South Korea Box Office for Deliver Us from Evil (2014)
Theatrical Performance (US$) | ||
South Korea Box Office | $13,400,000 | Details |
Worldwide Box Office | $87,956,618 | Details |
Home Market Performance | ||
North America DVD Sales | $3,370,581 | Details |
North America Blu-ray Sales | $1,547,819 | Details |
Total North America Video Sales | $4,918,400 | |
Further financial details... |
Synopsis
New York police officer Ralph Sarchie, struggling with his own personal issues, begins investigating a series of disturbing and inexplicable crimes. He joins forces with an unconventional priest, schooled in the rituals of exorcism, to combat the frightening and demonic possessions that are terrorizing their city.
Metrics
Movie Details
Production Budget: | $30,000,000 |
South Korea Releases: | August 21st, 2014 (Wide) |
Video Release: | October 28th, 2014 by Sony Pictures Home Entertainment |
MPAA Rating: | R for bloody violence, grisly images, terror throughout, and language. (Rating bulletin 2326, 6/11/2014) |
Running Time: | 118 minutes |
Keywords: | Based on an UNTRUE Story, Police Procedural, Religious, Possessed, 2010s, Prologue, Supernatural, Supernatural Horror, NYPD |
Source: | Based on Factual Book/Article |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Fantasy |
Production/Financing Companies: | Screen Gems, Jerry Bruckheimer Films, LStar Capital |
Production Countries: | United States |
Languages: | English |
DVD and Blu-ray Releases for October 28th, 2014
October 27th, 2014
It's a terrible week on the home market with no major releases. The biggest theatrical release is Begin Again, which earned excellent reviews, but opened in limited release and never expanded truly wide. The best new release on the list is the limited edition Breaking Bad: The Complete Series 2014 Barrel, but it costs more than $200, so it is out of the price range of most people. Besides those two releases, there's more filler than releases worth talking about. Begin Again wins Pick of the Week, practically by default, as it is the only release I can enthusiastically recommend.
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International Box Office: Lucy Makes a Return Trip to the Top
September 10th, 2014
Lucy reclaimed top spot on the international chart with $26 million in 54 markets for totals of $193 million internationally and $314 million worldwide. I don't think a lot of people thought this movie would reach $300 million worldwide, so this is a great run. The film opened in second place in South Korea with $7 million, but includes weekday numbers. The film remained in first place in the U.K. with $1.96 million on 506 screens over the weekend for a total of $17.26 million after three weeks of release. Lucy opens in Russia and China this weekend and could remain in first place.
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Per Theater Chart: Lovely and Strange
September 3rd, 2014
The Last of Robin Hood led the way on the Per Theater Chart with an average of $17,709 in two theaters. Through a Lens Darkly was the only other member of the $10,000 club with $11,764 in its lone theater. This is more impressive, because it opened on Wednesday.
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Weekend Wrap-Up: Break of Dawn
July 14th, 2014
As expected, Dawn of the Planet of the Apes earned first place and it finished on the high end of reasonable expectations. Unfortunately, it crushed the competition earning more than four times more than the second place film, Transformers: Age of Extinction. It made almost as much as the rest of the box office combined made, so the overall box office was still soft for this time of year at just $149 million. Granted, this is 13% higher than last weekend, but more troublesome, it was 23% lower than the same weekend last year. Year-to-date, 2014 is now more than $200 million lower than 2013's pace at $5.57 billion to $5.78 billion.
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Weekend Wrap-Up: Dinobots Dominate Subdued Box Office
July 7th, 2014
As expected, Transformers: Age of Extinction won the race to the top of the box office chart and did so with ease. However, that film, and practically every film in the top five, failed to live up to expectations. Tammy still took second place with ease, but it was the only other film to earn more than $10 million over the Independence Day long weekend. Overall, the box office pulled in $132 million over the weekend, which is 27% less than last weekend. Compared to the same weekend last year, the box office was 42% lower this year. Ouch. To put this into perspective, even if you take out Despicable Me 2 from last year's box office, 2014 would have still failed to match 2013's weekend numbers. Year-to-date, 2014 is now $130 million or 2.4% below 2013's pace at $5.35 billion to $5.48 billion. It is still too early to panic, but if things don't turn around soon, the panic button will be pushed.
