New Zealand Box Office for DC League of Super Pets (2022)
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| Theatrical Performance (US$) | ||
| New Zealand Box Office | $1,792,922 | Details |
| Worldwide Box Office | $203,891,589 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,743,630 | Details |
| North America Blu-ray Sales | $3,035,274 | Details |
| Total North America Video Sales | $4,778,904 | |
| Further financial details... | ||
Synopsis
Krypto the Super-Dog and Superman are inseparable best friends, sharing the same superpowers and fighting crime in Metropolis side by side. When Superman and the rest of the Justice League are kidnapped, Krypto must convince a rag-tag shelter pack—Ace the hound, PB the potbellied pig, Merton the turtle and Chip the squirrel—to master their own newfound powers and help him rescue the superheroes.
Metrics
Movie Details
| Production Budget: | $90,000,000 |
| New Zealand Releases: | September 22nd, 2022 (Wide) |
| Video Release: | August 23rd, 2022 by Warner Home Video |
| MPAA Rating: | PG for action, mild violence, language and rude humor. (Rating bulletin 2731 (cert #53448), 5/11/2022) |
| Running Time: | 100 minutes |
| Keywords: | Action Adventure, Animal Lead, Talking Animals |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Warner Animation Group, D.C. Entertainment, Seven Bucks Productions, A Stern Talking To |
| Production Countries: | United States |
| Languages: | English |
Weekend predictions: Barbarian the favorite going into brutally slow weekend
September 9th, 2022
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The weekend after Labor Day is traditionally the slowest one of the year at the box office. But, to get the good news out of the way, there’s a good chance that won’t be the case this year, with the weekend of January 28 looking like it will hold on to that crown. The fact we’ll probably top the $34.8 million earned at the box office on the last weekend of January is down to three new wide releases, albeit ones that probably won’t set records at the box office.
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Weekend predictions: a wide-open race for number one
September 2nd, 2022
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This weekend at the box office is a forecaster’s nightmare, with a two new wide releases that are only playing in 1,880 and 1,184 theaters, a classic re-release that’s opening in 1,246 locations, and a recent blockbuster getting a re-release in 3,935 theaters. Making things even harder to predict is that tickets will only be $3 each at thousands of theaters on National Cinema Day on Saturday (see the Regal, Cinemark, and Marcus Theatres sites, and check your local listings—and note that the UK has National Cinema Day on Saturday too). There are four films that have a realistic chance of winning the weekend: Spider-Man: No Way Home, Bullet Train, Top Gun: Maverick, and (even though it’s a rank outsider) DC League of Super Pets. Any one of them would be a highly unusual box office winner, given how long all of them have been in theaters, but that’s mainly the result of a highly unusual lack of major new releases.
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Weekend predictions: Bullet Train shooting for $30-million opening
August 5th, 2022
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Two new wide releases hit theaters this weekend, each looking to find what might be described as a “big niche” audience. Bullet Train is looking to draw in fans of high-speed action, while Easter Sunday is the kind of family comedy that we’ve hardly seen in the last couple of years. With this Summer’s blockbusters beginning to play out, both of the new entrants could find a decent crowd, although Bullet Train will end up topping the chart and has already booked $4.6 million from Thursday previews.
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Weekend predictions: Super Pets set for weekend win
July 29th, 2022
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DC League of Super Pets looks set for a fairly straightforward weekend win, even though where exactly it’ll land is hard to say, even with Thursday’s preview numbers available. Earning $2.2 million on Thursday is a healthy performance for an animated film—particularly one not part of an established franchise—but previews aren’t a perfect predictor for animated films in general.
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DC League of Super Pets trailer
July 19th, 2022
Animated adventure with the voices of Dwayne Johnson, Kevin Hart and Keanu Reeves opens exclusively in theaters July 29 ... Full Movie Details.
