Uruguay Box Office for Dirty Grandpa (2016)
Theatrical Performance (US$) | ||
Uruguay Box Office | $80,759 | Details |
Worldwide Box Office | $105,078,449 | Details |
Home Market Performance | ||
North America DVD Sales | $5,758,031 | Details |
North America Blu-ray Sales | $3,801,840 | Details |
Total North America Video Sales | $9,559,871 | |
Further financial details... |
Synopsis
Jason Kelly is one week away from marrying his boss's uber-controlling daughter, putting him on the fast track for a partnership at the law firm. However, when the straight-laced Jason is tricked into driving his foul-mouthed grandfather, Dick, to Daytona for spring break, his pending nuptials are suddenly in jeopardy. Between riotous frat parties, bar fights, and an epic night of karaoke, Dick is on a quest to live his life to the fullest and bring Jason along for the ride. Ultimately, on the wildest journey of their lives, "dirty" Grandpa and his uptight grandson discover they can learn from one another and form the bond they never had.
Metrics
Movie Details
Production Budget: | $11,500,000 |
Uruguay Releases: | March 24th, 2016 (Wide) |
Video Release: | April 26th, 2016 by Lionsgate Home Entertainment |
MPAA Rating: | R for crude sexual content throughout, graphic nudity, and for language and drug use. (Rating bulletin 2401 (Cert #50150), 11/25/2015) |
Running Time: | 97 minutes |
Keywords: | Road Trip, Generational Conflict, Slobs vs. Snobs, Spring Break, Widow/Widower, Buddy Comedy |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | QED International, Lionsgate, BillBlock Media, Josephson Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for May 17th, 2016
May 17th, 2016
The Deadpool Blu-ray arrived last Tuesday, which is par for course for Fox, as their screeners always seem to arrive as late as possible while still technically not being late. There are updates below with the extras. On a side note, the film is so good, I was tempted to make it the Pick of the Week for the second week in a row. However, in the end I went with Dark Passage, a classic Film Noir with a famous hook. The Blu-ray is the Pick of the Week.
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Thursday Night Previews: Deadpool Has Lively Debut - Updated
February 12th, 2016
Deadpool set two records for biggest February previews and biggest previews for an R-rated film with $12.7 million. ... I think it is safe to assume Deadpool 2 is on its way. The studio was expecting between $60 million and $65 million over the four-day weekend, but studios tend to downplay expectations so they can claim victory, even if the film is a little weaker than anticipated. With the record previews, I think it is safe to say it will top those expectations and even our $75 million prediction seems low.
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Thursday Night Previews: Hail Storms into Theaters
February 5th, 2016
Hail, Caesar! got off to a relatively good start on Thursday earning $543,000 at 1,815 theaters. This puts it in between the previews for Dirty Grandpa and The 5th Wave, meaning it is on pace for close to $11 million over the weekend. Its positive reviews could help it over $11 million, which would match predictions perfectly.
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Weekend Wrap-Up: Kung Fu Wins with $41.28 million lifting Box Office Along the Way
February 2nd, 2016
Kung Fu Panda 3 led the way during the weekend with $41.28 million over the weekend. This was below admittedly optimistic predictions, but still great for this time of year. The rest of the new releases were not as strong and it is likely all three will lose money in the end. Fortunately, Kung Fu Panda 3 was strong enough to help the overall box office grow. The overall box office rose 22% to $139 million. More impressively, and more importantly, the box office was 38% higher than the same weekend last year. Year-to-date, 2016 has pulled in $1.01 billion, reaching the $1 billion mark faster than last year. It wasn't the fastest year to get there, as 2010 holds that record thanks to Avatar. 2016 has regained the lead over 2015 at 1.9% or $19 million. Obviously the usually caveats apply here: It is far too early and that lead is far too small to be of real significance. That said, it is always better to be ahead than to be behind, no matter how small that lead it.
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Weekend Estimates: The Revenant wins chilly weekend with $16 million
January 24th, 2016
With the weekend jam-packed with new releases and Oscar hopefuls, and thrown off course by Winter Storm Jonas, it’s perhaps fitting that a tale of battles against the elements will come out on top. The Revenant will be down 50% from last weekend’s MLK Holiday-inflated number to $16 million, but that will be enough to leapfrog over Ride Along 2 and into first place. The Leonardo DiCaprio film, which remains a good bet for a fistful of Oscars, although perhaps not the major prize, has $119 million to date. Also overtaking Ride Along 2 to move back to second place is Star Wars: The Force Awakens with $14.26 million for a weekend and $879.3 million in total to date. With $1.06 billion internationally, the film is drawing close to becoming the third film to earn over $2 billion worldwide.
