Uruguay Box Office for Dirty Grandpa (2016)

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Dirty Grandpa poster
Theatrical Performance (US$)
Uruguay Box Office $80,759Details
Worldwide Box Office $105,078,449Details
Home Market Performance
North America DVD Sales $5,758,031 Details
North America Blu-ray Sales $3,801,840 Details
Total North America Video Sales $9,559,871
Further financial details...

Synopsis

Jason Kelly is one week away from marrying his boss's uber-controlling daughter, putting him on the fast track for a partnership at the law firm. However, when the straight-laced Jason is tricked into driving his foul-mouthed grandfather, Dick, to Daytona for spring break, his pending nuptials are suddenly in jeopardy. Between riotous frat parties, bar fights, and an epic night of karaoke, Dick is on a quest to live his life to the fullest and bring Jason along for the ride. Ultimately, on the wildest journey of their lives, "dirty" Grandpa and his uptight grandson discover they can learn from one another and form the bond they never had.

Metrics

Movie Details

Production Budget:$11,500,000
Uruguay Releases: March 24th, 2016 (Wide)
Video Release: April 26th, 2016 by Lionsgate Home Entertainment
MPAA Rating: R for crude sexual content throughout, graphic nudity, and for language and drug use.
(Rating bulletin 2401 (Cert #50150), 11/25/2015)
Running Time: 97 minutes
Keywords: Road Trip, Generational Conflict, Slobs vs. Snobs, Spring Break, Widow/Widower, Buddy Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: QED International, Lionsgate, BillBlock Media, Josephson Entertainment
Production Countries: United States
Languages: English

Home Market Releases for May 17th, 2016

May 17th, 2016

Dark Passage

The Deadpool Blu-ray arrived last Tuesday, which is par for course for Fox, as their screeners always seem to arrive as late as possible while still technically not being late. There are updates below with the extras. On a side note, the film is so good, I was tempted to make it the Pick of the Week for the second week in a row. However, in the end I went with Dark Passage, a classic Film Noir with a famous hook. The Blu-ray is the Pick of the Week. More...

Thursday Night Previews: Deadpool Has Lively Debut - Updated

February 12th, 2016

Deadpool

Deadpool set two records for biggest February previews and biggest previews for an R-rated film with $12.7 million. ... I think it is safe to assume Deadpool 2 is on its way. The studio was expecting between $60 million and $65 million over the four-day weekend, but studios tend to downplay expectations so they can claim victory, even if the film is a little weaker than anticipated. With the record previews, I think it is safe to say it will top those expectations and even our $75 million prediction seems low. More...

Thursday Night Previews: Hail Storms into Theaters

February 5th, 2016

Hail, Caesar!

Hail, Caesar! got off to a relatively good start on Thursday earning $543,000 at 1,815 theaters. This puts it in between the previews for Dirty Grandpa and The 5th Wave, meaning it is on pace for close to $11 million over the weekend. Its positive reviews could help it over $11 million, which would match predictions perfectly. More...

Weekend Wrap-Up: Kung Fu Wins with $41.28 million lifting Box Office Along the Way

February 2nd, 2016

Kung Fu Panda 3

Kung Fu Panda 3 led the way during the weekend with $41.28 million over the weekend. This was below admittedly optimistic predictions, but still great for this time of year. The rest of the new releases were not as strong and it is likely all three will lose money in the end. Fortunately, Kung Fu Panda 3 was strong enough to help the overall box office grow. The overall box office rose 22% to $139 million. More impressively, and more importantly, the box office was 38% higher than the same weekend last year. Year-to-date, 2016 has pulled in $1.01 billion, reaching the $1 billion mark faster than last year. It wasn't the fastest year to get there, as 2010 holds that record thanks to Avatar. 2016 has regained the lead over 2015 at 1.9% or $19 million. Obviously the usually caveats apply here: It is far too early and that lead is far too small to be of real significance. That said, it is always better to be ahead than to be behind, no matter how small that lead it. More...

Weekend Estimates: The Revenant wins chilly weekend with $16 million

January 24th, 2016

The Revenant

With the weekend jam-packed with new releases and Oscar hopefuls, and thrown off course by Winter Storm Jonas, it’s perhaps fitting that a tale of battles against the elements will come out on top. The Revenant will be down 50% from last weekend’s MLK Holiday-inflated number to $16 million, but that will be enough to leapfrog over Ride Along 2 and into first place. The Leonardo DiCaprio film, which remains a good bet for a fistful of Oscars, although perhaps not the major prize, has $119 million to date. Also overtaking Ride Along 2 to move back to second place is Star Wars: The Force Awakens with $14.26 million for a weekend and $879.3 million in total to date. With $1.06 billion internationally, the film is drawing close to becoming the third film to earn over $2 billion worldwide. More...