Krypto the Super-Dog and Superman are inseparable best friends, sharing the same superpowers and fighting crime in Metropolis side by side. When Superman and the rest of the Justice League are kidnapped, Krypto must convince a rag-tag shelter pack—Ace the hound, PB the potbellied pig, Merton the turtle and Chip the squirrel—to master their own newfound powers and help him rescue the superheroes.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/09/23 | 2 | $159,748 | 97 | $1,647 | $281,253 | 1 | |
| 2022/09/30 | 1 | $173,278 | +8% | 103 | $1,682 | $523,562 | 2 |
| 2022/10/07 | 1 | $243,805 | +41% | 104 | $2,344 | $1,055,051 | 3 |
| 2022/10/14 | 1 | $225,046 | -8% | 102 | $2,206 | $1,455,726 | 4 |
| 2022/10/21 | 7 | $21,473 | -90% | 81 | $265 | $1,482,777 | 5 |
| 2022/10/28 | 11 | $21,374 | n/c | 69 | $310 | $1,567,056 | 6 |
| 2022/11/04 | 10 | $10,582 | -50% | 61 | $173 | $1,589,083 | 7 |
| 2022/11/11 | 9 | $10,280 | -3% | 46 | $223 | $1,627,625 | 8 |
| 2022/11/18 | 10 | $15,127 | +47% | 46 | $329 | $1,678,800 | 9 |
| 2022/11/25 | 14 | $3,667 | -76% | 26 | $141 | $1,725,081 | 10 |
| 2022/12/02 | - | $1,989 | -46% | 22 | $90 | $1,751,115 | 11 |
| 2022/12/09 | 20 | $3,781 | +90% | 25 | $151 | $1,799,564 | 12 |
| 2022/12/16 | 14 | $2,282 | -40% | 18 | $127 | $1,809,713 | 13 |
| 2022/12/23 | 12 | $2,572 | +13% | 20 | $129 | $1,778,521 | 14 |
| 2022/12/30 | - | $462 | -82% | 5 | $92 | $1,792,922 | 15 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 7/28/2022 | $954,000 | 344 | 344 | 344 | $954,000 | 8/1/2022 |
| Australia | 9/15/2022 | $1,150,442 | 414 | 434 | 3069 | $12,404,742 | 4/3/2023 |
| Brazil | 7/28/2022 | $1,100,000 | 1221 | 1221 | 1221 | $1,100,000 | 7/31/2022 |
| Colombia | 7/28/2022 | $434,000 | 0 | 0 | 0 | $434,000 | 8/1/2022 |
| Croatia | 7/28/2022 | $78,511 | 90 | 90 | 509 | $298,547 | 11/26/2022 |
| Czech Republic | 7/28/2022 | $5,386 | 16 | 167 | 1125 | $1,021,231 | 11/22/2022 |
| Finland | 7/29/2022 | $29,964 | 97 | 98 | 758 | $540,553 | 10/31/2022 |
| France | 7/27/2022 | $1,600,000 | 594 | 676 | 1864 | $4,100,000 | 8/16/2022 |
| Germany | 7/29/2022 | $805,000 | 0 | 0 | 0 | $805,000 | 8/1/2022 |
| Israel | 7/28/2022 | $447,000 | 0 | 0 | 0 | $447,000 | 8/1/2022 |
| Italy | 9/1/2022 | $755,710 | 0 | 0 | 0 | $2,259,814 | 10/24/2022 |
| Japan | 8/26/2022 | $0 | 0 | 0 | 0 | $0 | |
| Mexico | 7/28/2022 | $2,155,871 | 0 | 1740 | 1740 | $7,517,474 | 9/13/2022 |
| Netherlands | 8/3/2022 | $233,110 | 194 | 194 | 1856 | $2,458,348 | 11/14/2022 |
| New Zealand | 9/22/2022 | $159,748 | 97 | 104 | 825 | $1,792,922 | 1/4/2023 |
| North America | 7/29/2022 | $23,003,441 | 4,314 | 4,332 | 36,090 | $93,657,117 | |
| Peru | 7/28/2022 | $462,000 | 0 | 0 | 0 | $462,000 | 8/1/2022 |
| Poland | 7/29/2022 | $547,000 | 0 | 0 | 0 | $547,000 | 8/1/2022 |
| Portugal | 7/28/2022 | $100,695 | 92 | 92 | 582 | $800,318 | 4/18/2023 |
| Romania | 7/29/2022 | $49,007 | 73 | 73 | 794 | $776,017 | 12/14/2022 |
| Russia (CIS) | 7/28/2022 | $148,458 | 106 | 106 | 386 | $490,305 | 8/24/2022 |
| Saudi Arabia | 7/28/2022 | $536,000 | 0 | 0 | 0 | $536,000 | 8/1/2022 |
| Slovakia | 7/29/2022 | $7,075 | 26 | 68 | 569 | $535,249 | 2/24/2023 |
| South Korea | 8/10/2022 | $609,695 | 585 | 585 | 1377 | $1,662,711 | 9/21/2022 |
| Spain | 7/29/2022 | $863,225 | 387 | 387 | 2557 | $4,392,681 | 11/23/2022 |
| Turkey | 7/29/2022 | $57,197 | 298 | 298 | 1303 | $407,909 | 11/10/2022 |
| United Kingdom | 7/29/2022 | $3,282,926 | 665 | 690 | 6985 | $18,799,626 | 11/15/2022 |
| Rest of World | $44,691,025 | ||||||
| Worldwide Total | $203,891,589 | 4/18/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Dwayne Johnson | Krypto The Superdog |
| Kevin Hart | Ace |
| Vanessa Bayer | PB |
| Jemaine Clement | Arthur Curry/Aquaman |
| Keanu Reeves | Bruce Wayne/Batman |
| Diego Luna | Chip |
| Daveed Diggs | Victor Stone/Cyborg |
| John Early | Barry Allen/The Flash |
| Dascha Polanco | Jessica Cruz/Green Lantern |
| Marc Maron | Lex Luthor |
| Olivia Wilde | Lois Lane |