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Friday Estimates: New Releases Struggle as Revenant Hangs Tough
January 23rd, 2016
While some are blaming the storm for hurting Friday night box office numbers, I think it is wiser to point the finger at the reviews instead. So far, The Boy has earned the best reviews, but with a Tomatometer Score of just 23% positive, that's damning it with faint praise. At the box office, Dirty Grandpa did the best of the new releases, earning second place with $4.2 million. It's early in the year, but it is safe to say its 7% positive reviews will be among the worst of any 2016 release when the year is over. Its CinemaScore was just a B, which is bad. Remember, CinemaScore is based on ratings given to a movie by people who were interested enough to see it on opening day. Anything less than a B+ suggests poor word-of-mouth. It did earn about about 10% more than That Awkward Moment's opening day. Additionally, That Awkward Moment had to deal with The Super Bowl on Sunday, so Dirty Grandpa should have better legs and should pull in $11 million.
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Thursday Night Previews: Fifth Wave Fails to Find Audience
January 22nd, 2016
The 5th Wave started off on a soft note with $475,000 in previews last night. To put this into perspective, The Giver, another Young Adult Novel Adaptation, earned $750,000 during its previews back in 2014. That film only managed an opening of $12.31 million and a domestic total of $45.09 million. At this point, it looks like The 5th Wave will open with less than $10 million.
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Weekend Predictions: Will Fifth Wave Open in the Top Five?
January 21st, 2016
Three wide releases are coming out this week, all of which are expected to earn similar openings. None of which are expected to compete for the top five. The 5th Wave is the latest Young Adult Adaptation and as I'm writing this at about 10 am on Thursday, it is still the only new release with any reviews. Dirty Grandpa is the widest release of the week, but with no reviews, it is hard to judge how well it will do. Finally there's The Boy. If it can match The Forest, I'm sure STX Entertainment will be happy. The weakness in the new releases doesn't mean we won't have a new number one film, as The Revenant seems poised to climb to first place over the weekend. This weekend last year, American Sniper remained dominant with nearly $65 million. It's a near certainty that all three new releases won't make that much this year. There's a chance the top five combined won't make that much this year. 2016 is going to lose in the year-over-year comparison.
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Contest: Do The Wave
January 15th, 2016
Next weekend, there are three wide releases coming out. None of these look to be huge hits, but it doesn't look like any of them will be bombs either. The 5th Wave and Dirty Grandpa are both expected to open in 2,800 theaters and they will likely be a coin-toss as to which one tops the week's list of new releases. Speaking of which, The 5th Wave won the coin-toss and it will be the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The 5th Wave.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2016 Preview: January
January 1st, 2016
