Czech Republic Box Office for Colette: Příběh vášně (2018)
Theatrical Performance (US$) | ||
Czech Republic Box Office | $56,935 | Details |
Worldwide Box Office | $15,910,183 | Details |
Further financial details... |
Metrics
Movie Details
Czech Republic Releases: | March 1st, 2019 (Wide), released as Colette: Příběh vášně |
Video Release: | December 4th, 2018 by Universal Home Entertainment |
MPAA Rating: | R for some sexuality/nudity. (Rating bulletin 2540 (Cert #51757), 8/15/2018) |
Running Time: | 111 minutes |
Keywords: | Writing and Writers, Relationships Gone Wrong, Dysfunctional Family, Set in France, Set in Paris, Battle of the Sexes, Sundance Film Festival 2018, Infidelity, LGBTQ+, Biographical Drama, Festival Acquisition |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Number 9 Films, Killer Films, Bold Films, Bleecker Street , 30 West, BFI |
Production Countries: | Hungary, United Kingdom, United States |
Languages: | English |
Home Market Releases for December 11th, 2018
December 11th, 2018
There isn’t a huge number of releases on this week’s list home market release report. The Equalizer 2 is the biggest, but it is far from the best. As for the best, there are some Pick of the Week contenders, including Colette, My Neighbor Totoro and A Simple Favor. My Neighbor Totoro is worth owning, but it is a triple-dip at this point, maybe more. A Simple Favor is coming out on VOD this week. This leaves Colette’s DVD or Blu-ray Combo Pack as the Pick of the Week.
More...
Home Market Releases for December 4th, 2018
December 4th, 2018
It’s not a bad week when it comes to the home market. The biggest release is Mission: Impossible—Fallout and while I didn’t like it as much as most critics, the Blu-ray / 4K Ultra HD Combo Packs are still worth picking up. There were also a trio of releases that were contenders for Pick of the Week, all of which were TV on DVD release: The Handmaid’s Tale: Season Two, Love, Chunibyo & Other Delusions: Take On Me, and Westworld: Season Two: The Door. In the end, it came down to a roll of the dice, with The Handmaid’s Tale coming out on top.
More...
Theater Averages: Gate Begins Eternity on Top
November 20th, 2018
At Eternity’s Gate led the weekend chart with an average of $23,214 in four theaters. The overall box office leader, Fantastic Beasts: The Crimes of Grindelwald, was next with an average of $14,932. Green Book debuted with an average of $12,817 in 25 theaters. This would normally be a good start for a limited release, especially one playing in 25 theaters. However, it isn’t good enough to justify a wide expansion on Wednesday.
More...
2018 - Awards Season: Independent Spirit Awards - Nominations
November 17th, 2018
The Independent Spirit Awards nominations were announced on Friday and thus the 2018 Awards Season begins. We The Animals topped the list with five nominations, while A24 earned 12 as a studio.
More...
Theater Averages: Suspiria Surprises with Yearly Best Average
October 31st, 2018
Suspiria led the theater average chart both over the weekend and for the year earning just over $180,000 in two theaters for an average of $92,019. This tops the previous average of $73,572 by Free Solo, although that movie was playing in four theaters. Up next was Can You Ever Forgive Me? with an average of $14,255 in 25 theaters during its second weekend of release. A couple of foreign-language films were next with Burning earning an average of $13,066 in two theaters and Border earning an average of $10,529 in seven.
More...
Theater Averages: Mid90s Kickflips to the Top
October 25th, 2018
Mid90s had a much better than expected start earning an average of $64,539 in four theaters. This is the third highest theater average of 2018 behind just Free Solo ($73,572 in four theaters) and Eighth Grade ($65,949 also in four theaters). On the other hand, its reviews are good, but not great, so it could struggle to expand wide. That said, I would be absolutely shocked if the film didn’t earn some measure of mainstream success after this start. Can You Ever Forgive Me? opened in second place with an average of $32,302 in five theaters. Its reviews are award-worthy, so it should have very long legs and if it actually picks up some major award nominations, it could expand truly wide. Wildlife also rode amazing reviews to an average of $26,147 in four theaters. The overall box office leader, Halloween, was next with an average of $19,405. The Price of Everything opened with $16,817 in one theater, while the re-release of Wings of Desire managed $12,885, also in one theater.
More...
Theater Averages: Beautiful Start
October 17th, 2018
Beautiful Boy had the best theater average of the weekend and the fourth best average for a limited release this year at $54,722 in four theaters. However, its reviews are well below what limited releases normally need to thrive, so I’m worried about its legs going forward. The only other film in the $10,000 club was Charm City, which opened with $10,511 in its lone theater.
More...
Theater Averages: Venom is the Toast of the Town
October 10th, 2018
The overall box office leader, Venom, was also the top film on the theater average chart earning an average of $18,884. Studio 54 was yet another documentary success story opening with $14,909 in its lone theater. The only holdover in the $10,000 club was Free Solo with an average of $13,726 in 41 theaters and by the end of Sunday, it was nearly at $1 million. The Hate U Give was close behind with an average of $13,336 in 36 theaters. Finally, A Star is Born was the last film in the $10,000 club, earning an average of $12,373 in wide release.
