United Kingdom Box Office for The Color Purple (2023)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $1,262,626 | Details |
| Worldwide Box Office | $67,509,383 | Details |
| Further financial details... | ||
Synopsis
A decades-spanning tale of one woman’s journey to independence. Celie faces many hardships in her life, but ultimately finds extraordinary strength and hope in the unbreakable bonds of sisterhood.
Metrics
Movie Details
| United Kingdom Releases: | January 26th, 2024 (Wide) |
| Video Release: | January 16th, 2024 by Warner Home Video |
| MPAA Rating: | PG-13 for mature thematic content, sexual content, violence and language. (Rating bulletin 2807 (cert #54371), 11/1/2023) |
| Running Time: | 140 minutes |
| Franchise: | The Color Purple |
| Keywords: | Epic Musical, African Americans, Remake, Coming of Age |
| Source: | Based on Musical or Opera |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Warner Bros., Domain Entertainment, Amblin Entertainment, OW Films , SGS Pictures, QJP |
| Production Countries: | United States |
| Languages: | English |
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2024/01/26 | 8 | $575,380 | 619 | $930 | $575,380 | 1 | |
| 2024/02/02 | 14 | $195,247 | -66% | 367 | $532 | $1,093,741 | 2 |
| 2024/02/09 | 19 | $71,970 | -63% | 0 | $1,262,626 | 3 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 2/8/2024 | $0 | 0 | 0 | 0 | $0 | |
| Australia | 1/25/2024 | $242,680 | 272 | 272 | 812 | $565,202 | 8/19/2024 |
| Austria | 2/8/2024 | $0 | 0 | 0 | 0 | $0 | |
| Belgium | 1/24/2024 | $0 | 0 | 0 | 0 | $0 | |
| Brazil | 2/8/2024 | $0 | 0 | 0 | 0 | $0 | |
| Denmark | 1/18/2024 | $242,000 | 126 | 127 | 463 | $1,200,000 | 2/12/2024 |
| Finland | 1/19/2024 | $8,000 | 43 | 43 | 43 | $8,000 | 1/22/2024 |
| France | 1/24/2024 | $308,000 | 269 | 270 | 539 | $536,000 | 2/4/2024 |
| Germany | 2/8/2024 | $145,000 | 230 | 230 | 230 | $145,000 | 2/12/2024 |
| India | 3/8/2024 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 2/8/2024 | $171,253 | 0 | 0 | 0 | $237,880 | 2/19/2024 |
| Japan | 2/9/2024 | $330,000 | 267 | 267 | 267 | $330,000 | 2/12/2024 |
| Mexico | 2/8/2024 | $0 | 0 | 0 | 0 | $0 | |
| Netherlands | 1/25/2024 | $138,601 | 110 | 110 | 292 | $338,824 | 2/13/2024 |
| New Zealand | 1/25/2024 | $44,216 | 91 | 91 | 318 | $112,487 | 4/8/2024 |
| North America | 12/25/2023 | $11,737,072 | 3,203 | 3,218 | 9,637 | $60,619,191 | |
| Norway | 1/19/2024 | $35,000 | 83 | 83 | 83 | $35,000 | 1/22/2024 |
| Poland | 1/26/2024 | $0 | 0 | 0 | 0 | $0 | |
| Portugal | 2/8/2024 | $32,540 | 62 | 62 | 96 | $64,145 | 2/27/2024 |
| Russia (CIS) | 12/20/2023 | $0 | 0 | 0 | 0 | $0 | |
| South Africa | 1/26/2024 | $0 | 0 | 0 | 0 | $0 | |
| Spain | 2/9/2024 | $84,791 | 228 | 228 | 228 | $84,791 | 2/16/2024 |
| Sweden | 1/19/2024 | $18,000 | 80 | 80 | 80 | $18,000 | 1/22/2024 |
| Turkey | 3/8/2024 | $0 | 0 | 0 | 0 | $0 | |
| United Kingdom | 1/26/2024 | $575,380 | 619 | 619 | 986 | $1,262,626 | 2/12/2024 |
| Rest of World | $1,952,237 | ||||||
| Worldwide Total | $67,509,383 | 8/19/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Taraji P. Henson | Shug Avery |
| Danielle Brooks | Sofia |
| Colman Domingo | Albert “Mister” Johnson |
| Phylicia Pearl Mpasi | Celie (young) |
| Corey Hawkins | Harpo Johnson |
| H.E.R. | Squeak |
| Halle Bailey | Nettie (young) |
| Fantasia Barrino | Celie Harris-Johnson |
Supporting Cast
| Aunjanue Ellis-Taylor* | Mama |
| Deon Cole | Alfonso |
| David Alan Grier | Rev. Samuel Avery |
| Jon Batiste | Grady |
| Louis Gossett Jr. | Ol’ Mister Johnson |
| Tamela Mann | First Lady |
| Ciara Wilson | Nettie Harris |
| Elizabeth Marvel | Miss Millie |
| Stephen Hill | Henry “Buster” Broadnax |
| Adetinpo Thomas | Mary Ellen |
| Tiffany Elle Burgess | Olivia |
| Terrence J. Smith | Adam |
| Aba Arthur | Abena |
| Jeffrey Marcus | Immigration Officer |
| Jamaal Avery, Jr. | Young Harpo |
| Ailani Flowers | Lil Cat |
