Turkey Box Office for Chronicle (2012)
Theatrical Performance (US$) | ||
Turkey Box Office | $411,161 | Details |
Worldwide Box Office | $123,681,790 | Details |
Home Market Performance | ||
North America DVD Sales | $8,378,674 | Details |
North America Blu-ray Sales | $7,818,225 | Details |
Total North America Video Sales | $16,196,899 | |
Further financial details... |
Synopsis
In the new century, we record, post and comment on every second of our lives, sharing our every emotion and opinion with the world, no matter how mundane. But for three friends who stumble upon a life-changing discovery, the chronicle of their ordinary lives is about to take an extraordinary turn.
Metrics
Movie Details
Production Budget: | $12,000,000 |
Turkey Releases: | April 13th, 2012 (Wide) |
Video Release: | May 15th, 2012 by Fox Home Entertainment |
MPAA Rating: | PG-13 for intense action and violence, thematic material, some language, sexual content and teen drinking. (Rating bulletin 2205, 1/11/2012) |
Running Time: | 106 minutes |
Keywords: | Found Footage, Psychics, Dysfunctional Family, Revenge, Bullies, Addiction, Romance, First Love, Action Thriller |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | 20th Century Fox, Davis Entertainment, Dune Entertainment |
Production Countries: | United States |
Languages: | English |
Blu-ray Sales: Grey Brightens Up Blu-ray
June 7th, 2012
Getting caught up on the Blu-ray sales chart after a massive overhaul of the database, which hopefully you didn't notice too much. We're splitting the two weeks into two articles, otherwise they would be just too cumbersome. We start with the week ending May 20th, which featured six new releases on the chart. Top spot went to The Grey with 375,000 units sold, but in terms of revenue, it was in second place with $7.50 million. Its opening week Blu-ray share was 51%, which even just last year would have been momentous, but now is standard for a first-run release for any action or adventure film.
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DVD Sales: A Colorful Couple Weeks on DVD
June 5th, 2012
After a major change on the back end of site, we have two weeks of home market numbers to get to, starting with the week ending on May 20th. New releases dominated the chart taking the top three spots and four of the top six. The Grey earned first place with 360,000 units / $6.12 million. This is a fine start given its theatrical run, but not an exceptional one.
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Blu-ray Sales: Underworld Reaches for the Sky
May 23rd, 2012
The same four new releases that charted on the DVD sales chart also charted on the Blu-ray sales chart this week, with just one addition. (And that one addition is actually related to the top film.) Leading the way was Underworld: Awakening, which earned $11.77 million from 590,000 units sold. Its opening week Blu-ray share was 56%, which is becoming commonplace for action films.
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DVD and Blu-ray Releases for May 15th, 2012
May 14th, 2012
It's not a bad week, for this time of year, with three films that are selling well, and two of those earned really good reviews. Unfortunately, I'm still waiting for those screeners. Also, after those three big releases, there's a sharp drop-off in sales strength and we quickly find releases that would be overlooked most weeks. As for the best of the best, both Chronicle and The Grey are contenders for Pick of the Week, but like I said, I don't have the screeners to judge the extras. Therefore, I'm giving that title to Being John Malkovich Criterion Collection Blu-ray.
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Weekend Estimates: Huge Weekend for Lorax Keeps Box Office on Track
March 4th, 2012
Universal will be celebrating this weekend as their good year gets a whole lot better thanks to the estimated $70 million opening of The Lorax. While not a record for March (a mark held firmly by Alice in Wonderland with $116 million), that will be enough for either second or third on the all time March openers list, basically level with 300's debut in 2007. Given its $65 million - $70 million production budget, the film will be a huge boost for the studio's animation arm. It also means that this weekend will be about 25% ahead of the same weekend last year.
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Weekend Wrap-Up: Vow Wows
February 13th, 2012
Another weekend, another win. For the sixth weekend in a row, 2012 has topped 2011 in the year-over-year, and like much of the year, it wasn't even close. The overall box office was up 66% from last weekend reaching $192 million. It was also 29% higher than the same weekend last year. All four wide releases beat expectations, sometimes by wide margins. Also, all earned more than $20 million, which is the first time that's happened on a non-holiday weekend. And two of them earned $40 million or more. Year-to-date, 2012 now has a 19% lead on 2011 at $1.19 billion to $1.00 billion. There is reason to be cautious however, as a lot of this growth is due to 2011 getting off to a disastrous start. It is still too soon to declare victory, but it is reason to at least be somewhat optimistic.
