New Zealand Box Office for Dark Shadows (2012)
Theatrical Performance (US$) | ||
New Zealand Box Office | $1,194,300 | Details |
Worldwide Box Office | $245,564,215 | Details |
Home Market Performance | ||
North America DVD Sales | $17,288,906 | Details |
North America Blu-ray Sales | $8,157,275 | Details |
Total North America Video Sales | $25,446,181 | |
Further financial details... |
Synopsis
In the year 1750, Joshua and Naomi Collins, with young son Barnabas, set sail from England to start a new life in America, where they build a fishing empire in the coastal Maine town that comes to carry their name: Collinsport. Two decades pass and Barnabas has the world at his feet. The master of Collinwood Manor, Barnabas is rich, powerful and an inveterate playboy… until he makes the grave mistake of falling in love with a beauty named Josette DuPres and breaking the heart of Angelique Bouchard. A witch in every sense of the word, Angelique dooms him to a fate worse than death—turning him into a vampire, and then burying him… alive. Nearly two centuries later, Barnabas is inadvertently freed from his tomb and emerges into the very changed world of 1972, a stranger in an even stranger time. Returning to Collinwood Manor, he finds that his once-grand estate has fallen into ruin, and the dysfunctional remnants of the Collins family have fared little better, each harboring their own dark secrets. As Barnabas sets out to restore his family name to its former glory, one thing stands in his way: Collinsport’s leading denizen, who goes by the name Angie…and who bears a striking resemblance to a very old acquaintance of Barnabas Collins.
Metrics
Movie Details
Production Budget: | $150,000,000 |
New Zealand Releases: | May 10th, 2012 (Wide) |
Video Release: | October 2nd, 2012 by Warner Home Video |
MPAA Rating: | PG-13 for comic horror violence, sexual content, some drug use, language and smoking. (Rating bulletin 2219, 4/18/2012) |
Running Time: | 112 minutes |
Keywords: | Vampire, Curses, Time Travel, Culture Clash, Unrequited Love, Dysfunctional Family, Romance, Epilogue, Voiceover/Narration, Non-Chronological, Werewolf, Mental Illness, Haunting, IMAX: DMR, Prologue, Orphan, Suicide, Reincarnation, Dream Sequence, Young Child Dealing with the Death of a Parent, Abandoned Child, 1700s, Black Comedy, Supernatural |
Source: | Based on TV |
Genre: | Black Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Warner Bros., Village Roadshow Productions, Infinitum Nihil, GK Films, Zancuk Company |
Production Countries: | United States |
Languages: | English |
2012 - Holiday Gift Guide - Part IV
December 19th, 2012
There are only a few days left till Christmas and we are officially in the panic zone for gift shopping. This week we have our final installment of our annual Holiday Gift Guide. Part I dealt with first run releases, Part II dealt with TV on DVD releases, Part III dealt with limited releases, foreign titles, and classics. This week, we deal with some music, books, games, as well as releases from the first three parts that I forgot the first time around. As always, there are quite a few in that last category. (I also use this time to burn off some releases that arrived late. This way I can get through all of the late reviews quicker than normal and actually have enough time to celebrate Christmas.)
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DVD and Blu-ray Releases for October 30th, 2012
October 30th, 2012
It's not a great week on the home market. The best first run release is The Campaign, but while the movie is good, the DVD and the Blu-ray Combo Pack don't have enough extras. There are a few limited releases that piqued my interested as far as Pick of the Week was concerned. Safety Not Guaranteed on DVD or Blu-ray, Ruby Sparks on DVD or Blu-ray, and Polisse on DVD were all contenders. However, in the end I went with Alfred Hitchcock: The Masterpiece Collection. The Blu-ray box set is awesome.
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DVD Sales: Prometheus Tops Chart, But Starts Slow
October 26th, 2012
Prometheus was one of eight new releases to reach the top 30 on this week's DVD Sales Chart. It led the way with 348,000 units / $5.92 million. This is lower than expected, but it did do much better on Blu-ray.