More...
Theater Averages: Free Doesn’t Go Solo
October 3rd, 2018
Free Solo didn’t quite live up to weekend estimates, but it still overtook Eighth Grade for the best theater average of the year with $72,551. It also surpassed An Inconvenient Truth as the documentary with the best theater average of all time. The Old Man and the Gun was in a distant second place with an average of $28,426 in five theaters, while Matangi/Maya/M.I.A. was close behind with an average of $21,787 in two. The only holdover in the $10,000 club was Colette with an average of $10,172 in 38 theaters. It will continue to expand.
More...
Theater Averages: Collette Collects First Place with $40,295
September 25th, 2018
Colette earned first place on the theater average chart with an average of $40,295 in four theaters. The Sisters Brothers was in second place with an average of $28,894, also in four theaters. Nothing Like a Dame was very strong for a documentary with $14,777 in its lone theater. One could argue Garry Winogrand: All Things Are Photographable belongs in the $10,000 club, as it earned $9,538 in one theater over the weekend and $13,782 from Wednesday through Sunday.
More...
Limited and VOD Releases: Starting to Love Awards Season
September 21st, 2018
It is not a particularly busy week for limited releases, as there are only nine films on the main list. However, several of them could do very well at the box office. Of these, I’m the most bullish about Colette and The Sisters Brothers, but there are two documentaries, Love, Gilda and Nothing Like a Dame, that could also open in the $10,000 club. All four could earn some Awards Season glory.
More...
Colette Trailer
August 25th, 2018
Real-life historical drama starring Keira Knightley opens September 21 ... Full Movie Details.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/03/01 | 8 | $34,710 | 88 | $394 | $35,252 | 1 | |
2019/03/08 | 12 | $11,502 | -67% | 30 | $383 | $56,935 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 12/7/2018 | $41,999 | 44 | 44 | 104 | $110,736 | 3/25/2019 |
Australia | 10/26/2018 | $23,490 | 7 | 88 | 564 | $1,274,363 | 3/19/2019 |
Brazil | 12/14/2018 | $70,519 | 236 | 236 | 572 | $1,282,140 | 2/16/2019 |
Czech Republic | 3/1/2019 | $34,710 | 88 | 88 | 118 | $56,935 | 3/12/2019 |
France | 1/18/2019 | $489,594 | 140 | 207 | 686 | $1,282,140 | 2/16/2019 |
Italy | 12/6/2018 | $285,644 | 0 | 11 | 15 | $536,839 | 3/5/2019 |
Lithuania | 11/23/2018 | $15,270 | 41 | 41 | 89 | $48,937 | 1/11/2019 |
Netherlands | 12/21/2018 | $52,322 | 38 | 39 | 265 | $368,475 | 4/27/2019 |
North America | 9/21/2018 | $161,179 | 4 | 593 | 1,828 | $5,126,985 | 11/21/2019 |
Portugal | 12/14/2018 | $32,399 | 19 | 20 | 61 | $113,066 | 1/29/2019 |
Russia (CIS) | 11/29/2018 | $127,220 | 284 | 284 | 568 | $281,635 | 2/12/2019 |
Slovakia | 3/1/2019 | $18,526 | 46 | 46 | 73 | $41,317 | 4/2/2019 |
South Korea | 3/27/2019 | $105,440 | 169 | 169 | 316 | $344,556 | 5/2/2019 |
Spain | 11/16/2018 | $165,054 | 72 | 84 | 238 | $463,472 | 12/14/2018 |
Turkey | 7/12/2019 | $3,935 | 24 | 24 | 70 | $17,007 | 10/19/2022 |
United Kingdom | 1/9/2019 | $1,011,978 | 321 | 321 | 1059 | $3,240,617 | 4/10/2019 |
Rest of World | $1,320,963 | ||||||
Worldwide Total | $15,910,183 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Keira Knightley | Gabrielle Colette |
Supporting Cast
Dominic West | Henry Gauthier-Villars |
Denise Gough | Mathilde de Morny |
Aiysha Hart | Polaire |
Fiona Shaw | |
Robert Pugh | |
Rebecca Root | |
Eleanor Tomlinson | Georgie Raoul-Duval |
Julian Wadham |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Wash Westmoreland | Director |
Wash Westmoreland | Screenwriter |
Richard Glatzer | Screenwriter |
Rebecca Lenkiewicz | Screenwriter |
Richard Glatzer | Story by |
Elizabeth Karlsen | Producer |
Pamela Koffler | Producer |
Michel Litvak | Producer |
Christine Vachon | Producer |
Stephen Wooley | Producer |
Gary Michael Walters | Producer |
Svetlana Metkina | Executive Producer |
Norman Merry | Executive Producer |
Mary Burke | Executive Producer |
Caroline Levy | Co-Producer |
Giles Nuttgens | Director of Photography |
Michael Carlin | Production Designer |
Lucia Zucchetti | Editor |
Thomas Ades | Composer |
Karen Elliott | Music Supervisor |
Andrea Flesch | Costume Designer |
Susie Figgis | Casting Director |