Portugal Box Office for The Conjuring 3: A Obra do Diabo (2021)
Theatrical Performance (US$) | ||
Portugal Box Office | $563,900 | Details |
Worldwide Box Office | $200,266,441 | Details |
Home Market Performance | ||
North America DVD Sales | $3,109,005 | Details |
North America Blu-ray Sales | $3,177,146 | Details |
Total North America Video Sales | $6,286,151 | |
Further financial details... |
Synopsis
A story of terror, murder and unknown evil that shocked even experienced real-life paranormal investigators Ed and Lorraine Warren. One of the most sensational cases from their files, it starts with a fight for the soul of a young boy, then takes them beyond anything they’d ever seen before, to mark the first time in U.S. history that a murder suspect would claim demonic possession as a defense.
Metrics
Movie Details
Production Budget: | $40,000,000 |
Portugal Releases: | March 7th, 2021 (Wide), released as The Conjuring 3: A Obra do Diabo |
Video Release: | June 4th, 2021 by Max |
MPAA Rating: | R for terror, violence and some disturbing images. (Rating bulletin 2677 (cert #53178), 4/21/2021) |
Running Time: | 112 minutes |
Franchise: | The Conjuring |
Keywords: | Supernatural Horror, Supernatural, Based on an UNTRUE Story, Demons, Paranormal Investigation |
Source: | Original Screenplay |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | New Line Cinema, Atomic Monster, The Safran Company |
Production Countries: | United States |
Languages: | English, Portuguese |
Weekend estimates: A Quiet Place: Part II has the edge in four-way race
June 13th, 2021
We won’t know for sure until final numbers are reported on Monday, but it looks as though A Quiet Place: Part II will move back to the top of the box office chart this weekend, fractionally edging out In the Heights. The difference in their respective Sunday-morning projections is just $245,000 though, with Quiet Place expected to earn $11.65 million and In the Heights $11.405 million, which is within the margin of error (particularly considering box office is harder to predict for the studios at the moment as market conditions are changing so much). In fact, Peter Rabbit 2 (projected to earn $10.4 million) and The Conjuring 3 (projected for $10.02 million) are technically still in the running for the win, although that would be a big surprise given they’re over a million dollars back on today’s tracking.
However things shake out, there’s a good chance we’ll have four films earn over $10 million at the box office this weekend, which would be a new pandemic-era high if the numbers hold. The less good news is that In the Heights didn’t hit, well, the heights that were hoped for going into the weekend. It did come very close to what our model expected though.
More...
Weekend predictions: Summertime gets into full swing
June 11th, 2021
It’s beginning to feel like Summer in movie theaters as a combination of a musical, two kids movies, a family movie, and two horror films will make up the top six and fill up movie theaters this weekend. After three films topped $10 million at the box office last weekend, we could see four films manage the feat this time around, and In the Heights is expected to top $20 million by the trackers (although, as I’ll discuss in a moment, our model isn’t as bullish). The new releases should be enough to keep the total market flat or possibly slightly growing.
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Weekend estimates: The Conjuring’s $24-million opening may be the best evidence yet that box office is recovering
June 6th, 2021
Going into this weekend, it looked as though The Conjuring would have an uphill battle to top the weekend chart. The last film in the The Conjuring franchise, Annabelle Comes Home, opened with $20.3 million in the halcyon days of June, 2019, and it’s been five years since The Conjuring 2 made $40.4 million on opening weekend. With some theaters still closed in North America and a big chunk of the traditional theater-going audience yet to return, our model predicted it would earn somewhere in the region of $10 million to $15 million this weekend. Even with a steep decline, A Quiet Place: Part II was favored to retain its crown. The studios’ weekend projections, released this morning, tell a different story—one that’s very encouraging for box office watchers.
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Weekend predictions: A Quiet Place is the favorite to win the weekend
June 4th, 2021
Expect to see a close race at the top of the box office chart this weekend as A Quiet Place: Part II does battle against two newcomers—The Conjuring: The Devil Made Me Do It, and Spirit Untamed—and Cruella hopes to make up some ground on the current chart topper after posting solid numbers last weekend. There’s a possibility that four films could top $10 million this weekend, although our model thinks that’s unlikely. It wouldn’t be a surprise to see three films better that number though, which would be another milestone in the recovery of the theatrical market.
