Spain Box Office for Colossal (2017)
Theatrical Performance (US$) | ||
Spain Box Office | $124,356 | Details |
Worldwide Box Office | $4,465,401 | Details |
Home Market Performance | ||
North America DVD Sales | $96,036 | Details |
North America Blu-ray Sales | $391,905 | Details |
Total North America Video Sales | $487,941 | |
Further financial details... |
Synopsis
Gloria is an ordinary woman who, after losing her job and being kicked out of her apartment by her boyfriend, is forced to leave her life in New York and move back to her hometown. When news reports surface that a giant creature is destroying Seoul, Korea, Gloria gradually comes to the realization that she is somehow connected to this far-off phenomenon. As events begin to spiral out of control, Gloria must determine why her seemingly insignificant existence has such a colossal effect on the fate of the world.
Metrics
Movie Details
Spain Releases: | June 30th, 2017 (Wide) |
Video Release: | August 1st, 2017 by Universal Home Entertainment |
MPAA Rating: | R for sexuality, graphic nudity, language and brief violence. (Rating bulletin 2466 (Cert #50617), 3/8/2017) |
Running Time: | 109 minutes |
Keywords: | Creature Feature, Addiction, Seoul, Revenge, Domestic Abuse, Kaiju, Fired, Relationships Gone Wrong, You Can't Go Home Again, Writing and Writers, Writer's Block, Black Out Drunk, Set in South Korea, Black Comedy, Cult Movie |
Source: | Original Screenplay |
Genre: | Black Comedy |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Voltage Pictures, Route One, Union Investment Partners, Sayaka Productions, Brightlight Pictures |
Production Countries: | Canada, Spain |
Languages: | English |
2017 - Holiday Gift Guide - Part IV - Books, Music, and Anything I Missed
December 23rd, 2017
We’ve already talked about first-run Releases, TV-on-DVD releases, and limited Releases / classics / foreign-imports. This week we look at some books, music, and movies that didn’t arrive in time to talk about before, movies I just forgot to mention, or screeners that arrived late and I won’t be able to get to.
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Home Market Releases for August 1st, 2017
August 2nd, 2017
There is no monster hit coming out this week, but that doesn’t mean there are no new DVD / Blu-rays worth picking up. In fact, there are six Pick of the Week contenders. This includes Slither: Collector's Edition, which took home the title in a close race. There are also two co-winners of the Puck of the Week for best Canadian release, Colossal on Blu-ray Combo Pack and I am the Blues on DVD.
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Theater Averages: Long, Strange, and Profitable
May 31st, 2017
Long Strange Trip topped the theater chart with an average of $21,739 in two theaters over the weekend. (The film also had a special engagement on Thursday in 50 theaters.) This is more impressive, because of how long the movie is, which limited the number of screenings per day. The only other film to reach the $10,000 club was Pirates of the Caribbean: Dead Men Tell No Tales with an average of $14,729. However, Restless Creature: Wendy Whelan came very close with an average of $9,940 in two theaters, plus it was a Wednesday release.
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Theater Averages: Baahubali Won’t Conclude after a $24,712 opening
May 2nd, 2017
Baahubali 2: The Conclusion opened on top of the theater average chart with $24,712 in just over 400 theaters. It goes without saying that there will be another installment in this franchise; although I hear it won’t follow the same characters. The only other film in the $10,000 club was How to Be a Latin Lover, which earned an average of $10,959 in 1,118 theaters. Obit was relatively close to the $10,000 mark with an average of $8,093 in two theaters over the weekend; however, it was a Wednesday release earning an average of $17,604 over the five days.
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Theater Averages: Jane Towers Above the Competition with $15,726
April 26th, 2017
There were only two films in the $10,000 club on this week's theater average chart and both of them were biographical documentaries. Interesting coincidence. Citizen Jane: Battle for the City led the way with an average of $15,726 in two theaters. Meanwhile, Jeremiah Tower: The Last Magnificent just managed to hit the $10,000 mark with an average of $10,134, also in two theaters.
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Limited and VOD Releases: The Happiest Week for Limited Releases
April 21st, 2017
Normally we only talk about films with ten or more reviews on this list, but this week there were just two such films: The Happiest Day in the Life of Olli Maki and Slack Bay. Furthermore, only one of those is earning good reviews. There are also a couple of documentaries that are earning great reviews, but overall it is a slow week.
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Theater Averages: Colossal Lives up to its Name with $30,057
April 12th, 2017
Colossal led the way on the theater average chart with an average of $30,057 in four theaters. Meanwhile, Their Finest was the only other film in the $10,000 club with an average of $19,049 also in four theaters.
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Weekend Estimates: Baby Continues to Boss at the Box Office
April 9th, 2017
The Boss Baby will score another win at the box office this weekend, with Fox predicting a total of $26.3 million for the weekend, down 48% from its debut, and $89.4 million to date. That’s a remarkably strong second weekend, considering that Beauty and the Beast will be down virtually the same proporation—45%—in its fourth weekend. Disney’s blockbuster will do $25 million for a cume of $432 million so far domestically. With $545.1 million internationally, the film now has $977.4 million worldwide, and will pass the billion dollar mark this week.