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Blu-ray Sales: Avengers Continues Cinderella Story
October 21st, 2012
The Avengers remained in top spot on the Blu-ray sales chart with 824,000 units / $20.61 million for the week giving it totals of 4.21 million / $88.30 million after two. The number of Blu-rays that have sold more units can be counted on the fingers of one hand.
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DVD Sales: Averages Too Bright for Dark Shadows
October 21st, 2012
The Avengers remained on top of the DVD sales chart selling an additional 664,000 units and generating $12.69 million more in revenue. After two weeks of release, the film has sold 2.75 million units and generated $48.10 million in total revenue giving it fourth place on the 2012 chart.
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Contest: Marketplace of Predictions: Winning Announcement
October 17th, 2012
The winner of our Marketplace of Predictions contest was determined and it is...
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Blu-ray Sales: Avengers Begin To Rewrite Record Book
October 12th, 2012
The Avengers became one of the best selling Blu-rays of all time after just one week of release. Its opening week sales were outstanding at 3.39 million units / $67.69 million. This was by far the biggest new releases of the week and it crushed the competition on the Blu-ray sales chart. In fact, it was easily the best single week on the chart and places the Blu-ray in the top ten on the all-time list. (More on that next week.) Its opening week Blu-ray share was 62%. I suspect by the end of the Christmas shopping season, a 60% opening week Blu-ray share will be the norm for any major release.
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Contest: Marketplace of Predictions
October 5th, 2012
There are three wide releases coming out next week, and another opening semi-wide. Here Comes the Boom could win the box office race, especially if Kevin James returns to his earlier box office success. Sinister could be a low-level hit, especially if horror fans are excited by Halloween, but it doesn't have the hype to compete for first place. Seven Psychopaths might win an Oscar given its reviews, but it is opening in less than 2000 theaters and likely won't reach the top five. This leaves Argo as the most likely candidate for number one film next weekend. (Here Comes the Boom does have a shot, while Taken 2 might repeat on top of the chart during its second weekend of release.) Argo is the target film in this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Argo.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), regardless if they go over or under, will win a copy of Dark Shadows on Blu-ray Combo Pack.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Contest: In the Loop: Winning Announcement
October 2nd, 2012
The winners of our In the Loop contest were determined and they are...
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DVD and Blu-ray Releases for October 2nd, 2012
October 2nd, 2012
It's the first week of the month and there is a wide variety of releases worth checking out, but not exactly a strong selection of best sellers. The biggest first-run release is Dark Shadows and while I'm looking forward to possibly reviewing the Blu-ray Combo Pack, I don't think it will be a huge hit. New Girl: Season One and The Princess Bride: 25th Anniversary Edition Blu-ray look great, but I'm waiting for the screeners to make final decisions. I won't get a chance to review Universal Classic Monsters: The Essential Collection, but it is a contender for Pick of the Week. The winner of that honor is Cinderella Blu-ray, which is a classic, even if it is a little old-fashioned.
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International Box Office: Madagascar Tops Another Milestone
June 27th, 2012
For the third weekend in a row, Madagascar 3: Europe's Most Wanted earned top spot on the international chart, this time pulling in $35.43 million on 9,499 screens in 43 markets for a total of $214.17 million internationally and $371.26 million worldwide. Its best market of the weekend was Mexico, where it remained in first place with $3.81 million on 1,612 screens over the weekend for a total of $20.78 million after three. Meanwhile in Russia, the film has amassed a total of $43.05 million, including $3.41 million on 1,485 screens this past weekend. The film's next major market is Spain, but it doesn't open there till the end of July. It doesn't finish its run till October when it opens in the U.K.
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International Box Office: Madagascar is Wanted Worldwide
June 13th, 2012
Madagascar 3: Europe's Most Wanted led the way on the international chart with $77.28 million on 10,877 screens in 28 markets. Its best single market was Russia, where it pulled in $9.80 million on 1,670 screens, which was easily enough for first place. It was also dominant in France with $7.96 million on 685 screens. A pair of Latin American markets also contributed to its overall success with it earning $7.53 million on 890 screens over the weekend in Brazil, for a total opening in that market of $10.85 million. In Mexico, it earned $6.98 million on 1,965. The studio is going with a spread out release schedule, so it doesn't have a whole lot of major markets in the coming weeks, while it doesn't end its international run till October when it debuts in the U.K.
