Lithuania Box Office for Šaltas kraujas (2019)

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Cold Pursuit
Theatrical Performance (US$)
Lithuania Box Office $36,620Details
Worldwide Box Office $62,599,159Details
Home Market Performance
North America DVD Sales $2,561,483 Details
North America Blu-ray Sales $3,092,237 Details
Total North America Video Sales $5,653,720
Further financial details...

Synopsis

A family man’s quiet life with his wife is upended following the mysterious death of their son. Nels’ search for justice turns into a vengeful hunt for Viking, a drug lord he believes is connected to the death. As one by one each of Viking's associates “disappear,” Nels goes from upstanding citizen to ice-cold vigilante, letting nothing— and no one—get in his way.

Metrics

Movie Details

Production Budget:$60,000,000
Lithuania Releases: February 8th, 2019 (Wide), released as Šaltas kraujas
Video Release: May 14th, 2019 by Lionsgate Home Entertainment
MPAA Rating: R for strong violence, drug material, and some language including sexual references.
(Rating bulletin 2560 (Cert #51744), 1/9/2019)
Running Time: 118 minutes
Keywords: Drug Dealer, Revenge, Crime Boss, Set in Colorado, Remake, Foreign-Language Remake, Death of a Son or Daughter, Drug Overdose, Action Thriller
Source:Based on Movie
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: StudioCanal, MAS , Paradox, Summit Entertainment
Production Countries: United States
Languages: English

Weekend Wrap-Up: Alita Battles Disbelievers and Wins

February 20th, 2019

Alita: Battle Angel

The weekend wasn’t as bad as it could have been, at least not at the top. Alita: Battle Angel topped all but the most bullish expectations with $42.25 million from Thursday through Sunday. Isn’t It Romantic matched expectations nearly perfectly, while Happy Death Day 2U struggled, but should still break even, eventually. Overall, the box office rose 8.4% from last weekend, but plummet 57% from the same weekend last year. On the positive side, that was the weekend Black Panther debuted, so we knew a drop-off like this was to be expected. On the negative side, as of the end of business on Monday, 2019 was behind 2018’s pace by a margin of over $350 million or nearly 23%. 2019 will need to turn things around soon if it wants any chance of completing a comeback. Hell, it will need to turn things around soon if it wants any chance to avoid a worst-in-a-decade end result. More...

Weekend Wrap-up: 2019 Continues its Slump

February 12th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part missed expectations over the weekend, leading to yet another disappointing overall performance at the box office. Granted, the box office did climb by 55% from last weekend to $112 million. However, last weekend was the worst weekend at the box office in more than a year. Additionally, $112 million is still 20% lower than the same weekend last year. Year-to-date, 2019 has pulled in $1.01 billion; however, this is still 15% lower than last year’s pace and the slowest pace since 2011, in terms of raw dollars. If we go by ticket sales, we have to look all the way back to 1999 to find a slower start to the year. More...

Weekend Estimates: Lego Tops Chart, but Fails to Match the Original

February 10th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part reportedly cost $99 million to make and it will earn that much domestically, so it will very likely make a profit and Warner Bros. will be fine. That said, it is estimated to only manage $34.4 million over the weekend, which is about 40% lower than expectations and almost exactly 50% lower than the first film opened with. Its reviews are 84% positive, while it managed an A minus from CinemaScore, so it really should have done better than this. This hopefully isn’t a sign that the overall box office is unhealthy, but just a sign that WB has pushed the franchise too much too soon. Internationally, the film started with $18.1 million in 63 markets. This includes a first place, $5.2 million on 1,301 screens in the U.K. It also managed first place in Russia with $1.7 million on 2,493 screens. On the other hand, it only managed fourth place in Brazil with just $707,000 on 854 screens, which is the weakest start in the franchise. More...

Friday Estimates: New Releases Receive a Cold Welcome

February 9th, 2019

The Lego Movie 2: The Second Part

Friday’s box office can best be described as “What happened?” Thursday previews looked promising, but then the Friday numbers arrived and it looks like most of the new releases will miss expectations. This includes The Lego Movie 2: The Second Part, which opened with $8.5 million on Friday, $9.1 million including its paid previews from January. This is well below expectations and puts the film on pace for about $32 million over the weekend. Its reviews are 85% positive, but its early CinemaScore is just A minus, which isn’t particularly good for a family film. Next weekend is a long weekend, so I think it will still get to $100 million domestically, which is more than it cost to make. However, a lot of people thought it had a real shot at $200 million domestically, so this is a real disappointment. More...

