Australia Box Office for Clouds of Sils Maria (2014)
Theatrical Performance (US$) | ||
Australia Box Office | $364,394 | Details |
Worldwide Box Office | $3,088,539 | Details |
Home Market Performance | ||
North America DVD Sales | $437,080 | Details |
Total North America Video Sales | $437,080 | |
Further financial details... |
Synopsis
At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring yong girl who disarms and eventually drives her boss Helena to suicide.
Metrics
Movie Details
Australia Releases: | May 7th, 2015 (Wide) |
Video Release: | July 14th, 2015 by Paramount Home Video |
MPAA Rating: | R for language and brief graphic nudity. (Rating bulletin 2360, 2/11/2015) |
Running Time: | 123 minutes |
Keywords: | Theater Actor, Film Actor, Suicide, Retro Black and White, Suicide Attempt, Paparazzi, Relationships Gone Wrong, Widow/Widower, Death of a Spouse or Fiancée / Fiancé, Intertitle, Infidelity, Backstage |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | CG Cinema, Pallas Film, CAB Productions, Vortex Sutra, Arte France Cinema, ZDF/ARTE |
Production Countries: | France, Germany, Switzerland |
Languages: | English, German |
2015 - Awards Season: Golden Globes - Nominations
December 10th, 2015
The Golden Globes nominations were announced this morning and we are already beginning to see a trend for this year's Awards Season. For the most part, the same films are coming up over and over again. Carol led the way with five awards, while there was a three-way tie for second place with The Big Short, The Revenant and Steve Jobs each picking up four.
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Featured DVD Review: Clouds of Sils Maria
August 25th, 2015
Clouds of Sils Maria is a French co-production that earned a lot of praise in its native market. Not only was it nominated for the Palme d'Or at the Cannes Film Festival, but it earned six César Award nominations, including a win for Kristen Stewart for Best Supporting Actress. She became the first American actress to win a César. Unfortunately, despite this praise, the movie never caught on here in theaters earning just under $2 million in limited release. Granted, that's better than a lot of films manage, but still disappointing compared to the critical praise. Did it deserve better? Or was the film geared towards critics and won't appeal to the average moviegoer?
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Home Market Releases for July 14th, 2015
July 13th, 2015
It is both a good and a bad week on the home market. The biggest new release is Paul Blart: Mall Cop 2. That's bad. However, there are also a trio of limited releases coming out this week that are easily contenders for Pick of the Week: Clouds of Sils Maria, Ex Machina, and It Follows. It is really a coin-toss between those three, but in the end, I went with Clouds of Sils Maria - Buy from Amazon: DVD.
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Per Theater Chart: Ultron is Still Big
May 12th, 2015
The Avengers: Age of Ultron remained in first place on the per theater chart with an average of $18,182. It wasn't the only film in the $10,000 chart this week. Pather Panchali was close behind with $16,333 in its lone theater. I Am Big Bird: The Caroll Spinney Story earned $10,150 over the weekend for a total of $13,053 from Wednesday through Sunday.
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Per Theater Chart: Machina Saves Box Office
April 15th, 2015
Ex Machina's opening weekend was surprisingly potent earning an average of $59,316 in four theaters. This is the biggest per theater average for a film that opened in 2015. I was not expecting that. On the other hand, I was expecting Clouds of Sils Maria to do well, and it did, earning an average of $20,603 in three theaters. Furious 7 remained in the $10,000 club with an average of $14,815 in more than 4,000 theaters.
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Weekend Estimates: Furious 7 Easily Top Again, Passes $250 Million
April 12th, 2015
With little in the way of direct competition, Furious 7 will maintain a comfortable lead at the box office this weekend, according to studio estimates released on Sunday morning. Universal is projecting a $60.6 million weekend, for a total of $252.5 million after 10 days in release. That will make the film the 9th-fastest to the $250 million mark (see current list here). With the film’s international box office total rushing to $548 million so far, it will have topped $800 million globally by the end of the weekend, moving it past Fifty Shades of Grey to become, by a healthy margin, the top-grossing movie worldwide in 2015.
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Limited Releases: Forecast is Cloudy
April 10th, 2015
It is an excellent week for limited releases with two films earning stunning reviews and loud buzz: Clouds of Sils Maria and Ex Machina. I think the former has a better chance to expand significantly, but hopefully both will find audiences in theaters. There are also a number of other limited releases earning amazing reviews: About Elly, Black Souls, The Sisterhood of Night, etc. In fact, there are too many to think all of them will thrive.