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Friday Estimates: Baby Bosses Around the New Releases, Maintains First with $6.86 Million
April 8th, 2017
There was quite a race at the box office on Friday. The Boss Baby led the way with $6.86 million for the day, putting it just ahead of Beauty and the Beast, which made $6.85 million. This is a 56% decline from the film’s opening Friday, which is a little high for a family film. Granted, its reviews are not good, but it did get an A minus from CinemaScore. It should bounce back on Saturday, but a nearly 50% drop-off to just under $26 million is likely at this point.
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Limited and VOD Releases: Sign Your Name. Here
April 7th, 2017
It is a busy week for limited releases with more than a dozen titles on this week’s list. This includes a quartet of releases with good reviews and loud buzz. Gifted’s reviews are good, but likely not good enough for limited release. That said, it has a shot at becoming a sleeper hit. Their Finest is a stellar British World War II dramedy, but the cast is more famous in the U.K. than here. Your Name is arguably the best film on this week’s list and it is a monster hit worldwide. However, it is playing in over 300 theaters and that might turn out to be too many. This leaves Colossal as the film with the best shot at mainstream success. Its reviews are not the best, but the combination of reviews, cast, buzz, and commercial viability is.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/06/30 | 16 | $39,500 | 35 | $1,129 | $39,500 | 1 | |
2017/07/07 | 22 | $19,648 | -50% | 31 | $634 | $86,006 | 2 |
2017/07/14 | 26 | $7,227 | -63% | 14 | $516 | $107,333 | 3 |
2017/07/21 | - | $1,795 | -75% | 3 | $598 | $116,688 | 4 |
2017/07/28 | - | $1,027 | -43% | 1 | $1,027 | $120,475 | 5 |
2017/08/04 | - | $804 | -22% | 2 | $402 | $122,318 | 6 |
2017/08/11 | - | $340 | -58% | 2 | $170 | $124,077 | 7 |
2017/08/18 | - | $184 | -46% | 2 | $92 | $124,239 | 8 |
2017/08/25 | - | $85 | -54% | 2 | $43 | $126,527 | 9 |
2017/09/01 | - | $94 | +11% | 1 | $94 | $126,907 | 10 |
2017/09/08 | - | $101 | +7% | 1 | $101 | $128,934 | 11 |
2017/09/22 | - | $59 | 1 | $59 | $128,725 | 13 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 4/14/2017 | $48,590 | 21 | 21 | 93 | $143,879 | 5/22/2017 |
Mexico | 6/16/2017 | $135,048 | 0 | 0 | 0 | $135,048 | 6/20/2017 |
New Zealand | 4/28/2017 | $4,143 | 4 | 4 | 17 | $13,440 | 5/30/2017 |
North America | 4/7/2017 | $120,226 | 4 | 342 | 1,382 | $3,194,575 | |
Portugal | 5/19/2017 | $2,107 | 8 | 8 | 15 | $7,271 | 6/1/2017 |
Russia (CIS) | 4/28/2017 | $218,518 | 798 | 798 | 1342 | $397,162 | 1/1/2019 |
South Korea | 4/10/2017 | $4,453 | 0 | 294 | 294 | $102,262 | 10/12/2018 |
Spain | 6/30/2017 | $39,500 | 35 | 35 | 97 | $124,356 | 10/24/2017 |
United Kingdom | 5/19/2017 | $196,097 | 145 | 145 | 234 | $347,408 | 5/31/2017 |
Worldwide Total | $4,465,401 | 1/1/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Anne Hathaway | Gloria |
Jason Sudeikis | Oscar |
Supporting Cast
Dan Stevens | Tim |
Austin Stowell | Joel |
Tim Blake Nelson | Garth |
Agam Darshi | Ash |
Hannah Cheramy | Young Gloria |
Rukiya Bernard | Maggie |
Miho Suzuki | News Reporter |
Sarah Surh | Mother |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Nacho Vigalondo | Director |
Nacho Vigalondo | Screenwriter |
Nahikari Ipina | Producer |
Nicolas Chartier | Producer |
Zev Foreman | Producer |
Dominic Rustam | Producer |
Russell Levine | Producer |
Garrett Basch | Executive Producer |
Nacho Vigalondo | Executive Producer |
Anne Hathaway | Executive Producer |
Shawn Williamson | Executive Producer |
Jonathan Deckter | Executive Producer |
Justin Bursch | Executive Producer |
Lee Jea-Woo | Executive Producer |
Choi Pyung Ho | Executive Producer |
Chris Lytton | Executive Producer |
Eric Kress | Director of Photography |
Susan Chan | Production Designer |
Luke Doolan | Editor |
Ben Baudhuin | Editor |
Antoinette Messam | Costume Designer |
Linda Cohen | Music Supervisor |
Bear McCreary | Composer |