Australia Box Office for The Disappointments Room (2016)
| Theatrical Performance (US$) | ||
| Australia Box Office | $2,081 | Details |
| Worldwide Box Office | $3,503,761 | Details |
| Further financial details... | ||
Synopsis
Dana and David move from Brooklyn to a once-grand southern mansion with their 5 year old son looking for a fresh start. But Dana’s discovery of a secret room unleashes un-explainable events that test her sanity and slowly reveal the home's terrifying past
Metrics
Movie Details
| Production Budget: | $15,000,000 |
| Australia Releases: | December 9th, 2016 (Wide) |
| Video Release: | December 13th, 2016 by Fox Home Entertainment |
| MPAA Rating: | R for violent content, bloody images, some sexuality and language. (Rating bulletin 2438 (Cert #49954), 8/17/2016) |
| Running Time: | 91 minutes |
| Keywords: | Supernatural, Based on an UNTRUE Story, Family Secrets |
| Source: | Based on Real Life Events |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Rogue Pictures, Los Angeles Media Fund, Relativity Media, Media Talent Group, Demarest Films |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for December 20th, 2016
December 19th, 2016
It’s the final Tuesday before Christmas and there are a few big releases that are trying to become last minute gifts. Sully is the best of the big releases, but according to Amazon.com, Dolly Parton's Christmas of Many Colors: Circle of Love is the best-selling new release of the week. I guess a very recent Christmas TV special makes sense near the top, but appearing at the very top it is surprising. As for the Pick of the Week, it is a coin-toss between Sully and Hitchcock/Truffaut on DVD or Blu-ray. Sully won the coin-toss.
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Weekend Wrap-Up: Sully Saves the Box Office with $35.03 million
September 13th, 2016
Four films opened wide or semi-wide over the weekend, but only one of them, Sully, did well at the box office. It earned more than double its nearest competition, When the Bough Breaks, at $35.03 million to $14.20 million. The other two new releases bombed. Overall, the box office was flat, up 1.1% from last weekend to $101 million. This was also flat when compared to last year, down just 1.7%. Since this weekend was so close to last weekend, it should come as no surprise that the year-over-year comparison hardly moved. This time last week, 2016 was ahead of 2016 by just over 6.7%, while this week its lead is just under 6.8% at $8.10 billion to $7.58 billion.
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Weekend Estimates: Sully Executes Safe Landing with $35.5 Million
September 11th, 2016
Friday Estimates: Sully Breaks Bough
September 10th, 2016
Sully is the only new release not to disappoint this weekend, as it earned $12.21 million on Friday. This is well ahead of Tom Hanks’ recent trio of real-life movies. It tops Captain Philips’ opening day by nearly 50%, and that movie went on to earn more than $100 million domestically. Additionally, the film’s reviews improved and hit 84% positive. That’s on the low end of potential Awards Season buzz, but it isn’t impossible to get there. It also earned a solid A from CinemaScore, which suggests good word-of-mouth. As for its opening weekend chances, it is on pace for about $35 million over the weekend and I’m predicting $100 million domestically. There’s no way the studio isn’t happy with that.
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Weekend Predictions: The Real Work Begins
September 8th, 2016
The weekend after the Labor Day long weekend is often the worst weekend of the year. However, this year there two films opening wide that have a real shot at $20 million or more. Sully is Oscar-bait, but it is opening a little too early for that role and its reviews are a little below where they need to be. When the Bough Breaks is a thriller aimed at African-Americans and this time of year has become the perfect time to release such a film. Those two films should earn $50 million combined. Unfortunately, there are two other films coming out this week. The Wild Life is a third-tier animated film, while The Disappointments Room isn’t even opening truly wide. There’s a chance neither of them will reach the top five. The Disappointments Room likely won’t reach the top ten. This weekend last year, the top two films were The Perfect Guy and The Visit, which combined earned just over $50 million at the box office. It should be a really close race in the year-over-year competition.
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2016 Preview: September
September 1st, 2016
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August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top.
