Spain Box Office for Churchill (2017)
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| Theatrical Performance (US$) | ||
| Spain Box Office | $664,162 | Details |
| Worldwide Box Office | $7,582,196 | Details |
| Home Market Performance | ||
| North America DVD Sales | $73,029 | Details |
| North America Blu-ray Sales | $59,507 | Details |
| Total North America Video Sales | $132,536 | |
| Further financial details... | ||
Synopsis
Tensions mount for the beleaguered British Prime Minister Winston Churchill in the days leading up to infamous Allied D-Day landings in Normandy, France in June, 1944. Fearful of repeating his deadly mistake from World War I in the Battle of Gallipoli, exhausted by years of war, plagued by depression and obsessed with his historical destiny, Churchill is reluctant to embark on the large-scale campaign, one that the entire war effort hinges upon. Clashing with his Allied political opponents U.S. General Dwight D. Eisenhower and British Field Marshal Bernard Law Montgomery, the troubled Churchill receives support and devotion from his wife, the brilliant and unflappable Clementine Churchill. With her strength and shrewdness, “Clemmie” halts Winston’s physical, mental spiritual collapse and inspires him on to greatness.
Metrics
Movie Details
| Production Budget: | $10,000,000 |
| Spain Releases: | September 8th, 2017 (Wide) |
| Video Release: | October 3rd, 2017 by Sony Pictures Home Entertainment |
| MPAA Rating: | PG for thematic elements, brief war images, historical smoking throughout, and some language. (Rating bulletin 2467 (Cert #50966), 3/15/2017) |
| Running Time: | 110 minutes |
| Keywords: | 1940s, World War II, Biography, Politicians, Set in United Kingdom |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Cohen Media Group, Silver Reel Entertainment, Salon , Tempo Productions, Embankment Films, Lipsync Productions, Creative Scotland, Headgear Films, Metrol Technology |
| Production Countries: | United Kingdom |
| Languages: | English |
Home Market Releases for October 3rd, 2017
October 3rd, 2017
It is not a great week for home market releases. Pirates of the Caribbean: Dead Men Tell No Tales is the biggest release of the week, but it is far from the best. As for the Pick of the Week contenders, they are all horror themed. Cult of Chucky is surprisingly good, especially for a franchise that’s lasted seven installments. Don't Torture A Duckling is a giallo film, and an important one in its director’s career. Up next is iZombie: Season Three, which is amazing, but it is always on the edge of being canceled. Finally, there's Vampyr: Criterion Collection Blu-ray. In the end, I went with the Don't Torture A Duckling: Special Edition as the Pick of the Week. Meanwhile, Goon: Last of the Enforcers Blu-ray Combo Pack earned Puck of the Week, for the best Canadian release.
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Theater Averages: Big Sick has a Very Healthy $84,315 Opening
June 28th, 2017
Two limited releases that came out this past weekend topped the previous theater average record for 2017. The Big Sick earned an average of $84,315 in five theaters, which bodes well for its planned wide expansion in a couple of weeks. The Beguiled was next with an average of $57,323 in four theaters. Both of these are well ahead of the $41,508 average Beauty and the Beast earned during its opening weekend. The only other film in the $10,000 club was the overall number one film, Transformers: The Last Knight, which earned an average of $10,981.
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Theater Averages: Wonder Woman Kisses the Top of the Chart with $24,790
June 7th, 2017
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Wonder Woman dominated the theater average chart with an average of $24,790. Second place went to The Exception, a.k.a., The Kaiser’s Last Kiss, which earned an average of $10,675 in two theaters.
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Limited and VOD Releases: Some Smart Choices for Moviegoers
June 2nd, 2017
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A few films on this week’s list are earning really good reviews, including Past Life, Handsome Devil, and Band Aid. On the other hand, 3 Idiotas is the widest release of the week and the one with the best shot at earning some mainstream success.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/09/08 | 8 | $224,647 | 125 | $1,797 | $224,647 | 1 | |
| 2017/09/15 | 9 | $153,014 | -32% | 151 | $1,013 | $484,744 | 2 |
| 2017/09/22 | 13 | $60,336 | -61% | 125 | $483 | $612,978 | 3 |
| 2017/09/29 | 22 | $26,360 | -56% | 62 | $425 | $664,162 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 6/2/2017 | $2,220 | 5 | 86 | 780 | $1,386,888 | 10/23/2017 |
| Bulgaria | 12/15/2017 | $1,579 | 0 | 0 | 0 | $9,860 | 2/26/2019 |
| France | 6/2/2017 | $158,965 | 0 | 0 | 0 | $158,965 | 6/27/2018 |
| Mexico | 3/30/2017 | $0 | 0 | 0 | 0 | $400,683 | 7/12/2017 |
| New Zealand | 6/16/2017 | $67,776 | 37 | 45 | 319 | $309,824 | 9/5/2017 |
| North America | 6/2/2017 | $408,891 | 215 | 215 | 600 | $1,279,681 | 12/20/2018 |
| Portugal | 6/16/2017 | $33,840 | 24 | 24 | 82 | $129,181 | 7/27/2017 |
| Spain | 9/8/2017 | $224,647 | 125 | 151 | 463 | $664,162 | 10/6/2017 |
| Turkey | 7/28/2017 | $9,114 | 30 | 30 | 41 | $22,525 | 2/26/2019 |
| United Kingdom | 6/16/2017 | $501,830 | 345 | 393 | 1136 | $2,202,793 | 10/4/2017 |
| Rest of World | $1,017,634 | ||||||
| Worldwide Total | $7,582,196 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Brian Cox | Winston Churchill |
| Miranda Richardson | Clementine Churchill |
| John Slattery | Dwight Eisenhower |
Supporting Cast
| Ella Purnell | Helen Garrett |
| James Purefoy | King George VI |
| Julian Wadham | General Montgomery |
| Richard Durden | Jan Smuts |
| Danny Webb | Field Marshal Alan Brooke |
| Jonathan Aris | Leigh Mallory |
| George Anton | Admiral Ramsay |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Jonathan Teplitzky | Director |
| Alex Von Tunzelmann | Screenwriter |
| Nick Taussig | Producer |
| Paul van Carter | Producer |
| Claudia Bluemhuber | Producer |
| Piers Tempest | Producer |
| Tim Haslam | Executive Producer |
| Hugo Grumbar | Executive Producer |
| Jo Bamford | Executive Producer |
| Ian Berg | Executive Producer |
| Peter Hampden | Executive Producer |
| Phil Hunt | Executive Producer |
| Ian Hutchinson | Executive Producer |
| Zygi Kamasa | Executive Producer |
| Nick Manzi | Executive Producer |
| Norman Merry | Executive Producer |
| Michael Milillo | Executive Producer |
| Christopher J. Reynolds | Executive Producer |
| Andrea Reynolds | Executive Producer |
| Compton Ross | Executive Producer |
| Ronnell Shaw | Executive Producer |
| Mike Starr | Executive Producer |
| David Higgs | Director of Photography |
| Chris Gill | Editor |
| Lorne Balfe | Composer |
| Chris Roope | Production Designer |
| Cate Hall | Make up, Hair and Prosthetics Designer |
| Bart Cariss | Costume Designer |
| Dan Hubbard | Casting Director |