United Kingdom Box Office for The D Train (2015)

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The D Train poster
Theatrical Performance (US$)
United Kingdom Box Office $28,587Details
Worldwide Box Office $816,494Details
Further financial details...

Synopsis

All his life, Dan Landsman has never been the cool guy. That’s about to change—if he can convince Oliver Lawless, the most popular guy from his high school and who’s now the face of a national Banana Boat ad campaign, to show up with him to their class reunion. A man on a mission, Dan travels from Pittsburgh to LA and spins a web of lies to recruit Lawless. But he gets more than he bargains for as the unpredictable Lawless proceeds to take over his home, career, and entire life.

Metrics

Movie Details

Production Budget:$3,000,000
United Kingdom Releases: September 18th, 2015 (Wide)
Video Release: August 18th, 2015 by Paramount Home Video
MPAA Rating: R for strong sexual material, nudity, language and drug use.
(Rating bulletin 2362, 2/25/2015)
Running Time: 98 minutes
Keywords: High School Reunions, Black Out Drunk, Sundance Film Festival 2015
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Electric Dynamite, Rip Cord, Londinium
Production Countries: United States
Languages: English

Per Theater Chart: Ultron is Still Big

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The Avengers: Age of Ultron remained in first place on the per theater chart with an average of $18,182. It wasn't the only film in the $10,000 chart this week. Pather Panchali was close behind with $16,333 in its lone theater. I Am Big Bird: The Caroll Spinney Story earned $10,150 over the weekend for a total of $13,053 from Wednesday through Sunday. More...

Weekend Estimates: Hot Pursuit No Match for Ultron

May 10th, 2015

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Hot Pursuit is utterly failing to live up to its name this weekend, with an anaemic $13.3 million opening—the worst for Reese Witherspoon since Cruel Intentions in 1999, and her worst ever for a wide-release movie, when adjusted for inflation. The Avengers: Age of Ultron wasn't really expected to be threatened in first place, and is actually doing quite well for a movie that opened with close to $200 million. It will be down about 60% this weekend to $77.2 million, per Disney, the second-best second weekend ever, just ahead of Avatar, and some way behind The Avengers. More...

Limited Releases: Not a Big Week for Limited Releases

May 8th, 2015

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This week's list of limited releases isn't exactly short, but it is short on potential hits. Maggie and 5 Flights Up both have strong casts, but are playing in potentially too many theaters and also on Video on Demand. Noble is earning some of the best reviews, but its high theater count and lack of star power could hurt it. I Am Big Bird: The Caroll Spinney Story is also earning great reviews, but it is one of the rare documentaries that is taking the Video on Demand route. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2015/09/18 31 $13,263   106 $125   $13,263 1
2015/09/25 65 $1,134 -91% 5 $227   $28,587 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Germany 9/17/2015 $5,551 101 101 108 $66,209 10/6/2015
North America 5/8/2015 $447,661 1,009 1,009 1,173 $669,688 10/27/2022
Spain 9/25/2015 $3,116 10 10 13 $5,586 10/6/2015
United Kingdom 9/18/2015 $13,263 106 106 111 $28,587 9/30/2015
 
Rest of World $46,424
 
Worldwide Total$816,494 10/27/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jarrad Paul Director
Andrew Mogel Director
Jarrad Paul Screenwriter
Andrew Mogel Screenwriter
David Bernad Producer
Mike White Producer
Jack Black Producer
Priyanka Mattoo Producer
Ben Latham-Jones Producer
Barnaby Thompson Producer
Aigerim Jakisheva Executive Producer
Matthew Medlin Executive Producer
Giles Nuttgens Director of Photography
Ethan Tobman Production Designer
Terel Gibson Editor
Andrew Dost Composer
Randall Poster Music Supervisor
Justine Arteta Casting Director
Kim Davis-Wagner Casting Director