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Weekend Predictions: Will New Releases Keep 2012's Winning Streak Safe?
February 9th, 2012
2012 has beaten 2011 every single weekend so far and we could see that streak survive at least one more weekend thanks to three wide releases: Journey 2: The Mysterious Island, Safe House, and The Vow, plus a re-release, Star Wars Ep. I: The Phantom Menace. That's a crowded slate and normally I would assume one or more of the films would be squeezed out at the box office, but now I'm not so sure, as even the weakest amongst them is tracking for close to $20 million. By comparison, this weekend last year three films earned more than $25 million and only one new release failed to connect with audiences. So it could be a tough race, but I'm cautiously optimistic.
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International Box Office: More Milestones were not Impossible for Mission
February 8th, 2012
Mission: Impossible: Ghost Protocol has reached two milestones since last week, reaching $400 million internationally and $600 million worldwide. It added $24.31 million on 6,259 screens in 51 markets over the weekend and now has $420.83 million internationally and $626.03 million worldwide. Of its weekend haul, $20 million came from China, which was $7 million more than last week's opening.
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Weekend Wrap-Up: Many Reasons to Celebrate Weekend Results
February 7th, 2012
It was Super Bowl weekend, which apparently some people care about. (Not me. Go B.C. Lions!) The crossover audience between the Super Bowl and most movies is quite high, so it is no real shock that the box office was down compared to last weekend. However, it was only down 8% to $116 million. This was 33% higher than the same weekend last year. Both Chronicle and The Woman in Black topped expectations by significant degrees, while the weakest movie the top five missed weekend predictions by less than $1 million. Year-to-date, 2012 is ahead of 2011's pace by 12% at $964 million to $850 million. Before we get too excited, by this weekend in 2010, the box office had already pulled in $1.21 billion.
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Weekend Estimates: Chronicle and Woman in Black Vie for SuperBowl Honors
February 5th, 2012
The industry's healthy start to 2012 will continue this weekend thanks to two more good opening weekends. Chronicle is currently favorite to win the weekend, with Fox predicting a $22 million opening. CBS Films is pegging The Woman in Black at $21 million (a record for the fledgling studio). Both figures are predicated on historical models for SuperBowl Sunday, which can be a difficult day to predict, so the final order between the two could yet switch, although Chronicle is heavily favored to win at this point. Overall box office will be up about 35% from last year, although that reflects the very weak start to 2011. This weekend looks as though it will be about average for a SuperBowl weekend overall.
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Weekend Predictions: Will the Box Office Remain in the Black?
February 2nd, 2012
There are two important dates in February: Valentine's Day and Presidents Day. This weekend deals with neither of those, so it is probably going to be a little soft at the box office. On the other hand, all three films opening this weekend, Big Miracle, Chronicle, and The Woman in Black, have overall positive reviews and are averaging around 75% positive (That might change by the end of the evening as more reviews come in.) By comparison, this weekend last year saw the release of The Roommate and Sanctum, both of which earned terrible reviews and neither of which earned a lot at the box office. Those two films combined earned just under $25 million over the weekend, while there's a slim, slim chance The Woman in Black will make that much by itself. Even on the low end, the top two new releases should match that, while this year appears to have the advantage with depth as well. I'm almost feeling optimistic. ... I may have just cursed the box office.