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The Conjuring: The Devil Made Me Do It trailer
June 1st, 2021
Supernatural horror movie starring Vera Farmiga and Patrick Wilson opens in theaters on Friday, June 4. Full movie details…
A story of terror, murder and unknown evil that shocked even experienced real-life paranormal investigators Ed and Lorraine Warren. One of the most sensational cases from their files, it starts with a fight for the soul of a young boy, then takes them beyond anything they’d ever seen before, to mark the first time in U.S. history that a murder suspect would claim demonic possession as a defense.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2021/06/04 | 1 | $178,604 | 85 | $2,101 | $178,604 | 14 | |
2021/06/11 | 1 | $99,931 | -44% | 74 | $1,350 | $328,887 | 15 |
2021/06/18 | 2 | $73,210 | -27% | 69 | $1,061 | $437,672 | 16 |
2021/06/25 | 3 | $35,694 | -51% | 60 | $595 | $504,254 | 17 |
2021/07/02 | 6 | $24,083 | -33% | 39 | $618 | $543,370 | 18 |
2021/07/09 | 9 | $5,651 | -77% | 11 | $514 | $563,900 | 19 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 6/3/2021 | $2,236,187 | 321 | 335 | 1606 | $7,550,558 | 10/20/2022 |
Brazil | 6/3/2021 | $1,700,000 | 913 | 1063 | 3012 | $6,000,000 | 10/20/2022 |
Colombia | 6/4/2021 | $0 | 0 | 0 | 0 | $3,500,000 | 10/20/2022 |
Czech Republic | 6/25/2021 | $135,180 | 84 | 84 | 292 | $576,805 | 10/20/2022 |
Egypt | 5/28/2021 | $179,000 | 29 | 29 | 29 | $506,000 | 10/20/2022 |
Finland | 6/4/2021 | $0 | 0 | 9 | 25 | $468,704 | 9/3/2021 |
France | 6/9/2021 | $5,000,000 | 518 | 539 | 2916 | $17,700,000 | 8/24/2021 |
Germany | 7/1/2021 | $1,301,553 | 0 | 0 | 0 | $7,200,000 | 8/24/2021 |
Hong Kong | 6/3/2021 | $433,371 | 0 | 0 | 0 | $988,122 | 7/6/2021 |
Indonesia | 6/2/2021 | $2,400,000 | 1379 | 1379 | 1379 | $5,400,000 | 10/20/2022 |
Italy | 6/2/2021 | $747,464 | 0 | 19 | 19 | $2,480,536 | 10/20/2022 |
Japan | 10/1/2021 | $0 | 0 | 0 | 0 | $0 | |
Lithuania | 6/4/2021 | $23,989 | 14 | 14 | 69 | $128,643 | 8/27/2021 |
Mexico | 6/3/2021 | $5,956,742 | 0 | 2172 | 2172 | $17,000,000 | 10/20/2022 |
Netherlands | 6/11/2021 | $281,117 | 69 | 86 | 572 | $2,125,377 | 10/20/2022 |
New Zealand | 6/3/2021 | $450,663 | 65 | 65 | 333 | $1,189,031 | 10/20/2022 |
North America | 6/4/2021 | $24,104,332 | 3,102 | 3,280 | 15,559 | $65,631,050 | |
Poland | 8/6/2021 | $0 | 0 | 0 | 0 | $2,800,000 | 10/20/2022 |
Portugal | 3/7/2021 | $0 | 0 | 85 | 338 | $563,900 | 7/13/2021 |
Romania | 6/4/2021 | $193,980 | 80 | 80 | 283 | $540,524 | 10/20/2022 |
Russia (CIS) | 6/10/2021 | $1,542,698 | 1358 | 1358 | 4893 | $3,600,000 | 10/20/2022 |
Saudi Arabia | 6/4/2021 | $1,000,000 | 48 | 48 | 48 | $2,700,000 | 10/20/2022 |
Slovakia | 6/4/2021 | $80,874 | 31 | 31 | 178 | $418,886 | 11/2/2021 |
South Korea | 6/4/2021 | $2,669,409 | 1133 | 1133 | 3280 | $7,200,000 | 8/24/2021 |
Spain | 6/4/2021 | $1,857,933 | 311 | 324 | 2345 | $7,400,000 | 8/24/2021 |
Turkey | 7/9/2021 | $66,659 | 188 | 188 | 624 | $542,664 | 10/20/2022 |
United Arab Emirates | 6/4/2021 | $0 | 0 | 0 | 0 | $1,500,000 | 6/14/2021 |
United Kingdom | 5/28/2021 | $3,842,870 | 473 | 486 | 3221 | $13,300,000 | 8/24/2021 |
Rest of World | $21,255,641 | ||||||
Worldwide Total | $200,266,441 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Patrick Wilson | Ed Warren |
Vera Farmiga | Lorraine Warren |
Supporting Cast
Ruairi O’Connor | Ame Cheyenne Johnson |
Sarah Catherine Hook | Debbie Glatzel |