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Weekend Estimates: Transformers Top Modest July 4 Weekend
July 6th, 2014
After opening around the $100 million mark last weekend, Transformers: Age of Extinction was always the odds-on favorite to win this weekend, and even a 64% fall will be enough to keep it top with a projected $36.4 million for the Friday–Sunday period. That’s well ahead of Tammy, which will post a respectable $21.2 million for the three-day weekend and almost $33 million in total by the end of Sunday. That’s plenty for a film that cost $20 million to make.
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Weekend Predictions: Dinobots look to Chomp Down on New Releases
July 3rd, 2014
There are three wide releases and a wide expansion this week all hoping to take advantage if the Independence Day long weekend. (There was to be one more wide expansion, but Begin Again is expanding to less than 200 theaters.) Tammy is the biggest of these wide releases and it is the latest Melissa McCarthy vehicle and might be a surprise $100 million hit. Deliver Us From Evil and Earth to Echo were in a close battle for third place on Wednesday, but I think their futures will be quite different. Finally, America: Imagine a World Without Her is expanding to over 1,000 theaters. This isn't enough to compete with the new releases, but it could compete for a spot in the top ten. While there are a lot of new releases, Transformers: Age of Extinction will win the race for top spot in the box office chart, unless something surprising happens. The only thing more surprising than Age of Extinction getting knocked out of top spot would be if the overall box office was stronger that the same weekend last year when Despicable Me 2 opened with more than $80 million during the three-day weekend.
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2014 Preview: July
July 1st, 2014
Overall, June was not good. Most films matched expectations, or came close enough that there weren't major disappointments. However, it looks like How to Train Your Dragon 2 will miss expectations by more than $100 million. This was such a massive amount that 2014 lost its lead over 2013 and not even Transformers: Age of Extinction's $100 million opening was able to turn things around. Looking forward to July, there's not a lot of good news. Dawn of the Planet of the Apes might be the only film coming out during July that will reach the $100 million milestone, but on the high end, it might reach the $200 million mark. There are a few others that have a shot, but are not favored to reach the century mark. On the other hand, there are more films that may or may not open / expand wide and even if they do, they will likely have no real impact at the box office. By comparison, last July, Despicable Me 2 was the top draw and finished with more than $350 million. There were also four other films that surpassed $100 million at the box office. It seems practically impossible for 2014 to match those numbers and will likely finish the month behind last year's pace. Overall, 2014 isn't doing poorly, but the summer has been much weaker than the spring was, so we've gone from potential record breaking year to merely average.
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/10/30 | 5 | $152,622 | 475 | $321 | $206,570 | 324 | |
2020/11/06 | 14 | $14,177 | -91% | 78 | $182 | $269,643 | 325 |
2020/11/13 | - | $2,703 | -81% | 6 | $451 | $282,383 | 326 |
2020/11/20 | - | $2,785 | +3% | 6 | $464 | $290,579 | 327 |
2020/11/27 | - | $1,516 | -46% | 5 | $303 | $297,263 | 328 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Aruba | 7/3/2014 | $0 | 0 | 3 | 8 | $25,908 | 12/30/2018 |
Australia | 7/24/2014 | $939,689 | 152 | 152 | 152 | $950,822 | 12/17/2015 |
Bulgaria | 7/4/2014 | $0 | 0 | 20 | 50 | $41,608 | 12/30/2018 |
Cambodia | 7/10/2014 | $7,493 | 10 | 10 | 22 | $20,547 | 12/30/2018 |
