United Kingdom Box Office for Cunningham (2019)
| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $24,813 | Details |
| Worldwide Box Office | $368,002 | Details |
| Further financial details... | ||
Synopsis
CUNNINGHAM traces Merce Cunningham’s artistic evolution over three decades of risk and discovery (1944-1972), from his early years as a struggling dancer in postwar New York to his emergence as one of the world's most visionary choreographers. The 3D technology weaves together Merce’s philosophies and stories, creating a visceral journey into his innovative work. An explosion of dance, music, and never-before-seen archival material, CUNNINGHAM is a timely tribute to one of the world’s greatest modern dance artists.
Metrics
Movie Details
| United Kingdom Releases: | March 13th, 2020 (Limited) |
| Video Release: | March 24th, 2020 by Magnolia Home Entertainment |
| MPAA Rating: | PG for some smoking. (Rating bulletin 2597 (Cert #52401), 9/25/2019) |
| Running Time: | 93 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Achtung Panda! Media, Arsam Intl., Chance Operations, Dogwoof, Magnolia Pictures, Cow Productions , La maison de prod, Sophie Dulac, Sovereign Films, Bayerischer Rundfunk, Arte Docworks, RSI Radiotelevisione Svizzera, Bord Cadre |
| Production Countries: | France, Germany, United States |
| Languages: | English |
Theater Averages: Uncut Won’t Be an Undiscovered Gem
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Uncut Gems led the way on the per theater chart with an average of $107,448 in five theaters. The only film to earn a better average this year was Parasite; however, while that film earned an average of $131,072 during its opening weekend, it was playing in only three theaters, so Uncut Gems arguably has the better opening. Bombshell also had an explosive opening with an average of $79,789 in four theaters. The number one film of the weekend, Jumanji: The Next Level, was next with an average of $14,017. The final film in the $10,000 club was A Hidden Life with an average of $10,077 in five theaters.
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Limited and VOD Releases: Which Films will have an Explosive Debut and Which Will Bomb?
December 13th, 2019
We are getting really close to the cut-off for Oscar qualifying, which means there are a number of films hoping to win Oscars that are coming out in the next few weeks. This also means if a film isn’t gunning for Oscars, like Bombshell or Uncut Gems, it will likely fall between the cracks. That said, this is where the VOD market can come to the rescue for films like After Class, Code 8, or Colewell.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/03/13 | - | $24,813 | 21 | $1,182 | $24,813 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 12/31/2021 | $0 | 0 | 0 | 0 | $0 | |
| Netherlands | 9/4/2020 | $18,346 | 35 | 35 | 67 | $44,381 | 10/19/2022 |
| New Zealand | 10/22/2020 | $133 | 2 | 10 | 40 | $3,069 | 10/19/2022 |
| North America | 12/13/2019 | $18,422 | 4 | 25 | 136 | $265,102 | |
| Russia (CIS) | 2/6/2020 | $14,377 | 65 | 65 | 90 | $30,637 | 10/19/2022 |
| United Kingdom | 3/13/2020 | $24,813 | 21 | 21 | 21 | $24,813 | 3/18/2020 |
| Worldwide Total | $368,002 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| Merce Cunningham | Himself |
Interviewee(s)
| Ashley Chen | Herself |
| Brandon Collwes | Himself |
| Dylan Crossman | Himself |
| Julie Cunningham | Herself |
| Jennifer Goggans | Herself |
| Lindsey Jones | Herself |
| Cori Kresge | Herself |
| Daniel Madoff | Himself |
| Rashaun Mitchell | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Alla Kovgan | Director |
| Alla Kovgan | Screenwriter |
| Robert Swinston | Supervising Director of Choreography |
| Jennifer Goggans | Director of Choreography |
| Helge Albers | Producer |
| Ilann Girard | Producer |
| Alla Kovgan | Producer |
| Elizabeth Delude-Dix | Producer |
| Kelly Gilpatrick | Producer |
| Derrick Tseng | Producer |
| Mko Malkhasyan | Director of Photography |
| Andrew Bird | Consulting Editor |
| Alla Kovgan | Editor |
| Jeffrey Wirsing | Costume Designer |
| Francis Wargnier | Sound Designer |
| Francis Wargnier | Sound Mixer |
| Volker Bertelmann | Composer |
| Stephanie Dillon | Executive Producer |
| Anna Godas | Executive Producer |
| Oli Harbottle | Executive Producer |
| Lyda E. Kuth | Executive Producer |
| Andreas Roald | Executive Producer |
| Dan Wechsler | Co-Producer |
| Silvana Bezzola Rigolini* | Co-Producer |
| Annie Dautane | Co-Producer |
| Gallien Chalanet Quercy | Co-Producer |
| Laura Weber | Associate Producer |