Slovenia Box Office for KATASTROFA NA HORIZONTU (2016)
Theatrical Performance (US$) | ||
Slovenia Box Office | $21,090 | Details |
Worldwide Box Office | $122,333,118 | Details |
Home Market Performance | ||
North America DVD Sales | $8,418,785 | Details |
North America Blu-ray Sales | $7,521,167 | Details |
Total North America Video Sales | $15,939,952 | |
Further financial details... |
Synopsis
Based on the true events that occurred on an oil rig in the Gulf of Mexico on April 20, 2010, the story chronicles the courage of those who worked on the Deepwater Horizon and the extreme moments of bravery and survival in the face of what would become one of the biggest man-made disasters in world history.
Metrics
Movie Details
Production Budget: | $156,000,000 |
Slovenia Releases: | October 28th, 2016 (Wide), released as KATASTROFA NA HORIZONTU |
Video Release: | December 20th, 2016 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for prolonged intense disaster sequences and related disturbing images, and brief strong language. (Rating bulletin 2437 (Cert #50467), 8/10/2016) |
Running Time: | 107 minutes |
Keywords: | Disaster, Environment, Corporate Malfeasance, 2010s, IMAX: DMR, Action Thriller |
Source: | Based on Real Life Events |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Participant Media, di Bonaventura Pictures, Summit Entertainment, Closest to the Hole, Leverage |
Production Countries: | United States |
Languages: | English |
2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!
February 26th, 2017
It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night.
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2016 - Awards Season: Oscars - Nominations - Final Look
February 26th, 2017
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between.
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2016 Awards Season: Oscar Nominations
January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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2016 - Awards Season: BAFTA - Nominations
January 11th, 2017
The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece.
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Home Market Releases for January 10th, 2017
January 9th, 2017
There’s a lull in the quality and quantity of releases on the home market, one that will continue until the holiday releases start coming out. That’s not to say there are no releases worth picking up. Under the Shadow is an amazing horror film and the DVD is a Contender for Pick of the Week. However, the winner of that honor is The Criterion Collection release for His Girl Friday oni Blu-ray.
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Home Market Releases for December 20th, 2016
December 19th, 2016
It’s the final Tuesday before Christmas and there are a few big releases that are trying to become last minute gifts. Sully is the best of the big releases, but according to Amazon.com, Dolly Parton's Christmas of Many Colors: Circle of Love is the best-selling new release of the week. I guess a very recent Christmas TV special makes sense near the top, but appearing at the very top it is surprising. As for the Pick of the Week, it is a coin-toss between Sully and Hitchcock/Truffaut on DVD or Blu-ray. Sully won the coin-toss.
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International Box Office: Fantastic has a Beast of an Opening with $143.3 million
November 24th, 2016
Fantastic Beasts and Where to Find Them opened in first place on the international chart with $143.3 million in 63 markets. The film had the biggest opening of the Harry Potter franchise in 16 of those 63 markets, but ironically not in the U.K., where it had its biggest opening. The film debuted in first place there with $18.90 million in 666 theaters. This is the third best in the franchise behind the two Deathly Hallows films. Some of the markets where Fantastic Beasts set the franchise record include South Korea, where it made $10.64 million on 1,431 screens over the weekend for a total opening of $14.15 million. It did the same in Russia with $10.29 million on 1,173 screens and in Brazil with $6.4 million.
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Weekend Estimates: Doctor Strange’s $85 Million Gives Industry a Much-Needed Boost
November 6th, 2016
After a couple of months of weak box office, and some very disappointing openings, Doctor Strange, Trolls and Hacksaw Ridge are each, in their own way, putting things back on track. Doctor Strange is grabbing the headlines of course, with an impressive $84,989,000 opening projected by Disney on Sunday morning. That’s almost identical to the opening weekend enjoyed by Thor: The Dark World on this weekend back in 2013, and comes without the benefit of being part of an established franchise (putting aside its place in the Marvel Cinematic Universe).