2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/03/25 | 4 | $19,113 | 5 | $3,823 | $19,113 | 1 | |
2016/04/01 | 4 | $17,289 | -10% | 7 | $2,470 | $38,553 | 2 |
2016/04/08 | 5 | $18,026 | +4% | 4 | $4,507 | $61,668 | 3 |
2016/04/15 | 5 | $15,248 | -15% | 5 | $3,050 | $80,759 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 2/18/2016 | $232,554 | 69 | 69 | 178 | $666,988 | 12/31/2018 |
Australia | 1/29/2016 | $1,682,343 | 226 | 230 | 959 | $4,569,261 | 6/9/2016 |
Austria | 2/11/2016 | $469,659 | 50 | 66 | 543 | $2,694,197 | 6/9/2016 |
Belgium | 2/17/2016 | $217,723 | 33 | 33 | 161 | $792,423 | 6/9/2016 |
Brazil | 2/4/2016 | $108,690 | 106 | 106 | 172 | $279,444 | 6/9/2016 |
Bulgaria | 2/5/2016 | $67,800 | 35 | 35 | 196 | $473,776 | 12/31/2018 |
Central America | 2/18/2016 | $0 | 0 | 22 | 58 | $378,392 | 4/19/2016 |
Chile | 2/25/2016 | $43,252 | 22 | 22 | 28 | $87,955 | 12/31/2018 |
Colombia | 2/18/2016 | $164,508 | 118 | 118 | 220 | $343,328 | 12/31/2018 |
Croatia | 1/28/2016 | $83,240 | 23 | 23 | 131 | $415,642 | 12/31/2018 |
Ecuador | 4/8/2016 | $43,180 | 20 | 23 | 43 | $97,844 | 12/31/2018 |
France | 2/3/2016 | $729,991 | 248 | 248 | 607 | $1,557,448 | 6/9/2016 |
Germany | 2/11/2016 | $2,685,230 | 398 | 495 | 3625 | $11,678,806 | 6/9/2016 |
Greece | 4/14/2016 | $67,273 | 58 | 58 | 58 | $0 | 4/19/2016 |
Hong Kong | 1/21/2016 | $414,343 | 34 | 36 | 117 | $1,459,710 | 6/9/2016 |
Hungary | 1/28/2016 | $419,048 | 51 | 51 | 561 | $1,726,529 | 12/31/2018 |
Iceland | 1/29/2016 | $0 | 0 | 3 | 3 | $76,807 | 12/31/2018 |
Iraq | 1/21/2016 | $4,144 | 2 | 2 | 16 | $30,265 | 12/31/2018 |
Italy | 4/13/2016 | $961,411 | 275 | 275 | 590 | $3,325,915 | 11/11/2018 |
Lebanon | 1/28/2016 | $30,244 | 4 | 4 | 25 | $292,938 | 12/31/2018 |
Lithuania | 1/22/2016 | $0 | 0 | 52 | 78 | $119,807 | 6/9/2016 |
Mexico | 3/4/2016 | $808,216 | 0 | 351 | 351 | $3,175,835 | 6/9/2016 |
Netherlands | 2/18/2016 | $281,531 | 84 | 84 | 586 | $1,473,783 | 6/9/2016 |
New Zealand | 1/28/2016 | $140,818 | 56 | 63 | 238 | $481,868 | 6/9/2016 |
North America | 1/22/2016 | $11,111,875 | 2,912 | 2,912 | 11,527 | $35,593,113 | 12/16/2017 |
Oman | 1/21/2016 | $1,589 | 1 | 1 | 2 | $28,849 | 12/31/2018 |
Peru | 2/18/2016 | $225,281 | 82 | 82 | 143 | $646,354 | 12/31/2018 |
Philippines | 2/3/2016 | $0 | 0 | 20 | 20 | $95,129 | 12/31/2018 |
Poland | 1/22/2016 | $198,065 | 0 | 58 | 58 | $854,374 | 12/31/2018 |
Portugal | 1/21/2016 | $151,365 | 49 | 52 | 249 | $794,698 | 6/9/2016 |
Romania | 2/5/2016 | $0 | 0 | 42 | 42 | $725,286 | 12/31/2018 |
Russia (CIS) | 1/21/2016 | $1,265,958 | 752 | 752 | 2125 | $4,398,628 | 11/13/2018 |
Serbia and Montenegro | 1/28/2016 | $26,443 | 19 | 19 | 88 | $191,672 | 12/31/2018 |
Singapore | 1/28/2016 | $148,564 | 27 | 27 | 49 | $285,547 | 6/9/2016 |
Slovakia | 1/21/2016 | $46,671 | 44 | 44 | 112 | $146,970 | 6/9/2016 |
Slovenia | 2/4/2016 | $50,390 | 17 | 17 | 120 | $306,837 | 6/9/2016 |
South Africa | 1/29/2016 | $0 | 0 | 57 | 57 | $277,436 | 6/9/2016 |
South Korea | 3/17/2016 | $312,390 | 392 | 392 | 457 | $540,016 | 6/9/2016 |
Switzerland | 2/3/2016 | $44,190 | 7 | 48 | 153 | $862,445 | 6/9/2016 |
Taiwan | 1/22/2016 | $308,426 | 42 | 45 | 149 | $1,243,856 | 6/9/2016 |
Thailand | 2/4/2016 | $30,195 | 29 | 29 | 40 | $47,901 | 6/9/2016 |
Turkey | 1/22/2016 | $45,149 | 37 | 88 | 145 | $7,839,089 | 2/26/2019 |
Ukraine | 1/21/2016 | $0 | 0 | 81 | 146 | $608,585 | 12/31/2018 |