Friday Estimates: New Releases Struggle as Revenant Hangs Tough

January 23rd, 2016

The Revenant

While some are blaming the storm for hurting Friday night box office numbers, I think it is wiser to point the finger at the reviews instead. So far, The Boy has earned the best reviews, but with a Tomatometer Score of just 23% positive, that's damning it with faint praise. At the box office, Dirty Grandpa did the best of the new releases, earning second place with $4.2 million. It's early in the year, but it is safe to say its 7% positive reviews will be among the worst of any 2016 release when the year is over. Its CinemaScore was just a B, which is bad. Remember, CinemaScore is based on ratings given to a movie by people who were interested enough to see it on opening day. Anything less than a B+ suggests poor word-of-mouth. It did earn about about 10% more than That Awkward Moment's opening day. Additionally, That Awkward Moment had to deal with The Super Bowl on Sunday, so Dirty Grandpa should have better legs and should pull in $11 million. More...

Thursday Night Previews: Fifth Wave Fails to Find Audience

January 22nd, 2016

The Fifth Wave

The 5th Wave started off on a soft note with $475,000 in previews last night. To put this into perspective, The Giver, another Young Adult Novel Adaptation, earned $750,000 during its previews back in 2014. That film only managed an opening of $12.31 million and a domestic total of $45.09 million. At this point, it looks like The 5th Wave will open with less than $10 million. More...

Weekend Predictions: Will Fifth Wave Open in the Top Five?

January 21st, 2016

The Fifth Wave

Three wide releases are coming out this week, all of which are expected to earn similar openings. None of which are expected to compete for the top five. The 5th Wave is the latest Young Adult Adaptation and as I'm writing this at about 10 am on Thursday, it is still the only new release with any reviews. Dirty Grandpa is the widest release of the week, but with no reviews, it is hard to judge how well it will do. Finally there's The Boy. If it can match The Forest, I'm sure STX Entertainment will be happy. The weakness in the new releases doesn't mean we won't have a new number one film, as The Revenant seems poised to climb to first place over the weekend. This weekend last year, American Sniper remained dominant with nearly $65 million. It's a near certainty that all three new releases won't make that much this year. There's a chance the top five combined won't make that much this year. 2016 is going to lose in the year-over-year comparison. More...

Contest: Do The Wave

January 15th, 2016

The 5th Wave

Next weekend, there are three wide releases coming out. None of these look to be huge hits, but it doesn't look like any of them will be bombs either. The 5th Wave and Dirty Grandpa are both expected to open in 2,800 theaters and they will likely be a coin-toss as to which one tops the week's list of new releases. Speaking of which, The 5th Wave won the coin-toss and it will be the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The 5th Wave.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: January

January 1st, 2016

Kung Fu Panda 3

2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/03/25 4 $19,113   5 $3,823   $19,113 1
2016/04/01 4 $17,289 -10% 7 $2,470   $38,553 2
2016/04/08 5 $18,026 +4% 4 $4,507   $61,668 3
2016/04/15 5 $15,248 -15% 5 $3,050   $80,759 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/18/2016 $232,554 69 69 178 $666,988 12/31/2018
Australia 1/29/2016 $1,682,343 226 230 959 $4,569,261 6/9/2016
Austria 2/11/2016 $469,659 50 66 543 $2,694,197 6/9/2016
Belgium 2/17/2016 $217,723 33 33 161 $792,423 6/9/2016
Brazil 2/4/2016 $108,690 106 106 172 $279,444 6/9/2016
Bulgaria 2/5/2016 $67,800 35 35 196 $473,776 12/31/2018
Central America 2/18/2016 $0 0 22 58 $378,392 4/19/2016
Chile 2/25/2016 $43,252 22 22 28 $87,955 12/31/2018
Colombia 2/18/2016 $164,508 118 118 220 $343,328 12/31/2018
Croatia 1/28/2016 $83,240 23 23 131 $415,642 12/31/2018
Ecuador 4/8/2016 $43,180 20 23 43 $97,844 12/31/2018
France 2/3/2016 $729,991 248 248 607 $1,557,448 6/9/2016
Germany 2/11/2016 $2,685,230 398 495 3625 $11,678,806 6/9/2016
Greece 4/14/2016 $67,273 58 58 58 $0 4/19/2016
Hong Kong 1/21/2016 $414,343 34 36 117 $1,459,710 6/9/2016
Hungary 1/28/2016 $419,048 51 51 561 $1,726,529 12/31/2018
Iceland 1/29/2016 $0 0 3 3 $76,807 12/31/2018
Iraq 1/21/2016 $4,144 2 2 16 $30,265 12/31/2018
Italy 4/13/2016 $961,411 275 275 590 $3,325,915 11/11/2018
Lebanon 1/28/2016 $30,244 4 4 25 $292,938 12/31/2018
Lithuania 1/22/2016 $0 0 52 78 $119,807 6/9/2016
Mexico 3/4/2016 $808,216 0 351 351 $3,175,835 6/9/2016
Netherlands 2/18/2016 $281,531 84 84 586 $1,473,783 6/9/2016
New Zealand 1/28/2016 $140,818 56 63 238 $481,868 6/9/2016
North America 1/22/2016 $11,111,875 2,912 2,912 11,527 $35,593,113 12/16/2017
Oman 1/21/2016 $1,589 1 1 2 $28,849 12/31/2018
Peru 2/18/2016 $225,281 82 82 143 $646,354 12/31/2018
Philippines 2/3/2016 $0 0 20 20 $95,129 12/31/2018
Poland 1/22/2016 $198,065 0 58 58 $854,374 12/31/2018
Portugal 1/21/2016 $151,365 49 52 249 $794,698 6/9/2016
Romania 2/5/2016 $0 0 42 42 $725,286 12/31/2018
Russia (CIS) 1/21/2016 $1,265,958 752 752 2125 $4,398,628 11/13/2018
Serbia and Montenegro 1/28/2016 $26,443 19 19 88 $191,672 12/31/2018
Singapore 1/28/2016 $148,564 27 27 49 $285,547 6/9/2016
Slovakia 1/21/2016 $46,671 44 44 112 $146,970 6/9/2016
Slovenia 2/4/2016 $50,390 17 17 120 $306,837 6/9/2016
South Africa 1/29/2016 $0 0 57 57 $277,436 6/9/2016
South Korea 3/17/2016 $312,390 392 392 457 $540,016 6/9/2016
Switzerland 2/3/2016 $44,190 7 48 153 $862,445 6/9/2016
Taiwan 1/22/2016 $308,426 42 45 149 $1,243,856 6/9/2016
Thailand 2/4/2016 $30,195 29 29 40 $47,901 6/9/2016
Turkey 1/22/2016 $45,149 37 88 145 $7,839,089 2/26/2019
Ukraine 1/21/2016 $0 0 81 146 $608,585 12/31/2018
United Arab Emirates 1/21/2016 $390,007 60 60 123 $1,086,872 12/31/2018
United Kingdom 1/29/2016 $2,903,840 424 424 1717 $7,790,811 6/9/2016
Uruguay 3/24/2016 $19,113 5 7 21 $80,759 12/31/2018
 