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Weekend Estimates: Madea Defeats Feeble Inferno
October 30th, 2016
What was meant to be the weekend that the Fall Season started in earnest has turned into a damp squib, with Inferno not just failing to hit expectations, but not even topping the chart. With just $15 million expected this weekend, according to Sony’s Sunday morning projection, the franchise has shown a dismal downward trajectory at the domestic box office. The Da Vinci Code opened with $77 million in 2006; Angels & Demons debuted with $46 million in 2009; and now Inferno will earn less on its opening weekend than either of its predecessors made on their opening days.
The weak opening for Inferno follows a string of so-so results for films over the past couple of months. Perhaps the reality show that is our presidential election is dragging down theatrical business?
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Thursday Night Previews: Inferno Sparks, but Doesn’t Catch Fire with $800,000
October 28th, 2016
Inferno got off to a slow start with midnight previews earning just $800,000. That’s well below the other thrillers that have opened this month. In fact, it is on par with Deepwater Horizon’s previews at the end of September. That film earned just over $20 million, which isn’t a bad opening, but it isn’t a great opening for a film that cost $75 million to make. Things get worse for Inferno, as it has terrible reviews and it is part of a franchise, so its legs will likely be shorter. At the moment, it is on pace for a sub-$20 million debut; however, that might change when we see Friday’s estimates. Maybe it will bounce back, or maybe things will get worse.
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Weekend Wrap-Up: Accountant Wins with $24.71 million, but 2016 Goes Further in Debt
October 18th, 2016
The weekend box office was not good. The Accountant did beat expectations with $24.71 million, but the other wide releases missed expectations. As a result, the box office fell 6% from last weekend to $97 million. The weekend box office should never be below $100 million, outside of a few dead zones during the year. We’ve been below that mark too frequently this year. Worse still, this is 18% lower than the same weekend last year. Year-to-date, 2016 still has a substantial lead over 2015 at $8.78 billion to $8.43 billion. However, we are nearing the $325 million mark where we have reason to panic. Remember, The Force Awakens earned $650 million during 2015 and Rogue One is only expected to earn half that much this year. We need to maintain a lead that large, or else 2016 will likely lose in the year-over-year comparison in the end.
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Weekend Predictions: Can Accountant be Counted On?
October 13th, 2016
Three wide releases are coming out this week, which is one more than expected. The Accountant is clearly the biggest of the three, but its reviews are falling into the danger zone. Kevin Hart: What Now? is hoping to be the biggest stand-up comedy movie since Eddie Murphy’s Raw. Finally there’s Max Steel, which I didn’t think was going to open truly wide. Then again, its theater count is 2,034, so it is opening barely wide. This weekend last year, Goosebumps led the way with $23.62 million. I really thought The Accountant would top that, but I no longer think that will be likely. Worse still, there were five films that earned more than $10 million last year, but there will only be three of them this week. 2016’s slump will continue.
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Weekend Wrap-Up: Only Girl isn’t a Train Wreck earning $24.54 million
October 11th, 2016
Over the weekend was Columbus Day, or as it is known in more and more places, Indigenous People’s Day. It’s also Thanksgiving Day up here in Canada and it would make more sense for Americans to celebrate Canadian Thanksgiving than Columbus Day. Canadian Thanksgiving is where you give thanks to all the Canadians that make your life better. For example, both Ryan Gosling and Ryan Reynolds are Canadian. Anyhoo... The weekend box office numbers were not buoyed by the semi-holiday on Monday as none of the new releases matched expectations. The Girl on the Train led the way by a wide margin with $24.54 million compared to $15.14 million for Miss Peregrine’s Home for Peculiar Children. Neither The Birth of a Nation nor Middle School: The Worst Years of My Life made it into the top five. The overall box office fell 9.5% from last weekend dropping to $103 million. That was 13% lower than the same weekend last year. Year-to-date, 2016 has earned $8.64 billion, putting it 4.4% / $370 million ahead of 2015. A couple of more weeks like this and we will have reason to hit the panic button.