United Arab Emirates | 1/21/2016 | $390,007 | 60 | 60 | 123 | $1,086,872 | 12/31/2018 |
United Kingdom | 1/29/2016 | $2,903,840 | 424 | 424 | 1717 | $7,790,811 | 6/9/2016 |
Uruguay | 3/24/2016 | $19,113 | 5 | 7 | 21 | $80,759 | 12/31/2018 |
Rest of World | $4,434,261 | ||||||
Worldwide Total | $105,078,449 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Robert De Niro | Dick Kelly |
Zac Efron | Jason Kelly |
Supporting Cast
Aubrey Plaza | Lenore |
Zoey Deutch | Shadia |
Julianne Hough | Meredith Goldstein |
Dermot Mulroney | David Kelly |
Jason Mantzoukas | Tan Pam |
Jeffrey Bowyer Chapman | Bradley |
Brandon Mychal Smith | Tyrone |
Jake Picking | Cody |
Michael Hudson | Brah |
Adam Pally | Cousin Nick |
Mo Collins | Officer Finch |
Henry Zebrowski | Officer Reiter |
Danny Glover | Stinky |
Catherine Dyer | Brooke Kelly |
Deena Dill | Cougar #1 |
Lane Carlock | Cougar #2 |
Chris Setticase | College Kid |
Eric Goins | Father at the Beach |
Gavin Munn | Boy at the Beach |
DeRon Horton | Georgia Student #1 |
Michael H. Cole | Catholic Priest |
Sallye Hooks | Female Hippie Chick |
Amy Parrish | Wedding Planner |
Eugenia Kuzmina | Hippie Cathy |
Joshua Mikel | Hippie Griz |
Warren Steele | Hippie Bart |
Stephanie Astalos-Jones | Rest Stop Waitress |
Chandler Darby | Teenager |
Matthew Cornwell | Father at Wake |
Shawn Shepard | Karaoke MC |
Michaele Chappell | Jamaican Nurse |
Blaque Fowler | Rabbi |
Nelson Bonilla | Random Cop |
Amelia Brain | Party Girl |
Wiley Rinaldi | Uncle Rubin |
Paul Manzella | ASL Signer at Wedding |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Dan Mazer | Director |
John Phillips | Screenwriter |
Bill Block | Producer |
Barry Josephson | Producer |
Jason Barrett | Producer |
Michael Simkin | Producer |
Sasha Shapiro | Executive Producer |
Anton Lessine | Executive Producer |
John M. Phillips | Executive Producer |
Michael Flynn | Executive Producer |
Alexander Young | Executive Producer |
John Friedberg | Executive Producer |
Eric Alan Edwards | Director of Photography |
William Arnold | Production Designer |
Anne McCabe | Editor |
Christie Wittenborn | Costume Designer |
Michael Andrews | Composer |
Kier Lehman | Music Supervisor |
Amanda Mackey | Casting Director |
Cathy Sandrich | Casting Director |
Michael Flynn | Unit Production Manager |
Josh King | First Assistant Director |
Matthew Goodwin | Second Assistant Director |
Mickey Giacomazzi | Stunt Coordinator |
Diane Durant | Script Supervisor |
Jeremy Woolsey | Art Director |
Nathan Krochmal | Set Designer |
David Smith | Set Decorator |
Terri Dehaan | Costume Supervisor |
Kimberly Jones | Make up |
Teresa Foshee | Make up |
Shunika Terry | Hairstylist |
Lawrence Davis | Hairstylist |
Jay Meagher | Sound Mixer |
Caius Man | Special Effects Coordinator |
Jonathan Ferrantelli | Post-Production Supervisor |
Arturo Sosa | First Assistant Editor |
Adam Dicterow | Assistant Editor |
Damian Volpe | Sound Supervisor |
Brian Bowles | Dialogue Editor |
Allen Lau | Assistant Editor |
Eric McAllister | Assistant Editor |
Rob Fernandez | Re-recording Mixer |
Damian Volpe | Re-recording Mixer |
Chris LeDoux | Visual Effects Supervisor |
Tim LeDoux | Visual Effects Supervisor |
Robin Graham | Visual Effects Producer |
Jason Sanford | Visual Effects Executive Producer |
Darren Blumenthal | Executive Music Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.