| Emana Rachelle | Corinne |
| Charles Green | Mayor |
| Bradley Raymond | Big Slim |
| P. Kofi McDonald | Domino Player |
| L. Warren Young | Domino Player |
| Zakiya Boyd | Deaconess |
| David Vaughn | Postman (Mr. Edmonds) |
| Chase Steven Anderson | Ticket Booth Operator |
| John L. Adams | Sharecropper |
| Ashton Maxwell | Harpo’s Buddy |
| Marvin Laviolette | Harpo’s Buddy |
| Raphael The Sandman Thomas* | Harpo’s Buddy |
| Macai Arrington Griffin | Bub |
| James R. Carey | Deputy |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Blitz Bazawule | Director |
| Marcus Gardley | Screenwriter |
| Alice Walker | Story by |
| Marsha Norman | Story based on the Musical Stage Play, Book (of the Musical Stage Play) by |
| Quincy Jones | Producer |
| Scott Sanders | Producer |
| Steven Spielberg | Producer |
| Oprah Winfrey | Producer |
| Alice Walker | Executive Producer |
| Rebecca Walker | Executive Producer |
| Kristie Macosko Krieger | Executive Producer |
| Carla Gardini | Executive Producer |
| Mara Jacobs | Executive Producer |
| Adam Fell | Executive Producer |
| Courtenay Valenti | Executive Producer |
| Sheila Walcott | Executive Producer |
| Pete Chiappetta | Executive Producer |
| Andrew Lary | Executive Producer |
| Anthony Tittanegro | Executive Producer |
| Michael Beugg | Executive Producer |
| Paul Denham Austerberry | Production Designer |
| Jon Poll | Editor |
| Kris Bowers | Composer |
| Dan Laustsen | Director of Photography |
| Nick Baxter | Executive Music Producer |
| Stephen Bray | Executive Music Producer |
| Blitz Bazawule | Executive Music Producer |
| Jordan Carroll | Music Supervisor |
| Morgan Rhodes | Music Supervisor |
| Ariel Velasco Shaw | Visual Effects Supervisor |
| Francine Jamison-Tanchuck | Costume Designer |
| Fatima Robinson | Choreography |
| Bernard Telsey | Casting Director |
| Tiffany Little Canfield | Casting Director |
| Destiny Lilly | Casting Director |
| Michael Beugg | Unit Production Manager |
| Dominic Cancilla | Unit Production Manager |
| Mark Anthony Little | First Assistant Director |
| Mark Anthony Little | Co-Producer |
| Fred Roth | Second Assistant Director |
| Roy Furman | Co-Producer |
| Kheireddine El-Helou | Additional Editor |
| Rory Bruen | Supervising Art Director |
| Andi Crumbley | Art Director |
| Carla Martinez | Art Director |
| Pam Foco | Set Designer |
| Luis G. Hoyos | Set Designer |
| Britain Illingworth-Cramer | Set Designer |
| Richard Bullock | Sound Mixer |
| Steven A. Morrow | Sound Mixer |
| Justen T. Tyler | Production Supervisor |
| Hajar Magi | Script Supervisor |
| Jana Atlanta | Script Supervisor |
| Leslie Rodier | Post-Production Supervisor |
| Joe Binford Jr | First Assistant Editor |
| Petra Demas | Assistant Editor |
| Stephen M. Rickert, Jr. | Assistant Editor |
| Jason Ruder | Supervising Music Editor |
| Renée Tondelli | Supervising Sound Editor |
| Julian Slater | Supervising Sound Editor |
| Paul Massey | Re-recording Mixer |
| Julian Slater | Re-recording Mixer |
| Renée Tondelli | Supervising Dialogue and ADR Editor |
| Michael Hertlein | Dialogue Editor |
| Micah Loken | Dialogue Editor |
| Erin Oakley | Dialogue Editor |
| Paul Hackner | Dialogue Editor |
| Ken McGill | Sound Designer |
| Brendan Croxon | Foley Supervisor |
| Christopher Campagna | Foley Editor |
| Matt Lapthorne | Foley Editor |
| Paul Pirola | Foley Mixer |
| Karyna Rezhevska | Foley Mixer |
| Sofia Portantino | Visual Effects Producer |
| Aissatou Parks | Costume Supervisor |
| Paul Simmons | Costume Supervisor |
| Lawrence Davis | Hairstylist |
| Andrea Mona Bowman* | Hairstylist |
| Carol Rasheed | Make up |
| Ngozi Olandu Young | Make up |
| John Latenser | Location Manager |
| Larry Dias | Set Decorator |
| J.D. Schwalm | Special Effects Supervisor |
| Kris Bowers | Score Producer |
| Max Wrightson | Score Producer |
| Mark A. Hicks | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.