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Friday Estimates: The Girl on the Train Schools the Competition with $9.35 million
October 8th, 2016
As expected, The Girl on the Train led the way on Friday, albeit with a slightly smaller-than-expected figure of $9.35 million. This is a little more disappointing after the film’s previews, especially since films aimed at more mature women tend to have longer than average legs. We knew the reviews were not good and that wouldn’t help the film; however, the audience reaction was even worse, as the film earned a B- from CinemaScore. Anything below a B+ usually results in weak legs, and we are already seeing The Girl on the Train struggle in that regard. We originally predicted $27 million, but I think $26 million is now more likely. That’s not a bad opening weekend for a movie that cost $45 million to make, so Universal should still be happy. We also can’t be sure how much effect Hurricane Matthew had on the opening day, so business could yet pick up as the storm passes.
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Weekend Predictions: Will Girl be the Rebirth of the Box Office?
October 6th, 2016
October begins with a trio of wide releases, led by The Girl on the Train. The film’s reviews are mixed, which is not ideal, but also not fatal. The Birth of a Nation was looking to become an Awards Season player, but its reviews are not quite at that level. Finally there’s Middle School: The Worst Years of My Life. There are still no reviews and the buzz is as quiet as you can get for a wide release. This weekend last year, the only wide release was Pan and it bombed hard. However, The Martian remained on top with $37.01 million over the weekend. There’s almost no way The Girl on the Train will match that and last year had better depth as well. 2016’s slump will continue.
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Contest: Dark Urges: Winning Announcement
October 5th, 2016
The winners of our Dark Urges contest were determined and the entrants with the closest predictions for Deepwater Horizon opening weekend were...
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Weekend Wrap-Up: Miss Peregrine finds a Home at the top with $28.87 million
October 4th, 2016
The overall box office was about as strong as expected, as Miss Peregrine’s Home for Peculiar Children beat expectations by the same amount as Deepwater Horizon missed expectations. This helped the overall box office grow 10% from last weekend to $114 million. However, this is still 24% lower than this weekend last year. Year-to-date, 2016 still has a lead over 2015, but that lead has shrunk to 4.9% or $390 million at $8.50 billion to $8.10 billion. If 2016’s lead falls below $325 million, then we will need to panic. Remember, last year ended with Star Wars: The Force Awakens, which earned $650 million before the end of the year. Rogue One isn’t expected to earn half of that, so 2016 is going to need a $325 million lead or it will need better depth in order to come out ahead. I would prefer the former.
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Friday Estimates: Peregrine Soars on Friday with $9.0 million
October 1st, 2016
Miss Peregrine’s Home for Peculiar Children took first place on Friday with $9.0 million. This is a little better than predicted and fine for a September release. The film’s reviews ticked up a couple of percentage points and now sit at 64% positive, while it earned a CinemaScore of B+. This is about on par with The Maze Runner. If the two films have the same internal multiplier, then Miss Peregrine’s Home for Peculiar Children will open with about $26 million over the weekend.
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Thursday Night Previews: Peregrine Gets a Head Start on Maze Runner with $1.2 million - Update with Masterminds previews
September 30th, 2016
Miss Peregrine’s Home for Peculiar Children earned $1.2 million during its Thursday previews, which is just ahead of the $1.1 million earned by The Maze Runner back in 2014. Unfortunately, there’s a question whether we should treat this as a young adult book adaptation, or whether we should treat it as a more gonzo Tim Burton offering. If we go that route, there are no really good comparisons. Dark Shadows earned $550,000, but that was just over four years ago when midnight screenings weren’t standard and far fewer people went overall. Regardless, this is a better start than expected and an opening weekend of $30 million is more likely than it was before.
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Weekend Predictions: Will September end on a Disastrous Note?
September 29th, 2016
Three wide releases come out this week: Deepwater Horizon, Miss Peregrine’s Home for Peculiar Children, and Masterminds. Deepwater Horizon’s reviews are better than expected and that should help it at the box office. Miss Peregrine’s reviews are on the razor’s edge of the overall positive level. Meanwhile, there are not enough reviews to really judge Masterminds, but the early signs don’t look good. This weekend last year was the first weekend of October. The Martian nearly broke the record for biggest October weekend. There’s a chance all three wide releases this week won’t match The Martian’s opening weekend. Add in last year’s depth and there’s almost no chance 2016 will come out ahead on the year-over-year comparison.