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International Box Office: International Men of Money
June 7th, 2012
Men in Black 3 held on extremely well during its second weekend of release on the international scene earning an easy first place with $78.67 million on 20,554 screens in 90 markets for a total of $275.17 million internationally. This is already more than Men in Black 2 made during its entire run. Worldwide the film has $386.25 million, which is higher than the high end of the film's reported budgets. It's on track to reach between $500 million and $600 million worldwide, which is enough to put it on track to earn a profit sometime on the film's home market run. Amazingly, the film actually held on well in China, where it was down less than 30% to $15.4 million on 5,200 screens over the weekend for a total of $51 million after two. Perhaps it will reach the century mark there. In Germany, it grew by 3% to $5.32 million on 742 screens over the weekend for a total of $13.44 million. It also grew by 3% in the U.K., but fell to third place with $4.69 million on 533 screens over the weekend for a total of $12.30 million after two. In Britain, it was the Jubilee Holiday, so that explains the growth.
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Weekend Wrap-Up: Snow White and the Holdovers
June 4th, 2012
Snow White and the Huntsman not only earned first place on the weekend box office chart, it did so with ease, topping all but the most bullish predictions. In fact, it even topped last year's opening of X-men: First Class, which means the film nearly helped 2012 back in the winning circle. The overall box office did fall 7% when compared to last weekend, but it was the post-Memorial Day weekend, so that's a very strong finish. The year-over-year decline was 11%, which normally would be really disappointing, but the previous weekend, the decline was over 30%, so this represents a huge recovery and bodes well for the next few weeks. 2012's lead over 2011 has shrunk to just under 10% at $4.47 billion to $4.07 billion, but even if the overall box office is flat for the rest of the year, a $400 million increase over the full year would be worth celebrating.
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Weekend Predictions: Black and White
May 31st, 2012
Snow White and the Huntsman is the only new wide release of the weekend and it is looking to overthrow Men in Black 3 on the top of the chart. It should have a pretty easy time winning, if not, the box office is in serious trouble. It is more important to compare its opening to that of X-men: First Class, which opened this weekend last year. Asking Snow White to make $55 million is probably asking too much, while the holdovers won't be able to match last year's crop, so June will likely start off on a low note when compared to last year. After an amazing start to the year, 2012 is starting to really struggle. Hopefully it is just a minor bump in the road.
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International Box Office: Will International Numbers Get Men Into the Black?
May 30th, 2012
After Men in Black 3 missed expectations domestically, its international numbers became a lot more important. I have good news and bad news. The good news is, it opened in first place with $126.31 million on 22,195 screens in 103 markets over the weekend for a total opening of $135.29 million earning first place in 101 of those markets. The bad news is, it has nowhere else to go. It's going to need to rely on strong legs to keep going. In a lot of international markets, films tends to have better legs than they have here. For instance, Japan. But the opposite is true in places like Russia and China, where pump and dumps rule. Speaking of which, the film's best single market was China where it made $20.6 million on 6,073 screens, which was just ahead of The Avengers' opening there, but that film had to deal with a massive local hit. MiB3's second biggest market was Russia, with $16.92 million on 1,549 screens, which was also more than The Avengers managed. Unfortunately, those were the only two major markets where that was true.
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Weekend Wrap-Up: Men are Back But Avengers Still Top Story
May 29th, 2012
While the latest installment of the Men in Black franchise topped the box office over the Memorial Day long weekend, it was The Avengers that continued to be the big story of the year. Men in Black 3's opening was merely average given the release date, and well below average given the film's production budget. On the other hand, The Avengers continued to break records. Overall, the box office was up by 7% from last weekend reaching $153 million over the three day portion of the weekend. However, that's 31% lower than Memorial Day last year. Ouch. Over four days, the weekend pulled in $194 million, which was 30% lower than last year. Again, ouch. Year-to-date, 2012 is still ahead of 2011, but the lead is down to 12.5% at $4.28 billion to $3.85 billion.