Croatia | 7/10/2014 | $14,982 | 22 | 27 | 72 | $49,181 | 12/30/2018 |
Curacao | 7/3/2014 | $0 | 0 | 1 | 3 | $10,979 | 12/30/2018 |
Czech Republic | 7/3/2014 | $0 | 0 | 49 | 128 | $188,426 | 12/30/2018 |
Denmark | 7/24/2014 | $68,971 | 43 | 43 | 43 | $71,184 | 12/17/2015 |
Finland | 7/25/2014 | $31,290 | 44 | 44 | 44 | $31,290 | 12/17/2015 |
Hong Kong | 7/17/2014 | $145,435 | 47 | 47 | 75 | $301,117 | 12/17/2015 |
Hungary | 7/10/2014 | $56,949 | 30 | 30 | 79 | $136,436 | 12/30/2018 |
Iceland | 7/9/2014 | $10,916 | 7 | 7 | 12 | $36,024 | 12/30/2018 |
Indonesia | 7/2/2014 | $0 | 0 | 122 | 280 | $1,246,294 | 12/30/2018 |
Jamaica | 7/2/2014 | $0 | 0 | 2 | 5 | $23,959 | 12/30/2018 |
Lebanon | 7/3/2014 | $0 | 0 | 11 | 21 | $63,983 | 12/30/2018 |
Malaysia | 7/3/2014 | $0 | 0 | 150 | 304 | $1,002,100 | 12/17/2015 |
North America | 7/2/2014 | $9,740,471 | 3,049 | 3,049 | 8,051 | $30,577,122 | |
Norway | 7/4/2014 | $0 | 0 | 70 | 112 | $322,364 | 12/17/2015 |
Philippines | 7/2/2014 | $0 | 0 | 63 | 72 | $917,281 | 12/30/2018 |
Poland | 7/4/2014 | $0 | 0 | 103 | 256 | $658,894 | 12/30/2018 |
Serbia and Montenegro | 7/10/2014 | $9,767 | 14 | 14 | 35 | $25,356 | 12/30/2018 |
Singapore | 7/3/2014 | $0 | 0 | 24 | 47 | $472,182 | 12/17/2015 |
Slovakia | 7/3/2014 | $0 | 0 | 28 | 64 | $153,838 | 12/17/2015 |
South Africa | 7/18/2014 | $34,765 | 28 | 28 | 56 | $69,238 | 12/17/2015 |
South Korea | 8/21/2014 | $0 | 0 | 1997 | 2576 | $13,400,000 | 12/3/2020 |
Suriname | 7/3/2014 | $0 | 0 | 1 | 3 | $9,418 | 12/30/2018 |
Sweden | 7/2/2014 | $0 | 0 | 63 | 116 | $403,595 | 12/17/2015 |
Trinidad | 7/2/2014 | $0 | 0 | 7 | 11 | $40,716 | 12/30/2018 |
Vietnam | 7/4/2014 | $0 | 0 | 50 | 73 | $607,575 | 12/30/2018 |
Rest of World | $36,099,181 | ||||||
Worldwide Total | $87,956,618 | 12/3/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Eric Bana | Sarchie |
Edgar Ramirez | Mendoza |
Supporting Cast
Olivia Munn | Jen |
Sean Harris | Santino |
Joel McHale | Butler |
Chris Coy | Jimmy |
Dorian Missick | Gordon |
Mike Houston | Nadler |
Lulu Wilson | Christina |
Olivia Horton | Jane |
Scott Johnsen | Lt. Griggs |
Daniel Sauli | Salvatore |
Antoinette LaVecchia | Serafina |
Aidan Gemme | Mario |
Jenna Gavigan | Lucinda |
Skylar Toddings | Little Girl |
Sebastian La Cause | EMT |
Stephen Hamm | Cop |
Sean Nelson | Cop |
Mari-Ange Ramirez | Woman in Bar |
Ben Horner | Officer |
Tijuana Ricks | Officer |
John Cariani | Zookeeper |
Robert Keiley | Desk Sergeant |
Blair Sams | Mental Health Officer |
Mark David Watson | Treasury Service Officer |
Ben Livingston | Physician |
Kevin Nagle | Sergeant |
Oliver Wadsworth | Marvin |
Lolita Foster | Patrol Cop |
Carmen Ortiz-Girdauskas | Dispatcher |
Victor Pagan | Mental Patient |
Carol Stanzione | Mental Patient |
Adam Kobylarz | Mental Patient |
Lauro Chartrand | Marine Corporal |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Scott Derrickson | Director |
Jerry Bruckheimer | Producer |
Scott Derrickson | Screenwriter |
Paul Harris Boardman | Screenwriter |
Ralph Sarchie | Story Creator |
Lisa Collier Cool | Story Creator |
Mike Stenson | Executive Producer |
Chad Oman | Executive Producer |
Paul Harris Boardman | Executive Producer |
Glenn S. Gainor | Executive Producer |
Ben Waisbren | Executive Producer |
Scott Kevan | Director of Photography |
Bob Shaw | Production Designer |
Jason Hellman | Editor |
Christopher Young | Composer |
Christopher Peterson | Costume Designer |
T.J. O'Mara | Sound Mixer |
Paul N. J. Ottosson | Sound Designer |
Paul N. J. Ottosson | Supervising Sound Editor |
Paul N. J. Ottosson | Re-recording Mixer |
Drew Jiritano | Special Effects |
Robert Habros | Visual Effects Supervisor |
Curt Miller | Visual Effects Supervisor |
Lukasz Jogalla | Second Unit Camera |
Glen Trotiner | Assistant Director |
Denise Chamian | Casting Director |
Julie Schubert | Casting Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.