep 7, 2012 | The Inbetweeners | James | $35,955 | $86,015,365 | $86,051,320 |
| Jan 20, 2012 | Underworld: Awakening | David | $62,321,039 | $98,058,891 | $160,379,930 |
| Sep 22, 2010 | You Will Meet a Tall D… | Ray | $3,247,816 | $35,287,932 | $38,535,748 |
| Averages | $44,554,779 | $44,696,929 | $74,400,115 | ||
| Totals | 18 | $445,547,790 | $670,453,932 | $1,116,001,722 | |
Leading or Lead Ensemble Roles
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Feb 21, 2025 | The Monkey | |||||
| Jul 1, 2022 | Mr. Malcolm’s List | $810,742 | 1,384 | $1,885,720 | $2,024,494 | 93.1% |
| Aug 23, 2021 | The Witcher: Nightmare… | |||||
| Jul 10, 2020 | Archive | $52,642 | 26 | $139,593 | $244,089 | 57.2% |
| Jul 12, 2019 | Lying and Stealing | $465,034 | ||||
| Oct 26, 2018 | London Fields | $168,575 | 613 | $252,676 | $433,732 | 58.3% |
| Jul 13, 2018 | How It Ends | |||||
| Apr 24, 2018 | Backstabbing For Begin… | $343,773 | ||||
| Oct 13, 2017 | The Secret Scripture | $646,363 | ||||
| Jan 6, 2017 | Underworld: Blood Wars | $13,688,751 | 3,070 | $30,353,973 | $81,209,222 | 37.4% |
| Mar 18, 2016 | The Divergent Series: … | $29,027,348 | 3,740 | $66,184,051 | $172,022,517 | 38.5% |
| Mar 20, 2015 | The Divergent Series: … | $52,263,680 | 3,875 | $130,179,072 | $295,075,882 | 44.1% |
| Mar 21, 2014 | Divergent | $54,607,747 | 3,936 | $150,947,895 | $276,014,965 | 54.7% |
| Averages | $21,517,069 | 2,378 | $54,277,569 | $82,848,007 | 54.7% | |
| Totals | 13 | $379,942,980 | $828,480,071 | |||
Supporting Roles
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Jul 20, 2018 | Zoe | $403,625 | ||||
| Jan 15, 2016 | The Benefactor | $2,151,028 | ||||
| Sep 7, 2012 | The Inbetweeners | $35,955 | 10 | $35,955 | $86,051,320 | 0.0% |
| Jan 20, 2012 | Underworld: Awakening | $25,306,725 | 3,078 | $62,321,039 | $160,379,930 | 38.9% |
| Sep 22, 2010 | You Will Meet a Tall D… | $160,103 | 402 | $3,247,816 | $38,535,748 | 8.4% |
| Averages | $8,500,928 | 1,163 | $21,868,270 | $57,504,330 | 15.8% | |
| Totals | 5 | $65,604,810 | $287,521,651 | |||
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Mar 31, 2023 | The Unheard | Executive Producer | |||
| Feb 25, 2022 | The Desperate Hour | Executive Producer | $476,180 | $476,180 | |
| Feb 4, 2022 | Alone With You | Producer | |||
| Jul 10, 2020 | Archive | Producer | $139,593 | $104,496 | $244,089 |
| Jul 12, 2019 | Lying and Stealing | Executive Producer | $465,034 | $465,034 | |
| Apr 24, 2018 | Backstabbing For Beginners | Executive Producer | $343,773 | $343,773 | |
| Averages | $139,593 | $347,371 | $382,269 | ||
| Totals | 6 | $139,593 | $1,389,483 | $1,529,076 | |
Producer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Feb 4, 2022 | Alone With You | |||||
| Jul 10, 2020 | Archive | $52,642 | 26 | $139,593 | $244,089 | 57.2% |
| Averages | $52,642 | 26 | $139,593 | $244,089 | 57.2% | |
| Totals | 2 | $139,593 | $244,089 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Producer at the Domestic Box Office (Rank 7,201-7,300) | 7,246 | $139,593 |
| Top Grossing Executive Producer at the International Box Office (Rank 5,901-6,000) | 5,920 | $1,284,987 |
| Top Grossing Producer at the International Box Office (Rank 7,701-7,800) | 7,743 | $104,496 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 7,101-7,200) | 7,167 | $1,284,987 |
| Top Grossing Producer at the Worldwide Box Office (Rank 8,801-8,900) | 8,804 | $244,089 |