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Contest: Magnificent Prizes: Winning Announcement
September 29th, 2016
The winners of our Magnificent Prizes contest were determined and the entrants with the closest predictions for The Magnificent Seven opening weekend were...
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Contest: Dark Urges
September 23rd, 2016
Three wide releases are coming out next week. Of the three, Masterminds is by far the weakest and has no real shot at first place. In fact, if it opens above fifth place, I will be surprised. Miss Peregrine’s Home for Peculiar Children is the widest, but the early reviews for Deepwater Horizon are excellent and I think that will give it the edge at the box office. Because of this, it is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Deepwater Horizon.
We have copies of The Purge: The Election as prizes. While the film hit VOD this past Tuesday, we have copies on Blu-ray Combo Pack as prizes.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of The Purge: The Election on Blu-ray Combo Pack. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win win a copy of The Purge: The Election on Blu-ray Combo Pack. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win The Purge: The Election on Blu-ray Combo Pack.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2016 Preview: September
September 1st, 2016
August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/10/28 | 8 | $6,160 | 15 | $411 | $11,917 | 1 | |
2016/11/04 | 13 | $4,346 | -29% | 10 | $435 | $18,957 | 2 |
2016/11/11 | 13 | $1,877 | -57% | 6 | $313 | $21,090 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/30/2016 | $217,570 | 128 | 128 | 236 | $613,239 | 11/30/2018 |
Australia | 10/7/2016 | $1,303,546 | 253 | 255 | 983 | $3,076,404 | 7/16/2024 |
Brazil | 11/11/2016 | $532,963 | 279 | 279 | 469 | $1,247,598 | 11/16/2018 |
Bulgaria | 9/30/2016 | $0 | 0 | 0 | 0 | $97,077 | 2/26/2019 |
China | 11/15/2016 | $3,740,000 | 16669 | 16669 | 16669 | $10,507,817 | 8/27/2018 |
Czech Republic | 9/30/2016 | $42,018 | 89 | 89 | 140 | $93,795 | 12/31/2018 |
France | 10/14/2016 | $1,074,759 | 0 | 0 | 0 | $2,281,364 | 8/17/2018 |
Germany | 11/25/2016 | $507,546 | 0 | 0 | 0 | $959,291 | 8/19/2018 |
Italy | 10/7/2016 | $599,140 | 0 | 15 | 19 | $1,058,198 | 11/13/2018 |
Japan | 4/21/2017 | $658,050 | 0 | 0 | 0 | $2,020,160 | 7/4/2018 |
Lithuania | 9/30/2016 | $18,737 | 100 | 100 | 138 | $40,194 | 10/19/2016 |
Mexico | 9/30/2016 | $984,049 | 0 | 0 | 0 | $2,602,663 | 9/8/2018 |
Middle East Region | 9/30/2016 | $0 | 0 | 0 | 0 | $4,100,000 | 10/10/2016 |
Netherlands | 9/29/2016 | $321,406 | 92 | 93 | 409 | $1,036,067 | 11/19/2018 |
New Zealand | 10/7/2016 | $180,340 | 67 | 75 | 281 | $445,991 | 10/31/2016 |
North America | 9/30/2016 | $20,223,544 | 3,259 | 3,403 | 16,674 | $61,433,527 | 9/5/2017 |
Poland | 9/30/2016 | $142,197 | 0 | 0 | 0 | $355,498 | 12/31/2018 |
Portugal | 9/30/2016 | $116,818 | 64 | 64 | 204 | $316,633 | 11/10/2016 |
Russia (CIS) | 9/30/2016 | $1,110,755 | 1009 | 1009 | 2589 | $2,336,411 | 12/31/2018 |
Slovakia | 9/30/2016 | $33,793 | 58 | 58 | 96 | $78,322 | 11/17/2016 |