| Kate McKinnon | Lulu |
| Natasha Lyonne | Merton |
| John Krasinski | Kal-E!/Clark Kent/Superman |
| Jameela Jamil | Diana Prince/Wonder Woman |
Supporting Cast
| Thomas Middleditch | Keith (aka Ice Guinea Pig) |
| Ben Schwartz | Mark (aka Fire Guinea Pig) |
| Maya Erskine | Mercy Graves |
| Yvette Nicole Brown | Patty |
| Alfred Molina | Jor-El |
| Lena Headey | Lara |
| Keith David | Dog-El |
| Busy Philipps | Foofy Dog |
| Dan Fogler | Carl/Pilot/Radio |
| Winona Bradshaw | Whiskers |
| David Pressman | Corgi |
| Sam J. Levine | Boston Terrier (aka Waffles)/Robot Guard |
| Jared Stern | Bathtub Guy/JLA Hotline |
| Michelle Morgan | Mech Suit |
| Amanda Ames | Guinea-Pigasus |
| Gavin McCrillis | Black Kitten |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Jared Stern | Director |
| Jared Stern | Screenwriter |
| John Whittington | Screenwriter |
| Patty Hicks | Producer |
| Dwayne Johnson | Producer |
| Dany Garcia | Producer |
| Hiram Garcia | Producer |
| Jared Stern | Producer |
| John Requa | Executive Producer |
| Glenn Ficarra | Executive Producer |
| Nicholas Stoller | Executive Producer |
| Allison Abbate | Executive Producer |
| Chris Leahy | Executive Producer |
| Sharon Taylor | Executive Producer |
| Courtenay Valenti | Executive Producer |
| Kim Taylor | Production Designer |
| David Egan | Editor |
| Jhoanne Reyes | Editor |
| Steve Jablonsky | Composer |
| Sam J. Levine | Co-Director |
| Jerry Seigel | Character Creator |
| Joe Shuster | Character Creator |
| Tod C. Marsden | Associate Producer |
| Vi-Dieu Nguyen | Head of Story |
| Ryan L. Carlson* | Art Director |
| Kristen Anderson | Art Director |
| Season Kent | Music Supervisor |
| Brian Lynch | Co-Producer |
| David Burgess | Animation Supervisor |
| Emmanuel Blasset | Character CG Supervisor |
| John Rix | Character CG Supervisor |
| Feargal Stewart | Character CG Supervisor |
| Melissa Tierney | Production Manager |
| Ruth Lambert | Casting Director |
| Bill R. Dean | Supervising Sound Editor |
| Bill R. Dean | Sound Designer |
| Ian Abando | Story Artist |
| Giovanny F. Cardenas | Story Artist |
| Kevin Harkey | Story Artist |
| Annie Jingyi Li | Story Artist |
| Kenji Ono | Story Artist |
| Gustavo Chen | Story Artist |
| Diana Kidlaied | Story Artist |
| John Anderson | Story Artist |
| Misty Marsden | Story Artist |
| Natasha Presler-Wicke | Story Artist |
| Mark Walton | Story Artist |
| Travis J. Blaise | Story Artist |
| Jean-Sebastien Duclos | Story Artist |
| Samantha Suyi Lee | Story Artist |
| Joe Oh | Story Artist |
| John Puglisi | Story Artist |
| Camilo Castro | Character Designer |
| Craig Kellman | Character Designer |
| Timothy A. Moen | Character Designer |
| David Colman | Character Designer |
| Brayden Kowalczuk | Character Designer |
| Ovi Nedelcu | Character Designer |
| Nikolas Ilic | Character Designer |
| Taylor Krahenbul | Character Designer |
| Marceline Tanguay | Character Designer |
| Garrett Elkins | Additional Editor |
| Elaine Walrath | Additional Editor |
| Joseph Ettinger | Additional Editor |
| Libby Cuenin | Additional Editor |
| Mark Adelsberger | Additional Editor |
| Remmington James Powell | First Assistant Editor |
| Taylor Mason | First Assistant Editor |
| Noel Brydebell | Assistant Editor |
| Maria Friesen | Assistant Editor |
| Jahrell Phillips | Assistant Editor |
| Randall James Bol | Post-Production Supervisor |
| Tim LeBlanc | Re-recording Mixer |
| Dean A. Zupancic | Re-recording Mixer |
| Ando Johnson | Supervising Sound Editor |
| Jessie Pariseau | Supervising Sound Editor |
| Ando Johnson | Sound Designer |
| Jessie Pariseau | Foley Supervisor |
| Erick Ocampo | Sound Designer |
| Chris Battaglia | Sound Effects Editor |
| Kip Smedley | Sound Effects Editor |
| Stephanie Brown | Dialogue Editor |
| Chase Keehn | Dialogue Editor |
| Darrin Mann | Foley Mixer |
| Bruce Tanis | Foley Editor |
| Darrell Hall | Music Editor |
| Vicki Hiatt | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.