Rest of World $4,434,261
 
Worldwide Total$105,078,449 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Robert De Niro Dick Kelly
Zac Efron Jason Kelly

Supporting Cast

Aubrey Plaza Lenore
Zoey Deutch Shadia
Julianne Hough Meredith Goldstein
Dermot Mulroney David Kelly
Jason Mantzoukas Tan Pam
Jeffrey Bowyer Chapman Bradley
Brandon Mychal Smith Tyrone
Jake Picking Cody
Michael Hudson Brah
Adam Pally Cousin Nick
Mo Collins Officer Finch
Henry Zebrowski Officer Reiter
Danny Glover Stinky
Catherine Dyer Brooke Kelly
Deena Dill Cougar #1
Lane Carlock Cougar #2
Chris Setticase College Kid
Eric Goins Father at the Beach
Gavin Munn Boy at the Beach
DeRon Horton Georgia Student #1
Michael H. Cole Catholic Priest
Sallye Hooks Female Hippie Chick
Amy Parrish Wedding Planner
Eugenia Kuzmina Hippie Cathy
Joshua Mikel Hippie Griz
Warren Steele Hippie Bart
Stephanie Astalos-Jones Rest Stop Waitress
Chandler Darby Teenager
Matthew Cornwell Father at Wake
Shawn Shepard Karaoke MC
Michaele Chappell Jamaican Nurse
Blaque Fowler Rabbi
Nelson Bonilla Random Cop
Amelia Brain Party Girl
Wiley Rinaldi Uncle Rubin
Paul Manzella ASL Signer at Wedding

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Dan Mazer Director
John Phillips Screenwriter
Bill Block Producer
Barry Josephson Producer
Jason Barrett Producer
Michael Simkin Producer
Sasha Shapiro Executive Producer
Anton Lessine Executive Producer
John M. Phillips Executive Producer
Michael Flynn Executive Producer
Alexander Young Executive Producer
John Friedberg Executive Producer
Eric Alan Edwards Director of Photography
William Arnold Production Designer
Anne McCabe Editor
Christie Wittenborn Costume Designer
Michael Andrews Composer
Kier Lehman Music Supervisor
Amanda Mackey Casting Director
Cathy Sandrich Casting Director
Michael Flynn Unit Production Manager
Josh King First Assistant Director
Matthew Goodwin Second Assistant Director
Mickey Giacomazzi Stunt Coordinator
Diane Durant Script Supervisor
Jeremy Woolsey Art Director
Nathan Krochmal Set Designer
David Smith Set Decorator
Terri Dehaan Costume Supervisor
Kimberly Jones Make up
Teresa Foshee Make up
Shunika Terry Hairstylist
Lawrence Davis Hairstylist
Jay Meagher Sound Mixer
Caius Man Special Effects Coordinator
Jonathan Ferrantelli Post-Production Supervisor
Arturo Sosa First Assistant Editor
Adam Dicterow Assistant Editor
Damian Volpe Sound Supervisor
Brian Bowles Dialogue Editor
Allen Lau Assistant Editor
Eric McAllister Assistant Editor
Rob Fernandez Re-recording Mixer
Damian Volpe Re-recording Mixer
Chris LeDoux Visual Effects Supervisor
Tim LeDoux Visual Effects Supervisor
Robin Graham Visual Effects Producer
Jason Sanford Visual Effects Executive Producer
Darren Blumenthal Executive Music Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.