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2015 Preview: April
April 1st, 2015
March ended on a good note and helped 2015 maintain its lead over 2014 thanks to a trio of $100 million movies: Cinderella, Insurgent, and Home. April isn't as strong as far as depth goes, as only Furious 7 is expected to come close to $100 million at the box office. On the positive side, it could earn $100 million during its opening weekend, becoming the fastest starting film of the year, so far. On the negative side, it is expected to earn more than double the rest of the films' combined box office totals. Even worse, last April, there were two $100 million hits, including Captain America: The Winter Soldier, as well as two others that came close. There's no way April 2015 is going to live up to April 2014. I just hope the collapse isn't so bad that 2015 loses its lead over 2014 completely.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/05/01 | 54 | $2,173 | 3 | $724 | $4,114 | 1 | |
2015/05/08 | - | $86,750 | +3,892% | 36 | $2,410 | $91,233 | 1 |
2015/05/15 | 12 | $70,685 | -19% | 34 | $2,079 | $203,675 | 2 |
2015/05/22 | 17 | $36,344 | -49% | 32 | $1,136 | $264,139 | 3 |
2015/05/29 | 22 | $24,980 | -31% | 26 | $961 | $298,702 | 4 |
2015/06/05 | 23 | $17,968 | -28% | 18 | $998 | $326,441 | 5 |
2015/06/12 | 26 | $10,794 | -40% | 13 | $830 | $355,493 | 6 |
2015/06/19 | 28 | $8,234 | -24% | 13 | $633 | $371,353 | 7 |
2015/06/26 | 32 | $2,999 | -64% | 4 | $750 | $374,506 | 8 |
2015/07/03 | 42 | $1,955 | -35% | 2 | $978 | $377,455 | 9 |
2015/07/10 | 46 | $1,196 | -39% | 3 | $399 | $369,991 | 10 |
2015/08/14 | 62 | $1,458 | 1 | $1,458 | $373,685 | 15 | |
2015/08/21 | 50 | $3,016 | +107% | 1 | $3,016 | $375,027 | 16 |
2015/08/28 | 52 | $1,864 | -38% | 1 | $1,864 | $366,656 | 17 |
2015/09/11 | 70 | $240 | 1 | $240 | $364,394 | 19 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 6/12/2015 | $0 | 0 | 0 | 0 | $62,632 | 1/1/2019 |
Australia | 5/7/2015 | $2,173 | 3 | 36 | 188 | $364,394 | 9/14/2015 |
Germany | 12/18/2014 | $0 | 0 | 1 | 1 | $553,766 | 10/20/2015 |
Hong Kong | 1/16/2015 | $0 | 0 | 6 | 11 | $40,683 | 11/25/2018 |
North America | 4/10/2015 | $61,810 | 3 | 183 | 723 | $1,841,555 | |
Poland | 3/20/2015 | $16,927 | 0 | 0 | 0 | $16,927 | 12/30/2018 |
Spain | 6/12/2015 | $62,410 | 60 | 60 | 210 | $208,582 | 11/28/2018 |
Worldwide Total | $3,088,539 | 1/1/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Juliette Binoche | Maria Enders |
Kristen Stewart | Valentine |
Chloë Grace Moretz | Jo-Ann Ellis |
Supporting Cast
Lars Eidinger | Klaus Diesterweg |
Johnny Flynn | Christopher Giles |
Brady Corbet | Piers Poaldson |
Hanns Zischler | Henryk Wald |
Angela Winkler | Rosa Melchior |
Nora von Waldstatten | Actress in Sci-Fi Movie |
Aljoscha Stadelmann | Urs Kobler |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Olivier Assayas | Director |
Olivier Assayas | Screenwriter |
Karl Baumgartner | Co-Producer |
Thanassis Karathanos | Co-Producer |
Jean-Louis Porchet | Co-Producer |
Gerard Ruey | Co-Producer |
Sylvie Barthet | Executive Producer |
Antoun Sehnaoui | Associate Producer |
Yorick Le Saux | Cinematographer |
Francois-Renaud Labarthe | Production Designer |
Daniel Sobrino | Sound Mixer |
Jurgen Doering | Costume Designer |
Marion Monnier | Editor |
Antoinette Boulat | Casting Director |
Anja Dihrberg | Casting Director |
Dominique Delany | Assistant Director |