South Korea Box Office for Dances with Wolves (1990)
| Theatrical Performance (US$) | ||
| South Korea Box Office | $83,840 | Details |
| Worldwide Box Office | $424,208,805 | Details |
| Further financial details... | ||
Metrics
Movie Details
| Production Budget: | $19,000,000 |
| South Korea Releases: | March 31st, 1991 (Wide) |
| Video Release: | April 20th, 1993 by Orion Video |
| MPAA Rating: | PG-13 |
| Running Time: | 181 minutes |
| Keywords: | Culture Clash, Native Americans, Oscars Best Picture Winner, 1991 Oscars Best Picture Nominee, Revisionist Western, 1860s, The Civil War |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Western |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Tig Productions |
| Production Countries: | United States |
| Languages: | English |
DVD and Blu-ray Releases for February 22nd, 2011
February 22nd, 2011
It's a pretty good week on the home market, all things considered, with two $100 million first-run releases on this week's list. On the other hand, there doesn't feel like a whole lot of depth and there are about as many featured reviews as other releases, if you count late reviews and ones where I'm still waiting on the screeners. One of these late reviews, Megamind could be the Pick of the Week, but I'm giving the Blu-ray one last chance to arrive before its release on Friday.
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Featured Blu-ray Review: Dances with Wolves
February 17th, 2011
Dances with Wolves is the third Blu-ray review for an Oscar winning movie I've done in a row, following Raging Bull and Thelma and Louise. This film earned the most Oscars, at seven, and was the biggest hit at the box office of the three. It's a movie I enjoyed the first time I saw it, but has it aged well? And is the special edition Blu-ray worth the upgrade?
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DVD and Blu-ray Releases for January 11th, 2011
January 10th, 2011
This week, among the many DVD / Blu-ray releases, is what could be the Best Picture Oscar winner. However, after The Social Network, there's quite a drop-off in quality. There are a few that are worth checking out, as well as a couple that are worth picking up, but there's no competition for The Social Network's Two-Disc DVD or Blu-ray for Pick of the Week.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/01/08 | 13 | $7,852 | 28 | $280 | $8,155 | 1,555 | |
| 2021/01/15 | 6 | $30,247 | +285% | 201 | $150 | $46,916 | 1,556 |
| 2021/01/22 | 11 | $10,100 | -67% | 80 | $126 | $68,004 | 1,557 |
| 2021/01/29 | - | $3,945 | -61% | 26 | $152 | $75,220 | 1,558 |
| 2021/02/05 | - | $720 | -82% | 6 | $120 | $78,101 | 1,559 |
| 2021/03/12 | - | $6,333 | 6 | $1,056 | $83,877 | 1,564 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 11/9/1990 | $598,257 | 14 | 1,636 | 39,255 | $184,208,842 | 12/8/2019 |
| South Korea | 3/31/1991 | $0 | 0 | 201 | 353 | $83,840 | 3/26/2021 |
| Rest of World | $239,916,123 | ||||||
| Worldwide Total | $424,208,805 | 3/26/2021 | |||||
Leading Cast
| Kevin Costner | Lieutenant John G. Dunbar |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Kevin Costner | Director |
| Michael Blake | Screenwriter |
| Michael Blake | Story Creator |
| Jim Wilson | Producer |
| Kevin Costner | Producer |
| Jake Eberts | Executive Producer |
| Jeffrey Beecroft | Production Designer |
| Neil Travis | Editor |
| William Hoy | Editor |
| Stephen Potter | Editor |
| Chip Masamitsu | Editor |
| John Barry | Composer |
| Dean Semler | Director of Photography |
| Bonnie Arnold | Associate Producer |
| Derek Kavanagh | Line Producer |
| Doug Metzger | Assistant Director |
| Derek Kavanagh | Unit Production Manager |
| William Ladd Skinner | Art Director |
| Lisa Dean | Set Decorator |
| John Huneck | Second Unit Camera |
| Philip C. Pfeiffer | Second Unit Camera |
| Elsa Zamparelli | Costume Designer |
| Birgitta Bjerke | Costume Supervisor |
| Russell Williams II | Sound Mixer |
| Mary Jo Devenney | Sound Mixer |
| Jeffrey Perkins | Re-recording Mixer |
| Bill W. Benton | Re-recording Mixer |
| Gregory H. Watkins | Re-recording Mixer |
| Andy Napell | Re-recording Mixer |
| Hari Ryatt | Supervising Sound Editor |
| Robert Fitzgerald | Supervising Sound Editor |
| Bruce Stubblefield | Sound Editor |
| Linda Moss | Sound Editor |
| Albert Gasser | Sound Editor |
| Jeffrey Rosen | Sound Editor |
| Howard Gindoff | Sound Editor |
| Ed Fassl | Sound Editor |
| Robert Fitzgerald | Sound Designer |
| Clif Kohlweck | Music Editor |
| Frank Carrisosa | Make up |
| David Atherton | Make up |
| Elle Elliott | Hairstylist |
| Tamara Guthrie | Hairstylist |
| Peter Buffett | Additional Music |
| John Coinman | Music Supervisor |
| Elisabeth Leustig | Casting Director |
| Norman Howell | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.