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International Box Office: Avengers Crack Top Five All-Time
May 23rd, 2012
The Avengers remained on top of the international chart for the fourth weekend in a row and that helped it reach fourth place on the all time worldwide chart. Over the weekend it pulled in $59.1 million giving it totals of $726.4 million internationally and $1.18 billion worldwide. To put this into perspective, if the film had earned $700 million worldwide, it would have been considered a smash hit and it would have broken even before the home market. The film was pushed into second place in the U.K. with $4.45 million on 496 screens over the weekend, but it has $71.11 million in that market, making it the film's biggest single intentional market. China is right behind with $69.3 million. It has also topped $50 million in Mexico ($3.27 million on 1,757 screens over the weekend for a total of $53.53 million) and in Brazil ($5.40 million on 915 screens over the weekend for a total of $50.49 million). The film has yet to open in Japan and by the time it does, it will likely have overtaken Harry Potter and the Deathly Hallows, Part II for third place on the all-time chart.
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Weekend Wrap-Up: Battleship Mothballed
May 21st, 2012
The Avengers continued its monster run and it crushed Battleship, The Dictator, and What to Expect When You're Expecting. In fact, The Avengers made more than the three new releases made combined. This is partially due to the film's strong hold, but in large part due to the newcomers' weaknesses, and this led to a 16% decline from last week to $143 million. Unfortunately, Pirates of the Caribbean: On Stranger Tides didn't show this weakness when it opened and the overall box office was a 15% lower than this weekend last year. 2012 still has a massive 16% lead over 2011 at $4.03 billion to $3.49 billion. Hopefully this is just a momentary blip and 2012 gets back to its winning ways very soon.
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Weekend Estimates: Avengers Sink Battleship
May 20th, 2012
The Avengers will continue as the undisputed hit of the Summer this weekend, as it has proved to be too much competition for another contender. After defeating Dark Shadows last weekend, the superhero movie has crushed Battleship in its domestic debut. The nautical action movie will earn an estimated $25.35 million this weekend, according to Universal, a drop in its $209 million (according to the studio) production budget. With $55 million, Avengers will pass $450 million in its 17th day in release, marking another record.
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Weekend Predictions: Avengers Look to Complete the Hat Trick
May 17th, 2012
For the first time all month, there is more than one new release coming out. However, despite this, it looks like The Avengers will still reign on top of the box office chart. Only Battleship has a real shot at beating it, while The Dictator and What to Expect When You're Expecting combined probably won't make as much as The Avengers will over the weekend. This is a little worrisome, as last year saw the release of Pirates of the Caribbean: On Stranger Tides, which opened with $90 million. There's almost no chance any film will make that much this weekend. In fact, the top two films might not make that much combined. So will 2012 lose on the year-over-year comparison? Probably not, as this year has a little more depth. It could be uncomfortably close though.
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International Box Office: Avengers are Billionaires
May 16th, 2012
The Avengers reached the $1 billion worldwide milestone in a mere 19 days, tying the record set by Avatar and Harry Potter and the Deathly Hallows, Part II. However, this is even more impressive, as The Avengers opened domestically one week later than it opened internationally. Over the weekend the film added $93.8 million on 17,104 screens in 54 markets for totals of $635.1 million internationally and $1.01 billion worldwide. It is the first Marvel film to reach this milestone, but amazingly the fifth Disney movie to do so. There have only been twelve films to reach $1 billion worldwide, and Disney have made five of them.
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Contest: Hiding in the Shadows: Winning Announcement
May 15th, 2012
The winners of our Hiding in the Shadows were determined and they are...