Thursday Night Previews: Lego Lifts Off with $2.1 million in Combined Previews

February 8th, 2019

The Lego Movie 2: The Second Part

The Lego Movie 2: The Second Part got off to a solid start with $2.1 million in previews. This includes $1.5 million last night and $600,000 from the January paid preview. This is a good result for a family film opening without the benefit of a school holiday. Granted, The Lego Batman Movie opened with $2.2 million during its previews in 2017, but as a comic book movie, it had more drawing power with adults and would be slightly more front-loaded. We don’t know for sure if The Second Part will make up the difference over the full weekend and match our $55 million prediction, but we will have a better idea tomorrow when the Friday estimates show up. More...

Weekend Predictions: Can Lego Save 2019?

February 8th, 2019

The Lego Movie 2: The Second Part

I’m of two minds when it comes to this weekend. On the one hand, The Lego Movie 2: The Second Part should be the biggest hit of the year so far and could be the first true monster hit of the year. On the other hand, it might not be enough to keep pace with last year. Only one other new release, What Men Want, has a shot at $20 million, while the other two releases, Cold Pursuit and The Prodigy, might not reach $10 million. This weekend last year, wasn’t quite as strong when it came to new releases, but it had a massive advantage when it came to holdovers. I think 2019 has a small advantage here, but I’ve been burned before, so I won’t be too surprised if 2019 loses in the year-over-year comparison, again. More...

Preview: February

February 1st, 2019

The Lego Movie 2: The Second Part

2019 got off to a slow start as the biggest release of January, Glass, missed expectations and as a result, 2019 lost every weekend in the year-over-year comparison. Unfortunately, 2019 isn’t going to turn things around this month, as last February, Black Panther broke all of the records. That doesn’t mean there are no bright spots this month. Both The Lego Movie 2: The Second Part and How to Train Your Dragon: The Hidden World are virtually guaranteed to reach $100 million domestically, while I wouldn’t be too surprised if one or both hit $200 million. Meanwhile, there are several midlevel hits, one of which could turn into a surprise $100 million hit. That said, there’s a chance all nine movies opening this month combined will earn less than Black Panther did last year. More...

Cold Pursuit Trailer

October 26th, 2018

Thriller starring Liam Neeson opens February 8 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/02/08 6 $17,189   50 $344   $18,463 1
2019/02/15 14 $5,029 -71% 24 $210   $31,841 2
2019/02/22 - $1,247 -75% 5 $249   $36,620 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/22/2019 $207,336 190 190 527 $589,783 4/19/2019
Australia 2/8/2019 $720,255 240 240 927 $1,776,352 3/26/2019
Brazil 3/15/2019 $432,184 316 316 467 $708,517 3/30/2019
Bulgaria 2/22/2019 $44,912 0 0 0 $155,810 4/17/2019
China 9/6/2019 $610,000 22818 22818 22818 $750,853 10/9/2019
Czech Republic 2/22/2019 $53,456 80 80 139 $113,396 3/19/2019
France 3/1/2019 $1,223,281 300 300 873 $2,383,631 3/23/2019
Germany 3/1/2019 $1,066,833 0 0 0 $2,832,980 3/23/2019
Italy 2/21/2019 $878,873 0 17 17 $1,593,528 3/30/2019
Lithuania 2/8/2019 $17,189 50 50 79 $36,620 2/26/2019
Mexico 2/22/2019 $1,406,095 0 0 0 $3,646,440 3/11/2019
Netherlands 2/22/2019 $397,586 100 101 584 $1,465,286 5/4/2019
North America 2/8/2019 $11,030,233 2,630 2,630 11,048 $32,138,862
Portugal 2/8/2019 $238,383 69 69 285 $699,641 3/26/2019
Russia (CIS) 2/7/2019 $360,105 496 496 845 $586,272 3/9/2019
Slovakia 2/22/2019 $59,241 68 68 118 $134,095 3/26/2019
South Korea 2/20/2019 $344,696 470 470 524 $668,108 4/25/2019
Spain 5/10/2019 $0 0 309 1079 $2,069,775 8/29/2019
Turkey 3/22/2019 $31,256 92 92 180 $67,090 4/12/2019
United Kingdom 2/22/2019 $825,123 417 417 1113 $2,268,489 3/13/2019
 