Julian Hilliard | David Glatzel |
John Noble | Kastner |
Eugenie Bondurant | The Occulist |
Shannon Kook | Drew Thomas |
Ronnie Gene Blevins | Bruno |
Keith Arthur Bolden | Sergeant Clay |
Steve Coulter | Father Gordon |
Vince Pisani | Father Newman |
Ingrid Bisu | Jessica |
Andrea Andrade | Katie |
Ashley LeConte Campbell | Meryl |
Sterling Jerins | Judy Warren |
Paul Wilson | Carl Glatzel |
Charlene Amoia | Judy Glatzel |
Davis Osborne | Infirmary Patient |
Nick Massouh | Doctor |
Stella Doyle | Kennel Customer |
Megan Ashley Brown | Young Lorraine |
Mitchell Hoog | Young Ed |
Jimmy Gonzales | Boss |
Franco Castan | Police Officer |
Mark Rowe | Police Sergeant |
Chris Greene | Cop |
Lindsay Ayliffe | Judge |
Zele Avradopoulos | Duty Nurse |
Jacinte Blankenship | Paramedic |
Robert Walker Branchaud | Prison Guard |
Jay Peterson | The Linebacker |
Kaleka | Jury Foreman |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Michael Chaves | Director |
David Leslie Johnson-McGoldrick* | Screenwriter |
James Wan | Story by |
David Leslie Johnson-McGoldrick* | Story by |
Peter Safran | Producer |
James Wan | Producer |
Richard Brener | Executive Producer |
Dave Neustadter | Executive Producer |
Victoria Palmeri | Executive Producer |
Michael Clear | Executive Producer |
Judson Scott | Executive Producer |
Michelle Morrissey | Executive Producer |
Jennifer Spence | Production Designer |
Peter Gvozdas | Editor |
Christian Wagner | Editor |
Joseph Bishara | Composer |
Michael Burgess | Director of Photography |
Chad Hayes | Character Creator |
Carey Hayes | Character Creator |
Ian Broucek | Music Supervisor |
Leah Butler | Costume Designer |
Anne McCarthy | Casting Director |
Kellie Roy | Casting Director |
Will Greenfield | Unit Production Manager |
Jeffrey Wetzel | First Assistant Director |
Joann Connolly | Second Assistant Director |
Will Greenfield | Co-Producer |
Éric Bruneau | Visual Effects Producer |
Peter Borck | Supervising Art Director |
Rachel Block | Art Director |
Julian Scalia | Art Director |
Lisa Son | Set Decorator |
Chris Giles | Sound Mixer |
Tricia Miles Tharp | Post-Production Supervisor |
Liz Calandrello | First Assistant Editor |
Richard Conkling | First Assistant Editor |
Julie Pearce | Supervising Music Editor |
Lise Richardson | Music Editor |
Oliver Hug | Music Editor |
Barbara McDermott | Music Editor |
Joe E. Rand | Music Editor |
Julian Slater | Re-recording Mixer |
Michael Babcock | Re-recording Mixer |
Jason W. Jennings | Supervising Sound Editor |
Jon Title | Sound Designer |
D. Chris Smith | Sound Designer |
Doobie White | Sound Designer |
Nancy Macleod | Sound Effects Editor |
Dave McMoyler | Sound Effects Editor |
Michelle Pazer | Dialogue Editor |
Eliza Zebert | Dialogue Editor |
Jim Brookshire | Dialogue Editor |
Robert Troy | Dialogue Editor |
John Sanacore | Foley Mixer |
Robert Nederhorst | Visual Effects Supervisor |
Gerard Averill | Location Manager |
Jody Blose | Script Supervisor |
Susan Bertram | Costume Supervisor |
Eleanor Sabaduquia | Make up |
Kimberly Jones | Make up |
Melanie DeForrest | Special Make-up Effects |
Adruitha Lee | Hairstylist |
Melizah Wheat | Hairstylist |
Kristen B. Adams | Set Designer |
Shana McKay Burns | Set Designer |
Kevin Crooks | Set Designer |
Al Hobbs | Set Designer |
J.D. Schwalm | Special Effects Supervisor |
Wayne Rowe | Special Effects Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.