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2012 Preview: February
February 1st, 2012
2012 got off to a great start, with January earning four wins in a row in the year-over-year comparison and finishing the month with a double-digit lead over 2011's pace. This has made me very hopeful going forward. That said, there are fourteen films opening wide or being re-released wide in February, and I don't think there's a $100 million hit in the group. In fact, I don't think any will get all that close to the century mark. There are several that should be solid mid-level hits and with a little luck, half of them could reached $50 million and there are five that could reach $75 million. Last February, Just Go With It topped $100 million while Gnomeo and Juliet came within $33,000 of doing the same. We won't replicate that this year, so we have to hope for a lot more depth. If films like Safe House, Journey 2, Ghost Rider 2, The Phantom Menace: 3D and The Vow all meet expectations, then perhaps 2012 will continue its hot start.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2012/04/27 | 10 | $32,271 | 50 | $645 | $313,148 | 3 | |
2012/05/11 | 9 | $10,042 | 47 | $214 | $377,583 | 5 | |
2012/05/18 | 11 | $7,440 | -26% | 33 | $225 | $393,306 | 6 |
2012/05/25 | 16 | $5,949 | -20% | 29 | $205 | $403,052 | 7 |
2012/06/01 | 17 | $3,008 | -49% | 12 | $251 | $411,161 | 8 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Austria | 4/20/2012 | $0 | 0 | 46 | 120 | $268,783 | 12/10/2015 |
Bahrain | 2/2/2012 | $0 | 0 | 1 | 10 | $13,812 | 12/29/2018 |
Brazil | 3/2/2012 | $0 | 0 | 1 | 1 | $1,067,697 | 12/6/2015 |
Denmark | 4/19/2012 | $0 | 0 | 49 | 78 | $289,453 | 12/6/2015 |
Germany | 4/19/2012 | $0 | 0 | 257 | 257 | $1,341,911 | 12/6/2015 |
Italy | 5/9/2012 | $474,058 | 318 | 318 | 632 | $1,103,520 | 12/10/2015 |
North America | 2/3/2012 | $22,004,098 | 2,907 | 2,908 | 13,597 | $64,575,175 | 11/24/2014 |
Serbia and Montenegro | 2/23/2012 | $0 | 0 | 7 | 14 | $13,716 | 12/29/2018 |
Turkey | 4/13/2012 | $0 | 0 | 50 | 171 | $411,161 | 12/29/2018 |
Venezuela | 5/18/2012 | $236,315 | 49 | 49 | 124 | $647,819 | 12/10/2015 |
Rest of World | $53,948,743 | ||||||
Worldwide Total | $123,681,790 | 12/29/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Dane DeHaan | Andrew Detmer |
Alex Russell | Matt Garetty |
Michael B. Jordan | Steve Montgomery |
Supporting Cast
Richard Detmer | Michael Kelly |
Casey Letter | Ashley Hinshaw |
Bo Petersen | Karen Detmer |
Anna Wood | Monica |
Rudi Malcolm | Wayne |
Luke Tyler | Sean |
Crystal Donna Roberts | Samantha |
Adrian Collins | Costly |
Grant Powell | Howard |
Armand Aucamp | Austin |
Nicole Bailey | Cala |
Lynita Crofford | Casey's Mom |
Royston Stoffels | Pharmacist |
Patrick Walton | Park Ranger |
Lance Elliott | Police Officer |
Nadine Suliaman | School Flyer Girl |
Pierre Malherbe | Police Detective |
Joe Vaz | Michael Ernesto |
Matthew Dylan Roberts | Ernesto's Neighbour |
Allen Irwin | Redneck Trucker |
Chelsea Nortje | Girl in Window |
Francois Coetzee | Girl In Window |
Hendrik Kotze | Priest |
Matt Adle | Newscaster |
Robert Clotworthy | Newcasters |
Daisy Torme | Karen Detmer Voice |
Chrystee Pharris | Samantha Voice |
Daniel Booko | Costly Voice |
Byron Thames | Howard Voice |
Matt Nolan | Austin Voice |
Charles L. Campbell | Pharmacist Voice |
Popeye V. | Park Ranger Voice |
Steve Kramer | Police Officer Voice |
Ashley Peldon | School Flyer Girl Voice |
Paul Pape | Priest Voice |
Jeff Fischer | Thug #3 Voice |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Josh Trank | Director |
Max Landis | Screenwriter |
Max Landis | Story Creator |
Josh Trank | Story Creator |
John Davis | Producer |
Adam Schroeder | Producer |
James Dodson | Executive Producer |
Matthew Jensen | Director of Photography |
Stephen Altman | Production Designer |
Elliot Greenberg | Editor |
Diana Cilliers | Costume Designer |
Andrea von Foerster | Music Supervisor |
Ronna Kress | Casting |
Patrick ‘Poc’ O’Connor | Art Director |
Fred Du Preez | Set Decorator |
Conrad Kuhne | Sound |
Karen Triest | Sound Designer |
Tim Walston | Sound Designer |
Kelly Oxford | Supervising Sound Editor |
Joe Barnett | Re-recording Mixer |
Tony Lamberti | Re-recording Mixer |
Mickey Kirsten | Special Effects Supervisor |
Simon Hansen | Visual Effects Supervisor |
Kerry Gregg | Stunt Coordinator |
Creig Buckle | Line Producer |
Katie Shapiro | Associate Producer |
Charlie Watson | Assistant Director |
Grant Appleton | Second Unit Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.