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Per Theater Chart: New Releases Are Overshadowed
May 15th, 2012
No new releases managed to earn a spot in the $10,000 club on this week's per theater chart. That doesn't mean it was empty, as The Avengers remained potent with an average of $23,696 during its second weekend of release. The Best Exotic Marigold Hotel was arguably even more impressive, as it expanded into more than 150 additional theaters, but its per theater average only fell to $15,012. It did well enough to grab eighth place overall, and with this average, it will certainly expand more. On the other hand, the best new release was Dark Shadows with an average of $7,906. This is good, but not great. The best limited release was Girl in Progress. That was was playing in more than 300 theaters and managed an average of $4,298. That's a good start, but I don't think it will expand greatly.
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Weekend Wrap-Up: Avengers Begin New Century Club
May 15th, 2012
For the first time ever, a film earned more than $100 million during its sophomore stint. The Avengers again led the way at the box office and again broke records. It wasn't all good news as Dark Shadows missed modest expectations and the overall box office slid 34% from last weekend to $171 million. That is still 22% higher than the same weekend last year, while 2012's lead over 2011 grew to 17.5% at $3.83 billion to $3.26 billion. I don't know how long The Avengers can keep 2012 ahead in the year-over-year comparison, but it sure is helping build up its lead in the short term.
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Weekend Estimates: Avengers Piles on the Records
May 13th, 2012
A second-weekend drop-off of 50% for a major release is considered a very respectable performance these days. But when it occurs for a film that opened with over $200 million, that puts the performance into a different league. Those legs will mean The Avengers will cruise to another major record this record, with its predicted $103.2 million the biggest second weekend in history. The film will have $373 million by the close of the day on Sunday, according to Disney, and about $1 billion worldwide.
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Weekend Predictions: Avengers Overshadows New Releases
May 10th, 2012
There is one wide release this week, Dark Shadows, plus a busy slate of limited releases. However, the only film most people are talking about is The Avengers. There is a chance that by the end of business this weekend, it will be the biggest hit of the year, overtaking The Hunger Games. Even if Dark Shadows makes $50 million over the weekend, it will be a mere footnote at the box office compared to The Avengers' sophomore stint. Dark Shadows probably won't match the combined openings of last year's two wide releases, Bridemaids and Priest 3D (about $41 million), but it could be close. However, since there are some that are predicting The Avengers will earn more than last year's top five earned (about $110 million), 2012 should easily walk away with the win.
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Weekend Wrap-up: Avengers Assemble a New Record Book
May 7th, 2012
Expectations for The Avengers were high, record-breakingly high among some people. However, as high as they were, reality was higher. Records were not just broken, but destroyed beyond recognition. The overall box office was in the top five combined biggest weekends with $258 million, which was 134% higher than last weekend. 134%. It was 55% higher than the same weekend last year. Like I've said before, this kind of year-over-year change usually only happens when there is a misalignment in holidays. The victory erases all of the losses from April, and then some, giving 2012 a $500 million lead over 2011 at $3.58 billion to $3.08 billion. This is an amazing start for the summer and with with roughly 25 million people seeing movies this weekend, upcoming films got a ton of free publicity and added hype.
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Contest: Hiding in the Shadows
May 4th, 2012
The only wide release opening next weekend is Dark Shadows, which could be a huge hit, or one of Tim Burton's rare misses. (I'm a little worried it might be a little too strange for mainstream audiences and it could have a Sweeney Todd-like run.) Despite my concerns, it is the target film in this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Dark Shadows.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Spongebob Squarepants: Vs. The Big One on DVD, which features Johnny Depp.
Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a copy of Spongebob Squarepants: Runaway Roadtrip on DVD.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2012 Preview: May
May 1st, 2012
There's good news / bad news going forward into May. First the bad news, April was really weak. It was weak compared to the previous month and weak compared to last year. For the first time all year, we had losses for a month on the year-over-year comparison. As for the good news... it could have been worse? Maybe there wasn't good news with regards to April, but there is certainly good news going forward. Every weekend in May has at least one film with the potential to hit $100 million, while there are a couple that could hit $200 million, and one that, pie in the sky, could reach $400 million. That one film is The Avengers, or as it is officially called, Marvel's The Avengers. I guess they don't want people reminded of the 1998 TV adaptation. While there are four films that should reach $100 million, there are only three other films opening wide, maybe two, maybe four. (More sources have Chernobyl Diaries opening wide than in limited release, but it is not a sure thing either way. Meanwhile, the opposite is true for LOL.) Additionally, there are a couple films opening in limited release this month with a real potential to expand wide: The Best Exotic Marigold Hotel and God Bless America. By comparison, last year had no film reach $300 million, but it had five films reach $100 million. If we are going to earn the win this year, we need strength from the top.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2012/05/11 | 2 | $434,393 | 85 | $5,111 | $434,393 | 1 | |
2012/05/18 | 3 | $265,745 | -39% | 85 | $3,126 | $834,777 | 2 |
2012/05/25 | 5 | $125,877 | -53% | 85 | $1,481 | $1,034,700 | 3 |
2012/06/01 | 6 | $90,340 | -28% | 83 | $1,088 | $1,163,953 | 4 |
2012/06/08 | 6 | $39,699 | -56% | 51 | $778 | $1,152,360 | 5 |
2012/06/22 | 14 | $1,702 | 17 | $100 | $1,194,300 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 6/21/2012 | $0 | 0 | 61 | 198 | $2,913,199 | 12/29/2018 |
Australia | 5/10/2012 | $3,853,347 | 369 | 369 | 1381 | $10,258,495 | 12/10/2015 |
Austria | 5/10/2012 | $360,780 | 59 | 65 | 487 | $1,342,872 | 12/11/2015 |
Belgium | 5/9/2012 | $551,587 | 46 | 46 | 340 | $1,882,815 | 12/11/2015 |
Bolivia | 6/21/2012 | $30,611 | 6 | 6 | 26 | $95,196 | 12/29/2018 |
Brazil | 6/22/2012 | $1,181,241 | 270 | 270 | 830 | $4,884,632 | 12/12/2015 |
Bulgaria | 5/11/2012 | $0 | 0 | 15 | 104 | $124,521 | 12/29/2018 |
Chile | 6/14/2012 | $268,836 | 45 | 45 | 183 | $1,413,186 | 12/29/2018 |
Colombia | 6/22/2012 | $0 | 0 | 59 | 64 | $1,538,400 | 12/29/2018 |
Croatia | 5/10/2012 | $26,337 | 11 | 14 | 96 | $128,366 | 12/29/2018 |
Czech Republic | 5/10/2012 | $150,125 | 61 | 61 | 164 | $402,512 | 12/29/2018 |
Denmark | 5/10/2012 | $300,138 | 72 | 77 | 265 | $842,400 | 12/10/2015 |
Ecuador | 6/22/2012 | $176,938 | 37 | 37 | 118 | $488,250 | 12/29/2018 |