Slovenia | 10/28/2016 | $6,160 | 15 | 15 | 31 | $21,090 | 11/23/2016 |
South Korea | 1/17/2017 | $0 | 0 | 400 | 516 | $684,305 | 10/3/2017 |
Spain | 11/25/2016 | $257,341 | 305 | 305 | 712 | $537,480 | 12/22/2016 |
Taiwan | 10/7/2016 | $1,400,000 | 0 | 0 | 0 | $1,400,000 | 12/20/2018 |
Turkey | 9/30/2016 | $81,232 | 152 | 152 | 357 | $296,328 | 2/26/2019 |
United Kingdom | 9/30/2016 | $2,582,767 | 487 | 487 | 1595 | $6,800,092 | 9/8/2018 |
Rest of World | $17,893,574 | ||||||
Worldwide Total | $122,333,118 | 7/16/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Mark Wahlberg | Mike Williams |
Kurt Russell | Jimmy Harrell |
John Malkovich | Vidrine |
Gina Rodriguez | Andrea Fleytas |
Dylan O’Brien | Caleb Holloway |
Supporting Cast
Kate Hudson | Felicia Williams |
Douglas M. Griffin | Landry |
James DuMont | O'Bryan |
Joe Chrest | Sims |
Brad Leland | Kaluza |
Dave Maldonado | Kuchta |
J.D. Evermore | Dewey A. Revette |
Ethan Suplee | Jason Anderson |
Jason Pine | Stephen Ray Curtis |
Jason Kirkpatrick | Aaron Dale Burkeen |
Robert Walker Branchaud | Doug Brown |
Jonathan Angel | Gordon Jones |
Bill McMullen | Halliburton Rep |
Jeremy Sande | Adam Weise |
Stella Allen | Sydney |
Pete Berg* | Mr. Skip |
Juston Street | Anthony Gervasio |
Tony Centonze | Dan Barron/Roughneck #1 |
Zachary Guerra | Coast Guard Commander |
Chris Ashworth | Coast Guard Officer #1 |
Graham McGinnis | Coast Guard Officer #2 |
Robert Nash | Coast Guard Officer #3 |
Henri Esteve | Andrea's Housemate |
Sean Carter | ROV Operator |
Elizabeth Carey | Frenchman/Schlumberger #1 |
Mustafa Harris | Bankston Crewman/Medic |
Joel Allen | Old Man Carl |
Henry Frost | Shane M. Roshto |
Terry Milam | Keith Blair Manuel |
Garrett Kruithof | Karl Kleppinger Jr. |
Michael A Howell | Roy Wyatt Kemp |
Ronald Weaver | Donald Clark |
Deneen Tyler | Paula Walker |
Jim Klock | Scared Crew Member |
Leighton Gonzales | ROV Operator #2 |
Michael O'Brien | ROV Supervisor |
Garrett Hines | Wyman Wheeler |
Rob Steinberg | BP Rep |
Trace Adkins | Massive Man |
Kurt Peterson | Rescue Swimmer |
Cierra Price | Counter Agent #1 |
Kenneth Billings | Crew Member |
Ilan Srulovicz | Outgoing DPO |
Wesley Figaro | Coast Guard Officer #4 |
Jennifer Tamminen | Coast Guard Officer #5 |
Carliene O’Connor | Coast Guard Officer #6 |
Craig Shellenberger | First Mate |
Trent Zimmer | DP Officer |
Ronnie Cupstid | Subsea Engineer |
David William Donze | Still Photographer |
Micah Le Blanc | Incoming Subsea Engineer |
Patrick Arabie | Chief Mechanic |
Brandt Allen | Aircraft Commander |
Kelly Smith | Co-Pilot #1 |
Stephen Nicoll | Coast Guard Rescue Swimmer |
Preston Brice | Roughneck #2 |
Randolph Perkins | Rig Worker #1 |
Cedric Gervais | Frenchman/Schlumberger #3 |
David Grutman | Frenchman/Schlumberger #3 |
Peter Trentacosta III | Life Boat Driver |
Jenny Kubiak | Counter Agent #2 |
Steve Fisher | Transocean Employee |
Tawnya Carr | Bristow Advisory |
Tom Yura | Reporter #2 |
Sandra Santiago | Worried Mother |
Scott Campbell | BP Escort |
Barry Fallon | BP Personnel |
Mark Schotz | Cowboy |
Anthony Ace Thomas | Paula's Husband |
Barker Carlock | Bankston Survivor #1 |
Tracy Mann | Bankston Survivor #2 |
Richard Williams | Pilot |
