United Kingdom Box Office for Daughters of the Dust (Re: 2016) (1992)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $6,299 | Details |
Worldwide Box Office | $1,707,874 | Details |
Home Market Performance | ||
North America Blu-ray Sales | $135,150 | Details |
Total North America Video Sales | $135,150 | |
Further financial details... |
Synopsis
At the dawn of the 20th century, a multi-generational family in the Gullah community on the Sea Islands off of South Carolina — former West African slaves who adopted many of their ancestors’ Yoruba traditions — struggle to maintain their cultural heritage and folklore while contemplating a migration to the mainland, even further from their roots.
Metrics
Movie Details
United Kingdom Releases: | June 2nd, 2017 (Limited), released as Daughters of the Dust (Re: 2016) |
Video Release: | April 11th, 2017 by Sony Pictures Home Entertainment |
MPAA Rating: | Not Rated |
Running Time: | 112 minutes |
Keywords: | Slavery, 1900s, African Americans |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Cohen Media Group, American Playhouse, WMG, Geechee Girls |
Production Countries: | United Kingdom, United States |
Languages: | English |
Home Market Releases for April 11th, 2017
April 12th, 2017
It is another shallow week on the home market. There are a number of Oscar-contenders on this week’s list, but the quality quickly drops off from that point. A couple of releases are contenders for Pick of the Week, but it is mostly filler. The best of this week’s list was Hidden Figures on Blu-ray and it is the Pick of the Week.
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Theater Averages: Manchester is Something to Sea, Earns $64,125
November 23rd, 2016
Manchester by the Sea led the way on the theater average chart with an average of $64,125 in four theaters. That isn’t the best average we’ve seen this year, but it is fourth place for a 2016 release. Fantastic Beasts and Where to Find Them earned first place on the overall chart and second place with $17,954 on this chart. Nocturnal Animals earned an average of $13,315 in 37 theaters. That’s an impressive average considering how wide it was playing. Best Worst Thing That Ever Could Have Happened earned an average of $11,745 in two theaters. Meanwhile, the re-release of Daughters of the Dust was the final film in the $10,000 club earning $10,842 in its lone theater.
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Weekend Estimates: Fantastic Beasts Makes Fantastic-ish $75 Million
November 20th, 2016
Fantastic Beasts and Where to Find Them is doing everything Warner Bros. could have wished for this weekend, posting a lively $75 million opening in the US, hitting $143.3 million internationally for a global opening over $200 million, and getting a A CinemaScore that should give it positive word of mouth going into Thanksgiving. For a franchise reboot, that’s a lot of reasons to be happy, although its opening is well below the openings enjoyed by the original Harry Potter franchise. The worst of those, Chamber of Secrets, opened with $88 million over three days (Order of the Phoenix and Half-Blood Prince both technically had slower weekends than Chamber of Secrets, but both of them opened on Wednesday, and they still did over $75 million Friday–Sunday).
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Limited and VOD Releases: Limited Releases Need Some Animal Magnetism
November 18th, 2016
There are few films on this week’s list, but most of them are earning good reviews. Two of them, Manchester by the Sea and Nocturnal Animals, are also earning Oscar buzz and I wouldn’t be surprised of both did very well on the per theater average chart. On the other hand, I’m interested in seeing Girls und Panzer The FILM.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/06/02 | - | $6,299 | 8 | $787 | $6,299 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 9/17/2023 | $0 | 0 | 0 | 0 | $0 | |
North America | 11/18/2016 | $4,624 | 1 | 19 | 321 | $1,701,575 | |
United Kingdom | 6/2/2017 | $6,299 | 8 | 8 | 8 | $6,299 | 6/15/2017 |
Worldwide Total | $1,707,874 | 6/15/2017 |
Leading Cast
Barbara-O | Yellow Mary Peazant |
Cheryl Lynn Bruce | Viola Peazant |
Cora Lee Day | Nana Peazant |
Supporting Cast
Adisa Anderson | Eli Peazant |
Geraldine Dunston | Viola’s Mother |
Vertamae Grosvener | Woman wearing hat |
Tommy Redmond Hicks | Mr. Snead |
Kaycee Moore | Haagar Peazant |
Eartha Robinson | Myown Peazant |
Alva Rogers | Eula Peazant |
Cornell Royal | Daddy Mac Peazant |
Catherine Tarver | Woman with baby |
Bahni Turpin | Iona Peazant |
Kai-Lynn Warren | The Unborn Child |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Julie Dash | Director |
Julie Dash | Screenwriter |
Julie Dash | Producer |
Arthur Jafa | Producer |
Kerry James Marshall | Production Designer |
Lindsay Law | Executive Producer |
Amy Carey | Editor |
Joseph Burton | Editor |
John Barnes | Composer |
Floyd Webb | Associate Producer |
Michael Kelly Williams | Art Director |