Egypt | 5/16/2012 | $29,011 | 5 | 5 | 39 | $187,434 | 12/29/2018 |
Estonia | 5/11/2012 | $26,853 | 3 | 3 | 21 | $86,236 | 12/10/2015 |
Finland | 5/11/2012 | $214,937 | 69 | 69 | 314 | $909,316 | 12/11/2015 |
France | 5/9/2012 | $4,891,523 | 474 | 520 | 2829 | $14,978,871 | 12/10/2015 |
Germany | 5/10/2012 | $2,126,925 | 441 | 476 | 3870 | $8,689,212 | 12/11/2015 |
Greece | 5/17/2012 | $480,857 | 85 | 85 | 299 | $1,276,685 | 12/10/2015 |
Hong Kong | 5/10/2012 | $885,646 | 59 | 59 | 186 | $2,104,083 | 12/10/2015 |
Hungary | 5/10/2012 | $135,834 | 30 | 30 | 240 | $341,239 | 12/29/2018 |
Iceland | 5/11/2012 | $21,629 | 5 | 5 | 23 | $61,981 | 12/29/2018 |
India | 5/11/2012 | $112,747 | 35 | 35 | 78 | $248,759 | 12/10/2015 |
Indonesia | 5/11/2012 | $372,746 | 67 | 68 | 186 | $1,339,417 | 12/29/2018 |
Israel | 5/17/2012 | $80,776 | 13 | 18 | 55 | $217,030 | 12/29/2018 |
Italy | 5/11/2012 | $2,630,111 | 518 | 541 | 2072 | $8,153,647 | 12/11/2015 |
Japan | 5/19/2012 | $5,050,897 | 571 | 572 | 2557 | $27,084,868 | 12/10/2015 |
Kenya | 5/18/2012 | $11,008 | 8 | 8 | 30 | $24,450 | 12/29/2018 |
Latvia | 5/11/2012 | $30,848 | 7 | 7 | 35 | $101,448 | 12/29/2018 |
Lebanon | 5/10/2012 | $0 | 0 | 7 | 12 | $87,700 | 12/29/2018 |
Lithuania | 5/11/2012 | $25,921 | 10 | 10 | 38 | $68,799 | 12/10/2015 |
Malaysia | 5/10/2012 | $722,043 | 88 | 88 | 336 | $1,943,194 | 12/11/2015 |
Mexico | 6/22/2012 | $2,548,570 | 934 | 934 | 961 | $8,978,331 | 12/11/2015 |
Netherlands | 5/10/2012 | $511,760 | 69 | 76 | 244 | $1,507,497 | 12/10/2015 |
New Zealand | 5/10/2012 | $434,393 | 85 | 85 | 406 | $1,194,300 | 12/10/2015 |
North America | 5/11/2012 | $29,685,274 | 3,755 | 3,755 | 18,166 | $79,727,149 | 3/21/2023 |
Norway | 5/11/2012 | $200,697 | 47 | 49 | 122 | $485,342 | 12/10/2015 |
Peru | 6/21/2012 | $288,371 | 57 | 68 | 137 | $1,649,486 | 12/29/2018 |
Philippines | 5/10/2012 | $627,310 | 116 | 116 | 353 | $1,629,342 | 12/29/2018 |
Poland | 5/18/2012 | $0 | 0 | 104 | 463 | $1,141,422 | 12/29/2018 |
Portugal | 5/10/2012 | $286,206 | 53 | 62 | 317 | $997,182 | 12/11/2015 |
Romania | 5/18/2012 | $100,770 | 32 | 32 | 119 | $374,250 | 12/29/2018 |
Russia (CIS) | 5/10/2012 | $0 | 0 | 985 | 1510 | $10,929,205 | 12/29/2018 |
Serbia and Montenegro | 5/10/2012 | $20,642 | 9 | 9 | 171 | $99,374 | 12/29/2018 |
Singapore | 5/10/2012 | $613,223 | 34 | 34 | 122 | $1,681,396 | 12/10/2015 |
Slovakia | 5/10/2012 | $53,530 | 27 | 27 | 70 | $145,418 | 12/10/2015 |
Slovenia | 5/10/2012 | $14,534 | 6 | 6 | 36 | $56,176 | 12/10/2015 |
South Africa | 5/11/2012 | $91,794 | 44 | 44 | 164 | $314,713 | 12/10/2015 |
South Korea | 5/10/2012 | $2,098,269 | 386 | 386 | 656 | $3,602,164 | 12/10/2015 |
Spain | 5/11/2012 | $2,421,398 | 340 | 346 | 2312 | $7,620,332 | 12/11/2015 |
Sweden | 5/11/2012 | $599,289 | 129 | 129 | 411 | $1,686,187 | 12/11/2015 |
Switzerland | 5/9/2012 | $0 | 0 | 7 | 7 | $773,345 | 12/10/2015 |
Taiwan | 5/11/2012 | $667,492 | 59 | 66 | 273 | $2,701,515 | 12/10/2015 |
Thailand | 5/10/2012 | $490,193 | 77 | 77 | 211 | $1,134,141 | 12/10/2015 |