Derek Thorsrud | Co-Pilot #2 |
Nick Litchfield | Deepwater Rescue Swimmer |
Robert Lovett | Deck Hand |
Fred North | Helicopter Pilot |
Mayla Parker | Voice of Natalie |
Narrator(s)
Meghan Gatto | Reporter #1 |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Peter Berg | Director |
Matthew Michael Carnahan | Screenwriter |
Matthew Sand | Screenwriter |
Matthew Sand | Screen Story |
Lorenzo di Bonaventura | Producer |
Mark Vahradian | Producer |
Mark Wahlberg | Producer |
Stephen Levinson | Producer |
David Womark | Producer |
Jeff Skoll | Executive Producer |
Jonathan King | Executive Producer |
Enrique Chediak | Director of Photography |
Chris Seager | Production Designer |
Colby Parker, Jr | Editor |
Gabriel Fleming | Editor |
Kasia Walicka Maimone | Costume Designer |
Steve Jablonsky | Composer |
Craig Hammack | Visual Effects Supervisor |
Deborah Aquila | Casting Director |
Tricia Wood | Casting Director |
Todd Lewis | Unit Production Manager |
Cliff Lanning | First Assistant Director |
Rhys Summerhayes | Second Assistant Director |
Donna Sloan | Executive in Charge of Production |
Wylie Stateman | Sound Designer |
Kevin Scott | Supervising Stunt Coordinator |
Tim Trella | Stunt Coordinator |
Todd Lewis | Co-Producer |
Cliff Lanning | Co-Producer |
Petra Holtorf-Stratton | Co-Producer |
Tamara Bally | Associate Producer |
J Lauren Downey | Associate Producer |
Russell Allen | Production Supervisor |
Marc Fisichella | Supervising Art Director |
Scott Plauche | Art Director |
Victor J. Zolfo | Set Decorator |
Justin Yates | First Assistant Editor |
Jason Wasserman | Additional First Assistant Editor |
Alexander Johnson | Additional First Assistant Editor |
Robert Malina | Additional First Assistant Editor |
Steve Jacks | Assistant Editor |
Kimaree Long | Assistant Editor |
Adam Schaefer | Assistant Editor |
Bryan H. Carroll | Post-Production Supervisor |
Luca Borghese | Post-Production Supervisor |
Dug Rotstein | Script Supervisor |
David Wyman | Sound Mixer |
Erik Haraldsted | Art Director |
Tim Earls | Set Designer |
Cosmas Demetriou | Set Designer |
Tristan Parks Bourne | Set Designer |
Walter Schneider | Set Designer |
Noelle King | Set Designer |
Ed Symon | Set Designer |
Landon Lott | Set Designer |
Burt Dalton | Special Effects Supervisor |
Steve Cremin | Special Effects Coordinator |
Dan Moore | Costume Supervisor |
Howard Berger | Make up |
Tami Lane | Make up |
Johnny Villanueva | Hairstylist |
Daina Daigle | Hairstylist |
Laura Sode Matteson | Supervising Location Manager |
Kevin Scott | Second Unit Director |
Wylie Stateman | Supervising Sound Editor |
Renée Tondelli | Co-Supervising Sound Editor |
Branden Spencer | Dialogue Editor |
Kris Fenske | Sound Effects Editor |
Michael Feuser | Dialogue Editor |
Mike Prestwood Smith | Re-recording Mixer |
Dror Mohar | Re-recording Mixer |
Michael Keller | Additional Sound Re-recording Mixer |
Ron Bartlett | Additional Sound Re-recording Mixer |
Doug Hemphill | Additional Sound Re-recording Mixer |
Philippe Theroux | Visual Effects Supervisor |
Jason Snell | Associate Visual Effects Supervisor |
Jason Billington | VFX Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.