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The Disappointments Room Trailer
August 25th, 2016
Supernatural horror starring Kate Beckinsale, directed by D.J. Caruso opens September 9 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/12/09 | - | $2,081 | 10 | $208 | $2,081 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 12/9/2016 | $2,081 | 10 | 10 | 10 | $2,081 | 12/12/2016 |
| Brazil | 11/25/2016 | $191,193 | 262 | 262 | 388 | $359,073 | 11/16/2018 |
| Mexico | 12/14/2016 | $341,382 | 0 | 0 | 0 | $692,834 | 12/28/2016 |
| North America | 9/9/2016 | $1,402,822 | 1,554 | 1,554 | 3,162 | $2,423,467 | |
| Portugal | 1/6/2017 | $11,031 | 11 | 11 | 31 | $26,306 | 1/26/2017 |
| Worldwide Total | $3,503,761 | 11/16/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Kate Beckinsale | Dana |
Supporting Cast
| Mel Raido | David |
| Gerald McRaney | Judge Blacker |
| Lucas Till | Ben |
| Celia Weston | Marti |
| Duncan Joiner | Lucas |
| Michaela Conlin | Jules |
| Joely Fisher | Psychiatrist |
| Michael Landes | Teddy |
| Marcia De Rousse | Ms. Judith |
| Ella Jones | Laura |
| Charles Carroll | Old Man |
| Jennifer Leigh Mann | Mrs. Blacker |
| Gino Crognale | Puppeteer |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| D.J. Caruso | Director |
| D.J. Caruso | Screenwriter |
| Wentworth Miller | Screenwriter |
| Geyer Kosinski | Producer |
| Tucker Tooley | Producer |
| Vincent Newman | Producer |
| Robbie Brenner | Executive Producer |
| Sam Englebardt | Executive Producer |
| William D. Johnson | Executive Producer |
| Wentworth Miller | Executive Producer |
| Jeffrey Soros | Executive Producer |
| Simon Horsman | Executive Producer |
| Adam Fields | Executive Producer |
| Kenneth L. Halsband* | Co-Producer |
| Patrick Peach | Co-Producer |
| Tony Grazia | Co-Producer |
| Patrick Murray | Associate Producer |
| Nicolas Charles | Associate Producer |
| Rogier Stoffers | Director of Photography |
| Tom Southwell | Production Designer |
| Vince Filippone | Editor |
| Brian Tyler | Composer |
| Bob Bowen | Music Supervisor |
| Marian Toy | Costume Designer |
| Deborah Aquila | Casting Director |
| Tricia Wood | Casting Director |
| James M. Freitag | Unit Production Manager |
| James M. Freitag | First Assistant Director |
| Allen Kupetsky | Second Assistant Director |
| Christopher Davey | Co-Producer |
| Jay Osterman | Associate Producer |
| Kenneth L. Halsband* | Executive in Charge of Production |
| Artie Malesci | Stunt Coordinator |
| John M. Bennett | Production Supervisor |
| D.J. Barton | Script Supervisor |
| Kevin Hardison | Art Director |
| Burton Rencher | Set Decorator |
| Jeffree Bloomer | Sound Mixer |
| Tom MacDonald | Costume Supervisor |
| Carolyn Dessert Lauterio | Costume Supervisor |
| Herita Jones | Make up |
| Gino Crognale | Special Make-up Effects |
| Howard Berger | Special Make-up Effects |
| Greg Nicotero* | Special Make-up Effects |
| Rod Ortega | Hairstylist |
| Christina Raye | Hairstylist |
| Ellen Pfirrmann | Location Manager |
| Larry Bivins | Special Effects Supervisor |
| Christopher Kulikowski | Post-Production Supervisor |
| Pascal Vaguelsy | Post-Production Supervisor |
| Rowan Maher | First Assistant Editor |
| Jasen Jax Nannini | Visual Effects Supervisor |
| Jasen Jax Nannini | Visual Effects Producer |
| Leslie Shatz | Re-recording Mixer |
| Chris David | Re-recording Mixer |
| Karen Baker Landers | Supervising Sound Editor |
| D. Chris Smith | Sound Designer |
| John C. Stuver | Dialogue Editor |
| Robert C. Jackson | Dialogue Editor |
| James Ashwill | Foley Mixer |
| Joe Lisanti | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.