Rest of World $7,913,631
 
Worldwide Total$62,599,159 10/9/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Liam Neeson Nelson “Nels” Coxman

Supporting Cast

Tom Bateman Viking
Tom Jackson White Bull
Emmy Rossum Kim Dash
Domenick Lombardozzi Mustang
Julia Jones Aya
John Doman Gip
Laura Dern Mrs. Coxman
Micheál Richardson Kyle Coxman
Michael Eklund Speedo
Bradley Stryker Limbo
Wesley MacInnes Dante
Nicholas Holmes Ryan
Jim Shield Jaded Coroner
Aleks Paunovic Detective Osgard
Glenn Ennis Night Club Bouncer
Benjamin Hollingsworth Dexter
Chris Cook Ski Bum
Venus Terzo Mother
Dani Alvarado Daughter
Michael Adamthwaite Santa
William Forsythe Brock
Elizabeth Thai Ahn
David O Hara Sly
Gus Halper Bone
Elysia Rotaru Diner Waitress
Kyle Nobess Simon Legrew
Victor Jr Zinck Drunken Ski Dude
Raoul Trujillo Thorpe
Nathaniel Arcand Smoke
Glen Gould War Dog
Mitchell Saddleback Avalanche
Christopher Logan Shiv
Bart Anderson Blizzard Bartender
Gary Sekhon Denver Cabbie
Arnold Pinnock The Eskimo
Ben Cotton Windex
Emily Maddison Gorgeous Woman
Glenn Wrage Kurt
Michael Bean Parson
Ben Sullivan Teen
Travis MacDonald Ski Lift Attendant
Manna Nichols Minya
Loretta Walsh Resort Clerk
Nels Lennarson Chuck Schalm
Max Montesi Paragliding Instructor
Peter Strand Rumple Viking’s Thug

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Hans Petter Moland Director
Frank Baldwin Screenwriter
Kim Fupz Aakeson Story based on the movie “Kraftidioten” by
Michael Shamberg Producer
Ameet Shukla Producer
Finn Gjerdrum Producer
Stein B. Kvae Producer
Paul Schwartzman Executive Producer
Michael Dreyer Executive Producer
Ron Halpern Executive Producer
Didier Lupfer Executive Producer
Shana Eddy-Grou Executive Producer
George Fenton Composer
Philip Ogaard Director of Photography
Jorgen Stangebye Larsen Production Designer
Nicolai Moland Editor
Anne Pedersen Costume Designer
Avy Kaufman Casting Director
Warren Carr Unit Production Manager
Michael Dreyer Unit Production Manager
Jason Furukawa First Assistant Director
Emily Silver Second Assistant Director
Nicolai Moland Associate Producer
Mark Vanselow Second Unit Director
Mark Vanselow Stunt Coordinator
Owen Walstrom Stunt Coordinator
Tania Blunden Post-Production Supervisor
Emma Zee Post-Production Supervisor
Ian Neil Music Supervisor
Kendelle Elliott Supervising Art Director
Gwendolyn Margetson Art Director
Michael Toby Set Designer
Gaby Miegeville-Little Set Designer
Daniel Kobylka Set Designer
Sara-Jo Baugh Set Designer
Peter Lando Set Decorator
Corey Jones Script Supervisor
Shelly Shaw Sets Supervisor
Robert Spina Hairstylist
Krista Young Make up
Jim Greenhorn Sound Mixer
Jason Paradis Special Effects Coordinator
Dan Kuzmenko Location Manager
Brian Dunne Location Manager
Jason Nolan Location Manager
Jimmy Boyle Supervising Sound Editor
Jimmy Boyle Sound Designer
Gisle Tveito Sound Designer
Nigel Mills Sound Designer
Steve Little Supervising Dialogue and ADR Editor
Nigel Mills Supervising Dialogue and ADR Editor
Rowan Watson Sound Effects Editor
Glen Gathard Foley Mixer
Mike Dowson Re-recording Mixer
Max Walsh Re-recording Mixer
Simon Hughes Visual Effects Supervisor
Dillan Nicholls Visual Effects Supervisor
Tim Caplan Visual Effects Executive Producer
Noga Alon Stein Visual Effects Producer
Jan Guilfoyle Visual Effects Producer
Drew Jones Visual Effects Producer
Dan Carey Music Producer
Dan Carey Additional Music
Graham Sutton Music Editor
Nick Wollage Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.