Turkey | 6/15/2012 | $174,270 | 61 | 61 | 237 | $908,936 | 12/29/2018 |
Ukraine | 5/10/2012 | $251,916 | 78 | 78 | 289 | $619,047 | 12/29/2018 |
United Arab Emirates | 5/17/2012 | $461,172 | 34 | 34 | 73 | $857,770 | 12/29/2018 |
United Kingdom | 5/11/2012 | $3,899,575 | 510 | 517 | 1709 | $10,894,619 | 12/10/2015 |
Uruguay | 6/22/2012 | $33,568 | 6 | 7 | 19 | $144,952 | 12/29/2018 |
Venezuela | 9/28/2012 | $380,387 | 48 | 48 | 215 | $1,787,749 | 12/12/2015 |
Vietnam | 5/11/2012 | $111,173 | 21 | 21 | 59 | $342,115 | 12/29/2018 |
Rest of World | $7,361,547 | ||||||
Worldwide Total | $245,564,215 | 3/21/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Johnny Depp | Barnabas Collins |
Michelle Pfeiffer | Elizabeth Collins Stoddard |
Helena Bonham Carter | Dr. Julia Hoffman |
Eva Green | Angelique Bouchard |
Jackie Earle Haley | Willie Loomis |
Jonny Lee Miller | Roger Collins |
Bella Heathcote | Victoria Winters/Josette DuPres |
Chloe Grace Moretz* | Carolyn Stoddard |
Gully McGrath* | David Collins |
Supporting Cast
Ray Shirley | Mrs. Johnson |
Christopher Lee | Clarney |
Alice Cooper | Alice Cooper |
Ivan Kaye | Joshua Collins |
Susanna Cappellaro | Naomi Collins |
Josephine Butler | David's Mother |
William Hope | Sheriff |
Shane Rimmer | Board Member 1 |
Michael J. Shannon | Board Member 2 |
Harry Taylor | Henchman |
Glen Mexted | Captain Rubberpants |
Guy Flanagan | Bearded Hippie |
Nigel Whitmey | Hard Hat 1 |
Philip Bulcock | Hard Hat 2 |
Sophie Kennedy Clark | Hippie Chick 1 |
Hannah Murray | Hippie Chick 2 |
Victoria Bewick | Hippie Chick 3 |
Sean Mahon | Collinsport Cop |
Alexia Osborne | Young Victoria |
Richard Hollis | Vicky's Father |
Felicity Brangan | Vicky's Mother |
Michael Anthony Brown | Windcliff Doctor |
Charlotte Spencer | Coat Check Girl |
Gabriel Freilich | Hippie 3 |
Justin Tracy | Young Barnabas - aged 6 |
Thomas Grube | Construction Worker 1 |
Jeff Mash | Construction Wroker 2 |
Raffey Cassidy | Young Angelique |
Jonathan Frid | Guest |
Kathryn Leigh Scott | Guest |
Lara Parker | Guest |
David Selby | Guest |
Janine Craig | Go Go Dancer 1 |
Adelle Young | Go Go Dancer 2 |
Dominica Van Santen | Go Go Dancer 3 |
Josephine McGrail | Go Go Dancer 4 |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Tim Burton | Director |
Seth Grahame-Smith | Screenwriter |
John August | Story Creator |
Seth Grahame-Smith | Story Creator |
Richard D. Zanuck | Producer |
Graham King | Producer |
Johnny Depp | Producer |
Christi Dembrowski | Producer |
David Kennedy | Producer |
Chris Lebenzon | Executive Producer |
Nigel Gostelow | Executive Producer |
Tim Headington | Executive Producer |
Bruce Berman | Executive Producer |
Dan Curtis | Based on the television series created by |
Bruno Delbonnel | Director of Photography |
Rick Heinrichs | Production Designer |
Chris Lebenzon | Editor |
Katterli Frauenfelder | Co-Producer |
Danny Elfman | Composer |
Colleen Atwood | Costume Designer |
Derek Frey | Associate Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.