South Korea Box Office for The BRITs Are Coming (2018)
Theatrical Performance (US$) | ||
South Korea Box Office | $13,085 | Details |
Worldwide Box Office | $200,359 | Details |
Home Market Performance | ||
North America DVD Sales | $10,875 | Details |
North America Blu-ray Sales | $5,269 | Details |
Total North America Video Sales | $16,144 | |
Further financial details... |
Metrics
Movie Details
South Korea Releases: | January 23rd, 2019 (Wide), released as The BRITs Are Coming |
Video Release: | July 24th, 2018 by Lionsgate Home Entertainment |
Running Time: | 90 minutes |
Keywords: | Organized Crime, Gambling, Money Troubles, Set in England, Set in Los Angeles, Heist, Ensemble, Early / Simultaneous Video-on-Demand release, Delayed Release |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production Countries: | United States |
Languages: | English |
Home Market Releases for July 24th, 2018
July 24th, 2018
It is an incredibly slow week on the home market. Most of the films in the main list would be filler on even a below average week. The only real exception is Ready Player One, which did earn better than expected reviews, but it’s still not Pick of the Week material. There were a few actual contenders for that title, including Gravity Falls: The Complete Series and A Matter of Life and Death, but in the end, I went with In the Mouth of Madness on Blu-ray.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/01/25 | - | $5,950 | 68 | $88 | $13,085 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Lithuania | 7/6/2018 | $4,429 | 53 | 53 | 67 | $12,390 | 11/13/2018 |
North America | 5/4/2018 | $0 | 0 | 0 | 0 | $0 | |
Portugal | 7/20/2018 | $4,601 | 8 | 9 | 18 | $10,825 | 8/15/2018 |
Russia (CIS) | 6/14/2018 | $103,578 | 430 | 430 | 430 | $164,059 | 2/26/2019 |
South Korea | 1/23/2019 | $5,950 | 68 | 68 | 68 | $13,085 | 1/31/2019 |
Worldwide Total | $200,359 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Uncategorized
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
James Oakley | Director |
James Oakley | Screenwriter |
Alex Michaelides | Screenwriter |
Cassian Elwes | Producer |
J.C. Chandor | Producer |
Robert Ogden Barnun | Producer |
Dave Hansen | Producer |